One third of the nation has admitted to having their first kiss with a new partner in front of a TV, during date night. Love Actually has been voted the nation’s favourite date night movie with 62 per cent agreeing that the classic British film is a winner to get partners in the romantic mood.
The lifestyle study of 2,000 daters, commissioned by TalkTalk TV, found that women wait until the 5th date to suggest a night in front of the TV with men being a little keener and offering it as a 3rd date activity. 1 in 6 people also admitted to feeling awkward and embarrassed if their partner suggests TV with lots of sex scenes or steamy romance.
Comedy was highlighted as being the winning genre with 2/3 of people agreeing a romantic comedy will lead to a successful date but unsurprisingly horror was voted the worst with 55% of people predicting The Exorcist would result in a disastrous date. Careful selection is critical with 1 in 10 people said that a lousy choice of film would be just cause to break up and over 20% of couples asked had argued over their partner’s TV choices.
The research also found that 15% of people have put on a specific film or genre to get a reaction from their partner e.g. rom coms are seen by 2/3 as a sure fire way to get partners feeling romantic.
Top 10 best films for a date
Top 10 worst films for a date
1. Love Actually
1. The Exorcist
2. Notting Hill
2. Schindlers List
3. Dirty Dancing
3. Texas Chainsaw Massacre
4. Pretty Woman
4. Nightmare on Elm Street
5. Bridget Jones’ Diary
5. Star Wars triology
6. Titanic
6. The Terminator
7. Forest Gump
7. Die Hard
8. When Harry Met Sally
8. Spice World
9. Groundhog Day
9. Basic Instinct
10. There’s something about Mary
10. American Pie
Foreign language films and documentaries were also voted as least likely to incite passion on date night.
What do all of these pictures have in common? Answer: Tyler Shields.
“Young Hollywood’s Favourite Photographer” (Daily Mail)Tyler Shields is opening his vault to release a series of images that fan the fire of controversy surrounding his shoots which include Francesca Eastwood and the Burning Birkin, Mischa Barton licking her raw meat, Tamara Ecclestone rolling naked in a million pounds and Glee’s Heather Morris domestic violence poses.
Alongside new images from these shoots are even more controversial images of Zachary Quinto, Emma Roberts, Ashley Greene, Lydia Hearst, Alex Pettfer, Dianna Agron, Demi Lovato and many more glamorous Hollywood stars who get dirty like you’ve never seen them before.
PALOMA FAITH WILL CURATE AN EXHIBITION OF HER ICONIC IMAGERY IN NOVEMBER
Paloma Faith, along with Album Artists, is curating an art exhibition comprising a selection of her album artwork and iconic imagery since her debut album was released in 2009. The exhibition will display stunning, limited edition and critically acclaimed images by photographers David Standish and Finlay Mackay, and live photography by Saul.
Paloma, whose striking and unmistakeable image has quickly elevated her into a style icon, has been steering the creative direction of her promotional images from the start of her career. Couture, custom made clothing, dazzling hair and makeup, have all been captured in photo form for public display to become some of the most dramatic and celebrated album art images, now available to own.
The works, range from 50 cm to 1.6 meters in length, include posters, limited edition high quality prints (signed by Paloma and the photographer), and very limited, large beautifully printed and framed photographs, also signed by Paloma and the photographer.
Paloma said
‘I am thrilled to be able to exhibit these artworks. The photographers involved are all amazing and I am so proud to have worked with them. I am extremely hands-on with my visuals, and collaborate very closely with photographers to achieve the final image.
‘In an age where we are all downloading music, it’s wonderful to be able to appreciate fully the work that goes into creating the beautiful imagery surrounding an album.’
In the video above Paloma Faith discusses her efforts to create spectacular album art in the digital age, and her experiences with the “poetic and sensitive” David Standish compared with the “dynamic and physical” Finlay MacKay and Saul who Paloma has known since she was 18 and who she can trust to get her “right angles, which are the bane of a woman’s life.”
At last, almost a decade after the original Rome Total War – Rome 2 returns to your PC. The game is famous for combining both a turn based grand strategy on a campaign map and glorious real time tactical battles.
After using the useful Steam pre-load feature to install the game before release, I leap straight into the grand campaign as Macedon. The year is 272BC and Macedon is still trying to recover from the break up of Alexander the Greats empire. First impressions are good, the campaign map is beautifully detailed, looks fantastic and is absolutely huge. There are now hundreds of different smaller factions alongside the main ones. The first thing I do is expand a city and I watch in delight as my old wall is knocked down and new buildings leap up out of the ground. Cities expand randomly in any direction and it never gets dull watching it.
It takes a while to get used to the new user interface but eventually I did. Turns now last a whole year which is a bit disappointing since it was nice to see how the campaign map change in winter. I really liked the new diplomacy system. It’s quick and easy to see who’s allied and who’s at war. You can now see in detail why a faction doesn’t or does like you. The AI is a tough negotiator. As Macedon I start off at war with a small town to my east. A couple of turns in and the enemy AI offers me peace but demands money, a few turn later and with my army massing near his border I’m able to bully the AI and he accepts not only peace but he also now pays me a hefty sum. I set off to attack his neighbor instead. It can be a bit tricky to set up trade deals (the AI often demands huge payments) however if you work at it, for example by starting with a non-aggression pact first, you can get them done. As you go further into the game and become more powerful smaller nations will come to you begging for trade agreements and alliances.
