Interview with Homeland Actor David Harewood

David Harewood is the British actor who plays David Estes, the director of the CIA’s Counterterrorist Centre, the the brilliant Channel 4 drama Homeland. A graduate of the Royal Academy of Dramatic Arts, Harewood has been a fixture on the London stage for many years, earning praise for his work in such plays as Sam Mendes’ Othello at the National Theatre, which later went to Broadway.

Harewood appeared in Separate Lies, written and directed by Julian Fellowes; the 2004 screen version of Shakespeare’s The Merchant of Venice, starring Al Pacino and Jeremy Irons; and Blood Diamond, alongside Leonardo DiCaprio and Jennifer Connelly.

On British television, Harewood was a regular on such series as The Vice, Robin Hood and Babyfather. He was also seen as Mandela in the television movie Mrs. Mandela. Harewood also guest stars in a number of series including Doctor Who, Strikeback and Criminal Justice.

 

A surprising number of fans of Homeland don’t realise that you’re a Brit. Explain where you’re from…

I’m from Small Heath in Birmingham. It’s hilarious to me. I’ve been acting for 26 years, in everything from Casualty to The Bill to The Vice, I’ve played Othello at The National Theatre – it’s taken me 26 years to be an overnight success, as the old gag goes, and it’s hilarious that all these Brits think that I’m American. And here in America, whenever I turn up on the red carpet, they’re all stunned to find out that I’m British.

 

That’s particularly impressive that the Americans themselves are stunned. That clearly shows that you’re doing something right.

Well, yeah. It’s always something I try to do. I’ve always tried to put character ahead of personality. I’m really glad that, even today, people kind of recognise me, they kind of know where I’m from, but no-one’s able to place me. I think that’s because I’ve done so much stuff, and hopefully it’s a testament to my ability to act.

 

Growing up in Birmingham, you were a very useful goalkeeper, weren’t you?

Very useful – The Cat, I was once known as. [Laughs] I used to play a lot as a kid, and I had trials as an All England Schoolboy. But I was never going to do it too seriously. Whenever it rained, on a wet, windy Saturday morning, I’d stand there thinking “What on earth am I doing here?” My heart was never really in it. But I played with some fantastic footballers, and it was a huge part of my life.

 

You went to RADA at the age of 18. Did that open up a whole new world for you?

Completely! I’d never really paid much attention at school – I was always a bit of a clown, really – that’s why I started acting. I wasn’t particularly attractive, and I wasn’t particularly academic, so the only way I could really get any attention was to mess about and be a bit of an idiot. At the time it was fantastic, but I suppose it was to the detriment of my education. Then I turned up at RADA, and went in on my first day, and they’re all talking about Brecht and Moliere and Dostoyevsky, and I’m thinking “Who the hell are they?” It was a real eye-opener. I really started to appreciate literature, and it was a wonderful journey. I was very lucky, I had a wonderful few years there.

 

Did you struggle to find work after you left?

I was very lucky, I came straight out and got a job. I played Romeo for Temba Theatre Company, which was the biggest black theatre company at the time. I’ve always been really, really busy, I’ve been very lucky. I think I spent the first five or six years just not stopping. I didn’t have any difficulty – the difficulty came much later on, when I got older and started to play roles with more authority on stage, that there were fewer and fewer roles for me on screen to do. That’s when I started to struggle, because of the frustration of playing really authoritative, strong roles at The National, but really struggling to match that on screen. I’ve been really, really fortunate to fall into this role [in Homeland].

 

Landing the role must have been a great thrill – acting opposite actors of the calibre of Claire Danes, Damian Lewis and Mandy Patinkin.

I hadn’t worked for a year when I got the gig – partly for personal reasons, and partly because I just couldn’t get a gig, and then suddenly to find that I was sharing a screen with them was just extraordinary. I’ve just had a wonderful year. I suppose it’s like football – you play with better footballers, you get better. I’ve really found that just by watching them and working closely with them, seeing how they prepare and how they execute, has been a real joy, and I can only hope that there are more roles for me of this calibre, working with this calibre of actor. It’s been an absolute pleasure, it really has.

 

When you’re filming something like Homeland, do you get a real sense that you’re making something that’s going to be really, really good, or can you never tell?

