VEUVE CLICQUOT BUSINESS WOMAN AWARD 2012 FINALISTS ANNOUNCED

Veuve Clicquot announces the shortlist for its Veuve Clicquot Business Woman Award at the WIE (Women: Inspiration & Enterprise) 50 Power Breakfast at The London Stock Exchange chaired by Deputy Prime Minister, Nick Clegg, bringing together shining examples of female entrepreneurship and business success across sectors ranging from fund management to fashion and hospitality. The finalists are, in alphabetical order:

· Anya Hindmarch: Founder, Anya Hindmarch

· Helena Morrissey: CEO, Newton Investment Management

· Ruth Rogers: Chef & Owner, The River Café

Regarded as the ‘Oscars’ of female entrepreneurs and business leaders, the Veuve Clicquot Business Woman Award, now in its 40th year, celebrates entrepreneurial women who have made a significant contribution to business life in the UK. The Veuve Clicquot Business Woman Award nomination criteria are those ideals epitomised by Madame Clicquot: Entrepreneurship, financial success, Corporate Social Responsibility and acting as a role model.

All Finalists selected by the Veuve Clicquot Business Woman Award judging panel demonstrated the strongest evidence of all nomination criteria. Notable achievements included Helena Morrissey’s groundbreaking 30% Club, which helps champion the issue of women on boards, Anya Hindmarch’s entrepreneurial story and global pioneering of her ‘I am not a plastic bag’ initiative which raised the issue of plastic bag usage amongst the public’s consciousness as well as the government’s agenda, and Ruth Rogers’ steady growing business, changing how we perceive, as well as cook, Italian cuisine.

Carolyn McCall, previous winner of the Veuve Clicquot Business Woman Award and current Panel member, noted: “The nominees for this year’s award are all great role models and have all the attributes that Veuve Clicquot looks for in its Business Woman Award. This award has played a vital role in recognising and celebrating women in business.”

Sian Westerman, MD of Rothschild and member of the Veuve Clicquot Business Woman Award Panel commented: “This strong shortlist, drawn from an excellent long list, exemplifies what women can achieve in business: strong entrepreneurship and leadership, combined with a desire and ability to deliver real change in society. Spanning areas key to the UK economy of fashion, finance and hospitality, they are great role models for all who aspire to succeed in business.”

The winner of the Veuve Clicquot Business Woman Award will be announced at a high-profile Champagne reception at The Ballroom at Claridge’s, London on the 18th of April 2012 at 6.30pm.

The Award’s 20-strong judging panel is comprised of business leaders, including Carolyn McCall, Chief Executive, easyJet, Jasmine Whitbread, CEO Save the Children, Duncan Bannatyne, Entrepreneur and Dragon, Caroline Michel, CEO, Peters, Frasers and Dunlop as well as Sian Westerman, MD, Rothschild and other key industry experts.

Christina Jesaitis, Senior Brand Manager, Veuve Clicquot said: “As we reach our 40th year of the award, social and environmental responsibility are still a key focus for our judges and this year’s finalists all represent business women that have embedded these important attributes into their organisations. The award also looks for those women that are able to act as more than just an example of a successful business woman, but rather an inspiration and mentor for future female entrepreneurs; we believe that all of our three finalists have demonstrated this quality.”

Created in 1972 as a tribute to Madame Clicquot and now operating in 27 countries, the annual Veuve Clicquot Business Woman Award champions the success of business women worldwide who share the same qualities as Madame Clicquot; her enterprising spirit, her courage and the determination necessary to accomplish her aims.

How To Measure Yourself Properly

Having correct measurements makes it easier to do clothes shopping. Your size could change from shop to shop so you should always have your measurements to hand. Here is how to measure yourself.

It is better to measure yourself in your underwear for a more realistic result. Do not pull the tape measure too tight. It should have some give to it.

Shoulder
Should be done from shoulder to shoulder in a straight line

Head
Measure around your forehead.

Bust.
Your bust measurements should be taken at the fullest part. If you are taken your bra size then you will also have to do under your bust too.

Waist
Your waist is usually the narrowest part of your body, and this is where you should measure. For the majority of women, this is an inch above your belly button. Don’t hold your breath in! It is better to know your actual size. Wearing clothes that are too small for you will just make you look bigger.

Hips
You should measure the fullest part of your hips. The part of which you sit down on usually. Not around the hip bones, which is what most people think.

Inseam
From your groin to your ankle bone. It is better to get a friend to help you with this.

Do not measure yourself around the time you have your period. You will be retaining water and your dress size will be bigger.

Once you have measured yourself put your measurements into this dress size site to see what dress size you are. It does both UK and US sizing.

