Have You Got What It Takes To Be a Top Model?

– Have you ever dreamt of being plucked from obscurity and becoming a professional model?

 

(From C, clockwise) British model Lily DAre you ready to become a professional model? StarNow the UK’s number one casting website and the world’s leading site for online auditions and jobs – is working with three of the world’s top model agencies to find up-and-coming models, and you could be the face that they’ve been looking for. The StarNow Global Model Search begins on the 4th September 2013, offering the chance for every day girls and guys to step into the world of modelling and change their lives forever! Could this be your year? To find out more go to www.starnow.com/globalmodelsearch2013.

 

Now in its second year, the Global Model Search has already provided the perfect platform for one of last year’s winners, Rebeca Marcos, who recently fronted a campaign for Topshop, beating over 3000 other model entrants “Being part of StarNow’s Global Model Search has been a fantastic experience for me and a whirlwind journey. It’s one of those things that I never really thought I could win, but StarNow have created an amazing campaign that is also supported by Models1, LA Models and Vivien’s Model Management, who all have great global reputations. This model search really does provide the perfect opportunity for young models to take their first steps into the industry”  

 

Jasmine Taggart from StarNow “We have a very strong track record of helping and supporting talent across the globe and the Global Model Search is a great chance for us to work with our partners (Models 1, LA Models & Vivien’s Model Management) and discover aspiring models in different countries. Rebeca has been a great ambassador for us and shows that talent can be discovered anywhere and at anytime.

 

This year’s winner could end up working with a major fashion brand, as Rebeca has done, or even be the face of a cosmetics giant – the opportunities are endless”

 

The StarNow Global Model Search is free to enter and is open to anyone from around the world aged 14 to 21. The competition runs from 4th September 2013 to 2nd October 2013, just go to – www.starnow.com/globalmodelsearch2013 to register!

Errol Douglas MBE Wins Creative Talent At Creative Head Most Wanted Awards

Errol Douglas MBE, one of the world’s most influential hairdressers, has secured the coveted Creative Talent 2013 honour, awarded to “a creative director or senior stylist with exceptional artistic skills”, at this year’s Creative Head Most Wanted Awards 2013. The A List Stylist, with over 3 decades in the industry, is also a nominee (his 17th consecutive nomination) for British Hairdresser Of The Year, the current President of the British Fellowship For Hairdressing and Hair Magazine’s 2013 “Hair Hero” winner. He recently launched a range of electrical tools in Boots Stores, including the first Keratin-capsule system heated styler on the high street

errol douglas, wins, award

Douglas is known for his spectacular photographic work, his highly respected mentor role within the industry and his established Belgravia salon with high profile clients spanning film, fashion, music and business. On his win, Douglas said: “I love this industry, I’ve loved it since I first began at 11 years old, and to be recognised in this way is an absolute honour. I’m obviously delighted”

Congratulations from us Errol.

More Than Honey | Film Review

Acclaimed Swiss director Markus Imhoof’s new project More Than Honey has made a noticeable splash in the world of documentary filmmaking, picking up numerous awards including a Lola (German Film Award) for best documentary. It is a simple yet elegantly composed film confronting a frighteningly contemporary issue; the unexplained deterioration of the global bee population. The downward spiralling figures of colonies over the past fifteen years and across nations have left scientists and bee farmers dumbfounded. The long term effects of ‘colony collapse disorder’ (as the phenomenon has been named) could be devastating for both agriculture and economy worldwide. Imhoff travels across the world and meets various beekeepers, business owners and scientists as they explain the disaster confronting them and what they believe to be the causes behind it.

more-than-honey film review

 

In his approach to what admittedly sounds like fairly dry subject matter, More Than Honey fuses fact and humanity in an engaging and subtle manner that avoids any sense of preaching. The film has running narration from Imhoof referring to his childhood memories of beekeeping in his family and remembering its unique mix of family values and commerce. The English translation is provided by the great actor John Hurt,  whose warm tones still have an air of sombre fragility that match the tone of Imhoof’s recollections and findings. Rather than settle on traditional talking head interviews, the film takes its time with every subject, spending time observing them in their specific locale and professions. One of the most memorable subjects, beekeeper Fred Jaggi, is shown in particular methodical detail in his native German countryside, from tending to his hives to terminating rogue queens (ie. queens guilty of infidelity!). There are no hurried edits, no voiceovers layered over his own and no artificial sentiments. As a result there is far more genuine empathy than a lot of other documentaries would be able to muster even with potentially more attention grabbing subject matter. The sight of the old man’s calm yet forlorn face as a lost beehive is burned speaks volumes.

