Kiss Me Under the Mistletoe By Fiona Harper | Book Review

Kiss Me Under the Mistletoe is a well written and fun book. Single mum Louise Thornton divorces her philandering movie star husband and buys an old movie stars house. Louise wants to escape the paparazzi and her vacuous former life as a trophy celebrities wife.

Louise is a great character. She has become hardened thanks to her life as a movie stars wife, believing that everyone wants something from her. She has built a barrier around herself but will she manage to grow and let love in?

I read this book at quite a fast pace. It is very readable and flows well. A fun way to spend an afternoon.

Is a second chance at love the best Christmas gift of all? Single Mum Louise Thornton’s waved goodbye to the red carpet and escaped for Christmas in the country. But she can’t avoid the mistletoe…

Kiss Me Under the Mistletoe (Mills & Boon Special Releases)

Calendar Girls | Theatre Review

Tim Firth’s phenomenally successful Calendar Girls has been performed on stage and movie screens across the globe but its run at the local Ealing theatre hut, Questors, is where the drama really comes to life.

Even without Helen Mirren or an expendable budget, the Questors simple props and am-dram cast came together to offer a moving, personable, and simply fantastic adaptation.

After all, simple props such as baked buns and flower-pots were the only items used to protect the women’s modesty for the calendar photo shoot.

From the opening scene of the Women’s Institute partaking in tai chi to the moment they decide to strip for the famous Yorkshire charity calendar, the bonds of friendship are evident both on and off the stage.

Despite the different personalities, from loud Cora, to life-experienced Jessie and the snobbish Celia, once Annie’s husband dies from Leukaemia, they harmonise to raise money for a communal sofa for the hospital which looked after John Clark.

And as the group debate the morality of an artistically ‘nude’ calendar (as opposed to the more common ‘naked’), we shared their every musing from lack of confidence, embarrassment to final empowerment and financial success.

Hannah Whiteoak who plays Ruth was a particular treat to witness.

Her slightly timid, introverted character was played out to comedic effect which balanced the heavier plot of illness and death.

And just when you’re not sure whether she’ll take part in the photo-shoot, she outshines all the ladies as she confidently stretches out her body on the table as fruit envelopes her humility.

Directed by Rachel Knightley (her first production), there were two scenes which really impressed.

In a sombre moment when John’s dying, the women all group together and stand around his wheelchair.

As his lines fade and the lights are dimmed, Annie’s lines overlap John’s as he slowly walks away into the shadows of the stage. It was very touching.

Another clever use of the set was when the WI received all the fan mail after sales of the calendar rocketed both in Yorkshire and abroad.

Letters were dropped to the floor from stage scaffolding above which was very novel.

Despite its amateur status, this is a fine production from Questors and a promising start for new director Rachel Knightley. It had me laughing and caught me crying at all the right moments.

Calendar Girls is running at Questors till Sat 10 Nov. To book tickets, visit: http://www.questors.org.uk/event.aspx?id=364

All photos are by Richard Mead.

A Tale of two Cities

Good Vibrations and Spike Island at the London Film Festival

I had great plans for the London film festival, with many press screenings marked out on my diary.  Unfortunately timing was against me, as it turned out to be a very busy period in my other two jobs (acting and teaching), and apart from “A Liar’s Autobiography,” which got cancelled (read the article here), I actually only ended up at two screenings.  But they were good ones.

Good Vibrations

My regular readers (if there are such people) will be aware that I enjoy a bit of music from the 1980s, so I was in a positive frame of mind when I turned up to see Good Vibrations – The Story of Terri Hooley.

For every Richard Branson, there are probably hundreds of Terri Hooleys.  Known as the Godfather of Ulster Punk, Terri was the owner of Good Vibrations record shop and label, was responsible for discovering the Undertones, and encouraged punk and alternative music to flourish during a dark time in Northern Ireland’s history.  I imagine that there were people like him in towns and cities all over the UK and Ireland during the 70s and 80s; running record shops, managing and/or playing in bands organising events.  Do these people ever make a profit in the long run or do their charming mix of naivety and idealism work against them in the end?  Good Vibrations never released a top 40 record, and Terri sold the rights to “Teenage Kicks” for £500 and a signed photo of The Shangri Las (which he never got.)  But that isn’t the point, as this film shows: Terri Hooley made a lot of people very happy, which was in itself no mean feat in Belfast at the height of the troubles.

