21st Raindance Film Festival Launch

The Raindance Film Festival , Europe’s largest independent film festival, enters its 21st year supporting and promoting independent filmmakers not just in the UK  but around the world. Established by Elliot Grove in 1992 as a unique new voice in British filmmaking, Raindance has grown in reputation and stature  with establishments opening in New York, Paris, Berlin, Toronto and many more cities around the globe. The festival has become a staple of the international film community and has seen the UK premieres of the likes of Pulp Fiction, Memento, The Blair Witch Project, Ghost World and Down Terrace. As Grove puts it, ‘There are two kinds of filmmakers in the world. There are those who are allowed into the sacred halls of film funding institutions and allowed to make their movies and then there is everyone else.’ Raindance has served as a platform for this second group for the past two decades. Grove recently took the podium at the Vue Cinema in Piccadilly to announce the the festival’s launch and give the press a taste of what’s on offering this year. Vue Entertainment are the official partners for the festival and are serving as the host venue this year. This year’s festival promises a bulging line up not just in the amount of entrants, but also in the diverse range of cultural background and formats.

raindance film festival 21st

The full lineup is comprised of over 300 films submitted from over 50 countries which span a multitude of genres from black comedy, romantic drama, science fiction and documentary. The opening night gala film is the documentary feature How To Make Money Selling Drugs while the closing night  is the homegrown sci-fi thriller The Machine starring Toby Stephens. Rather than forcing the submitted films into a main competition against one another, the festival has broken screenings into specific international strands highlighting filmmaking from around the world. These strands include the likes of Reel Britannia, Way Out East, North American Indies and La Dolce Italia. One that has major focus in this years festival is the Mexican Revolution strand. Often overlooked as a country of rich cinematic culture, Mexico has seven feature films and a collection of shorts on offer for its second year at Raindance and is so far the only Mexican strand in a UK film festival. It includes the international premiere of Sugar Kisses by director Carlos Cuarón (brother of Alfonso) and the Cannes Award nominee Fable of A Blood Drained Girl by Alejandro Iglesias Mendizabal. There are also several short documentary films from Syria in competition that cover the ongoing conflict in the region. Grove revealed during the press launch that the director behind one of these films had only just recently escaped from captivity and was in hiding for fear of recapture. As well as a bountiful international selection, there will be a wide variety in the Documentary and Raindance Symphony Orchestra strands, with subject matter covering Youtube sensations, small town Basketball teams and 80’s rock band Skum Rocks.

 

As well as the main festival, Raindance will  be hosting the UK’s first ever Web Fest, a ‘micro-festival’ (running on the 28th and 29th of September)  that celebrates the emergence of user generated content online and will feature audience panels covering technical specifications, audience development and the future of web television and crowdfunding.  There will also be world premiere screenings of several new web series including Producing Juliet, the new project from Tina Cesa Ward whose previous project, Anyone But Me, got over 35 million views online. It marks a major development in the way that the film industry can approach distribution and audience interaction as well as a thorough indicator of how far technology and accessibility have come in a consumer market, giving more and more people the opportunity to make the projects they want to make. As Grove explains, ‘Filmmakers need to adapt to how everyone consumes media today…we wanted Web Fest to offer guidance as to how to generate and manage your content as well as showcase emerging talent.’

 

The penultimate day of the festival will see The Raindance Awards Ceremony, where a selected jury hand out awards for categories such as International, U.K. , short, documentary and animation. The jurors come from a varied background of cinema, criticism and interactive media. They include the film critic Robbie Collin, actor Jason Flemyng, author Robert Rankin, singer Beth Gibbons and the journalist and Wikileaks founder Julian Assange. The later will have DVD’s of the films in competition delivered to him at the Ecuadorian Embassy in London. As well as the major awards, one short film will be named

‘Film Of The Festival’ and will be awarded and shortlist position for Academy Award nominees.

 

During the festival attendants will be able to pick up The Raindance Popcorn Pass, which allows for unlimited access to Raindance screenings at Vue Piccadilly. It costs £100 and comes with £20 pre-loaded for use at the foyer (not on alcohol though!) and also allows for 20% off retail items in the foyer. It is available to purchase until the 25th of September via 08712240242.