Perez Hilton's "One Night in Austin" to Benefit The VH1 Save The Music Foundation

VH1 will donate $1 to VH1 Save The Music Foundation in conjunction with Perez Hilton’s Annual Music Event For Every Check In on Foursquare at Any Music Venue Across the Country

The VH1 Save The Music Foundation has been selected as the benefiting charity of Perez Hilton’s “One Night in Austin” event at South By Southwest on March 17, 2012. Returning to Austin for the fifth consecutive year, this legendary series, produced by The BMF Media Group, will feature performances and DJ sets by an array of today’s top artists (to be announced the weeks leading up the show). There are a limited number of tickets available and can be purchased at $25 (General Admission) and/or $50 (VIP) at www.vh1savethemusic.com/perez. 100% of the proceeds from ticket sales will benefit the VH1 Save The Music Foundation and its mission to restore instrumental music education programs in our nation’s public schools.

In conjunction with the event, VH1 will donate $1 to the VH1 Save The Music Foundation throughout the month of March for each check in on Foursquare at any music venue across the country. With each check in, participating individuals will receive the exclusive “VH1 Save The Music” badge. Through these combined efforts, the Foundation can receive up to $50,000 in donations, enough to restore a complete music education program. Users must follow VH1 on Foursquare to unlock the badge and trigger the donation at: https://foursquare.com/vh1.

“We are thrilled to be a part of Perez Hilton’s “One Night in Austin” this year,” said Paul Cothran, Vice President & Executive Director of the VH1 Save The Music Foundation. “With Perez’s help, we will be able to generate a great deal of awareness for our cause, and with the additional fundraising boost provided by VH1 network and Foursquare’s generous promotion, we will be able to ensure that a greater number of children will not be deprived of access to a complete education that includes music.”

Since its inception in 1997, The VH1 Save The Music Foundation has provided more than $48 million in new musical instruments to 1,800 public schools in more than 100 cities around the country, impacting the lives of over 1.8 million children. Thanks to the generous support of celebrities like Perez Hilton and the VH1 Save The Music Ambassadors, including Katy Perry, Daughtry, Lupe Fiasco, Jordin Sparks, Matthew Morrison, Vanessa Carlton, AJ McLean and Gavin Rossdale, the Foundation is able to generate awareness about the importance of music in a child’s education.

“Music is the answer! For the first time ever, I am going to be selling tickets to my annual SXSW event! These tickets will GUARANTEE entrance to what is always the hottest party in all of Austin. This year, I have decided to donate all of the money raised through ticket sales to The VH1 Save The Music Foundation. It combines two things I am passionate about – music and inspiring youth. I can’t wait!” said Perez Hilton.

Using Perez Hilton’s “One Night in Austin” as the marquee event, fans are encouraged to use Foursquare to check in at various SXSW events as well as any music venue across the country throughout this month. With the support of VH1 and Foursquare and by simply checking in each time you enjoy live music, you can help The VH1 Save The Music Foundation raise needed funds to continue their work in American public schools.

VH1 will also be bringing several new documentaries through its VH1 Rock Doc franchise to SXSW. VH1 News, Tune (VH1 Music Blog) and the “Top 20 Countdown” hosted by Jim Shearer will be sharing highlights of Perez Hilton’s “One Night In Austin.”

For more information or to see how you can get involved, please visit www.vh1savethemusic.com or join The VH1 Save The Music community on Facebook at www.facebook.com/vh1savethemusic and on Twitter at @vh1savethemusic.

Frost Mag is supporting Cosmopolitan magazine's F-Word campaign.

COSMOPOLITAN Launches the ‘F-word’ campaign. Cosmopolitian is launching its campiagn on International Women’s Day, and Frost Magazine is supporting them.

This International Women’s Day (8th March) Cosmopolitan will be launching its ‘F Word’ campaign, a series of initiatives championing women – and men – to stand up and be counted and get what they deserve; equality in all aspects of their lives. The ‘F word’ has been created by Cosmopolitan to highlight the fact there has never been a more important time to be a feminist. The magazine has teamed up with some of the UK’s biggest stars who all support the campaign, including Annie Lennox, Jameela Jamil, Emma Bunton and Professor Green.

Miquita Oliver:

“I’ve gone up and down in weight and I’ve never been very glamorous so I’ve always used what I have which is my personality. It would mean so much to me if there were girls who watched me on the telly and thought ‘Oh actually I can just be a funny cool person.’ It’s important to push your personality rather than wearing ‘the right’ skinny jeans.”

Emma Willis:

“People think of it as a dirty word but being a feminist doesn’t mean you’re loud and lairy. You can still be feminine and be a feminist.”

