Second Skin Theatre present "Poe: Macabre Resurrections"

If you go to see this production, and I certainly recommend that you do, please remember to wrap up warmly. It was freezing, and this did distract slightly from my overall enjoyment of the show. However, the subject matter was also chilling, so perhaps the cold was deliberate!

Second Skin have taken five of Edgar Allan Poe’s stories and woven them together into a festival of horror. Set in the church where Poe is said to have worshipped as a boy, this is environmental theatre at it’s best. The staging takes place all over the church and grounds, and every nook and cranny is utilized to eerie advantage.

The five pieces are linked together by the preacher (Stephen Connery Brown) who steps are dogged continuously by the raven (David Hugh), from his first startling appearance right up until the dramatic denouement of the show, presided over by the demonic Prospero (Conrad Williams), when the preacher finally descends to his doom.

I had two favourites among the Poe adaptations woven into this drama, the first being “The Cask of Amontillado,” featuring Owen Nolan and Sarah Scott. This piece had a good balance of characters and effective use of different locations, the ending being particularly Poe-esque. Both actors played their parts to perfection. In particular, Owen Nolan’s journey from drunken lechery to abject terror was both believable and frightening.

The second piece I especially enjoyed was “Premature Burial.”  Again, the characters were well balanced and the location was utilised effectually. Michael Amariah’s Jake grabbed your attention from the first moment, Steve Brownlie’s performance as Clive had a dream-like, otherworldliness to it, and Sarah Feathers sympathetic portrayal of the grieving widow was especially poignant.

As well as the cast, the sound and lighting were true stars of this show. The background music (and other noises) contributed hugely to the grisly atmosphere, and the sinister use of lights, candles, projectors, smoke and even electric heaters all added to the supernatural ambience. This is stage management at a level not normally seen on the Fringe. Black box it ain’t!

Overall, I highly recommend a visit to Poe: Macabre Resurrections. You will be cold, you will be scared, but you can buy a glass of wine at the interval, and if you wait around afterwards a woman will come and mop up the blood.

Running till 4 December 2011 Tuesday-Saturday at 8pm, Sunday at 8.20pm, St Mary’s Old Church, Stoke Newington Church Street.

This Is England '88

Here’s a picture of festive fun to get the nation in the mood for Christmas. But if the protagonists themselves don’t look too happy (despite those supercool outfits – looking good, Milky!) the picture should give viewers cause to rejoice. The brilliant This Is England is back for its third incarnation, This Is England ’88.

As ever, the team delivers a heady mix of uproarious comedy and desolate, gritty drama.

At the beginning of last week’s BAFTA screening, Channel 4’s Head of Drama, Camilla Campbell said that Shane Meadows pitched This Is England ’88 as: “A truly British Christmas; an anti-climax. A bit nice, with some horrible shit mixed in.” Meadows himself described the three-part series as “kind of like a very brutal Nativity play, in a way.” He continued: “I just remember Christmas being shit…. I wanted to make a sort of broken nativity play, but there’s a real positive outcome, I hope.”

Certainly, the outcome will be positive for fans of quality, grown-up drama, who will be thrilled to see the return of most of the principal cast members from This Is England ’86, among them Bafta-winner Vicky McClure.

This is Christmas, This Is England style.

Third Season of Made In Chelsea Confirmed.

C4 Entertainment Commissioning Editor David Williams has green-lit a ten-part, third series of hit reality drama Made In Chelsea from Monkey.

The announcement follows the news that E4 will also be screening a feature length 90 minute, Made in Chelsea Christmas Special, in December.

The show follows the lives of a glamorous group of globe-trotting young socialites and first aired on E4 in May, becoming the channel’s highest rated non-scripted debut.

Series 2 finishes Monday 21 November and is averaging 701k viewers to date, with the total average audience rising to over 1 million, when consolidated and VoD viewing is included. More than half of the audience is aged 16 to 34.

Made In Chelsea also remains one of Channel 4’s most talked about programmes, trending worldwide on Twitter and generating a total of 475k tweets to date.

Series 2 introduced a new online element with three 30 minute live video webchats in the form of ‘Live in Chelsea’. A first for E4.com, this online spin off consolidated 90K users who had the opportunity to watch cast members take questions from Twitter and Facebook and enjoy exclusive preview clips.

To further harness the show’s strong presence across social media, E4 is the only UK television network working with GetGlue; A new social network for entertainment that allows fans of the show to ‘check-in,’ earn virtual and physical stickers and share their activity with their friends on Facebook and Twitter.