 

The 21st Raindance Film Festival runs from the 25th of September to the 6th of October at the Vue cinema, Piccadilly. For more information visit www.raindancefestival.org or www.myvue.com/raindance

 

Lauren Smith – fashion gold

After Graduate Fashion Week in June, Lauren Smith was the name on everybody’s lips as the young Scottish designer walked away with the coveted George Gold award. After recently graduating from Edinburgh College of Art with a BA in Fashion, Smith is now set to complete an MA in Textiles back in Edinburgh.

Yesterday, Frost caught up with Smith while showcasing her collection at the Graduate Showcase for Vauxhall’s Fashion Scout.

The 3 pieces you have on show today were taken from your graduate collection, what were your inspirations behind this?

My collection has been heavily inspired by the work of Dieter Roth. Two of his collections, “Diaries” and “Work Tables” are specifically important. I am intrigued by what we leave behind i.e. our thoughts, workings and secrets. As seen in his collection “work tables”, Roth discovered that what was left behind on our desks etc was actually sometimes more interesting than the final works. The sketches, scribbles and notes left aside aren’t planned or organised and it is this aspect I wanted to bring into the garments.

 

Roland Mouret described your collection as ’emotional’ – do you find that your personality comes into play a lot when you’re designing?

I always like to make my work personal, I feel like it’s the best way to introduce myself and work to the industry. I am so pleased Roland Mouret picked up on it with my graduate collection!

 

What materials did you use for your collection? Were these easy enough to come-by or did you struggle to source them?

I used a number of materials in the collection including leather, cotton canvas and cotton panama. The main focus of my collection was the manipulation and embellishments and so the materials weren’t particularly complex.

 

You won gold at this year’s Graduate Fashion Week – congratulations! – what are your plans now?

I have just started my MA in Textiles at ECA and am really looking forward to exploring a combination of textiles and fashion.

 

Where do you want to take your designs in the future?

I haven’t got a set plan for the future but I want to keep exploring and creating work that combines fashion textiles and illustration.

Fashion International

Fashion International is an event that champions up and coming labels and gives a platform to young talent. It is held every fashion week along side the more established designers

 

This year the show was held at Charing Cross Hotel in Holborn. Press and buyers were seated in the suite around a circular catwalk in the Betjeman Suite. The designers showing this year for the SS14 show the designers were Wajahat Mirza, AGA, Yuvna Kim ,Dee Duce and Gianni Lilliu.

The designer who really stood out from the crowd was Yuvna Kim. Her esquiste evening gowns, which caused the audience to gasp, are beautifully made and are embroidered with crystals,beads and pearls. What was so special about this collection was not only the way it was made, but that the fabrics were sheer leaving the models half naked,revealing their bodies under neither or nude underwear. This could have gone horribly wrong, but Kim manages to make the dresses elegant, sophisticated and sexy all at the same time.

Dress by Yuvna Kim

Dress by Yuvna Kim

 

Dress by Yuvna Kim

Dress by Yuvna Kim

 

Dress by Yuvna Kim

Dress by Yuvna Kim

 

Dress by Yuvna Kim

Other favorite looks were from Gianni Lilliu collection , which celebrates the female for and draws from the sculpt David Begbie’s studies of steel and bronze mesh. In particular a  gold and black baby dolls dress stood out, as well as the silhouettes and clean lines he managed to create with some great fabrics and materials throughout the collection.

Dress by Gianni Lilliu

Dress by Gianni Lilliu

 

Playsuit by Gianni Lilliu

Playsuit by Gianni Lilliu

 

Dress by Gianni Lilliu

Dress by Gianni Lilliu

 

Dress by Gianni Lilliu

Dress by Gianni Lilliu

Wajahat Mirza’s collection which was based on exotic birds also had some beautiful colourful and wearable evening gowns.

Dress by Majahat a]
photo-9
Sadly the thing that let down the show was the some of the too skinny models, which not only is a bad image to promote in the first place but it ruined the effect of the clothes, and instead of falling of the body as evening wear should it hung of them and didn’t show the clothes to their highest potential.
It is always good to see an events that champions young designers and Fashion International does it very well, putting on exiting events where the audience has a chance to mingle, meet the desingers and see some of the looks up close after the show over a glass of champagne.
Find out more about Fashion International here:
http://www.fashioninternational.co.uk

Liz Black SS14

“Perceive / Deceive” – the title of Liz Black’s Spring Summer 2014 presentation. A title that evokes mystery and wonder and invites the audience to make their own perceptions of the collection (or so the show notes tell me).