This was a highly enjoyable film from start to finish.  Richard Dormer made an excellent Terri, and I particularly enjoyed Jodie Whittaker’s performance as his wife.  It’s hard to pick out anyone else as cast lists are not given out at press screening, but everyone performed very well.  It would have been nice to have a few more female characters – maybe some girls who hung around the record shop for instance – but apart from that I completely loved it.  One particularly memorable scene is when an RUC officer is hassling a girl in a bar for suspected underage drinking and Terri comes over and tells him he’d like to report a civil war.  Scenes like these show the bravery of the character as well as the naivety and idealism.

Of course, being a film about music, the soundtrack is a major part of the experience.  Set in a fertile time for Northern Irish music, the tracks chosen add to the energy and exuberance of the story, as obviously does the setting with its air of menace just under the surface.

Go and see this if you’re interested in music, Belfast, or just plain enjoy a good film.

Spike Island

Good Vibrations is a true story about a real man, with a real record shop/label, and the punk scene in Belfast, whereas Spike Island, my second choice of film, is a coming of age drama set in Manchester in the 1990s with the music of the Stone Roses providing more of a secondary theme.  As such it worked well, and the soundtrack (a mix of the Roses and the characters own band, Shadow Caster) added greatly to the ambience and power of the film.  The characters did seem to blend into each other a bit at points, and some of what could have been more potent moments could have been better explained (I was never sure why one boy joined the army for instance).  Having more female characters would have added more variety, and this film does not have the excuse of being a true story as a reason for not doing so.  Teenagers since the 1960s or 1970s onwards generally tend to hang around in groups of both sexes (I did) and the whole male bonding theme seemed to me a little old-fashioned.

That said, the music really lifts everything up, and the festival atmosphere of Spike Island and young love is captured perfectly (leaving aside the dubious morality of deserting your father on his deathbed to go to a Stone Roses concert that you don’t even have tickets for!)

Once again, I am hampered by a lack of a cast list, however everyone concerned gave a very competent performance, with Emilia Clarke standing out in particular.

Go and see this film if you enjoy a good coming of age drama with an excellent soundtrack, or want to recapture your youth!

 

The First Horseman by Clem Chambers | Book Review

Clem Chambers book touches on news-worthy and relevant subjects as ageing, the possibility of living forever and the financial markets. A riveting and thrilling read, I got through this book quite fast. The way the book has been written flows beautifully. The First Horseman is fresh and interesting.

This book touches on the subject of what people would do to live forever. This is the fourth book in the Jim Evans series but you can still know what is happening and not get lost.

Jim Evans is a brilliant character and so is his butler, Stafford. Together they make a great team. Professor Christopher Cardini is a good character too. He has a sick and twisted mind, but is obviously a genius. Like all good books, The First Horseman has wonderful observations. I found myself turning the corners of the page to go back to certain parts.

I thought The First Horseman was great and I will now be catching up on the rest of the series, and the rest of Clem Chambers books. Clem Chambers is the CEO of ADVFN, so goodness knows when he finds the time to write books, but I for one am glad that he does.

The First Horseman by Clem Chambers

Some would give everything just to live one more year. To live another
hundred, some would destroy everything.

Jim Evans, retired super-rich trader, only wants to do good. He wants to
fund research that will save lives.

Professor Christopher Cardini has developed medical technology he says
will change the world. Through cell therapy, he can even rejuvenate the
dying.

Yet there’s something Jim will find even all his money can’t buy:
protection from a brilliant, but twisted, mind.

The First Horseman is the fourth book in the acclaimed ‘Jim Evans’
thriller series, by Clem Chambers. It focuses on what might happen if we
had the ability to turn the human body clock back?

If we were able to repair telomeres, the tiny proteins found at the end
of every strand of human DNA – we could live much longer, perhaps even
become immortal, like Hydra.

Yet when such a medicine would result in many more billions of people
fighting to live amongst ruins of an ecologically exhausted planet, what
would be the point?

Professor Cardini sees no point. He plans to deal with seething humanity
in a way that will both shock and horrify. Will he succeed in releasing
his tiny, but deadly ‘First Horseman’ and wreak bloody havoc on the world?

Not if Jim Evans can help it.

