Golden Globe 2015 | Red Carpet Round Up

Posted on January 13, 2015 by Frostie

We love fashion and Hollywood glamour at Frost. Following the Golden Globes 2015, Styloko.com have teamed up with Frost to unveil the most popular trends and looks searched by UK users within the last 24 hours.

Editor in Chief, Emily O’Brien provides insights into how Styloko.com users reacted to the trends and styles as worn by the world’s most glamourous women;

Most clicked products:

– With a range of celebrities wearing stunning evening gowns, maxi dresses with an eveningwear focus accounted for 50% of the most clicked products from Sunday night;

– Celebrities including Sienna Miller and Joanne Froggatt looked incredible in detailed gowns. This was reflected with Styloko.com users searches which included embellishment, evening fabrics such as lace and glamourous details were a key focus for shoppers; embellishment accounted for 75% of the overall clicked dress styles.

The most popular Golden Globes trends translated from the red carpet back to Styloko.com were:

– Black

– White/nude

– Black searches by Styloko.com users outweighed white/nude 65% to 35%,

Other colours searched by Styloko.com users in the last 24 hours include blue and red which appeared to be a key trend on the night. Celebs such as Felicity Jones in teal Christian Dior and Alison Jones in her incredible red embellished strapless gown by Armani Prive showed off these trends with aplomb;

Lastly…

Styloko.com has seen a 300% MoM increase in number of jumpsuits clicked on site. Leading actress and fashion maverick Emma Stone continued to buck the trend with her stunning embellished jumpsuit by French fashion house Lanvin.

Who do you think was the best dressed at The Golden Globes?

Joo Yeon Sir in Concert at St Martin’s in the Fields 9th January by Margaret Graham

Posted on January 13, 2015 by Margaret Graham

Some years ago I was honoured to be invited to speak at the commemoration of Vera Brittain’s life, at St. Martin’s in the Fields. I was delighted to pay homage to the author of Testament of Youth, (soon to be released as a film) who wrote with an eye to the social and political context of the time, as indeed do I. So, on went the hat, and off I went.

In the front pews were the great and the good, rewardingly attentive. At the back, secure in the knowledge they were welcome at St. Martin’s whatever else was going on, were the sleeping, snoring homeless. St. Martin’s has endeared itself to me ever since; with its balance of religion, and community.

Part of this ethos had led, 65 years ago, to the free lunchtime concerts. At last I caught one, featuring Joo Yeon Sir and what a treat.

Joo Yeon Sir photograph by www.benjaminharte.com

Joo Yeon Sir (violin), acclaimed and award winning Korean born British violinist, has performed as soloist, recitalist and chamber musician at major venues across the UK. At the concert on 9^th January she was accompanied by Russian born Irina Andrievshy .So there I was, sitting in St. Martin’s again: did it disappoint?

Absolutely not, it was a tour de force.

As I sat towards the back, pre-concert, admiring the East Window created by Shirazeh Houshiary and Pip Horne with its etched mouth blown clear glass, I wondered if St Martin’s ethos of ‘all welcome’ still held good; especially in such a full house. Then I heard it… A homeless gentleman sitting in a pew across from me, asking where was God, loudly, and then rather more vehemently where the …. was he? Security arrived, a kindly security, who had a little chat, and the visitor left, amicably, to return halfway through the concert. A frisson ran round our area. He plonked himself in a congested pew, (they all were) getting everyone to shove up, and then settled to listen to the marvelous music, along with the rest of us. Perfection at all levels – again.

Joo Leon Sir had chosen to open the concert with Grave in style of F. Bach. I’m a great weeper when listening to the violin, because I find it the most beautiful of instruments, if played well. It was played, more than well, so things became blurred. What enhanced the piece was the glorious building. Both the playing and the architecture inspired awe.

Then it was the Sonata No 3 in C minor for Violin and Piano, which was beautifully and empathetically imagined and finally a Concert Fantasy on Gershwin’s Opera ‘Porgy and Bess’, which was cheeky, energetic and as haunting, as Gershwin always is.

Joo Yeon Sir plays not just with her fingers, but her whole body. She is a joy to listen to, and to watch. So, take the upcoming opportunity: Joo Yeon performs all ten of Beethoven’s sonatas for violin and piano, in a series of four rush-hour recitals at the Royal College of Music, starting 3^rd March.