To date, Made In Chelsea has recorded 45k ‘check-ins’ for series 2, generating a total online reach of more than 8m.

Commissioning Editor David Williams said: “With such a loyal audience tweeting, checking-in and following the lives of our new TV stars, it’s fantastic to be once again returning to the hallowed streets of the Royal Borough of Chelsea.”

Exec Producer, Sarah Dillistone from Monkey said: “We’re delighted by the connection so many people have made with the show, its cast and the incredible world they live in. We look forward to bringing new bed hopping, name dropping, champagne popping characters to series 3.”

Monkey is a division of NBCUniversal International Television Production.

Daily Mail Accused of 'Intimidating' Hugh Grant After Leveson Testimony

The Leveson Inquiry has been warned that actor and activist Hugh Grant has been “punished” for his decision to speak out about press intrusion on Monday.

Associated Newspapers – publisher of the Daily Mail and the Mail on Sunday- hit out at Grant’s allegation that his phone had been hacked by the Mail on Sunday by claiming that he had lied under oath.

“Mr Grant’s allegations are mendacious smears driven by his hatred of the media,” the publisher said in a statement that also said that it “utterly refutes” Grant’s claims.

Barristers representing the Metropolitan Police and numerous hacking victims have said that the actor’s treatment after giving evidence would probably be “intimidating” to other witnesses.

The Daily Mail also “unequivocally denies” the paying of a hospital source to secure information about the birth of his first child.

Robert Sherborne, the legal counsel representing the hacking victims said the newspaper was using its power to bully the star.

“What was filed in the pages of the Daily Mail and the website was not a denial but a personal attack on Mr Grant as a witness…what they suggested is that he was deliberately lying.”

“There is a difference between a right of reply and a right of attack – if those you have been brave enough to come and give evidence receive this kind of treatment then witnesses will be unwilling to be that brave any longer,” Sherborne added.

Metropolitan Police QC Neil Garman was also concerned that Grant’s treatment could affect other witnesses

“Witnesses will be very cautious, we fear, if the likelihood is that they will face that kind of treatment the day after.

Other high profile witnesses who are expected to give evidence are Steve Coogan, Sienna Miller [one of the first people to sue News Corporation] and JK Rowling.

Jonathan Caplan QC, representing Associated Newspapers, said that the newspapers had made the statement “under pressure” in response to serious allegations of serious criminal misconduct, which it denied.

When asked about the attack on Grant, Caplan told Lord Justice Leveson:”I accept everything you say.”

Grant told the hearing he had tried to keep his ex-girlfriend Tinglan Hong’s pregnancy secret after the News of the World first speculated that she may be carrying his baby in April. Grant said: “my overwhelming motive throughout this whole episode was to protect the mother of my child”.

Grant said that Hong had been followed by paparazzi but the papers “seem not to have anything to print that could link her to me until I visited the hospital after the birth when again there seems to have been a leak from the hospital”

Grant said that he received a phone call the next day from the Daily Mail, and then the Daily Star. He said that he refused to comment, believing that to do so would give the paper confidence to publish.

He said that the Mail had adopted a “fishing technique and they didn’t want to print the story based solely on the hospital source because that might have been unethical or possibly illegal so they needed a comment from my side and that is why I said nothing”.

The Mail did not publish the item. The news was then published by US Weekly last month. The actor said the baby was the product of a “fleeting affair” and that Hong was “besieged” by photographers after the news was published and the actor was forced to take out an injunction to force them to go away.

When questioned by Robert Jay, QC to the Leveson inquiry, Grant said the only people who knew about he child were a female cousin, and Hong’s Chinese parents, “who spoke no English”.

The Mail issued a statement saying it “unequivocally denies Hugh Grant’s allegation that it secured information about the birth of his child from a source at the hospital” which instead came from “a source in his showbusiness circle more than two weeks after the birth”.

Grant said that he was sure the Mail had hacked his phone and referred to a report in the Mail on Sunday in February 2007, which said his relationship with his then girlfriend, Jemima Khan, was “on the rocks” because of “persistent late-night phone calls with a plummy-voiced executive from Warner Brothers” – a story he said was “completely untrue”. Jemima Khan also denied the story via her Twitter account.

Lord Justice Leveson also heard evidence from the parents of Milly Dowler, the murdered schoolgirl whose phone was appallingly hacked by the News of the World.

