Interview With Dan Schreiber About The Great UFO Conspiracy

Posted on March 11, 2015 by Frostie

This Saturday night (14 March) sees More4 dedicate its schedule to some out-of-this-world programming for Aliens Night. In an all new one-off documentary airing first on More4’s Alien Night, comedian and presenter Dan Schreiber has gone in search of some of the Britons who believe in a huge government cover-up of extra-terrestrial life.

The Great UFO Conspiracy will air Saturday 14 March at 9:05pm on More4.

You’ve made a film, The Great UFO Conspiracy – what’s it all about?

It’s looking at the phenomena of conspiracy theories to do with aliens UFOS. Most of the time, when you think about that stuff, you think of the USA, of Area 51 and Roswell and so on. It all seems to be America-based. But actually, Britain has a huge role in the constant stream of theories of what’s going on. And this country has some of the largest ever encounters that are acknowledged worldwide by the community. So I wanted to find out more about the people who are leading the front, who think there’s something more going on.

Is this an area you’ve been interested in in the past?

Yeah, I’m interested in it in a slightly lateral, leftfield kind of way. I love the storytelling. I love the way the theories are put together. I see it as a type of storytelling that nobody really acknowledges. It’s a group of people looking at a thing and coming up with an alternative story and timeline for. And they all contribute to it, worldwide. And it adds to this bigger story, this growing, creative idea. The difference between them and me is that they believe it to be true, whereas I don’t. But I don’t think that should step in the way of admiring what’s a great story.

How much of this did you know before you embarked on your journey? Did what you encountered surprise you?

Oh, I was totally surprised. My background is in making sure that I know virtually everything about a subject before I get involved with it. That’s from a background of working on shows like QI. But on this show, the production team didn’t want me to find out anything beforehand. They wanted me to be put into the situation and learn on the spot. So I did go in thinking I’d know the majority of the theories, but there are so many of them, you just can’t get a handle on them. And also, all the theories that I thought were dead, like crop circles, are now alive again, and being reinterpreted. For example, we know they were created as a prank, but now the theory is that the pranksters were actually having their actions controlled by aliens. I love it that you can’t seem to kill a conspiracy theory – it will find a new way to live.

Almost by definition, these are people who are very suspicious of the motives of others, especially establishment organisations like broadcasters. Was it difficult to get them to trust you?

It’s a really odd one. They all seem to hate the BBC with a total passion, They think everyone’s involved. But this thing has grown so big, as an industry, that people are making their living off the back of talking about these theories or writing books about them. There’s so much money now being made that you can live your life by these theories. So they have to co-operate with the devil, because they know they can get more exposure for a talk that they’re going to do, or a book that they’re going to do.

What did you think if the people you spoke to?

I really liked them all, and found them really interesting. And one thing that struck me was that when we weren’t talking about UFO stuff, they’re all really chatty, nice, friendly, likeable people, who liked a laugh and liked to talk about football. One of them, a guy called Tony, very openly says that the last few years of his life have been absolute hell, he’s gone through various things. We didn’t go into what that was – I imagine depression was involved – so they’re not all completely rounded, happy, optimistic people. But if you’re sitting in a pub and start talking about acting or movies, they’re all interested in talking about that stuff.

Some of these guys seemed a convinced the authorities were after them. Do you think any of them were genuinely scared for their safety?

Tony says that he is, or certainly that he was. I spoke to a guy called Timothy Good, he struck me as someone who was just reporting facts, very much in control. He didn’t seem scared at all. Some of them I found it hard to tell. I didn’t know where the jokes stopped and the beliefs began. So this guy Miles was an example. If we were meant to be meeting someone, and they’d be running late, and you’d receive two of the same text, he’d say “When you get two, it means the government are watching you, and that’s why she had to disappear.” And then you’d wonder if he actually believed that, or was just winding me up.

Where do these ideas germinate from?

That’s a good question. I went to a conference, and everyone was doing these talks, and I had a weird feeling. I do stand up comedy, and half the time you’re trying out new material to see how it’s received, and at this conference, it felt the same. People were standing up and offering new theories and new connections they’d made, and sussing it out with the crowd. It felt like a new material night for theories. But I think that these theories just seem to pop up out of nowhere.

You don’t try to debunk these theories. Why did you adopt that approach?