According to the Fawcett Society, which campaigns for equality between men and women, men are currently getting paid almost 15% more than females, rising to 55% in the banking sector. It has also revealed that this is likely to widen, due to public sector job cuts, which are historically female dominated.

Cosmopolitan, the magazine for smart spirited women, believes it is time to take action. It wants the government to get tough now on equal pay, by making it mandatory for companies who employ 250 people or more to carry out a public, annual equal-pay audit – this was due to become law under the last government, but was shelved in 2012 in favour of making these audits voluntary.

The magazine is calling all British women to fight for their right to an equal pay packet by signing the Cosmopolitan Equal Pay petition at www.cosmopolitan.co.uk/equalpay. Cosmo is hoping to gather 100,000 signatures and plans to present the petition to David Cameron later in the year.

Louise Court, Cosmopolitan, Editor, said: “When we heard that the pay gap looked likely to widen in 2012 we felt it was time to stand up and make a difference for women in the UK today. Many women don’t even realise that they could be doing exactly the same job as their male colleagues and not being paid the same wage – it’s time to highlight this unfairness and make positive changes!”

According to a poll of Cosmopolitan readers, 58% would not describe themselves as being a feminist. However, Cosmopolitan believes that there has never been a more important time to be a feminist with inequality between the sexes at an all time high. “It’s time to grab back the word ‘feminism’. It’s a perfectly good word. But we need to simplify it. It’s about equal rights; that’s all. It’s not about being enemies of men.” Says Annie Lennox of the Cosmopolitan F Word campaign.

Downton Abbey Star: Its Harder For Working Class Actors

Downton Abbey star Rob James-Collier has said that it is harder for working class actors to make it as they don’t have the “comfort blanket” of wealth. The actor, who plays Thomas the footman in the hit period drama, said the early years of acting are like any other profession with the middle-class and privileged the only ones who can afford to work for free.

 

He said:

“You have to work for a year with no money. How on earth are you going to finance that?” he asked and said he had found it hard to make it as a “working class lad”.

The acting industry is full of Oxbridge graduates and people who went to Public School. These include Thandie Newton, Alexander Armstrong, David Mitchell, Olivia Williams, Sophie Winkleman, Eddie Redmayne, Tom Hardy, Dominic West, Henry Cavill, Freddie Fox, Benedict Cumberbatch, Sophie Okonedo, Colin Firth, Helen Bonham-Carter, James Purefoy, Tom Hiddleston and Damien Lewis to name a few.

James-Collier, was raised in Stockport and he told the Radio Times that the acting industry favours the wealthy. He worked in manual labour jobs to fund his acting dream.

“Because you’ve done the horrible jobs it gives you an even grittier determination to succeed,” he said.

“If I had a comfort blanket, I wouldn’t have been as passionate and driven. When you get there, you really do appreciate it because you know where you have been.”

He also said that his mother had been supportive and that his father had allowed him to try his luck.

Join the debate, do you think working class actors have it worse? Do you think the acting industry favours the rich? Have your say.

Jason Croot on Making Films | Frost Interviews

I interviewed Jason Croot for the second time recently. Jason is an incredibly talented film director, writer and actor. He is everything the British film industry needs: a talented, hard-working, pro-active filmmaker who puts himself out there and just does it. I am in a few of Jason’s films, notably Meeting Place and Le Fear, Le Sequel, but I am not biased- honest.

Jason: Hello Frost readers thank you for the interview.
 
How easy was Le Fear to make? Le Fear was a world-wind my directorial debut post production was only 3 weeks. We filmed it in 2 days, and we had a few difficult situations, but when you are making films you have to give everything and think on your feet. It was an improvised feature around a basic script and all in all I was very pleased with the outcome

What is the most important thing you learned?  A reliable crew is vital on a film set, we had a few people who let me down last-minute, but the crew where fantastic

Where did the idea come from? I was walking to the supermarket in Peckham and I thought I’d love to make a film about a film. After I made it I found there were about 30 films that were similar film within films, I’ve watched most of them. Day for Night is my favourite

How do filmmakers make money in this new climate? Great question, I’ve decided to show Le Fear for free currently on vodo.net http://vo.do/lefear.  There are a few distribution deals on the table but I believe vodo will hit 10,000 plus views and that’s what excites me more than anything at present, but to answer your question Netflix, Love Film, Creatspace will make you some income but it really depends how good your film is. My saying is ‘Cream always rises even in cheap coffee’.  

What has the feedback been like? Brilliant, when you send your film to be critiqued, especially when you have a budget of £1550 and this is a feature film you expect to be slammed, but out of 7 reviews we got one poor one, but the guy did give us 4 out of 5 for comedy so that was a good positive.