Bob and Sally Dowler spoke publicly for the first time about the moment they believed their daughter was picking up her voicemail messages, giving false hope that she was still alive.

Sally Dowler’s told the inquiry that after a period in which every time she rang her missing daughter’s mobile phone, it said the mailbox was full. She said: “It clicked through on to her voicemail so I heard her voice and [said]: ‘She’s picked up her voicemail Bob, she’s alive’.”

The couple also told the court that a private walk they took seven weeks after their daughter’s disappearance was pictured prominently in the News of the World. They claimed photographers were tipped off about the walk after the paper hacked their mobile phones.

Bob Dowler said: “The thing to remember is the walk was nothing to do with Milly’s phone.” His wife added: “That was our own home phone or own mobile phones.”

News International has paid £2m in compensation to the Dowler family, and the company said it had nothing further to add following their testimony.

Has Hollywood Gone Potty for Limeys? How the Brits Conquered Hollywood.

A few weeks ago I attended a fantastic industry networking event in Manchester. Among the exhibitors was Industry Hollywood, a company whose sole aim is to help British actors to grow their exposure across the pond. They told me that UK talent is in real demand over in the “Land of the Free”.

So this got me thinking; is this actually true and, if so, why?

Take a gander at the casts of some of the most popular shows on American network TV and you’re sure to come across a fair few Brits. Archie Panjabi in The Good Wife, Linus Richie in Law and Order, Louise Lombard in CSI – this is just a small selection of Brits to “crack” the US drama scene.

The same can be said of many Hollywood movies, with the re-jigged Batman franchise, the upcoming Man of Steel, The Amazing Spider-Man and recent Oscar contenders such as The Social Network all featuring British performers taking roles that could easily be played by Americans.

So, on the surface at least, Hollywood has indeed gone potty for the “Limeys”. But why?

Could it be a cultural thing? In the UK, we have a long and noble theatre tradition, with actors cutting their teeth on stages across the nation before making the move to TV and onto film. In the US this tradition is often reversed. Might this create a different “style” of performance that is now “in vogue”?

In a 2007 interview for the Radio Times, Stephen Fry talked about the difference between American and British actors; “[Take] the supreme relaxed authenticity of a James Stewart or a George Clooney compared with the brittle contrivances of a Laurence Olivier or a Kenneth Branagh, marvellous as they are”

I would certainly agree that you can, at times, see a distinct difference in style when a British actor is dropped into an American TV drama. Take Christopher Eccleston’s short stint in Heroes – he sticks out like a sore thumb. There’s nothing wrong with his performance but it’s certainly different to those around him; he’s performing a role (brilliantly) while those around him are “inhabiting” their characters in a far more comfortable fashion. I’d say the same about the wonderful Hugh Laurie in House.

Now I’m a firm believer that good acting is good acting and I’m wary of the notion that we Brits are in any way “better” than our American cousins. But does our different tradition and altered style make us more attractive to US casting executives? Is there a fashion for “Brit style” acting at the moment?

Maybe not.

In an interview for the Caledonian Mercury, Scottish TV producer Andrea Calderwood, who now works in the US TV Industry, gives another theory; Cost.

“,… Producers are always on the look out for new talent which won’t break the budget. Enter stage right all those eager and ambitious British actors hungry for that Hollywood breakthrough.”

Are we really just “White Mexicans”, a phrase that is apparently doing the rounds in LA?

Toby Hemmingway, a British actor making huge strides in his career over in America, might have a few words to say about that. In a recent interview for the Guardian, he claimed that British actors benefitted from being more resilient.

“It’s the natural pessimism. Being a good loser. Americans think 15 minutes of fame and it’s all over or it’ll make you. Brits are more dogged and realistic”

It’s an interesting idea; that Brits are more tenacious in their attempts to find work. But is it true?

And, indeed, should we be complaining if we’re simply “cheaper” as long as it get us the work?

Let me know what you think in the comments below0.

This article was originally published at www.tim-austin.co.uk

Ricky Gervais gives prostate cancer the finger

Comedian and Hollywood star, Ricky Gervais, has put prostate cancer on top of the news agenda again by insisting his comedy partner Karl Pilkington have his bottom examined while being filmed in ‘An Idiot Abroad 2’

The comic duo entered into light hearted banter about the digital rectal examination (DRE) during the sketch which is due to be due aired tonight on Sky2 at 11pm.