 

Then there is the astonishing footage of bees themselves, filmed in their natural habitat with micro cameras and in stunning high definition quality. Looming out of their honeycombs and swarming over one another and their queens, the footage captured is at once bizarre, otherworldly and yet oddly beautiful; the smallest aspects of nature blown up to epic scope cinema. Anyone uncomfortable around insects may obviously find this approach not entirely comfortable but it makes a refreshing change from the normal depiction of insects in cinema as a source of disgust or stupidly vengeful nature. Rather the film refreshingly focuses on the unwarranted wrath that we may have foisted upon them.

 

It is possible to argue that Imhoff doesn’t bring his intertwining threads to a thorough conclusion but since this is an ongoing environmental crisis, a pat ending for comforts sake would ring false. Though there is a sliver of hope provided, Imhoff wants to keep this mysterious epidemic fresh in the viewer’s perspective and get them thinking and talking about something that we take for granted being in genuine danger of disappearing completely. With a clear vision and unfussy style, he has constructed and powerful understated wake up call.

Most Common Laser Eye Surgery Questions – Answered

If you rely on glasses or contact lenses day-in-day-out, then it’s likely that you’ll have considered the option of laser eye surgery at some point or another – after all, being able to see without your trusty specs would change the way you live your day-to-day life.

But, when you do decide to make the decision to opt for the op, although it’s likely that you’ll be feeling quite excited towards the prospect of being able to fully see on your own, it’s also likely that you’ll be feeling a little apprehensive towards it all, too.

It’s not uncommon for your head to be filled with a plethora of uncertain queries and questions about the surgery ahead, so it’s important that you’re fully briefed beforehand in order to fully put those uncertainties to rest.

In order to help you do just that, here are three of the most commonly asked questions, along with their answers, so you can go ahead with the surgery with full confidence, should you wish:

1. “What Is The Difference Between LASIK and LASEK eye surgery?”

So, you’ve turned to the Internet to help and give you a little more information on the general procedure, only to find two different acronyms – LASIK and LASEK – sprawled over every page – now you’re completely confused. Are they the same thing, or do they mean completely different things entirely?

Well, it’s the latter, as they are used to refer to two different procedures; Laser Assisted In Situ Keratomileusis (LASIK) is surgery that involves lasering beneath the front surface of the eye. This procedure involves cutting a very thin flap of skin on the cornea and lasering underneath it. As it doesn’t cause a wound to the eye, it is usually painless.

Laser Assisted Sub Epithelial Keratomileusis (LASEK) involves lasering the surface of the cornea under the epithelium. As this takes a little longer to heal than LASIK eye surgery, post procedure can sometimes cause some slight discomfort.

Although your optician will usually recommend which procedure will be right for you, your needs and your sight prescription, the end choice is entirely up to you. However, if you’re still unsure, then laser eye specialists such as Optimax can assist you with any worries, queries and questions that you may have, taking care of your needs from start to finish.

2. “Does Having Laser Eye Surgery Hurt?”

No, there is no pain during laser eye surgery due to the application of anesthetic eye drops at the start of the procedure. However, some people may experience a slight discomfort after the surgery depending on the type of surgery they have.

For example, if you have LASIK eye surgery, the recovery period is normally completely pain-free. Any discomfort that you may experience afterwards can be easily relieved with the help of over the counter painkillers.

LASEK surgery however may require a little more aftercare in order to minimise any discomfort during the healing process. Drops or tablets are often needed for the next couple of days after the surgical anesthetic has worn off.

3. Finally, “Is It Safe?”

Laser eye surgery is now a common choice for people all over the world – so much so that two million treatments are now carried out annually.

As with any surgery, there are small risks involved, but thanks to excellent research and the low occurrence of major side effects, the procedure is now performed all over the world.

The Best & Worst Date Movies

Best & Worst Date MoviesOne third of the nation has admitted to having their first kiss with a new partner in front of a TV, during date night. Love Actually has been voted the nation’s favourite date night movie with 62 per cent agreeing that the classic British film is a winner to get partners in the romantic mood.

The lifestyle study of 2,000 daters, commissioned by TalkTalk TV, found that women wait until the 5th date to suggest a night in front of the TV with men being a little keener and offering it as a 3rd date activity. 1 in 6 people also admitted to feeling awkward and embarrassed if their partner suggests TV with lots of sex scenes or steamy romance.

Comedy was highlighted as being the winning genre with 2/3 of people agreeing a romantic comedy will lead to a successful date but unsurprisingly horror was voted the worst with 55% of people predicting The Exorcist would result in a disastrous date. Careful selection is critical with 1 in 10 people said that a lousy choice of film would be just cause to break up and over 20% of couples asked had argued over their partner’s TV choices.

The research also found that 15% of people have put on a specific film or genre to get a reaction from their partner e.g. rom coms are seen by 2/3 as a sure fire way to get partners feeling romantic.

