How Dating has Changed Since The 1950s

HOW HAS DATING CHANGED SINCE PRINCESS ELIZABETH FIRST “STEPPED OUT” WITH HER DASHING PHILIP?

Relationship site eHarmony tells Frost Magazine about the similarities and differences between dating in the 1950s and the 2010s

 

In less than a week’s time Queen Elizabeth and Prince Phillip will stand side by side as the nation celebrates her sixty year reign. But how did the young Princess know when she first met her dashing Duke that he was to be her life partner? Were the customs of courtship in the 1940s and 1950s more successful in bringing lifelong couples together? To celebrate this Diamond Jubilee, relationship site eHarmony reviews how young couples met and dated sixty years ago and compares the advice given then, to our contemporary words of wisdom. And which makes more sense? You decide.

 

Dating in the 1950s

Dating in the 2010s

Men did the asking

It was always the man who proposed a date. It was not polite or acceptable for women to suggest an evening out together. With no answer machines or text messages in existence women would have to wait for a knock at the door or a telephone call. Men frequently ask

Whilst it’s still traditional for a man to ask, today women can and often do ask men on dates. For online daters many first dates are organised through email, text and by phone, this allows us all to have a bit more courage to ask .A date was a date

In the 40s and 50s, there was no confusion about what a date meant to either party. It was rare for men and women to be just friends. So if a man called a woman and asked her to dinner, he certainly had romance on his mind. Is this a date?

Men and women are now often friends, and can stay friends without any romantic involvement, even once a relationship comes to an end.  So inviting someone to a pub or restaurant or accepting such invitation is no longer a certain hint at romantic intentions. Timing was everything

Notice was absolutely necessary for a date in polite society. At least two or three days’ notice was required for a lady’s diary and times to collect and return your young lady were critical. Competing for time

Modern daters are busy with their lives, and if they’re not around when the phone rings, it is acceptable to call back when convenient or to arrange a second date through a text or email. Respond immediately to your date invitation

If a lady was lucky enough to be asked out, it was her duty to respond immediately and of course with absolute politeness. Appearing too keen

Modern day dating seems to be more like a power battle. If a man asks, a woman cannot appear too keen. And yet, respond late and she risks appearing disinterested, particularly if the dater is communicating with other online matches. Always be on time

There’s no such thing as fashionably late; ladies must be ready when their date arrived. Always be on time

Today it is still considered rude to keep your date waiting for any longer than 5 minutes. Particularly if you are meeting in a public place (see below). Collecting your date

When date night arrived, the man would always organise the transportation. He would come to the door to greet his date before taking her to their venue and he always brought her safely home to her family. Meeting in public is a good idea

Unlike the traditional custom of collecting and being collected, today it is more common to make your own way to the first date and is sensible to meet in a public place. This takes away any fear and ensures safety until you get to know your date a little more. Introducing your date to your parents on a first date

When a man collected his young lady, it was customary for her to introduce him to her parents who would want to approve that he was suitable for their daughter. Introducing your date to family and friends means it’s serious

For many modern day daters, busy with work, life and possibly kids, introducing a partner to parents or family is more likely to happen once the dating phase is close or into the ‘relationship’ phase. Men always ordered

When dining out, the young lady should always tell her male friend what she would like before he orders for her.I know what I want

Today, it is unheard of to expect your date to order for you. Women know what they want and will ask for it.Men always paid

When the bill arrived, the man would always pay. It was unthinkable for a woman to offer any money.The payment dilemma

Many men still feel that they should pick up the bill, but paying is a tricky issue. Sometimes women are insulted at the implication they can’t take care of themselves. For some men, traditional notions are outdated. It is polite to always offer to “Go Dutch” but to accept if the other party then insists that he or she should pay.

 

 

Jenni Trent Hughes, Relationship Expert for eHarmony believes the dating process holds a mirror to the society of the time. She says: “In the 40s and 50s, the family unit was strong and often men and women in their twenties were still living at home with their families. Communities were close and approval was of paramount importance. Politeness and reference was a critical part of the dating process. Today our society is more fractured. We move away from home for work or college and both men and women are juggling busy lives and demands on their time. We meet more as equals and must make our own decisions. It’s fast paced and exciting but not without its etiquette protocols entirely.”

 

For more information on how to make the most of the dating experience, check out eHarmony’s Dating Advice site at: http://www.eharmony.co.uk/relationship-advice/dating

 

Stone’s Original Green Ginger Wine Review

I love ginger wine. I specifically asked to review Stone’s Ginger Wine Special Reserve last year, and this is just as good. Stone’s Original Green Ginger Wine has been a favourite in England since 1740. It is made with grated ginger and middle-eastern raisins. In the 19th century they used it as an aphrodisiac and treatment for cholera.