Ampersand Hotel Review

The Ampersand Hotel is in a very convenient location, a few minutes walk away from South Kensington tube station. It is also near the Victoria & Albert Museum, Harrods, Hyde Park, The British Museum and Harvey Nichols. So if location is your thing, the Ampersand Hotel should already be at the top of your list. The hotel itself is beautiful, brilliantly designed, classy and elegant. The staff are friendly and helpful.

The room is beautiful. It has everything you could possibly need. You do expect a hotel of this caliber to have everything and it does not disappoint. It has free wifi, a hairdryer, air-conditioning, TV, a desk, cable, tea, toiletries by Miller Harris and even ice. The bed is comfortable and the curtains are good and heavy, blocking out the light and some of the London noise.

The bathroom is great, with a bath and a shower. It also has lots of handy kits for sewing or vanity. The towels are lovely and fluffy. A dressing gown and a pair of slippers also comes with the room. The only thing I can complain about is the lack of bubble bath.

The lighting is good, the soft drinks in the minibar are free. One of the things that I really liked about this hotel is that you do not feel like a customer, constantly being fleeced of your money, but instead like a guest.

There is also a Business centre, a library, a wine room, a games room and a gym.

The Apero restaurant in the hotel is good. With an emphasis on sharing. We had serrano ham mikado ,(delicious and different) ,Plaice goujons with avocado mayonaise , Grilled neck of lamb with harissa & onion salad and Gnocchi with chard & smoked scamorza and an amazing cocktail called Elixir of Love.

In the morning we had a delicious full English breakfast and read the papers. Our stay in the hotel was relaxing and luxurious. This hotel is highly recommended. One of the best hotels to stay at in London.


Frankie and Benny’s Launch New Cocktail Range | Review

Frost popped along to Frankie and Benny’s to check out their new cocktail range and have some food. I had a delicious crab  cake followed by a calamari caesar salad. For desert I had a chocolate milkshake. The calamari was fried and delicious and the crab cake came with a good sauce. The milkshake was also very good. The food is very filling and the portions are generous. We tried the cocktails below. Find out what your cocktail says about you.

My colleague also had crab cake for a started and had spaghetti carbonara, Which they said was very good. finishing off with a Vanilla milkshakes. The atmosphere was also good.

What does your cocktail say about you?

 

We all know how stressful being a mum can be, taking care of the whole family often leaves very little ‘me time’.   Between cooking family meals, getting kids ready for school and running the house, plus often working a full time job, it’s easy to see how many mums end up frazzled!  With that in mind, Frankie & Benny’s has launched its new cocktail menu to encourage mums to take time out and sip on a delicious cocktail.  So what does your cocktail of choice say about you?

 

Mojito

Ladies who can’t resist a bit of spice will love this cool Cuban cocktail.  Made with fresh lime, mint and sugar, plus a generous splash of Bacardi rum, a mojito drinker is sure to be the first on the dance floor, ready to spice up any night.

 

Appletini

This fun and flirty drink is perfect for ladies who just want to have fun.  Packed with Eristoff vodka, pressed apple juice and gingerbread syrup, this delightful drink is sure to get the party started. 

 

Cosmopolitan

A sexy and sassy Cosmopolitan is a great choice for those who like to keep it classic.  This zingy and zesty drink comprises vodka, triple sec and cranberry juice creating a cool and crisp taste.  Cosmo ladies love a bit of city glamour and always paint the town pink.

 

Classic Sour

For ladies who like to be adventurous, this quirky cocktail is available with Jack Daniels, Amaretto or Midori and finished with fresh lemon juice, egg whites for added smooth and is topped off with sugar.  It’s the ideal choice for someone who likes to stand out from the crowd.

 

Espresso Martini

This rich and sumptuous drink is ideal for ladies looking for a classic cocktail with a twist.  Fresh espresso teamed with vodka and a coffee liqueur offers an instant caffeine hit, a brilliant blend for any modern mum who is in need of a pick-me-up!

 

 

 

Gentle Breeze

A delicious non-alcoholic cocktail for those who like to behave rather than rave!  This drink combines a delicious blend of apple juice, cranberry and citrus juices and is served over ice, offering the designated driver something delightful to sip on.

 

Bramble

For ladies with a mysterious edge, this deliciously dark cocktail is a tasty mix of Bombay Sapphire gin and black raspberry liqueur.  An added kick of fresh lemon means this drink really packs a punch.