 

Top 10 best films for a date Top 10 worst films for a date
1.    Love Actually 1. The Exorcist
2.    Notting Hill 2. Schindlers List
3.    Dirty Dancing 3. Texas Chainsaw Massacre
4.    Pretty Woman 4. Nightmare on Elm Street
5.    Bridget Jones’ Diary 5. Star Wars triology
6.    Titanic 6. The Terminator
7.    Forest Gump 7. Die Hard
8.    When Harry Met Sally 8. Spice World
9.    Groundhog Day 9. Basic Instinct
10.  There’s something about Mary 10. American Pie

 

Foreign language films and documentaries were also voted as least likely to incite passion on date night.

Mischa Barton Licks Meat, Heather Morris Bruises Up & Tamara Ecclestone’s £1m Naked Cash Roll

Mischa Barton Licks Raw Meat

Tyler Shields, Mischa Barton, licking meat, picturew, photography

Glee Star Domestic Violence Poses

heather_morris.black eye

Tamara Ecclestone £1m Naked Cash Roll

tamara_ecclestone naked

Burning Birkins

Birkin burning

What do all of these pictures have in common? Answer: Tyler Shields.

“Young Hollywood’s Favourite Photographer” (Daily Mail) Tyler Shields is opening his vault to release a series of images that fan the fire of controversy surrounding his shoots which include Francesca Eastwood and the Burning Birkin, Mischa Barton licking her raw meat, Tamara Ecclestone rolling naked in a million pounds and Glee’s Heather Morris domestic violence poses.

Alongside new images from these shoots are even more controversial images of Zachary Quinto, Emma Roberts, Ashley Greene, Lydia Hearst, Alex Pettfer, Dianna Agron, Demi Lovato and many more glamorous Hollywood stars who get dirty like you’ve never seen them before.

The book is available for here: The Dirty Side of Glamour

Paloma Faith Discusses her Album Art

PALOMA FAITH WILL CURATE AN EXHIBITION OF HER ICONIC IMAGERY IN NOVEMBER

Paloma Faith, along with Album Artists, is curating an art exhibition comprising a selection of her album artwork and iconic imagery since her debut album was released in 2009. The exhibition will display stunning, limited edition and critically acclaimed images by photographers David Standish and Finlay Mackay, and live photography by Saul.

Paloma Faith

Paloma, whose striking and unmistakeable image has quickly elevated her into a style icon, has been steering the creative direction of her promotional images from the start of her career. Couture, custom made clothing, dazzling hair and makeup, have all been captured in photo form for public display to become some of the most dramatic and celebrated album art images, now available to own.

Paloma Faith. ,Art work, music

The works, range from 50 cm to 1.6 meters in length, include posters, limited edition high quality prints (signed by Paloma and the photographer), and very limited, large beautifully printed and framed photographs, also signed by Paloma and the photographer.

Paloma Faith

Paloma said

‘I am thrilled to be able to exhibit these artworks. The photographers involved are all amazing and I am so proud to have worked with them. I am extremely hands-on with my visuals, and collaborate very closely with photographers to achieve the final image.

‘In an age where we are all downloading music, it’s wonderful to be able to appreciate fully the work that goes into creating the beautiful imagery surrounding an album.’

Do_You_Want_the_Truth_or_Something_Beautiful

In the video above Paloma Faith discusses her efforts to create spectacular album art in the digital age, and her experiences with the “poetic and sensitive” David Standish compared with the “dynamic and physical” Finlay MacKay and Saul who Paloma has known since she was 18 and who she can trust to get her “right angles, which are the bane of a woman’s life.”

New_York

dress.1What is your favourite?

Rome 2 Total War Review

At last, almost a decade after the original  Rome Total War – Rome 2 returns to your PC. The game is famous for combining both a turn based grand strategy on a campaign map and glorious real time tactical battles.

After using the useful Steam pre-load feature to install the game before release, I leap straight into the grand campaign as Macedon. The year is 272BC and Macedon is still trying to recover from the break up of Alexander the Greats empire. First impressions are good, the campaign map is beautifully detailed, looks fantastic and is absolutely huge. There are now hundreds of different smaller factions alongside the main ones. The first thing I do is expand a city and I watch in delight as my old wall is knocked down and new buildings leap up out of the ground. Cities expand randomly in any direction and it never gets dull watching it.

It takes a while to get used to the new user interface but eventually I did. Turns now last a whole year which is a bit disappointing since it was nice to see how the campaign map change in winter. I really liked the new diplomacy system. It’s quick and easy to see who’s allied and who’s at war. You can now see in detail why a faction doesn’t or does like you. The AI is a tough negotiator. As Macedon I start off at war with a small town to my east. A couple of turns in and the enemy AI offers me peace but demands money, a few turn later and with my army massing near his border I’m able to bully the AI and he accepts not only peace but he also now pays me a hefty sum. I set off to attack his neighbor instead. It can be a bit tricky to set up trade deals (the AI often demands huge payments) however if you work at it, for example by starting with a non-aggression pact first, you can get them done. As you go further into the game and become more powerful smaller nations will come to you begging for trade agreements and alliances.