Its a positive start but sadly the longer I play the game the more apparent Rome 2’s flaws become. Most of them are with the Rome 2 battle engine. Unfortunately Creative Assembly has completely dropped the ball with this and it feels like a real step backwards for the series. Battles are stupidly quick. Men die in seconds and armies of thousands are lost in a couple of minutes. There’s almost no time to properly position and manoeuvre your troops. It takes all the fun out of the game. Worse still units struggle to maintain any formation or cohesion. Most battles result in one big brawl. That’s fine if its a bunch of barbarians but when my Hoplites abandon there beautiful phalanx and sprint towards the enemy its very frustrating. It’s the total opposite to the joy of of a Hoplite phalanx battle in Rome 1.
There are other major issues with battles. Some bright spark has decided to place capture points on battle maps. It’s beyond stupid. Deploying your troops to defend is now pointless. In old games you could retreat to high ground or some woods to use the terrain to your advantage, not now. If you lose the capture point you lose the battle. My entire Macedonian army of 2000 men is destroyed despite only losing 11 men in a battle because I didn’t realise there was a capture point.
There are other problems as well. Battles feel arcadey, many of the unit abilities feel manufactured and fire javelins and fire camel archers just seem over the top. What’s upsetting is that almost all these problems could have been avoided with even a small amount of testing or feedback. What’s clear throughout the game is that Creative Assembly’s decision making process is flawed. The battle AI is another weakness. The AI is especially poor during sieges although that has always been the case with Total War games.
Another example of poor decision making is the removal of faction family trees, so beloved by fans. It means you now don’t really care who’s head of your faction much less who might take it over. It’s not helped by some very poor character portraits.
You now choose to upgrade your generals in the way you want. This is not nearly as fun as in Rome 1 where the game would automatically attribute your generals and governors new abilities based on their performance and your actions. Win a load of defensive battles and your general would become a great defender and get a bonus defending, recruit lots of mercenaries for a long time and your general might get a discount in the future. Leave a governor to rot in a small province and he would become a corrupt drunk. Now I win a land battle and I can upgrade my generals naval abilities if I so choose. It makes your generals feel less like real people and it makes you less attached to the game.
Army traditions are great new feature. Armies now develop abilities over time with the more battles they win. Again though this would be a lot better if it was automatic rather than the player choosing the upgrades. The new unit cards have divided opinion but they have really grown on me. They look like units might have done on ancient pottery and they look absolutely beautiful. In some areas the game is overly complex such as with spies, emissaries and champions. The roles of these specialist units are still very unclear to me. Simpler defined roles would have been better.
I don’t want to come across as overly critical. The game is fun too play and there is a lot that’s good about it. It’s clear that CA has some very talented people and I feel for those in the team who’ve done their jobs extremely well. (Not least the marketing department who have done a fantastic job with trailers and rally point etc.) There’s some fantastic work in this game (The great animations, sound track, huge number of detailed units to name a few), and some good new ideas and features as well. The trouble is there are also some basic mistakes and the battles are just wrong at the moment. It’s more than just poor execution and polishing its about fundamental errors made at the decision stage and you get the strong impression that the game lacked any strong leadership from an overall designer who new what they were doing. It’s a real shame because there are clearly incredibly talented people at CA
You can’t help but think that if you could take the best bits of Rome 1 and Rome 2 you could have an incredible game. All hope is not lost. Creative Assembley are promising a patch on Friday and subsequent patches after that. There is tremendous potential here but you might want to hold off for the moment to see if things get fixed or until the modders start to fix what CA couldn’t.
Overall Score 7/10 (but could be 9/10 with good patching)
The Great
Epic Map Unit Stances (force marches, building forts etc) adds a lot to campaigns Huge number ofFactions and Different Units Expanding cities
Bringing in fleets – particularly to help with sieges is awesome
The Good
The tech trees and there diversity across different factions Army Traditions – Great new feature Diplomacy Provinces and Edicts – I like the way cities are now broken down into different provinces. It takes some getting used to but it adds an interesting new dynamic. Campaign AI – It’s early days but it seems to be doing a pretty good job so far
The Bad
Politics – has potential but lacks clarity and feels like your just trying to stop bad things from happening. Huge error to not include Faction Family Trees. No seasons (1 year turn) – Should be at least every 6 months Battle AI is weak especially during seiges
The Terrible
Battle Gameplay
Capture points in battles – No need to explain this
A host of celebrities including Poppy Delevigne, Jade Jagger and Dita Von Teese gathered last night (4th September) to launch the Karstadt “Feel London” campaign at the recently renewed Karstadt Dusseldorf store.
Feel London, Karstadt’s fall marketing campaign, will launch nationwide in all 83 Karstadt stores.