Again, all recitals are free but tickets are required from the RCM Box Office. 020 7591 4314/ www.rcm.ac.uk/events Royal College of Music, Prince Consort Road, SW7 2BS.

Ariella Announced As Exclusive Sponsor Of Hollywood Red Carpet Awards Events On UK SKY And E! Channels

Posted on January 12, 2015 by Corinne Tuddenham-Finn

UK fashion brand Ariella takes over as the official and exclusive sponsor of all the Hollywood Red Carpet Awards events on UK SKY and E! channels throughout 2015.

The coverage includes The Oscars, The Grammies, The Emmys, The Golden Globe Awards and many more.

Ariella is the leading UK brand for cocktail, evening and special occasion wear. Founded in the swinging sixties in Carnaby St London, the brand has won wide acclaim, numerous Fashion awards and continues to grow ever stronger, creating irresistible fantasies in fashion.

Ariella is proud to announce that they are the UK TV sponsor for the following Award ceremonies and TV programmes in 2015 including The Oscars, Live from the Red Carpet, Fashion Police, Who wore it Better, Screen Actors Guild, Golden Globes, Emmys, Grammys, American Music Awards, Billboard Music Awards and People’s Choice Awards.

Ariella has produced a stunning advertising campaign as part of the sponsorship deal which sees ‘ARIELLA The Home of Red Carpet Fashion’ feature on Sky Network (all Sky channels), Sky Movies – Oscars channel, Sky Living, Sky News, Sky One, E!, Movies 24, Universal Channel and Syfy

You can see the advertisements air this weekend with the Golden Globes coverage.

Do you remember seeing this dress?

Darcey Bussell wore Ariella Couture’s “Angelina” dress as judge on Halloween night on the hit BBC One show “Strictly Come Dancing”

Darcey looked stunning on the Strictly judging panel alongside Len Goodman, Bruno Tonioli and Craig Revel, with Darcey choosing couture from London designers Ariella.

Darcey wore the “Angelina“, an asymmetric black, liquid effect sequined gown.

www.ariella.com

Amanda Seyfried: Being ‘Overweight’ Has Affected My Acting Career

Posted on January 12, 2015 by Catherine Balavage

Want to know how hard it is to be an actress? Then just look at how slim Amanda Seyfried is and then read her tweet below.

Fun fact: I almost lost out on several roles in my career because I was overweight. Wrong, America.

— Amanda Seyfried (@AmandaSeyfried)

The Mean Girls actress went on to say in an interview with Elle UK.: “I don’t have to look like a supermodel. I don’t have to have those abs, the camera doesn’t see that. But because we have all been designed to want these things, I’m a victim of this stuff, too. I’d be lying if I said I wasn’t constantly aware of what I’m doing with my body.”

It is very disappointing that Hollywood, and the media in general, cannot get over their cookie cutter one-size-fits-all view of beauty. Amanda Seyfried is not ‘overweight’. I understand that you have to be in shape and healthy to act and the camera really does add 10 pounds, but the world would be a truly horrible world if we all looked the same. Hollywood: take note.

If you are an actor then check out my book How To Be a Successful Actor: Becoming an Actorpreneur. It is available in print and in all eBook formats on both Smashwords and Amazon. It has had 5 five star reviews.

Italian Festival – Come With Me & Meet Bafana By Amanda Brake, Frost’s Le Marche correspondent

Posted on January 12, 2015 by Margaret Graham

6th January Italian Festival – Come with me and meet Bafana. By Amanda Brake, Frost’s Le Marche correspondent.

We got up early on this glorious morning to do our normal hour of chopping wood for the fires. We have two fires. One heats the radiators, the other heats the hot water and is situated in the centre of our house keeping us warm. Our chopping and other chores finished, we relaxed, seduced by the warmth into staying inside. By mid-afternoon it really was time for us to kit up, and find where Bafana may be flying. But hang on, we were all feeling too cosy to adventure out into the cold, so stayed put for yet half hour.

Finally, shaking off our reluctance, we hurried into coats and boots, and we set off for our small town of Amandola . By the time we arrived things were just about getting started; in fact witches were everywhere.