A bit of both. I think everybody was very surprised by the immediacy of the success of the show – we were still filming the show when it became a massive hit in America. It’s kind of a goldfish bowl filming here in Charlotte, North Carolina – I think people do watch it here, but I was really surprised when I went to New York how many people were coming up to me and saying they enjoyed the show. I think in LA it’s such a huge show – it’s on posters and billboards everywhere, and this isn’t that kind of town, where there are billboards for TV shows.

 

David Estes is a fairly ambitious character, intent on climbing the greasy pole. What are your feelings towards him?

To be honest with you, I really struggled with him during the first season – I just didn’t know who he was. I told that to the writers at the end of the season, and they’ve done a fantastic job of really filling him out this year and giving him much more of a personality. Last year he was just the authority figure in the background who was always anti-Carrie. That was difficult, because I didn’t know why he had such antagonism towards her, and I didn’t know who he was. I only really discovered that when I played a scene right at the end of the season, when I played a scene with Mandy Patinkin, when you realise that actually he is implicated, and inextricably linked to this whole bomb attack on Abu Nazir, and how much he’d buried all of that information, and how much he was linked to the Vice President. I didn’t know any of that until the very last couple of episodes. It was a huge revelation to me that the reason why I’d been so antagonistic about Carrie finding out about Abu Nazir was because I’d been responsible for this drone strike. It was a huge piece of the jigsaw for me, when I read those scenes, and it’s been like taking a cork out of a bottle. This season has been fantastic for me, because now I know who he is, I understand him, I like him. Yes, okay, he may have sold his soul to a certain extent to get where he wants to, but who wouldn’t? A lot of us, to get where we want to be, would do what we can. It’s fascinating being out here in the world of American politics during an election. You see the real dirty side of politics, with the ads they’re running. If you want to get where you want to get to, you might have to do things that are seemingly unpalatable.

 

Why do you think they went for two Brits in key roles in the series?

That’s the million dollar question, isn’t it? It’s what everybody’s been asking. And we’ve got a third Brit – we’ve got Rupert Friend joining in this series. The director just says that they were the most interesting tapes that he saw.

 

When you’re on set, between scenes, or when you break for lunch, do you keep talking in an American accent, or do you revert back?

It’s quite extraordinary – all three of the British actors have almost an unspoken rule that nobody’s ever mentioned – we nearly always stay in our American accents when we’re at work. Damian’ll come to work and I’ll be like [puts on American accent] “Hey, man, how’s it goin’?” And he doesn’t look at me and say “What the f*** are you talking like that for?” It’s just unspoken. Every now and again one might drop out of accent and talk about the Olympics, or about something political that happens in the country, like the riots last year, when you have to get out of the accent. But most of the time you just forget, it becomes second nature.

 

You’ve mentioned that it’s election year in America. I hear that Homeland is Barack Obama’s favourite show. Is that a great thrill?

Oh it is. He’s metnioned it several times in interviews – it’s a fantastic thrill. It’s unfortunate that we were on hiatus when he was here for the Democratic convention. I’m sure he knows that we film the show here in Charlotte. Apparently, because his big speech was moved from the stadium to indoors because of the weather, he might be coming back to the state just to do something for the volunteers. Wouldn’t it be amazing to get a visit from the President?

 

Dare I say that it probably wouldn’t be as much of a thrill to have Mitt Romney visit?

Not really! I am astonished it’s so close, to be honest with you. It’s just beyond me that people are even considering him. But there are a lot of people who aren’t convinced by Obama. A lot of people are saying they’re not even going to bother voting this time. That’s bad, that people feel that politics doesn’t mean anything to them. That’s the scary part, that he’s going to lose because the people who voted for him last time just can’t be bothered this time.

 

Season 2 is about to Premiere in the US. Are you excited?

I’m really genuinely excited. From a personal point of view, it’s great because Estes has been given a lot more to do in this series. But it’s just such a fantastic show, I think people are going to be really, really excited to see it. I’ve read so many tweets and blogs where people have said it’s just a one season show which they can’t take any further, but these writers are fantastic. They’ve managed not only to recreate the same amount if tension, but to ratchet it up again. I think fans of the show are going to be very, very pleased.

 

Are you allowed to give us any hints about what we can expect from the series?

I can tell you that the second season begins in Israel. And I can tell you that Carrie will be back in the CIA in some capacity, and that, from what I hear, though I still don’t know, the mole will be revealed. You’re all going to be very surprised.

 

You were awarded an MBE at the beginning of the year. How did that feel?