At the launch event there were numerous in-store activities including tee-shirt printing, lessons on how to walk in high heels, styling advice, activities by Sebastian Conran Food Design, and performances by “busking bands” such as the Watling Band imported from London – all designed to turn Karstadt Dusseldorf into the vibrant metropolis of London for the evening. Approximately 1,900 celebrities and guests attended.
It appears that during the average working week women clock in at least 20 per cent more hours than men.
A major study claims that because of housework and childcare, career women are working much longer hours than men.
A study by researchers at Cambridge University in England has found that women who work outside the
home still do the bulk of the domestic chores, including picking the kids up from school, helping with
homework, cleaning and cooking. So even though men tend to spend more hours at the office, often
because they are in management positions and earn higher salaries, it is the women who are actually on-
the-go for longer.
It’s certainly not 50-50 in terms of work on the job and at home then.
A recent survey undertaken by luxury tanning brand Vita Liberata attracted thousands of entries. Their question? Purely and simply, what would a woman do if they had 24 hours entirely to themselves, with no responsibilities, no financial issues, no worries at all.
Top 10 responses:
1. 78% were so knackered all they wanted was a day to rest
2. Shopping! No surprises there ..
3. 8% wanted to go for cocktails
4. The top 3 destinations to spend a day ‘out’ are New York,
London or Paris
5. Go to Nashville and visit the home of Elvis Presley
6. Watch Barcelona football team – at their home ground
7. 98% chose not to include their husband in their day off
8. Do makeup on a Hollywood film set
9. 5% wanted an active day – bungee jumping, skiing, white
water rafting, being the most popular
10. Drive the 5 fastest cars in the world
* Taken from Vita Liberata’s Liberation Day Survey
Most surprising result is that all most women* want is a Spa Day… time to themselves, to rest, relax and be pampered. Lack of imagination or just sheer exhaustion??
It’s that time of the year again when the days start to shorten and the green leaves of summer begin to turn and fall – the perfect time to get that striking landscape snap. Whether you’re a novice or professional photographer, the experts from SmugMug have compiled their top 10 tips on how to achieve that perfect landscape shot.
1. Explore your surroundings – Part of the enjoyment of landscape photography is being out in nature. More often than not, guidebooks miss those special secret spots so make sure you spend time exploring and observing your surroundings to get the lay of the land. For example, how the sun moves at different times of the day, or the different points of view. It will take time and patience to discover the perfect scene.
2. Get in position – Once you’ve discovered your scene, find out where you should shoot from to get the best results. Working out where the sun will rise and set, and the sun’s position in relation to you and your landscape, will ensure you’re in the right place at the right time.
3. Try another position – After you’ve got your shot, walk or drive closer to the subject and try again. Proximity will make the subject strike you in a different way.
4. Think of your foreground – One element that can set apart your landscape shots is the foreground. By placing points of interest in the foreground, you allow those viewing the shot a way into the image as well as creating a sense of depth in your shot.
5. The rule of thirds – If you’re new to landscape photography, try using the ‘rule of thirds’. Simply divide your frame into imaginary thirds on both the horizontal and vertical axis. Now simply place areas of interest at the points at which the lines intersect, or along one of the lines. This will give the composition of your shot more tension, energy and interest than simply centring the subject would.
6. Scale – When your subject is of unspecified size. For example, a mountain, or a body of water. Add a sense of scale by including something of known size, such as a car, tree or animal. This will help the viewer understand what they’re looking at.
7. Preparation is key – Rain can damage or ruin your camera, but it can also make for a great picture. Make sure you always carry a good umbrella, a box of plastic bags, a small tarp and a towel with you to to ensure your equipment stays safe.
8. Layer up – Add multiple layers to your composition beyond the main subject, such as foreground and background elements to create interest, depth and texture.
9. Golden hours – Always try to shoot before sunrise or after sunset—the times when the light is best. Use the harsher light of midday to scout out your location.
10. Do your research – If you are staying in one place for several days, check out the long-range weather forecast and plan your shoots around the weather that is best for specific subjects.
Visit www.smugmug.com for a free 14-day trial. Membership starts at $5/month.
Leading makeup brand COLLECTION is partnering with British girl band Little Mix to launch a makeup range that will let fans recreate each girl’s signature look.
Best known for on-trend colour cosmetics, COLLECTION has been working closely with global pop sensations Jade Thirlwall, Jesy Nelson, Leigh-Anne Pinnock and Perrie Edwards to develop “Little Mix by COLLECTION’.
The four-piece shot to fame when they became the first girl group to win X-Factor. Their debut single ‘Wings’ soared straight to number one in the UK charts and international success swiftly followed when they reached number four in the US Billboard chart with their debut album ‘DNA’.
Not only are the girls known for their music but their very individual style and this has been reflected in the selection of products in each girl’s range. Perrie Edwards says, “We are so so excited to unveil our new range to all you makeup lovers out there. As you know we all love dressing up and experimenting with different looks, so creating our own makeup was a dream come true. We designed the collection ourselves and we’ve all chosen products that reflect our personalities”
Little Mix by Collection will hit stores in September so watch this space!