That wasn’t the focus of the show for me. None of us wanted to make something that was laughing at these people. It was more a matter of going “Look, this is an actual thing that’s happening, and millions of people around the world believe in it,” and if you’re at a dinner party and you’re sitting next to one of these people, you can either say that they’re mad, or dangerous, or idiots, or you could have a good conversation with them. I’m more interested in just hearing from them what they think is going on and why. If you see a documentary with Richard Dawkins, you don’t have time to understand what the religious person thinks, because Dawkins is shouting them down. That’s in no way productive for a conversation.

What are your own theories about extra-terrestrials?

I think that there’s alien life out there. I almost think it would be weird to think that there wasn’t, the Universe being what it is. I just don’t think that we’ve necessarily been visited yet. All they’ve done is gone one step further, and then added a whole conspiracy side to it, with the government being involved.

Lastly, I can’t let you go without asking you, after all those years of working on QI, what’s your favourite fact?

Let’s see. Oh, there’s a great one which always makes me laugh. You know the DVDs you get with the anti-piracy bit with the dramatic music at the beginning? It turns out they didn’t have the permission to use that song. The guy sued them and got money. That’s so wonderful. The other one I really like, which is from one of the QI books, is that in 1895, the only two cars in Ohio crashed into each other.

Naomi Watts: I Was Ready To Quit Acting

Posted on February 12, 2015 by Frostie

Some actors find success easy and others struggle for years. Naomi Watts definitely falls into the latter category. The Oscar nominated actress used to drive for hours to pick up bad scripts people refused to send her. She regularly doubted that she would ever have a career after moving to Los Angeles as things were so tough.

“[I went from playing leads] to being someone who had to drive for two hours to get two pages of really bad dialogue in some TV movie, just because they couldn’t be bothered faxing me the pages. And I did that for pretty much ten years. When it was like, you know what, I can’t handle it, I’m giving up. But every time my bags were packed, I’d get a call saying, ‘You’ve got this part.'” she told InStyle magazine.

The 46-year-old actress took anything she was offered when she moved to LA.

“Oh, listen, I did not have any snobbery about anything. I just wanted to work. I always had the attitude that work begets work and one thing would roll to the next, I think I knew I had something. But I certainly had plenty of doubt.”

The star did not get her big break until David Lynch cast her in Mulholland Drive solely from her photograph.

If you are an actor then check out How To Be a Successful Actor: Becoming an Actorpreneur. It is available in print and in all eBook formats on both Smashwords and Amazon.

Sharon Horgan Interview for Catastrophe

Posted on January 7, 2015 by Catherine Balavage

We love Sharon Horgan at Frost. Funny and endlessly talented, we can’t wait to catch her new show, Catastrophe. Find out more in the interview below.

Explain a bit about Catastrophe. What’s the concept of the series?

It’s an unromantic look at a romance, I think. It’s about a couple who meet on a one night stand, and end up spending this great week together, and that should be it. But she gets pregnant, and he decides to do what he thinks is the right thing and stuck around. And she’s happy for him to lend a hand, as she can’t really be on her own. So they have this speed-life version of a relationship, where everything starts going to shit from the moment they get together. But the way it differs from a normal relationship is that they don’t really know each other, they’re just getting to know each other while all this shit’s happening. Going to have a pregnancy scan and getting bad news is hardcore enough with someone you’ve been with for years. But having to do it with someone who’s almost a stranger to you… And as the series progresses, more and more catastrophic things happen to them. And they’re slowly falling in love while all this shit’s going down.

Where did the idea come from? Why did you want to write this?

I guess because of my situation, and Rob’s situation, and the fact that you kind of want to write about what you know. I knew what sort of material he did with his stand up, he knew the kind if stuff I did, and we just figured this subject matter would suit our styles the best. And we both had a series of shitty things happen to us in our relationships or in our experiences as child rearers, and we felt like it would be nice to bring people a warts-and-all picture of a relationship. Still romantic, still a love story, but a real version of it.

Am I right in thinking that you and Rob met over Twitter?

Yeah, that’s right. I started following him because Graham Linehan had retweeted him a few times, and I found him extremely funny. And totally filthy. And then I noticed he was following me, and then he got in touch on a private message saying he liked what I did. I thought that was sweet, and when I was over in the States we decided to meet up – it’s always interesting,meeting people who kind of do what you do but in a different medium.And then we just kept meeting up, over the years, and eventually found the right thing to collaborate on. But that was kind of scary when we started writing – you never know whether these things are going to be a disaster or not. It can be really hard to write with someone, it’s very intimate and exposing. But the relationship worked immediately, it felt fun and easy.

