Give Me The Child Extract: The Hot New Thriller of The Summer

We have a treat for you: an exclusive extract of Give Me The Child. A stunning thriller from Mel McGrath. You can read our review tomorrow.

CHAPTER ONE

My first thought when the doorbell woke me was that someone had died. Most likely Michael Walsh. I turned onto my side, pulled at the outer corners of my eyes to rid them of the residue of sleep and blinked myself awake. It was impossible to tell if it was late or early, though the bedroom was as hot and muggy as it had been when Tom and I had gone to bed. Tom was no longer beside me. Now I was alone.

We’d started drinking not long after Freya had gone upstairs. The remains of a bottle of Pinot Grigio for me, a glass or two of red for Tom. (He always said white wine was for women.) Just before nine I called The Mandarin Hut. When the crispy duck arrived I laid out two trays in the living room, opened another bottle and called Tom in from the study. I hadn’t pulled the curtains and through the pink light of the London night sky a cat’s claw of moon appeared. The two of us ate, mostly in silence, in front of the TV. A ballroom dance show came on. Maybe it was just the booze but something about the tight-muscled men and the frou-frou’d women made me feel a little sad. The cosmic dance. The grand romantic gesture. At some point even the tight-muscled men and the frou-frou’d women would find themselves slumped together on a sofa with the remains of a takeaway and wine enough to sink their sorrows, wondering how they’d got there, wouldn’t they?

 

Not that Tom and I really had anything to complain about except, maybe, a little malaise, a kind of falling away. After all, weren’t we still able to laugh about stuff most of the time or, if we couldn’t laugh, at least have sex and change the mood?

‘Let’s go upstairs and I’ll show you my cha-cha,’ I said, rising and holding out a hand.

Tom chuckled and pretended I was joking, then, wiping his palms along his thighs as if he were ridding them of something unpleasant, he said, ‘It’s just if I don’t crack this bloody coding thing…’

I looked out at the moon for a moment. OK, so I knew how much making a success of Labyrinth meant to Tom, and I’d got used to him shutting himself away in the two or three hours either side of midnight. But this one time, with the men and women still twirling in our minds? Just this one time? Stupidly, I said, ‘Won’t it wait till tomorrow?’ and in an instant
I saw Tom stiffen. He paused for a beat and, slapping his hands on his thighs in a gesture of busyness, he slugged down the last of his wine, rose from the sofa and went to the door. And so we left it there with the question still hanging.

I spent the rest of the evening flipping through the case notes of patients I was due to see that week. When I turned in for the night, the light was still burning in Tom’s study. I murmured ‘goodnight’ and went upstairs to check on Freya. Our daughter was suspended somewhere between dreaming and deep sleep. All children look miraculous when they’re asleep, even the frighten- ing, otherworldly ones I encounter every day. Their bodies soften, their small fists unfurl and dreams play behind their eyelids. But Freya looked miraculous all the time to me. Because she was. A miracle made at the boundary where human desire meets science. I stood and watched her for a while, then, retrieving her beloved Pippi Longstocking book from the floor and straightening her duvet, I crept from the room and went to bed.

 

Sometime later I felt Tom’s chest pressing against me and his breath on the nape of my neck. He was already aroused and for a minute I wondered what else he’d been doing on screen besides coding, then shrugged off the thought. A drowsy, half-hearted bout of lovemaking followed before we drifted into our respective oblivions. Next thing I knew the doorbell was ringing and I was alone.

Under the bathroom door a beam of light blazed. I threw off the sheet and swung from the bed.

‘Tom?’

No response. My mind was scrambled with sleep and an anxious pulse was rising to the surface. I called out again.

There was a crumpling sound followed by some noisy vomiting but it was identifiably my husband. The knot in my throat loosened. I went over to the bathroom door, knocked and let myself in. Tom was hunched over the toilet and there was a violent smell in the room.

‘Someone’s at the door.’
Tom’s head swung round.
I said, ‘You think it might be about Michael?’
Tom’s father, Michael Walsh, was a coronary waiting to happen, a lifelong bon vivant in the post-sixty-five-year-old death zone, who’d taken the recent demise of his appalling wife pretty badly.