When first entering Black’s presentation room, I wasn’t quite sure what to make of it; just two models stood still next to sharp white structures while mannequins were spread around the room wearing different pieces of the collection; at the end of the room, a projector shone onto a white wall revealing snippets of models showing off looks from behind a screen – not something I’d experienced before. But then that’s the beauty of presentations – it’s a chance for designers to showcase their hard work in an environment that a runway might not allow, a chance to create an entirely new conceptual experience.

Going back to the title, Black’s collection was inspired by the optical artist Jesus Rafael Soto and the conceptual world of Venezuelan Kinetic “where you are invited to form your own personal perception of colour, line and touch”. Using these inspirations, Black created geometrical looks using bold colours of cobalt blue, greens and greys on structured materials with strong silhouettes.

Stand out pieces included an all-blue shorts and leather jacket suit with hair wildly quiffed at the front with a flash of cobalt blue smeared across the eyes. However, the most intriguing looks on show were structured dresses with black and white striped panels and flashes of either blue or yellow with 3D scaffolding-like structures.

The geometric features within the collection along with the sharp architectural setting of the room worked together to create the perfect showcase of Black’s optical concepts and inspirations. Although a little mystifying at first, I can’t help but feel that Black’s choice of presentation suited her collection perfectly, as a catwalk just wouldn’t have done it justice. For this collection, context was everything.

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Picks from the Somerset House Exhibitions

The exhibitions at Somerset House showcase the newest designers in jewellery, millinery, footwear and  the latest in contemporary women’s wear for press and buyers.

The exhibitions are one of the best  parts of fashion week. There is the chance to meet designers, see the collections up close and discover new talent. There is the eccentric, the sophisticated and the truly weird and wonderful, all in one place.
Frost  has picked a few favourites and ones to watch from this year so far…
JENA.THEO
Contemporary Womenswear designer
Founders Jenny Holmes and Dimitris Theocharidis offer luxury garments in  jerseys, silks and leather,and a great selection of denim pieces.The clothes cater and flatten women of all sizes and the collection features a number of great prints. A personal favourite is a fun shirt and trouser look printed with a skeleton.
Jena. Theo

Jena. Theo

image (1)

LUKE BROOKS
Luke Brooks is a CSM MA graduate collection features in this years Ones To Watch Section. His works are a selection of garments which are printed with rubbing he has taken from Graves Stones in  New England, USA, which had been carved by the early settlers (late 17th and 18th century stones).  The pieces are thought provoking and beautiful and the print work brilliantly with the shapes of the clothes and the lines of the body. This collection is truly unique and Frost looks forward to Luke Brooks next collection!
  Luke Brooks
HALO &CO
Jewellery
Halo & Co are exhibiting for the first time this fashion week.
They are a fun colourful brand with some innovative and exiting designs. The neck and shoulder piece decorate with gold elephants is completely unique and unlike any pieces of jewellery Frost has seen before.
Halo&Co
JACOB KIMMIE (Bathos)
Contemporary Womenswear
Jacob Kimmie collection Bathos is second in a trilogy of libertine works. There is emphasis on ‘eroticism, classicism and the ostentatious’. On walking into the room Frost was drawing to the rich colouring of the garments as well as the exiting and innovative pattern cutting techniques used. This is a truly beautiful brand and defiantly worth checking out.
SUMARIE
Couture Swimwear
Sumarie is a couture swimwear brand. The pieces are simple, sexy and elegant and if your looking for swimwear that is a little bit special this is the place to look.
submarie

Eugene Lin SS14

eugene lin ss14

Taking a step-back from his loud digital prints from last season, Eugene Lin has focussed his latest collection on clean, structured pattern-cutting with inspiration being drawn from Valkyries of Norse mythology.

A runway show full of pure whites, loud colour pops and immaculate pattern-cutting, Lin’s showcase was a complete set of outfits that anyone could pull straight from the catwalk and make their own. From neat high-waisted trousers and mid-length skirts to structured strapless dresses and a precision-cut orange jacket worn with nothing underneath, each piece spoke for itself.