You obviously enjoyed yourself as you made a sequel, tell us about that; when will it be released? I would love to tell you about the sequel, I want to make Le Fear in to a series and really believe if people watch the first 2 films that dream can become a reality. The sequel is a 100% improvised feature unlike the original. It will be 90 minutes plus feature-length comedy horror, I must say the cast and crew where brilliant and we have 24 hours of footage to edit, I’m really excited about the prospect, no plans for a release yet, my films tend to be world-wind in making but lengthy in post, simply because I believe that method really works, okay give me a million pound budget I might film over 2 weeks, but the edit would take the same time generally 12-18 months after the film wraps, If you rush often your left unhappy so it will be ready when it’s ready. Sorry to be so vague, we will have a trailer out there this year and I have my target on a former number 1 soundtrack if I win the lottery I will definitely have that song in there, if not we will find a good track music and sound is so important in film making

What is next for you? Since moving into film making my acting as been limited but I’m hoping to get back into it. I’m currently looking at finding a new agent, I love directing so will hopefully will be working on some other films soon, I’ve decided not to make anymore of my own films until the four our out there{Le Fear, Demons and Doors, Meeting Place and Le Fear 2} hopefully start making some noise.

What advice do you have for people making their own films? Find a good crew, have your own equipment if possible, and always have a back up, especially with locations, finally sound is just as important as visuals; Finally never panic even if the crap hits the fan.
 
How important is IMDB to you?  I was on a mission for sometime to get into the top 10,000 on there starmeter, I think I hit the dizzy heights of 10, 861 in 2010 but I’m way out at present mainly because I’ve produced some low-budget films which sent my starmeter the opposite way. Generally actors are in the top 10,000 not film makers/actors. Saying that I believe it does hold a lot of weight and fell free to check me out 
 
What is your favourite movie? I don’t really do favourites, so I’d say Night on Earth

Favourite actor? Same again but I’d go with Roberto Benigni

Favourite director? I’m a big Jim Jarmusch fan

Thanks Jason.
  Thank you Frost for having me!!!

Tenors Unlimited Viva La Vita | Music Review.

Calling yourself the ‘Rat Pack of Opera‘ is quite a grand statement, and one you only make if you can back it up. Lord Richard Attenborough certainly thinks they can, calling them “fantastic…a unique and wonderfully entertaining act”. Sting simply says: “Bravi!”. Well, hard to argue with that.

The Trio, Scott Ciscon, Jem Sharples and baritone Paul Martin, who formed in 2002, have made their new album Viva La Vita an album of greatly requested numbers from their live show with two original songs thrown in for good measure; Viva La Vita – the title track, and Fall in Love. These songs were written by the band themselves.

This album is a triumph, it take much loved classics and gives them a fresh, operatic twist. It helps that they also have a few of my favourite songs like ‘Time to Say Goodbye’ and ‘Summertime’.

By including non-operatic songs in the album the band could have been called opera-lite, but they manage to by-pass this. Their voices are divine, their take on the songs sublime. It is a beautiful album. The original songs are good and so is their take on the classics. I thoroughly enjoyed this album. I definitely recommend it. It is rousing music. A good mix of the popular and the grand.

www.tenorsunlimited.com

Viva La Vita

Gear 4 PocketLoops {Tech Review}

Technology Review.

Every fancied making your own music but can’t afford the technology? Gear 4’s PocketLoop may be the answer, I reviewed it to find out if you can make sweet music with an iPhone application and a small keyboard.

The PocketLoops is light and relatively small. It is really easy to use and you just pop your iPod touch or iPhone into the dock and download the free PocketLoops application from the App Store, and off you go.

It is very easy to use when you get the hang of it ,and you can make some really good music. When you get to the main screen you will see a 4 x 4 grid that has 16 spaces, four for each instrument, to record different parts of your song. The instruments can be changed just by tapping on them. There is a good selection of instruments including pianos, drum kits, synthesisers and some other bass and dubstep sounds. At the bottom are the remix, speed, stop all and volume buttons. Remixing is one of my favourites, you just turn the loops on or off to include them in your song.

You can also add effects like echo, chorus or distortion via the XY Filter Pad

It has a 25 key keyboard and it uses the battery from your iphone/pod. Luckily it has a low power consumption. It is very easy to record the loops, you just hit the keys on the keyboard. You can record up to 16 different loops.

The Gear 4 PocketLoops allows you to record high quality songs and remixes, it has a well designed keyboard and iOS application. At just under £50 it is well worth the money and tons of fun.

It comes with the following adaptors:

    iPhone 3G / 3GS adapter
    iPhone 4 / 4S adapter
    iPod Touch 3G
    iPod Touch 4G