Tom stood up, wiped his hand across his mouth and moved over to the sink. ‘Nah, probably just some pisshead.’ He turned on the tap and sucked at the water in his hand and, in an oddly casual tone, he added, ‘Ignore it.’

As I retreated into the bedroom, the bell rang again. Whoever it was, they weren’t about to go away. I went over to the window and eased open the curtain. The street was still and empty of people, and the first blank glimmer was in the sky. Directly below the house a patrol car was double parked, hazard lights still on but otherwise dark. For a second my mind filled with the terrible possibility that something had happened to Sally. Then I checked myself. More likely someone had reported a burglary or a prowler in the neighbourhood. Worst case it was Michael.

‘It’s the police,’ I said.

Tom appeared and, lifting the sash, craned out of the window. ‘I’ll go, you stay here.’
I watched him throw on his robe over his boxers and noticed his hands were trembling. Was that from having been sick or was he, too, thinking about Michael now? I listened to his footsteps disappearing down the stairs and took my summer cover-up from its hook. A moment later, the front door swung open and there came the low murmur of three voices, Tom’s and those of two women. I froze on the threshold of the landing and held my breath, waiting for Tom to call me down, and when, after a few minutes, he still hadn’t, I felt myself relax a little. My parents were dead. If this was about Sally, Tom would have fetched me by now. It was bound to be Michael. Poor Michael.

I went out onto the landing and tiptoed over to Freya’s room. Tom often said I was overprotective, and maybe I was, but I’d seen enough mayhem and weirdness at work to give me pause. I pushed open the door and peered in. A breeze stirred from the open window. The hamster Freya had brought back from school for the holidays was making the rounds on his wheel but in the aura cast by the Frozen- the midnight light I could see my tender little girl’s face closed in sleep. Freya had been too young to remember my parents and Michael had always been sweet to her in a way that

 

his wife,who called her‘ my little brown granddaughter’,never was, but it was better this happened now, in the summer holidays, so she’d have time to recover before the pressures of school started up again. We’d tell her in the morning once we’d had time to formulate the right words.

At the top of the landing I paused, leaning over the bannister. A woman in police uniform stood in the glare of the security light. Thirties, with fierce glasses and a military bearing. Beside her was another woman in jeans and a shapeless sweater, her features hidden from me. The policewoman’s face was brisk but unsmiling; the other woman was dishevelled, as though she had been called from her bed. Between them I glimpsed the auburn top of what I presumed was a child’s head – a girl, judging from the amount of hair. I held back, unsure what to do, hoping they’d realise they were at the wrong door and go away. I could see the police officer’s mouth moving without being able to hear what was being said. The conversation went on and after a few moments Tom stood to one side and the two women and the child stepped out of the shadows of the porch and into the light of the hallway.

The girl was about the same age as Freya, taller but small-boned, legs as spindly as a deer’s and with skin so white it gave her the look of some deep sea creature. She was wearing a grey trackie too big for her frame which bagged at the knees from wear and made her seem malnourished and unkempt. From the way she held herself, stiffly and at a distance from the dishevelled woman, it was obvious they didn’t know one another. A few ideas flipped through my mind. Had something happened in the street, a house fire perhaps, or a medical emergency, and a neighbour needed us to look after her for a few hours? Or was she a school friend of Freya’s who had run away and for some reason given our address to the police? Either way, the situation obviously didn’t have anything much to do with us. My heart went out to the kid but I can’t say I wasn’t relieved. Michael was safe, Sally was safe.

 