This wine is on the right side of sweet. Depending on your tastes the ginger can be hot. Which makes this the prefect drink for cocktails. This is also quite strong for a wine. It tastes great with coke too.

If you do drink it on it’s own it doesn’t have a horrible aftertaste. All in all, this is a very pleasurable wine that is perfect for a summers day and barbecues. It tastes divine and is a good alternative to other summer drinks.

Stone’s Original Green Ginger Wine (widely available, £4.99 for 70cl)

Drink within three weeks of opening

God Save My Shoes | Film Review

Women love shoes. Not all women, but enough to make the shoe industry in the US worth 40 billion dollars. 60% of which is solely from women. Vogue did a survey of it’s readers and found that they spent $9,000 a year on shoes. $9,000!! Even during the recession women never stopped buying shoes. They still bought expensive designer shoes; just less of them. At around $400 a pop.

This American documentary is incredibly good. Even for those who are not obsessed with shoes . The history is fascinating. Did you know that stiletto means “slender dagger” in Latin? This documentary was three years in the works and it is an impressive achievement.

It has an all-star cast, Kelly Rowland, Dita Von Teese, Manolo Blahnik, Stacey Ferguson, Christian Louboutin to name just a few. The relationship between sex and shoes is explored, as is feminism and the pain of wearing heels. One (obviously male) designer states that women like a little bit of pain when they wear high heels. He is wrong, he should just make more of an effort to make them more comfortable.

This is a good documentary. Worth a watch for men and women alike. A massive accomplishment. Also, with every purchase of this DVD, Caid Productions will donate a pair of shoes to someone in need. Thumbs up all round.

www.godsavemyshoes.com

Pre-Cannes Networking Event | Social Diary

Frost Magazine proudly sponsored Sheepish PR’s Pre-Cannes Networking Event. Director Howard J Ford, Valeria Bandino, actress, Normski (TV host, DJ), Marc Zammit (actor), Louise Glover (Model of the year and cover model at Playboy), Emma Cony (from Take Me Out), Johny Pach (Sky TV presenter), Robbie Moffat from Palm Tree Entertainment, and Mac Chakaveh, president of the Marbella Film Festival all attended, as did the wonderful Paola Berta.

© S. Dean Photography. Thanks to Paola Berta, Sheepish PR, Beverly Hills UK – Film Society & Events –

5 Tips to cope with the Euro Meltdown

5 Tips to cope with the Euro Meltdown by Karen Perkins.

1 Take control. Review, and keep reviewing all your savings/bank accounts etc and decide if you have anything to worry about. If yes, make a plan and act now. if not .. relax & praise yourself, at least you have acted.
2 Choose to listen less to the News .. let go of things you cannot control.. concentrate on the things you can .. you can choose to take on less stress, especially if its not your own !
3 Get over it… think of people who are much worse off than you, imagine having to walk 4 miles a day for clean water !
4 Protect ,and futureproof your current job/ business by keeping your eye on the ball , and being indispensible.
5 Help others, do at least 1 Random Act of Kindness a day , volunteer to help a charity , we are very lucky here in Sheffield ..

Good luck !

Karen Perkins is a life coach. For more information go to her site.

Moonrise Kingdom | Film Review

It’s 1965, and we’re on New Penzance Island off the cost of New England. The turbulence of the nation is far away, there’s a storm on the horizon and young love is in the air which has the adults in a fit. This island is the latest whimsical destination of Wes Anderson, the pin up director of commercially successful American independent cinema who has built a loyal fan base since the late 1990s with one of the most unique and recognisable styles in mainstream cinema today.

On said island Anderson introduces us to young Khaki scout Sam and intelligent yet isolated Suzy (newcomers Jared Gilman and Kara Haywood), two twelve year olds who meet by chance and instantly fall for one another. Hated by his fellow scouts, Sam has no hesitation in stealing several camping supplies, quitting the troop and absconding with Suzy who insists on bringing a record player, a Francoise Hardy LP and her collection of science fiction novels. Suzy’s unhappily married parents (Bill Murray and Frances McDormand) are furious and join in the search party led by sad sack Police Captain Sharp (Bruce Willis) and Scout leader Randy Ward (Edward Norton). Time may not be on their side however as the ominous shadows of a hurricane and ‘Social Services’ () bare down upon New Penzance…

From the very opening we clearly are in ‘Wes World’. A gorgeous tracking shot through the elaborate set of Suzy and her family’s home highlights many if not all of Anderson’s directorial flourishes. The very particular framing of the camera and its movement, the positioning of actors and their props, the autumnal colour scheme and frequent overhead shots of hands and key items have defined his style over seven films. I also really admired the incredibly retro titles which even have the traditional serial number beneath the title. His understanding of mise-en-scene (‘what’s in the frame’ for the film buffs) is immediately recognisable and marks him out as one of the few directors working today whom you could instantly recognise from a single frame and Moonrise Kingdom is no exception. His critics accuse him of being to forced in his style and becoming an obstruction to the narrative yet I personally applaud a director who is able to make a film that is clearly their own and can be recognised as a true auteur in the industry.