How did that process work? Presumably you were separated by the Atlantic?

Yeah. For the Pilot, we talked a lot across the Atlantic, and then I was in America working again, and we grabbed what time we could. And then, for the second episode, Rob was over here for a while, and then we went back and forth over Skype. When Channel 4 said they wanted to do the full series, we wrote all the first drafts on Skype. We Skyped each other the whole time. But then we kind of realised that you need to be in a room, reading the script aloud, making changes as we’d go. So we did a lot of rewriting when I was over in LA. But now he’s moved here, he lives here now, which makes it much easier.

Did you find that you each tended to write more for your own characters?

I don’t think it did pan out like that. Maybe a little bit initially. What we did end up doing was rubbing our corners off a bit. If I’d write something that sounded a bit harsh, for either character, he’d give it a bit of California sweetness. And if he wrote something that I thought sounded too warm and American, I’d write a bit of Irish acerbic into it.

Judging from the trailer, your character isn’t going to have the most pleasant pregnancy. Is that partly based on your experiences? What were your pregnancies like?

I would say pretty tricky. But it wasn’t just mine that we based it on. We used mine and Rob’s wife’s experiences, we mixed it all in. Any shit that happened to me we multiplied by two, because we had another pregnancy to steal from as well. But you ask any woman who’s been through it. There won’t be too many rosy stories in there. I got knocked over by my dog and broke my knee. My pelvis parted, so I was on crutches for most of it. My second one, my ribs felt like they were splitting because My baby was so massive. A lot went wrong – the same with Rob’s wife – which is why we were able to throw that all in there. I know there are women out there who loved being pregnant, but that wasn’t my experience.

While you were filming, did you have to wear a bump that grew steadily bigger throughout the series?

Yes. I had three or four bumps over the series. It was good, because it genuinely felt incredibly uncomfortable, especially the really big one. It was really heavy, and it did make me relive it, because my back was fucked at the end of it, and I remember feeling exactly the same at the end of the pregnancy. But it worked – whenever I needed to be grumpy and fed up in character, I generally was.

The show’s got a great cast, including Ashley Jensen and the great Carrie Fisher. That must have felt so exciting, getting them on board.

Yeah, it was. It kind of felt like that for everyone who came on board. Every time we got the person we really wanted, we were pinching ourselves. Everyone in the cast is phenomenal, top of their game. But we did end up feeling “Shit, why weren’t they in it more?” with every supporting character. They’re all actors you want to see more of.

Carrie Fisher’s a legend, isn’t she? We were madly excited when she came down on set. We were all acting like dicks. We were running around like grinning weirdoes. I was going over her lines with her, lying on a bed by her side because she was a bit jet-lagged, and I felt like “Yeah, this is it. I’ve reached the heights now.” And Ashley is just incredibly funny, and great to be around. She’s a lovely,. Funny, warm presence all the time. Mark Bonnar, you can’t take your eyes off him. I can’t wait for people to see it, just for the supporting cast.

In the past, you’ve done a couple of factual programmes for Channel 4. Is that something that you’d like to do more of in the future?

No. I really loved that they asked me to do it, and allowed me to make documentaries on whatever I wanted. I hooked up with my friend, Chloe Thomas, and we went out and talked about the stuff that we were interested in, and our own experience. And at the time, that was motherhood, and mid-life crises, and marriage, so those were the three films we made. But it’s not really something I want to pursue any further than that for now. I said what I had to say. And it’s hard work! It’s tough, because you’ve got no script, and a lot of it is built in the edit, and a lot of it is down to chance. These are real people that you’re dealing with, you have to tread carefully. I had a great experience, and I’m glad I got to do them, but I think I’d rather just watch that sort of thing from now on.

In your body of work, what are you most proud of? And where does Catastrophe sit within that?