I moved down the stairs and into the hallway. The adults remained engrossed in their conversation but the girl looked up and stared. I tried to place the sharp features and the searching, amber eyes from among our neighbours or the children at Freya’s school but nothing came. She showed no sign of recognising me. I could see she was tired – though not so much from too little sleep as from a lifetime of watchfulness. It was an expression familiar to me from the kids I worked with at the clinic. I’d probably had it too, at her age. An angry, cornered look. She was clasping what looked like a white rabbit’s foot in her right hand. The cut end emerged from her fist, bound crudely with electrical wire which was attached to a key. It looked home-made and this lent it – and her – an air that was both outdated and macabre, as if she’d been beamed in from some other time and had found herself stranded here, in south London, in the second decade of the twenty-first century, in the middle of the night, with nothing but a rabbit’s foot and a key to remind her of her origins. ‘What’s up?’ I said, more out of curiosity than alarm. I smiled and waited for an answer.
The two women glanced awkwardly at Tom and from the way he was standing, stiffly with one hand slung on his hip in an attempt at relaxed cool, I understood they were waiting for him to respond and I instinctively knew that everything I’d been thinking was wrong. A dark firework burst inside my chest. The girl in the doorway was neither a neighbour’s kid nor a friend of our daughter. She was trouble.I took a step back. ‘Will someone tell me what’s going on?’ When no one spoke I crouched to the girl’s level and, summoning as much friendliness as I could, said, ‘What’s your name? Why are you here?’

The girl’s eyes flickered to Tom, then, giving a tiny, contemptuous shake of the head, as if by her presence all my questions had already been answered and I was being obstructive or just plain dumb, she said, ‘I’m Ruby Winter.’

I felt Tom’s hands on my shoulder. They were no longer trem- bling so much as hot and spasmic.

‘Cat, please go and make some tea. I’ll come in a second.’

There was turmoil in his eyes. ‘Please,’ he repeated. And so, not knowing what else to do, I turned on my heels and made for the kitchen. While the kettle wheezed into life, I sat at the table in a kind of stupor; too shocked to gather my thoughts, I stared at the clock as the red second hand stuttered towards the upright. Tock, tock, tock. There were voices in the hallway, then I heard the living room door shut. Time trudged on. I began to feel agitated. What was taking all this time? Why hadn’t Tom come? Part of me felt I had left the room already but here I was still. Eventually,foot steps echoed in the hallway.The door moved and Tom appeared. I stood up and went over to the counter where, what now seemed like an age ago, I had laid out a tray with the teapot and some mugs.‘Sit down, darling, we need to talk.’ Darling. When was the last time he’d called me that? I heard myself saying, idiotically, ‘But I made tea!’ ‘It’ll wait.’ He pulled up a chair directly opposite me.
When he spoke, his voice came to me like the distant crackle of a broken radio in another room. ‘I’m so sorry, Cat, but however I say this it’s going to come as a terrible shock, so I’m just going to say what needs to be said, then we can talk. There’s no way round this. The girl, Ruby Winter, she’s my daughter.’

 

The Business of Books: Writer as Reader

the-business-of-books-interviewswithjanecableJane Cable admits to sometimes having a slightly uneasy relationship with other writers’ books

 

Writers are by our very nature readers. We tend to have fallen in love with stories at an early age and as children at least devoured every book we could lay our hands on or persuade someone to read to us. We disappeared into the magic of lives so very different to our own, travelling time and the globe with the carelessness of youth. Except that I was terrified of swings for a long time after reading What Katy Did.

I suppose it is no surprise that one of the first characters I can remember really relating to was Jo in Little Women. When Amy burnt her story I felt real anger and cried bitter tears. I guess I was already sucking my own pencil and waiting for the words to come.

From teenage years onwards real life started to intervene in my bookish world. In sixth form I still bought a paperback every week with the money I earned from my Saturday job at BHS and wherever I moved to for college and in early working years the first thing I did was join the local library. But as life became busier time to read became increasingly rare and I relished holidays where in pre-Kindle days my husband and I would almost literally pack a case full of books.

In my forties I started writing my first story which turned into a full length novel and here the dilemmas began. First, there was time: I really didn’t have enough to read and to write. Secondly was the fact that my head was so full of my characters there just wasn’t room for anyone else’s.

Now most writers read voraciously (apparently) and certainly everyone tells you that as a writer you should, but I have to admit to struggling. While I am living and breathing my story, how can I do anyone else’s justice? I suppose I never could read more than one book at once and it used to completely do my head in that my mother always used to have two on the go; one upstairs for light relief and nodding off to sleep with and another, normally something a little more demanding, by her chair in the living room.