Absolutely tremendous. It remains, and always will be, one of the proudest days of my life. To have gone there and got that pinned on, and had my daughter and mum be at the palace watching me get that award, it’s one of the proudest things that ever happened to me. I’m really, really chuffed about it.

 

Series 2 of Homeland will be on Channel 4 in October.

Londoner’s life 41 – Overheard by Phil Ryan

Another week in this great city of London. And another overheard column that is getting to be a rather worrying obsession. I had an email recently, asking if I felt like a snooper and to be honest I don’t. The reason for this is what I hear is always set off by volume. The things I get to hear are always delivered at quite high volume usually right behind me or next to me. I’m just there tapping away on my netbook or phone or scribbling on my paper. And the high volume helps me hear things perfectly. Sometimes I almost feel like I’m part of the conversation. Hence my opening overheard one liner this week. Outside London Bridge station. Worker in high vis vest calling to his friend on the other side of the road “I’m bleeding sick of Chablis today Charlie I’m going to Greggs” Huh?
But this week’s overheard is from the National Portrait Gallery. Two elderly ladies and I’m guessing down from the countryside judging by their identical clothing. Green barbour jacket. Chunky oatmeal looking cardigans. Headscarves with horses and riding equipment on them. Large handbags and one with a serious looking flask of tea. Very sensible brown walking shoes: Lady One “I don’t think it’s the eyes that follow you as much as the noses” Lady Two “Hm I see what you mean. It’s a little unsettling but I’m sure that wasn’t the artists intention though” Lady One “Quite right but Margaret has that picture of her mother on the landing you know the one and it doesn’t do the poor woman any favours” Lady Two “But to be frank poor Margaret has the face of a pit pony don’t you think?” Lady One “Yes and looking at her mother you can see where she gets it from. It’s like her youngest daughter. Such an ugly child. Poor Robert possibly shudders when she sits on his lap” Lady Two “I don’t blame him at all dear. She reminds me of one of those brain damaged people. Those little piggy eyes and that enormous jawline” Lady One “And she smells slightly. Have you noticed? Like a damp badger Robert says. You’d think Margaret and Stephen would notice. But of course the poor dears are exhausted looking after her poor father. His minds completely gone now you know of course?” Lady Two “Yes poor dear. I saw him in the Post office with slippers on and not even wearing a tie. Tragic really. He used to be an accountant in the city I understand” Lady One “Oh I heard he was something in the Fire Service. How curious. Where did you hear about him being an accountant” They both spoke at once “Sylvia” And then they both laughed. Then two Japanese tourists sat in front of me and I couldn’t catch anything else. And I really wanted to hear about Sylvia. But that’s how overheard’s work sometimes.
I don’t know which County Town they came from but it’s probably like that TV village of Midsomer where murders happen on a weekly basis. And just how ugly is Margaret’s daughter? We’ll never know!

Mateus Rosé Original | Drink Review

Forget Diamond – Platinum & Pink are a girl’s best friend

this year with Mateus Rosé Original

 

I am a fan of rosé in general. When I received this wine I loved the design of the bottle. It is a beautiful colour too. The wine itself is delicious, refreshing, a good colour and not too sweet. In fact I think this is one of the best rosé I have ever tasted, and it is inexpensive too. The newly redesigned Mateus is excellent as aperitifs or with food, such as fish, seafood, Chinese and Asian cuisine and light meals

 

Reigning for longer than Her Royal Highness, Mateus celebrates its Platinum Jubilee this year toasting 70 years as the Queen of rosé wines. With the redesign of its iconic bottle, Mateus is refreshed and ready to be the taste of summer 2012.

 

To mark this impressive milestone, Mateus want to know what the nation is celebrating this summer and in return people will receive a free bottle of Mateus Rosé Original to help their special occasion go with a bang. All they have to do is visit mateusrose.net/win and fill in the blank “This Summer, I’m celebrating…”.

 

While this world famous rosé in its distinctively shaped bottled has been revitalised with a new contemporary pink-hued label and easy screw cap, Mateus keeps its same great taste. With its refreshing Mediterranean flavours, from picnics to evening parties, Mateus Rosé Original is the perfect drinking partner during this summer of celebration.

Raise your glass to the celebration of true greats this summer and join in the fun with Mateus at mateusrose.net/win. Mateus Rosé Original is available from all good stores and off licences at RRP £5.49.