I’m still very proud of Pulling. It was the first sitcom I ever made, and it was a situation where someone took a leap of faith, and let us have a go. So we ended up making something that we really liked, and had enormous fun doing, with the people that we wanted to do it with. And Catastrophe, for me, feels very similar. I felt with Pulling that I couldn’t have made it at any other time, and I think with Catastrophe, I couldn’t have made it even three or four years ago. It feels like the perfect thing for this moment, for the stories that I have to tell. It’s the same thing, just being given proper creative scope by Channel 4 to make the show that we wanted to make. I guess we’ll have to wait and see now what people think, but it was an enormous pleasure. I felt as emotional at the end of filming as I did at the end of Pulling, just the feeling that I’d really, really enjoyed it and I was very lucky.

Catastrophe starts on Monday 19th January at 10pm on Channel 4

Jon Hamm Interview For Black Mirror Christmas Special

Posted on November 27, 2014 by Frostie

Black Mirror : White Christmas is on C4 at 9pm on 16th December.

For a generation of Mad Men fans, actor Jon Hamm will forever be known as Don Draper. But this Christmas, they will see him in a new role – starring in a feature-length special of Charlie Brooker’s gloriously dark comedy drama Black Mirror. Here, Jon reveals his love for both Black Mirror and cricket, and recalls a life when he had just $150 dollars to his name.

You’re in the feature-length Black Mirror Christmas special. You must get offered so many roles – what was it about this relatively modest British drama that made you want to do it?

Well, let me disabuse you of the notion that I get offered so many roles. The jobs that are out there are scarce, and as with almost every actor, it can be hard to get good stuff. I had been a fan of Black Mirror, and Charlie Brooker, because I have a strange predilection for offbeat British things, and this was no exception. It came about in this very odd way, with me asking my agent if I could meet Mr Brooker. I didn’t know he was even working on a third series or a Christmas special or anything, it was simply that I really liked his work and really wanted to meet the guy.

So how had you encountered Black Mirror before?

Oddly enough, here in the States there is a channel on Direct TV called The Audience Network. They have some original programming and some stuff that they purchase from other sources. And Black Mirror was one of those acquisitions. My friend Bill Hader, of Saturday Night Live fame, told me I had to watch this show. So I watched it, and I thought it was really, really good. And that’s how it all came together. So I got a meeting with Charlie, and about three days later I flew back to LA, and a couple of days after that I got an email from him, and he said he’d really enjoyed our meeting and he had this character who was meant to be English but didn’t necessarily have to be, and why didn’t we have a go at putting me in this thing? And I said “Why not indeed?” It was a totally serendipitous situation. He couldn’t be a nicer guy, for someone who writes such dark stuff, and it’s a project that I thought was so interesting and unlike anything else I’d come across. And I love working over in the UK. It’s something that I’ve done for the last four years in a row, whether it’s been Todd Margaret or Young Doctors’ Notebook. It’s been lovely. I consider myself very fortunate to have been given these opportunities to come over there.

What can you tell us about the story?

Very little. Charlie’s written a very specific story that unfolds at its own pace, and you don’t want to spoil anything for anybody. But I think what I can say, for those people that are fans of the show, is that it delivers on the central, dystopian, Twilight-zoney unsettling situation that Black Mirror has delivered in the past. There’s always a deeply unsettling aspect to Black Mirror, and we definitely deliver on that. It’s not a mistake that they were able to get actors like Rafe Spall and Oona Chaplin to be a part of this. They are quite wonderful in this. It’s an excellent way to waste an hour-and-a-half over Christmas and not talk to your family.

Did you enjoy the shoot, and working with Oona and Rafe?

I did, I loved it. I didn’t work a tremendous amount with Oona, as will be made clear when people see the show. But I did work with Rafe, and I hung out with Rafe and his wife and had dinner. It was great. I’d only seen him on stage in New York, in Betrayal, with Rachel Weisz and Daniel Craig. He was wonderful in it. I got a chance to meet him after the show and say as much, but that was the only time I’d met him. So it was great to get a chance to actually work with him and meet him and his lovely family.

Can you tell, when you’re shooting something, how good it’s going to be? If so, what are your expectations for Black Mirror?

You can only hope. There are so many steps between here and there, it’s a situation where you hope something will be good, and if it’s not, you start pointing fingers! You can believe in the material – no-one sets out to make a terrible TV show, and yet we have quite a few of them out there – so everyone sets off with the best of intentions. But sometimes things happen. There are a lot of moving parts to a television show, especially one that’s very ambitious. That’s why I was so blown away when I first watched Black Mirror. I found it so ambitious, it was trying to achieve so much, and it succeeds. When we shot the pilot of Mad Men, I thought “Well, this is a very good pilot. Let’s hope that everybody that gets their hands on it between here and it going on air doesn’t mess it up.” And thankfully they didn’t.