The Business of Books- Writer as Reader

So reading has been pushed to the margins of my life, to the rare times when I’m not working on anything new. An advantage of this is that the great books, such as The Time Traveler’s Wife, really stand out. This one in particular opened new doors creatively speaking because it showed me that if your characters were strong enough you could take your readers anywhere. As a writer, it made me brave and I do wonder what else I would learn if I had more bandwidth to read.

I’m also aware of the need to read successful authors in my genre and books which break out of the ordinary and get talked about. Then there’s the guilt-induced consumption of books by authors you know and feel you should review. So is reading purely for pleasure a thing of the past for me?

Thankfully, no. I have learnt to be incredibly selective and not to finish a book if I’m not enjoying it. There is a difference between books I read for research and books I read for pure joy. And in the last few weeks I actually became very excited about the launch of a new novel for the first time in years. But more about that anon, because Su Bristow’s Sealskin deserves an article all of its own.

 

 

 

Crime Roundup – Books we Mean, we Haven’t Become Vigilantes

It’s summer and Frost has had a great time reading some recent crime novels.

Angela Marsons, who lives with her partner, Labrador and swearing parrot has written a corker:

Silent Scream, a D.I. Kim Stone novel.

Crime Roundup – Books we Mean, we Haven’t Become VigilantesSILENTSCREAM

D.I. Kim Stone does not excel at people skills, it must be said, but her sidekick Bryant invariably saves the day at that level. However it is Kim who takes her team to the edge of what is allowed, and strays over in order to get to the truth of things. In doing so her past is revealed and explains her own demons. Though this novel has sold a million internationally as an ebook, this is Silent Scream’s first outing in print. Well worth reading, with a good twist at the end. I almost got ‘who dun it’ but not quite. Clever.

Brenda Novak has set Her Darkest Nightmare in Alaska, a place I’d love to visit, so on that level I enjoyed the novel.

Her Darkest Nightmare.

But I was also gripped by Novak’s writing and taut plotting. Not sure I could work with psychopaths as Dr Evelyn Talbot does, but she has learnt to live with fear, after being targeted and tortured by her boyfriend as a teenager.  Not one to read at bedtime perhaps unless you’ve locked all the doors and windows, and looked under the beds, all of them. But I am a bit of a wimp. It’s one that stays with you. This is the first in a new series from this New York Times bestselling author.

Christopher Farnsworth’s Kill File’s opening sentence made me laugh. I quote:

I know what you’re thinking. Most of the time, it’s not impressive. Trust me. 

Kill File

 Oh, I do, I do, if I go by what I  read a great deal on social media. Thoughts put down unfiltered…

This contemporary thriller has its foot down all the way, and believe me, it’s driven by an expert:  great writing, interesting and refreshingly original concept. John Smith, the main character, has a special gift/curse, he can access other people’s thoughts. It is something John Smith has put it to good use in the past, only to find that his latest investigation lands him in deep water. I really liked this, bit like being on a roller coaster. Well worth taking on holiday.

Anna Smith’s Kill me Twice is a well trodden path, that of secrets threatening to destroy lives from the sink estates of Glasgow to the corridors of Westminster in another case for Rosie Gilmour.

KILLMETWICE Those who are already fans won’t be disappointed and it should gather in new ones as Rosie ducks and weaves to expose the truth of a presumed suicide – which wasn’t, and there’s sexual abuse too, linking powerful figures across the nation.

The Last Thing I remember by Deborah Bee is intriguing. Frost has already reviewed this, but I thought I’d have another look, and it stays crisp, the tension sharp, and all this right up to the last page.

The last thing I remember.

This is a debut thriller from the Creative Director at Harrods with TV rights already optioned by Alan Moloney’s Parallel Films. I  concerns a mugging victim who can’t move, or speak.

I have a friend who has been in just such a state: struck down by a virus she has been aware, but trapped inside her body. Fortunately my friend is recovering, but this is the clever plotting behind The Last Thing I remember.

Sarah has been mugged, and can hear, but not move, or speak. She has to piece together her life by listening to the people around her. Kelly is in the waiting room. She’s just a kid, a schoolgirl, but why is she there? Questions, questions, but slowly the picture is put together.

I really liked this concept. It isn’t an easy one to manage, but Bee’s done it, easy peasy.