The pair were joined by Dr Frank Chinegwundoh, Lead Urology Consultant and Project Lead at Newham University Hospital Trust, who explained to them about the most common cancer in men in the UK, and gave a reluctant Pilkington an internal inspection.

More than 10,000 people have viewed the comic sketch, which has since been uploaded onto You Tube.

Ricky said: “Karl is the typical ‘bloke’ who would rather take his chances with prostate cancer than have another human being put a finger where a finger shouldn’t go. I knew men everywhere would reconsider and say, ‘if Karl can do it so can I’.”

Ricky’s support of raising awareness of prostate cancer first hit the headlines in 2005 when a radio advert he scripted and recorded for The Prostate Cancer Charity was banned by the Radio Advertising Clearance Centre, although the ban was later overturned.

Owen Sharp, Chief Executive of The Prostate Cancer Charity, said: “We are extremely grateful to Ricky, Stephen, Karl, and Dr Chinegwundoh for using comedy to raise awareness of prostate cancer and the diagnostic process to literally thousands of people. Through his comedy Ricky has once again broken down some of the misconceptions about the disease and helped to raise awareness of it.

“We know men can be reluctant to go and see their doctor if they have problems ‘down below’ and so to script a sketch that questions this embarrassment in a non-threatening way is just brilliant.”

Gervais later urged his 714,856 Twitter followers to support The Prostate Cancer Charity to continue it’s work by donating money to the cause.

You can view Ricky’s prostate cancer chat on ‘An Idiot Abroad’ here: http://www.youtube.com/watch?v=ypphWN1eKVU

Glee Stars Do Adele Mash Up

The all-girls show choir, The Troubletones, will go against the New Directions in a friendly competition in the all-new “Mash Off” episode airing Thursday, Nov. 17th (9:00 PM) on SKY ONE. Check out The Troubletones’ debut performance, a mash up of Adele’s ‘Rumour Has It’ and ‘Someone Like You’ from her album 21 (the biggest selling album in the world this year) on Youtube. The performance also marks Glee’s 300th musical performance.

Adele Mash Off is featured on Glee, The Music: Volume 7 – released 5th December

What did you think?

An Experiment With An Air Pump: Theatre Review

I have seen many plays in my life, but none have so intertwined art and science as An Experiment With An Airpump. The play by Shelagh Stevenson is a murder mystery wrapped up in the morals of science.

The play was inspired by the famous painting by Derby’s Joseph Wright of a scientist demonstrating an experiment on the powers of oxygen. He puts a small bird in a bottle and closes the lid. The bird dies – apparently. He takes off the lid and the bird miraculously recovers.

The play is set in 1799 and in 1999 on New Years Eve. Tom, and his scientist wife, Ellen have to leave the house as they can no longer afford to live there. They employ a builder to do some maintenance work and they discover a body under the sink – the bones of a female who has been there for centuries. Ellen also grasps with the morality of taking a job that evolves working with pre-embryos.

The other family are from 1799. The play shows that if history does not repeat itself, it at least rhymes, with people rioting in the streets. It also shows how far women have come. In 1799, Holly Clark plays an oppressed wife who seeks solace in alcohol. In 1999, she is the scientist, doing groundbreaking work, and funding her unemployed husband.

The play has very high production values. The set is amazing and looks expensive. The characters costumes are spot on.

There is a cast of seven in total and most actors play two parts. Mason Kayne plays Armstrong, a medical student, in 1799 and the Geordie builder in 1999. Mason is a stunningly talented young actor. He peals away the layers of Armstrong until he reveals his cold heart. A stunning tour-de-force. The only real character is Roget – who was the man who devised the thesaurus.
This play is well acted, well directed and well written. A marvellous play that is long, but feels short. An intellectual triumph and an absolute must-see.

By Shelagh Stephenson

Directed by Liisa Smith
Produced by Giant Olive Theatre

Cast:
Joseph Fenwick / Tom – Steven Lello
Susannah Fenwick / Ellen – Holly Clark
Harriet Fenwick / Kate – Rae Brogan
Maria Fenwick – Billie Fulford-Brown
Isobel Bridie – Olivia Hunter
Peter Mark Roget – Noah James
Thomas Armstrong / Phil – Mason Kayne

Music composed by: Angus Moncrieff
Costume & set: Cara Newman
Lighting Design: Ciaran Cunningham
Stage Manager: Nathalie Gunzle
Image Design: Merilyn Puss
Photography: Alexander Ford


http://www.giantolive.com/anexperimentwithanairpump.html