Speaking of Mad Men, what are the roles that have meant the most to you over the years? I assume Don Draper looms fairly large in that?

Yeah, that’s the career-defining role for me, as it stands. But I can look back at every part I’ve ever played and think it was meaningful in some way, shape or form. It sounds cheesy, but I think every part that an actor takes has the opportunity to make them a better actor. Don Draper was certainly that for me, because it was about showing up and being prepared and being aware and being good in a lot of aspects. It was a very challenging role. At times it was funny, at times it was heartbreaking, at times it was violent, at times it was pathetic. I got to show a lot of colours. But I can also look at something as silly and as seemingly throwaway as the character in Bridesmaids, whose name I believe was Ted, and it came with its own set of challenges. Working in comedy isn’t exactly in my comfort zone, especially when you work with somebody as ridiculously talented as Kristen Wiig and the director Paul Feig. You’re terrified you won’t be able to pull your own weight. There’s a movie that Jen [Westfeldt , Hamm’s longtime partner and actress and screenwriter] wrote and directed and starred in, Friends with Kids, where you’re playing with people that are outside their comfort zones. It’s all a challenge, and it’s all something that you can look at and ay “I hope I got better because of it.”

How has your life changed in the last seven years? [Since the advent of Mad Men].

Oddly, not that much. It’s a strange thing, celebrity and fame and all that nonsense, it can be a millstone around your neck, but only if you let it. It’s only as powerful and as meaningful as you make it in your life. I’ve never really assigned that much meaning to it, so therefore it’s never really affected me. I mean, it’s weird when you’re walking down the street and people stop and point, or try to take your picture surreptitiously in a restaurant, which is never as surreptitious as you think it is. Nobody checks their email with a phone pointed directly at someone else. I appreciate that people appreciate my work, and I hope that it’s because of the work and it’s not because of some other dumb thing that doesn’t mean anything.

Do you think the fact that you didn’t become this famous until you were in your mid-30s was in many ways, a good thing?

Yes, is the short answer. I don’t even understand how young people operate today in a world dominated by social media. How do people manage anything? It’s so overwhelming. People wake up in the morning, and the first thing they do is check their Instagram account, their Twitter account, their Facebook account, their Vine account, their Tinder account. You do that, and then I guess you make coffee. I have enough problems managing all of my Words with Friends games. I can’t imagine maintaining this online virtual existence. That’s one of the things Charlie is digging into in this world of Black Mirror – you see what happens when social media goes sideways.

Is it true that you moved to LA in 1995 with just $150? What was it like living hand-to-mouth?

Well, it didn’t kill me, so I suppose it made me stronger. It seems apocryphal at this point, but it is in fact true. That’s what I had. Fortunately, I was 25 years old, and your capacity to deal with difficulty is considerably higher. You have a higher tolerance. You don’t mind sleeping on a broken futon, or sharing a house with five other broke idiots. That’s just what you do when you move to a new city to make it as an actor. There’s no version of it where you just jump to the head of the class. It just doesn’t happen. So you pay your dues. And, that isn’t the worst thing in the world. You learn a lot about yourself, and about the business, from paying your dues. And where you go from there is often to do with luck. It’s a massive component of it. I’ve been lucky. And I’ve also put the work in that enabled me to be lucky at the right time.

Your first ever role was as Winnie the Pooh in first grade. Where does that rank on your list of performances?

Well, as I said, every role helps you be a better actor!

You were able to really ‘become the bear’?

Oh yeah. My mother sewed the costume, which was essentially a really comfortable pair of pyjamas. And I strapped a pillow around my stomach, with a belt, and that was my Winnie the Pooh. Oddly enough, there is some Super-8 recorded footage of this out there in the ether, but I don’t think anyone’s ever going to see it!

Is it also true that you are that great rarity, an American who likes cricket?