But while the whole collection was stunning, a few pieces really stole the show. The first look to appear from behind the white walls at the Fashion Scout hall was a stunning crisp white t-shirt and pleated mini skirt combination; clean, elegant and chic. While a more vibrant pumpkin orange shift dress with structured, boxy skirt and side pockets on precision cut fabric took the dress to a whole new level of sophistication. However, more detailed pieces were sent down the runway in the form of sharp black jackets and trouser suits featuring feather prints which were inspired by the wings of a Valkyrie – female spirits of battle who could transform into swans.

This season Lin presented a showcase of deluxe ready-to-wear pieces that would make any woman proud to adorn; he is going from strength to strength and we love his direction.

(Image: Yahoo.com)

London Shooting Club Offering Downton Experience | Things To Do

shooting, gun, guns, shotguns, clay pigeon shootingLooking for something different to do? At Frost we love clay pigeon shooting. If you want to try it yourself The London Shooting Club is an exclusive members club and concierge service that specialises in providing access to the finest shooting experiences in the UK and internationally. The London Shooting Club is very pleased to offer a bespoke shooting experience to both members and non-members that will make you feel as if you have stepped into the cast of Downton Abbey. Release your inner Lord & Lady Grantham as you shoot game on the estates of the finest of Britain’s stately homes including Highclere Castle where Downton Abbey is actually filmed.

Spend the day with The London Shooting Club taking aim at everything from pheasant to partridge in the ground of Britain’s most stunning homes and you may even catch a glimpse of the real Lord & Lady Grantham. So if you want to relive the golden era what better way than a day with The London Shooting Club.

Based at the prestigious West London Shooting School but using various prestigious shooting grounds around London, The London Shooting Club offers unrivalled access and expertise to those interested in shooting, from beginners wishing to take up the sport, to the advanced. Working with leading experts and top shoots to arrange group trips, tailored experiences and instruction in all disciplines of shooting, whether it be a shooting clinic, a training session, private trips to venues of special interest or a talk from leaders in the field of shooting.

It can be hard for city-bound shooting enthusiasts to find quality places to shoot or even just enjoy the company of other followers of the sport. The packed diary of social evenings, lectures and parties which each bring something a little different, often including the chance to meet leading experts, entry into London’s exclusive private member’s clubs, and late night revelry.

The London Shooting Club also offers a concierge service for both private and corporate members and their guests providing high quality shooting throughout the UK and abroad. The Club uses its extensive network of contacts and experience to give its members the best shooting throughout the year.

The London Shooting Club will have four membership levels. Beginner for those looking to learn to shoot, Competent for those who are looking to return to the sport or progress from a novice level and Advanced that is ideal for those shots who are of intermediate to advanced level and able to book game shooting days. The London Shooting Club finally also offers a corporate membership. To get the most out of Shooting Club membership, you need to be comfortable and safe handling a firearm – but it is fine if you’re rusty! Shooting Club Membership is £335 payable annually for Competent and Advanced memberships whilst the beginner membership is £195 annually.

The London Shooting Club
W: http://www.londonshootingclub.com
Twitter: https://twitter.com/LondonShooting
FB: https://www.facebook.com/TheLondonShootingClub

Statley Homes include
Highclere Castle
Blenheim Palace
West Wycombe Estate
Belvoir Castle
Ashcombe
Great Tew
Chavenage
Ashcombe House

Plastic Bags To Cost 5p From 2015: Why It’s a Good Thing.

It has taken a long time but there will finally be a charge for plastic bags. Plastic bags are to cost 5p in England in a bid to discourage their use. Deputy Prime Minister Nick Clegg will unveil the plan at the Liberal Democrat party conference this weekend. Scotland will charge from October 2014 and charges for single use plastic bags are already in use in Wales and Northern Ireland.

environment, effect of plastic bags on environment, plastic bags to cost money, plasric bags, wildlife,

The charges will apply to supermarkets and larger stores and the proceeds will go to charity. Watch the video below to learn why Frost thinks this is such a good thing. Plastic bags have a bad effect on the environment and can kill or hurt animals.

Here are our top 5 reasons why it is a good thing:

1: Stray bags choke and strangle wildlife around the world
2: Production of plastic bags requires millions of gallons of petroleum.
3: Less plastic bag use would significantly reduced carbon dioxide emissions.
4: In 2006, the United Nations found that each square mile of the ocean has 46,000 pieces of plastic in it. We don’t want to add to this.
5: There would be less plastic bags littered around, leaving the world a much more beautiful place. Over one trillion plastic bags are used worldwide each year and 3-5% of these are recycled

What do you think?