There were many activities: balloon blowing, drawing for the children who created many and varied pictures of Bafana and over it all, music played. The walk had warmed us and we were all in the party mood as the atmosphere became more and more lively. As well as the games, which had begun for the kids, many of the girls had dressed as Befana, the witch.

It was a shame our boys were too shy to join at first but as more arrived and joined in the festivities so did they. Toys and sweets were finally given to all the children, and the band played their music into the night until reluctantly, we headed home.

So what is this festival? In Italy the festival is known as La Befana after the legendary old woman who delivers gifts on her broomstick. She is said to visit children on the eve of January 6 to fill their socks with sweets and presents if they have been good or a lump of coal or dark candy if they have been bad.

There are many versions. In Milan, authorities set up what they touted as the world’s longest Epiphany stocking – two kilometres long, it was made with thread derived from recycled bottles in the colours of this year’s world’s fair, Milan Expo 2015.

In Venice, a regatta is held in the Grand Canal with rowers dressed up as old women competing for best costume.
In Rome’s Piazza Navona, the holiday is focused on children with activities aimed at kids and the arrival of the three kings on horseback.
In the seafaring port city of Genoa, the Befana arrives on a water scooter, and Befana divers deposit a crown on the sea floor near Gallinara Island. Florence celebrates with a procession down the Arno River by 100 vessels from the city’s rowing club, while in Naples fire fighters organize a feast for children that also taught them about fire safety. In the southern city of Brindisi, the Hellenic Community carries out a traditional blessing of the port.

We look forward to next year’s local Bafana, at which we will meet our friends, and welcome in the New Year. I do hope that 2015 is a good one for all Frost readers.

Russell Crowe: Female Actors Should Act Their Age. Meryl Streep Responds

Posted on January 8, 2015 by Catherine Balavage

There has been some uproar after Russell Crowe said that female actors should act their age. Meryl Streep came out in support of him and The Guardian did a great quiz on actors and playing age.

Russell said in an interview with the Australian Women’s Weekly: “To be honest, I think you’ll find that the woman who is saying that [the roles have dried up] is the woman who at 40, 45, 48, still wants to play the ingenue, and can’t understand why she’s not being cast as the 21-year-old, Meryl Streep will give you 10,000 examples and arguments as to why that’s bullshit, so will Helen Mirren, or whoever it happens to be. If you are willing to live in your own skin, you can work as an actor. If you are trying to pretend that you’re still the young buck when you’re my age, it just doesn’t work. I have heard of an actress, part of her fee negotiation was getting the number of children she was supposed to have lessened. Can you believe this? This (character) was a woman with four children, and there were reasons why she had to have four children – mainly, she lived in a cold climate and there was nothing to do but fornicate all day – so quit arguing, just play the role!”

Unfortunately that is not right at all. While some women will not want to play older, I have met a few, the roles for women are usually terrible when under 40: girlfriend, stripper, ‘the girl‘, a whore or merely window-dressing. When a women is over 40 the roles do not realistically reflect women’s lives. We are usually the mother, grandmother, crone or witch.

Jezebel blogger Rebecca Rose had this to say: “ALERT: Hollywood movie actor person Russell Crowe is fed up with all the old ladies who dare to want to be cast as something other than old spinsters or whatnot. Quit complaining that you’re cast in a role where your character has ‘nothing to do but fornicate all day’ and make a bunch of babies. Stop demanding that film-makers try to expand the depth of your character beyond ‘broodmare’. Just play the role, OK? Funny how Crowe doesn’t bother to offer any opinion about the mind-boggling legacy of Hollywood men playing romantic leads to women 10, 20, 30, and sometimes 40 (!!!!!) years younger than them,” Rose added. “Because it’s clearly the sad old women daring to pretend they are outside their actual birth ages that are ruining Hollywood … Thanks Crowe for reminding us, yet again, that women are always held in contempt for doing anything remotely similar to what their male counterparts do without reproach.” Very good points. Men do not tend to ‘play their age’ and their on-screen wives are usually significantly younger than them.