Yeah. I’m not sure I’m a fully-fledged fan, because I haven’t spent the time on it, but at one point, when I was over shooting A Young Doctor’s Notebook, it was during the Ashes. And this somehow became really exciting to me. We’d finish shooting pretty early, because Dan [Daniel Radcliffe] was doing The Cripple of Inishmaan on stage in the West End. So we’d wrap by 5:30pm, and I’d go home and watch the highlights, which is, I found, an excellent way to watch cricket. So I really got into it. And England were playing very well, I think they trounced Australia. And then I went off and did Million Dollar Arm, and was in India when the IPL was happening, and every night there was cricket on TV in primetime. It was very easily digestible, the two-hour version, and fast-paced and very exciting. Watching it in India, where people are mad for cricket, was great fun as well. You’d go to the bar, and people would just be losing their minds.

The Black Mirror Christmas special, ‘White Christmas’, starring Jon Hamm, Rafe Spall and Oona Chaplin airs on Channel 4 on 16th December at 9pm.

If you are an actor then check out my book How To Be a Successful Actor: Becoming an Actorpreneur. It is available in print and in all eBook formats on both Smashwords and Amazon.

The Fault in Our Stars Shailene Woodley & Ansel Elgort Interview

Posted on November 7, 2014 by Catherine Balavage

The Fault in Our Stars has been a huge hit and rightly so. We have an interview with the two stars Shailene Woodley & Ansel Elgort. If you haven’t seen it yet, or read the book it is based on, do it now.

Q: Shailene, you emailed John Green about the role. Did he respond in a nicer way than Van Houton?

SW: He did. He was like I’m not the casting director so I actually can’t cast you but thank you for your kind words.

Q: Was it difficult to have that lightness in your performance of sick kids?

AE: Um, no. I think that the way that the book is written is that the characters do have that lightness. And then once also we spent time with kids who actually had the diseases or had been through them we realized that that lightness is present in those individuals. And that it was totally correct to have them present in our characters. Without the lightness it would be a shit movie. It’d be unrealistic and it’d be depressing and I don’t know what the point would be.

I think it’s all about the lightness and all about the fact that they’re real human beings who just happen to have something. The cancer in the story’s just the variable that makes the clock tick. And that makes the love even more important because it’s the last that you’ll have.

Q: Did it make it easier or harder that you’d worked together before?

SW: It made things definitely easier. I mean, we already knew each other; we’re already comfortable around each other. And we already loved each other. We already had a deep sense of admiration for one another. Which I think translated into this film.

Q: How was the atmosphere on set?

SW: Oh it was so much fun. I mean movie sets are really fun regardless of what you do when the camera rolls. But one of the things that’s so beautiful about this movie is it shows you that cancer doesn’t define you. And just like on the set we met a lot of people who did have cancer. A lot of young people and they don’t live their lives like this walking around you know, somber. They live their lives like this and be like yeah, I have this and it sucks. But it’s just what it is. And that’s sort of how our set was. We were dealing with heavy subject matters but you don’t sort of just wallow in the subject matter. You find ways to be light about it.

Q: Did you improvise on the relationship on set?

AE: A lot of those scenes set the stage for the relationship are like word for word from the book. A lot of them. Like the scene in the beginning where Gus talks about how he fears oblivion and Hazel speaks about if that’s what he’s scared of then she suggests he forget it. The metaphor scene down in the basement, those scenes are so important. You’re right. Because so many movies just have two pretty people and I mean they put them together. Yeah they’re supposed to kiss and fall in love right? But I love that this story really takes it’s time and has those scenes. It’s almost like a play. Because it’s so much about the relationship that there’s time for those things to happen. So important. Really lets the relationship develop.

The Fault in Our Stars is available here. Out on Blu-ray now.

Jacqueline Waggett PacaPod Founder Interview

Posted on October 28, 2014 by Catherine Balavage

We interviewed Jacqueline Waggett, founder of the amazing PacaPod changing bags. A must for all parents.

How did you come up with idea of the PacaPod?

I never even had a baby bag, I created a mock-up first PacaPod with different bags inside and thought this was a really good solution to getting out the house quickly when you had a precious window of opportunity between feeds, sleep, changes!

What makes it different?

PacaPod bags contain a unique ‘baby organisation system’ with two detachable pods to store feeding and changing items which keeps them hygienically apart and organised so there’s no panic rummaging for lost wipes or dummy. All three elements can be used on their own, clip onto a buggy and great for sharing with a partner, travelling or dropping at nursery – it’s very versatile and more than a bag it’s a toolkit for parents.

Was it hard getting the design right?