Its a positive start but sadly the longer I play the game the more apparent Rome 2’s flaws become. Most of them are with the Rome 2 battle engine. Unfortunately Creative Assembly has completely dropped the ball with this and it feels like a real step backwards for the series. Battles are stupidly quick. Men die in seconds and armies of thousands are lost in a couple of minutes. There’s almost no time to properly position and manoeuvre your troops. It takes all the fun out of the game. Worse still units struggle to maintain any formation or cohesion. Most battles result in one big brawl. That’s fine if its a bunch of barbarians but when my Hoplites abandon there beautiful phalanx and sprint towards the enemy its very frustrating. It’s the total opposite to the joy of of a Hoplite phalanx battle in Rome 1.

There are other major issues with battles. Some bright spark has decided to place capture points on battle maps. It’s beyond stupid. Deploying your troops to defend is now pointless. In old games you could retreat to high ground or some woods to use the terrain to your advantage, not now.  If you lose the capture point you lose the battle. My entire Macedonian army of 2000 men is destroyed despite only losing 11 men in a battle because I didn’t realise there was a capture point.

There are other problems as well. Battles feel arcadey, many of the unit abilities feel manufactured and fire javelins and fire camel archers just seem over the top. What’s upsetting is that almost all these problems could have been avoided with even a small amount of testing or feedback. What’s clear throughout the game is that Creative Assembly’s decision making process is flawed. The battle AI is another weakness. The AI is especially poor during sieges although that has always been the case with Total War games.

Another example of poor decision making is the removal of faction family trees, so beloved by fans. It means you now don’t really care who’s head of your faction much less who might take it over. It’s not helped by some very poor character portraits.

You now choose to upgrade your generals in the way you want. This is not nearly as fun as in Rome 1 where the game would automatically attribute your generals and governors new abilities based on their performance and your actions. Win a load of defensive battles and your general would become a great defender and get a bonus defending, recruit lots of mercenaries for a long time and your general might get a discount in the future. Leave a governor to rot in a small province and he would become a corrupt drunk. Now I win a land battle and I can upgrade my generals naval abilities if I so choose. It makes your generals feel less like real people and it makes you less attached to the game.

Army traditions are great new feature. Armies now develop abilities over time with the more battles they win. Again though this would be a lot better if it was automatic rather than the player choosing the upgrades. The new unit cards have divided opinion but they have really grown on me. They look like units might have done on ancient pottery and they look absolutely beautiful. In some areas the game is overly complex such as with spies, emissaries and champions. The roles of these specialist units are still very unclear to me. Simpler defined roles would have been better.

I don’t want to come across as overly critical. The game is fun too play and there is a lot that’s good about it. It’s clear that CA has some very talented people and I feel for those in the team who’ve done their jobs extremely well. (Not least the marketing department who have done a fantastic job with trailers and rally point etc.) There’s some fantastic work in this game (The great animations, sound track, huge number of detailed units to name a few), and some good new ideas and features as well. The trouble is there are also some basic mistakes and the battles are just wrong at the moment. It’s more than just poor execution and polishing its about fundamental errors made at the decision stage and you get the strong impression that the game lacked any strong leadership from an overall designer who new what they were doing. It’s a real shame because there are clearly incredibly talented people at CA

You can’t help but think that if you could take the best bits of Rome 1 and Rome 2 you could have an incredible game. All hope is not lost. Creative Assembley are promising a patch on Friday and subsequent patches after that. There is tremendous potential here but you might want to hold off for the moment to see if things get fixed or until the modders start to fix what CA couldn’t.

Overall Score 7/10 (but could be 9/10 with good patching)

 

The Great

Epic Map
Unit Stances (force marches, building forts etc) adds a lot to campaigns
Huge number of Factions and Different Units
Expanding cities
Bringing in fleets – particularly to help with sieges is awesome

The Good

The tech trees and there diversity across different factions
Army Traditions – Great new feature
Diplomacy
Provinces and Edicts – I like the way cities are now broken down into different provinces. It takes some getting used to but it adds an interesting new dynamic.
Campaign AI – It’s early days but it seems to be doing a pretty good job so far

The Bad

Politics – has potential but lacks clarity and feels like your just trying to stop bad things from happening. Huge error to not include Faction Family Trees.
No seasons (1 year turn) – Should be at least every 6 months
Battle AI is weak especially during seiges

The Terrible

Battle Gameplay

Capture points in battles – No need to explain this