Amy Gray wrote on Junkee.com, “The ‘ingenue’ roles Crowe refers to are the only ones readily available for women; on the flip side, the majority of male characters in film and TV are aged between their 30s (27%) and 40s (31%). That could be because we’re more likely to want to watch lead characters based on their fuckability – and the older a woman gets, as any executive will tell you, the less faceable she becomes.” Crowe is 50 and also said “The point is, you do have to be prepared to accept that there are stages in life. So I can’t be the Gladiator forever,”

What do you think?

Milton Star Unveil The Dark, Beautiful Brooding Single Sorryville

Posted on January 8, 2015 by Frostie

Sorryville / Salvation
Stereogram Recordings
12 January 2015

Milton Star are Alan Wyllie and Graeme Currie who write and record their unique blend of indie and dark country in a converted church ‘Milton’ located in darkest Fife, the building not only inspired the band name but, as Alan explains, is pivotal in the writing process. “The thing that feeds the ideas and make the sound are the environment and acoustics here in the church and setting of the surrounding countryside. To have that on tap every day is just wonderful, we’ve been writing together for maybe 30 years and nothing before has come close. We tend to work independently on ideas initially, bouncing ideas back and forth and then come together to flesh things out, but there’s no set pattern, sometimes it’s the words, sometimes the music, sometimes a story or a visual, it’s a pretty fluid process once we get going though.”

Each of their tracks is drenched in atmosphere – think Velvet Underground meets vintage Glen Campbell via Rick Rubin collaborating on the next David Lynch movie or soundtracking the latest HBO crime drama…

Alan and Graeme’s collaborations date back through many incarnations of live bands to the early days of post punk and a band called Thursdays who were signed to Fast Records. After some years spent out of the music scene, they came back together in 2010, reinvigorated by a mutual dissatisfaction for what they describe as a “mostly insipid modern music scene”, picking up the gauntlet to produce sweet structured melodies carried by an expansive tremolo wall of sound and a dark soul.

With such rich musical experience the duo’s influences are wide and varied, as Graeme says. “Being the age we are we go back to punk and beyond, that rich seam of creativity with Marc Bolan, Roxy Music, Bowie and Velvet Underground. For me I was always drawn to Beefheart and a lot of left field guitarists. That whole American CBGBs thing with Television, Talking Heads, Patti Smith – Marquee Moon is still my favourite album. If you go back further though to some of the pioneers, Scotty Moore, what an innovator, Link Wray – that sheer power, you listen to Rumble, blows you away every time…”

Alan adds “It was such a focus for me, the music, the visuals, I remember being fourteen and my older brother coming in to my room, throwing the 69 Velvets live album at me and saying, “learn that, you’re joining the band…” Every week having new music to buy and bands to see, we were spoiled and that sticks with you. But equally I love a lot of old country – its easy to dismiss Hank Williams, the Everlys, Cash – Roy Orbison especially, what a voice and the musical tension he generates is unique on something like In Dreams, where it just changes all the way through, no verse chorus standard structure… The great songwriters too – Jimmy Webb “And I need you more than want you and I want you for all time.” Beautiful – but you take that beauty, you scratch the surface and you mix in a big chunk of darkness, pain and sorrow…”

With shades of Soulsavers and Mark Lanegan evident, Milton Star’s debut AA side single tracks ‘Salvation’ and ‘Sorryville’ are the perfect marriage between brooding vocals and shimmering guitars underpinned by a driving beat. Wonderfully atmospheric guitars capes paint vivid images of love, loss and regret lived out in one no-hope town to the next, in the bars, in shady motels and the highways and byways inbetween.

Sharon Horgan Interview for Catastrophe

Posted on January 7, 2015 by Catherine Balavage

We love Sharon Horgan at Frost. Funny and endlessly talented, we can’t wait to catch her new show, Catastrophe. Find out more in the interview below.

Explain a bit about Catastrophe. What’s the concept of the series?

It’s an unromantic look at a romance, I think. It’s about a couple who meet on a one night stand, and end up spending this great week together, and that should be it. But she gets pregnant, and he decides to do what he thinks is the right thing and stuck around. And she’s happy for him to lend a hand, as she can’t really be on her own. So they have this speed-life version of a relationship, where everything starts going to shit from the moment they get together. But the way it differs from a normal relationship is that they don’t really know each other, they’re just getting to know each other while all this shit’s happening. Going to have a pregnancy scan and getting bad news is hardcore enough with someone you’ve been with for years. But having to do it with someone who’s almost a stranger to you… And as the series progresses, more and more catastrophic things happen to them. And they’re slowly falling in love while all this shit’s going down.