Silent Scream by Angela Marsons pub by Zaffre

Her Darkest Nightmare by Brenda Novak  pub by Headline

Kill File by Christopher Farnsworth pub by Zaffre

Kill me Twice
 by Anna Smith  pub by Quercus

The Last thing I Remember by Deborah Bee pub by twenty7

 

 

 

Domination of Screens Taking Its Toll On Children’s Reading, Learning And Behaviour


At Frost we are great believers in the value of reading, as you will have notices from the number of books we review.

So, it’s no surprise to know that new research has revealed that a book at bedtime can boost a child’s brain power, accelerate academic achievement and reduce the risk of behavioural problems.

 

MRI scans show that reading to children from an early age actually increases activity in parts of the brain involved with language, particularly those regions which are critical for spoken language and reading.

 

Better understanding of the neurobiology of the brain has also shown how diet and digital technology can influence reading and cognition.

 

But the latest research, underlining the importance of reading, points to problems ahead. Research from Equazen, suggests that a worrying number of British children are turning their backs on books. 

 

Leading neuroscientists believe that our reading is more superficial when we use a screen, but a survey of parents has shown nine out of ten children have access to a tablet or Kindle.

 

I endorse this. As an author I write more succinctly, and superficially for screen than for print. A new report, SOMETHING FISHY ABOUT READING, authored by Philip Calder, Professor of Nutritional Immunology at the University of Southampton and an advisor to Equazen and independent dietitian Dr Carrie Ruxton examines the very latest data and explores new research into literacy and brain function. And it reveals a complex interplay between reading, cognition, behaviour, diet and lifestyles.

 

It seems reading alters the way we thinkand interestingly improves blood flow to the brain though, but e- devices may lead to ‘digital brain’ and reduced concentration. The report supports the benefit of omega-3 fatty acids, which I take. . 

 

Might be wroth trying some omega-3 for the kids, and ourselves. Equazen do a range which is suitable for pregnancy, babies from six months to three years, a liquid for children who don’t like pills, and a chew .

 

You can find these Equazen products at pharmacies, Amazon.co.uk and health food shops.

 

 

Ruby Slippers – by Tracy Baines Reviewed by Margaret Graham

Ruby Slippers – by Tracy Baines Reviewed by Margaret Graham short stories reading, writing, booksTracy Baines has put together a collection of short stories previously published in Woman’s Weekly, My Weekly, Take A Break, Best and People’s Friend.

 

It is fascinating to read short stories written for women friendly magazines, stories that explore the everyday relationships of families, couples and friends.

 

This collection is filled with realistically imagined characters coping with life’s rich pattern, sometimes with aplomb, sometimes almost in spite of themselves, but always with humour and courage. I suppose that’s much as we all do, and this is the key to this collection, because Tracy Baines has a great understanding of women. To this end she has created real worlds with a few strokes of her pen.

 

Baines is such an expert at her craft that she hits the nail on the head for each one of her readers. Indeed, she has real understanding of the women’s magazine market, so much so that the short stories seem to flow effortlessly onto the page, solving the problem for the main character. But not just solving the problems of the main character, but through these stories she brings some sort of clarity to the muddle of our own lives. I said earlier, ‘effortlessly’ but bet it isn’t, because writing is a craft, and it takes time and  application to achieve this level of expertise.

 

Tracy Baines has got this expertise, in spades. Read Ruby Slippers and enjoy.

 

Whether you are a reader or a writer, do note that Tracy will be tutoring a Short Story workshop on September 25th 2016 at High Wycombe – so maybe attend and see behind the scenes of short story writing.

 

Writers’ Short Story Workshop: www.wordsforthewounded.co.uk

 

 

Her book will be available there, or find it on Amazon.co.uk

 

www.tracybaines.co.uk

 

 

 

From West Coast to West Country by Maya Pieris

From West Coast to West Country by Maya Pieris1Antonia Squire is building up a loyal clientele for the Bridport Bookshop including dogs- they love the classy doggy biltong available and not just with a book buy. Brought up in Surrey and educated in Harrogate, Antonia upped sticks aged 20 for California, married an American and was happily living in the world of independent bookshops in San Francisco- first Kepler’s and then The Reading Bug- where she was the children’s book buyer amongst other roles.