Anderson is also highly regarded for his skill at marshalling ensemble casts and here he has amassed yet another fine one. Bruce Willis and Edward Norton have a lot of fun subverting their typical ‘dark’ image with fine take on desperate, straight man against the world vibe and it is the former who has the most fun in the role. It could be seen that Willis is deliberately referencing to his back catalogue since he is playing a police officer yet he seems to be playing more to his skills as a comedic actor in the days before Die Hard. The sight of him roaming around the landscape in a beat up station wagon with a bad toupee and Hank Williams crooning away on the soundtrack makes it hard to suppress a chuckle. Previous Anderson stalwarts Bill Murray and Jason Schwartzman tackle their material well and prove further to be the perfect foil for the dry, witty humour. I wish the same could be said for the female performers of the story. Frances McDormand is a brilliant actress and always a joy to watch yet here the role of Suzy’s mother she is not given enough material to form a satisfactory character arc; a sub plot involving an extramarital affair is wrapped up with a mere shrug. Also the magnificent Tilda Swinton is introduced a bit too late into the story to create a fully convincing antagonistic force though I couldn’t help but giggle every time she referred to herself in the third person as ‘Social Services’.

Thankfully it is in its key casting that Moonrise Kingdom truly scores. As the young couple, Gilman and Haywood are simply fantastic and carry the entire film effortlessly. At first their actions appear hopelessly naive yet this is undercut with genuine pathos of young love. There is a deliberate attempt on behalf of the writers to juxtapose the simplicity of their courtship against the dour complexity of the adults of the island. The films setting at a time when this part of America had not yet experienced the turbulent times that would reverberate through the nation’s history is offset with quaint and quiet charm that is genuinely beguiling and in the case of the young love story, quite moving. There is a yearning for a way of American life that simply does not exist today and there is a constant air of slight melancholy running throughout. As the social outcasts discover surprising truths about one another, Anderson focuses on the minuet details of their romance that steadily grow on you and pay off very well indeed.

His critics may complain, but Wes Anderson fans will be on cloud nine with this one and with good reason. With his typically assured style and charm and wit to spare, this easily stands amongst his best work. I personally cannot wait to see what he does next and will always be first in line to enter ‘Wes World’…

Beacons Festival announce final 30 | Music News

 

Yorkshire’s Beacon Festival have announced the final 30 acts to play this year’s festival. They are in no particular order:

Admiral Fallow / B>E>A>K> / Disclosure / Double Muscle / Filthy Dukes – Djs / Fun Adults / Goodnight Lenin / Hawk Eyes / Hey Sholay / Holograms / Imp / Japandroids / Juffage / Lanterns On The Lake / Luvjam / Magnetic North / Marcus Worgull / Nope / Pale Seas / Pins / Plank / Post War Glamour Girls / Runners / Soul Jazz Soundsystem / Stalking Horse / Sunless ’97 / That Fucking Tank / This Aint Vegas /Veronica Falls / Visions Of Trees / Wot Gorilla 

The bands will be joined by the following artists who have already been announced: 
Wild Beasts / Toots And The Maytals / Roots Manuva / Patrick Wolf / The Felice Brothers / Maya Jane Coles / Junior Boys / Ghostpoet / Factory Floor / Julio Bashmore / Jessie Ware / Pearson Sound / Andrew Weatherall Presents A Love From Outer Space / Cass Mccombs / Willy Mason / Errors / Cloud Nothings / Oneman / D/R/U/G/S / Peaking Lights / Xxxy / Kwes / Willis Earl Beal / Frankie & The Heartstrings / Outfit / Star Slinger / Jacuzzi Boys / Clock Opera / Lunice / Submotion Orchestra / Koreless / Bok Bok / 2:54 / Jam City / King Krule / Weird Dreams / Mazes / Still Corners / Stay+ / Stopmakingme / Gross Magic / Bos Angeles / Grass House / Arthur Beatrice / Hookworms / The Wave Pictures / Au Palais / Bleeding Knees Club / Souljazz Soundsystem / Tall Ships / Blacklisters

 

Early bird and second tier tickets are now sold out. Full price tickets are available from the festival website for £84.50.

External Links:

Beacons Festival official website