 

A Liar’s Autobiography

Anyone who knows me reasonably well will be aware of my penchant for Python (almost to the point of annoyance sometimes to those who don’t share my sense of humour), so, as you can imagine, I was looking forward to this film enormously. Unfortunately, I am still looking forward to it! Due to technical hitches with both the 3d and 2d versions, the press screening failed to take place at the allotted time, and the press conference went ahead with the majority of journalists present (myself included) not having seen the film. Which could be described as just a little bit silly …..
Director Bill Jones described Graham Chapman’s memorial service as the first time he got drunk, and spoke of the film as a way of celebrating Chapman’s life and achievements. Terry Jones spoke of Graham as a complex individual who didn’t really understand himself and who was looking for who he was. Michael Palin described the film as a homage to Graham, and confirmed that it was as close to a Python reunion as we were ever likely to get. Both spoke of Graham’s sense of stillness, and described him as their leading actor. As the press hadn’t seen the film yet, a lot of the questions from the floor were more generally about the Python oeuvre than specifically about the film in question, which led to some interesting reminiscing such as Terry Jones describing smuggling the tapes of Series I out of the BBC to copy on a Phillips VCR before they were destroyed.
The screening has been rescheduled for 4pm this afternoon, but unfortunately one of my other jobs prevents my attending (plug for The Castle at the Lord Stanley in Camden, opening tonight:) but I can tell you that the film uses audio recordings of Graham’s reading of his book, subtitled The Untrue Story of Monty Python’s Graham Chapman, combined with different styles of animation to reflect the different styles of humour, with fourteen different animation studios being involved in the production. Not having seen it yet, I cannot give an informed opinion as to it’s watchability, but with John Cleese, Terry Gilliam, Michael Palin and Terry Jones all involved (Terry Jones plays Graham’s mother, apparently), not to mention the late Graham Chapman (as himself) I know I definitely will be giving it a viewing as soon as I get the chance.
And now for something completely different.
A Liar’s Autobiography is showing tonight at 9pm at Leicester Square Empire and on Friday at VUE West End at 3pm as part of the London Film Festival.

Gillray’s Steakhouse & Bar | Restaurant Review – Part 1: The Bar

The bar at Gillrays

Gillray’s Steakhouse & Bar is situated in a five star hotel, the London Marriott. Which is in turn located in the former seat of London’s government, County Hall, just across Westminster bridge from the Houses of Parliament. Walking up to the hotel to get to the restaurant, one’s breath is taken away by just how beautiful it is. It is so full of class and elegance that you almost feel it is from a different era.

The hotel itself is beautiful. The stuff dreams are made of and as we walk into the restaurant our first view is of a gorgeous English Gin bar, with riverside views of the Southbank. The bar is based on 18th-century social and political caricaturist James Gillray.

The Perfect Martini

 

We talk to Carlos, the bar room manager. Carlos is friendly, passionate and knowledgeable. It’s clear that no expense has been spared and a huge amount of effort has been put into every last detail. Gillray’s Steakhouse & Bar has 35 English gins, and it will soon be ‘over forty’. Only the very best make it onto the menu. The bar looks wonderful, almost like some fantastic chemistry cocktail laboratory.  Everything has been done to an exact science to ensure perfect quality and it comes across in the taste of the cocktails

The menu is fascinating and separated into eras, Georgian, Victorian, Edwardian, contemporary and modern Britain. Each era has its own brilliant Gillray caricature. Although the specialty is Gin there is a huge range of many different cocktails. A full menu can be found here

I ask Carlos for a recommendation and have the St James Martini, something I already had my eye on. It comes in the most perfect glass, looks great and tastes divine. If you love martini’s, make sure you try one.

My colleague has a ‘First Kiss’, made up of Hendrick’s gin with peppermint, lemongrass tea tincture, shaken with lime juice, sugar and fresh pineapple. The result is a delicious, refined and refreshing. One of the best cocktails he has ever had.

The ‘First Kiss’ cocktail

The cocktails were fairly expensive. Most of them are around £10.

However this a real experience. It is something unique that you will remember and it fully justifies the cost. Anyone who loves cocktails must try it, and everyone else should go at least once for the experience.

Having finished off our cocktails we head off to the restaurant area behind the bar. You will be able to  read a full review of the restaurant part of Gillray’s Steakhouse & Bar very shortly.

Part 2 here