 

Until a holiday in the UK in 2014 when they did a progress from Yorkshire to Cornwall and became one of many smitten with the idea of the south-west and Cornwall.  She came across the sale details for the Bridport Bookshop, voted one of the Guardian’s top 50 indie bookshops, took a detour on the way back to Heathrow and discovered the delights of the town and the potential of the shop, one of several book emporiums including two excellent second hand/antiquarian shops, a Waterstones and a wonderful Oxfam which has a brilliant range of “loved” Penguins.

From West Coast to West Country by Maya PierisThe result was changing coast and country but still keeping the west bit and, with husband and dogs in tow, becoming a bookshop owner. And discovering the challenges involved in running a business in a new country! Small but vital changes were made to the shop’s geography, not quite Hogwarts, but involving moving the counter to the back of the shop so the customer can see in and the staff can see out and increasing the size and range of the stock. “I’m a bookseller. The stock is the most important element of the shop and  knowing what people are going to want to read and not just what a publisher wants to see displayed is more art than science”.

 

She sees no problems with co-existing with the variety of other booksellers, her goal is to be the place people come to find the things they don’t know they want. Almost a year on, she is well on the way to establishing that indie bookshops are an invaluable resource to a town. So many people want the individual experience that can only be achieved by a true “shopkeeper” and, she has observed, people are very loyal, although she has had to tone down the “hi my name is kelly how are you today?” customer service style – less touch feely than she’s been used to but she still says hello!

From West Coast to West Country by Maya Pieris3And she is aware of the potential of the indie bookshop as a grassroots support for the community, working more closely with schools in supporting their curriculum needs as well as providing a venue for local authors to promote their works and judging local poetry and fiction slams. In particular she has developed links with the Open Book festival, a festival for and by the local community about literacy rather than literature which is more the remit of the more formal Bridport Literary Festival (which she is also working with to help develop the Children’s Programming). The shop will be supporting the Bridport Big Read as well as a pop up drama production. So over halfway through her first year she is restoring an independent bookshop into the literary and literate heart of the town. And she giftwraps the books too!
* Frost would love to hear about other Independent Bookshops – contact: frost@margaret-graham.com

 

 

30 Days of Gratitude Day Eight #30daysofgratitude

Today I am grateful for books. I have loved reading all my life. There are very few pleasures in life as great as reading a good book. My love of reading has also given me a career that I love, and broadened my view of the world. Reading is great for the imagination and it makes you smarter. Some of these books are written by Frost contributing editor Margaret Graham and some others were written by me. Margaret is a bestselling author for Random House so she is on another level. I hope I get there one day.

good books, author, writer, Margaret Graham, Catherine Balavage, bestselling author

Catch up on other days:

Day 1.
Day 2.

Day 3.

Day 4.

Day 5.

Day 6.

Day 7.

What are you grateful for?

 

Sweet Memories of You by Ellie Dean Reviewed by Jan Speedie

sweet memories of you, book review, Ellie Dean, Ellie Deane has produced another heartwarming story in her Beach View Boarding House Series.

Sweet Memories of You is set in 1943 in Cliffhaven, a small town on the south coast of Britain.  Peggy Reilly runs the Beach View Boarding House and is determined to give her lodgers and evacuees a homely, happy place to live.

Peggy’s husband, Jim, is away with the Army in India and she is reliant on his regular airgraphs to know he is safe.  Doreen, Peggy’s younger sister, has at last found happiness after her divorce from her adulterous husband but fate changes this.

Doreen returns to Cliffhaven to the love and comfort of her family but her past cannot stay away.

There is however a protector in Ron Reilly and his faithful brindle lurcher, Harvey. Ron watches over everyone at Beach Villa and with his Irish charm, mischievous ways and network of friends, keeps trouble at bay.

Read and enjoy this charming story of ordinary people coping with the hardships of air raids, rationing and the heartaches of a war which feels as though will never end.

Ellie Dean has lived in a village in the heart of the South Downs for many years. She has raised 3 children and this is her tenth novel in a successful writing career.

 

Published by Arrow in paperback: Price £5.99.

Also available as an ebook.