I held “focus groups” – basically having a bunch on my new found NCT friends around for a coffee and asking them to bring their changing bags with them and tell me what they loved and hated about them. The passion these ladies had about their bags just blew me away and I realised that everyone had the same frustrations as me and that I was really onto something. My background as an outdoor clothing designer for high profile brands meant that I had the tools to and knowledge to bring a product to market, so from those early discussions I designed a bag that would incorporate all the requirements necessary for the perfect baby bag – basically the PacaPod 3 in 1’ baby organising system’ was born. Using my previous experience and contacts I sourced some factories to make bags, made samples, and held more focus groups, field tested and amended the bag again and again until the feedback from parents was just right.

Do you have a favourite bag?

I use a PacaPod everyday even though my children are not in need of a baby bag as it makes a great work bag. I use the parent section for paperwork and laptop, the feeder pod for my lunch and the changer pod for all my odds and ends, make up and so on. So it depends when you ask me – right now I love the Sydney leather messenger.

How hard was it getting the business off the ground?

When I spoke to nursery retailers about the concept to gain industry feedback and I was told there were too many bags out there already! But my gut feeling and the response from other mums told me it would work – so I took the plunge and booked a stand at the Harrogate nursery trade show in 2008, ordered the goods, set up a website and started selling! From the first idea to the launch at Harrogate it took just one year. Looking back it’s hard to believe I achieved so much, especially as I had a one year old and I was pregnant with my second child at the time.

What was the biggest challenge?

The early days and the legalities of launching a brand and protecting the copyright, patents, trademarks and testing standards required for the nursery industry on such an unusual product was a real education because there was nothing like it before in the market! Just to give you an idea the lining in the feeder pod alone is tested to the same degree as a dummy. It has taken years and a good deal of financial investment to ensure the product is protected worldwide and when you are self-funded re-mortgaging your house twice with two small children certainly takes its toll on the nerves.

When did you realise you had gotten it right?

Probably at that first trade show when we had such amazing feedback and great orders!

What is the high point so far?

When I see the bags out and about and people take the time to let us know how they love their bag.

For me it’s about people and places, helping people with babies to go places!

Our PacaPod review will be up soon. They are available from johnlewis.com and mummyandlittleme.co.uk

Jennifer Lawrence: Nude Photo Hacking Was a “Sex Crime”

Posted on October 7, 2014 by Frostie

Jennifer Lawrence opens up about that nude photo hacking in Vanity Fair’s November issue, the digital edition will be available Wednesday, October 8 followed by the print edition.

The 24-year-old actress said: “Just because I’m a public figure, just because I’m an actress, does not mean that I asked for this, It does not mean that it comes with the territory. It’s my body, and it should be my choice, and the fact that it is not my choice is absolutely disgusting. I can’t believe that we even live in that kind of world. ”

She tried to write a statement about the incident but “every single thing that I tried to write made me cry or get angry. I started to write an apology, but I don’t have anything to say I’m sorry for. I was in a loving, healthy, great relationship for four years. It was long distance, and either your boyfriend is going to look at porn or he’s going to look at you.

It is not a scandal. It is a sex crime, It is a sexual violation. It’s disgusting. The law needs to be changed, and we need to change. That’s why these Web sites are responsible. Just the fact that somebody can be sexually exploited and violated, and the first thought that crosses somebody’s mind is to make a profit from it. It’s so beyond me. I just can’t imagine being that detached from humanity. I can’t imagine being that thoughtless and careless and so empty inside.

Anybody who looked at those pictures, you’re perpetuating a sexual offense. You should cower with shame. Even people who I know and love say, ‘Oh, yeah, I looked at the pictures.’ I don’t want to get mad, but at the same time I’m thinking, I didn’t tell you that you could look at my naked body.”

“Time does heal, you know, I’m not crying about it anymore. I can’t be angry anymore. I can’t have my happiness rest on these people being caught, because they might not be. I need to just find my own peace.”

Anna Wintour Answers 73 Questions And It Is Brilliant

Posted on September 23, 2014 by Catherine Balavage

Anna Wintour doesn’t give many interviews and has always been something of a fashion enigma. Which is why we absolutely love this amazing video where she is asked 73 questions whilst going about her business. She talks about Brooklyn, the Rumors, and the One Thing She Will Never Wear. Her favourite comedian might also surprise you but let’s just say, go Britain!

What did you think?

Frost Magazine

Books and Lifestyle

Tag Archives: Interview