 

The Mateus Rosé Original bottle giveaway/competition is for over 18s only

 

 

DAS Collection S/S13 – VFS

The DAS Collection established in 2008, was set up by Emirati sisters Reem and Hind Beljafla. Their initial aim was to update the abaya making it a fashion statement whilst maintaining its heritage and respecting the tradition attached to it. The DAS Collections designs also aim to empower women allowing them to be fashionable and conservative at the same time.

I had never heard of DAS  until London Fashion Week, and was excited by their fashion aims and interested to see how they convey this through their designs. The DAS Spring/Summer 2013 Ready to wear collection definitely did not disappoint. The collection used rich bold colours which were clearly inspired by Middle East and Indian style. Each piece made from luxurious fabric and with impeccable detailing of Arabic calligraphy and beading giving the collection a very rich feel. I was impressed with the tailoring of their designs as they definitely fulfilled their brief and more.

It was a very cohesive collection starting with deep blues flowing into vibrant golds and reds. Some key pieces stood out a dipped hem dress in a crisp fabric which was both on trend with a sophisticated air. The stand out dress of the evening has to be the finale gown, worn by supermodel Alex Wek. Alex Wek was beaming as she strutted down the catwalk to the audiences applause. Her red dress was draped in pearls and she gave the audience a double twirl.

DAS Collection embraces Middle East and Indian style whilst fusing it with current western trends. With this seasons brocade and oriental trends this collection entwines this and creates both beautiful and elegant designs.

Take a look at their entire collection here : http://www.dascollection.com/

Some of my phographs of the key pieces …

 

 

 

Ted Baker For London Fashion Week

I went to see Ted Baker’s new Hunger Games inspired collection at the One Aldwych Hotel. Firstly I devoured a cake on a stick, which was absolutely delicious. As I rifled through the rails I was very impressed by the clothes. There were lots of beautiful Autumn colours and textures.

The menswear was inspired by being outdoors and fishing, as Ted Baker loves fishing. In the womenswear there was beautiful snakeskin accessories, prints were in, bold colours and fake fur. It was day five at the Handpicked Media suite. I also got my nails done by Teds Beauty Spot therapists. It was the first time I got Shellac nails. Shellac nails look amazing and last two-to-three-weeks. I got a beautiful coral shade that doesn’t even have a chip yet. I also loved their swimwear and hats. Ted Baker’s new collection is gorgeous. Full marks.

Craig Lawrence | London Fashion Week 2012

British knitwear designer Craig Lawrence underwater themed SS13 show was a particular highlight of London Fashion Week. The clothes were metallic with a lot of different textures. Lawrence said that he ‘craved purity’ after his last colourful show and this entire collection was silver or white. Lawrence used kyototex metallic yarn and techno fibres, and as the camera’s flashed the clothes glowed. Absolutely beautiful.

JW Anderson Spring/Summer 2013 collection | London Fashion Week 2012

I walked into Bedford Square to see JW Anderson’s SS13 collection and was awed by the venue. The marquee built in the square was beautifully designed and there was a beautiful reception to greet the press and celebrities that were there. Daisy Lowe, Pixie Geldof, Corrine Bailey-Rae and Nicola Roberts were all FROW, as was legendary fashion writer Hilary Alexander.

The clothes were divine. Metallic clothes with the occasional splash of colour and geometric hemlines were the order of the day. Frost Magazine has an interview with JW Anderson here and some backstage photos.

Adam Andrascik Spring Summer 2013

“the collection draws it’s inspiration from the couture shapes of the 1960’s , combined with an ongoing fascination with the work of Lucio Fontana’s ‘slashed’ canvases, and the development of textile techniques and finishing unique to the label.’

On Tuesday morning I headed over to see Adam Andrascik round the corner from Somerset House. The shows was held in a room with the models standing around its edges so the audience could walk up, take photos, admire the clothes and drink champagne!

Sadly, this was the time my camera chose to run out, so I had to make some quick sketched of the collection to give an idea….

The collection made up of clean, elegant clothing. Shirts and A-line skirts featured in a futuristic but feminine a style, as we have seen in a lot of shows over this S/S13.

Classic shapes and silhouettes at the front of the garments give way to bellowing sheer fabric at the back, creating a twist to familiar cuts.

Shiny and sheer fabrics mixed together to create each look. This, combined with the models swept back hair, dark eyebrows and clean make up created a futuristic and alien feel.

Adam Andrascik S/S13 collection, is beautiful, wearable and sophisticated. Perfect for the modern day woman.

http://adamandrascik.com/