Where did the idea come from? Why did you want to write this?

I guess because of my situation, and Rob’s situation, and the fact that you kind of want to write about what you know. I knew what sort of material he did with his stand up, he knew the kind if stuff I did, and we just figured this subject matter would suit our styles the best. And we both had a series of shitty things happen to us in our relationships or in our experiences as child rearers, and we felt like it would be nice to bring people a warts-and-all picture of a relationship. Still romantic, still a love story, but a real version of it.

Am I right in thinking that you and Rob met over Twitter?

Yeah, that’s right. I started following him because Graham Linehan had retweeted him a few times, and I found him extremely funny. And totally filthy. And then I noticed he was following me, and then he got in touch on a private message saying he liked what I did. I thought that was sweet, and when I was over in the States we decided to meet up – it’s always interesting,meeting people who kind of do what you do but in a different medium.And then we just kept meeting up, over the years, and eventually found the right thing to collaborate on. But that was kind of scary when we started writing – you never know whether these things are going to be a disaster or not. It can be really hard to write with someone, it’s very intimate and exposing. But the relationship worked immediately, it felt fun and easy.

How did that process work? Presumably you were separated by the Atlantic?

Yeah. For the Pilot, we talked a lot across the Atlantic, and then I was in America working again, and we grabbed what time we could. And then, for the second episode, Rob was over here for a while, and then we went back and forth over Skype. When Channel 4 said they wanted to do the full series, we wrote all the first drafts on Skype. We Skyped each other the whole time. But then we kind of realised that you need to be in a room, reading the script aloud, making changes as we’d go. So we did a lot of rewriting when I was over in LA. But now he’s moved here, he lives here now, which makes it much easier.

Did you find that you each tended to write more for your own characters?

I don’t think it did pan out like that. Maybe a little bit initially. What we did end up doing was rubbing our corners off a bit. If I’d write something that sounded a bit harsh, for either character, he’d give it a bit of California sweetness. And if he wrote something that I thought sounded too warm and American, I’d write a bit of Irish acerbic into it.

Judging from the trailer, your character isn’t going to have the most pleasant pregnancy. Is that partly based on your experiences? What were your pregnancies like?

I would say pretty tricky. But it wasn’t just mine that we based it on. We used mine and Rob’s wife’s experiences, we mixed it all in. Any shit that happened to me we multiplied by two, because we had another pregnancy to steal from as well. But you ask any woman who’s been through it. There won’t be too many rosy stories in there. I got knocked over by my dog and broke my knee. My pelvis parted, so I was on crutches for most of it. My second one, my ribs felt like they were splitting because My baby was so massive. A lot went wrong – the same with Rob’s wife – which is why we were able to throw that all in there. I know there are women out there who loved being pregnant, but that wasn’t my experience.

While you were filming, did you have to wear a bump that grew steadily bigger throughout the series?

Yes. I had three or four bumps over the series. It was good, because it genuinely felt incredibly uncomfortable, especially the really big one. It was really heavy, and it did make me relive it, because my back was fucked at the end of it, and I remember feeling exactly the same at the end of the pregnancy. But it worked – whenever I needed to be grumpy and fed up in character, I generally was.

The show’s got a great cast, including Ashley Jensen and the great Carrie Fisher. That must have felt so exciting, getting them on board.

Yeah, it was. It kind of felt like that for everyone who came on board. Every time we got the person we really wanted, we were pinching ourselves. Everyone in the cast is phenomenal, top of their game. But we did end up feeling “Shit, why weren’t they in it more?” with every supporting character. They’re all actors you want to see more of.

Carrie Fisher’s a legend, isn’t she? We were madly excited when she came down on set. We were all acting like dicks. We were running around like grinning weirdoes. I was going over her lines with her, lying on a bed by her side because she was a bit jet-lagged, and I felt like “Yeah, this is it. I’ve reached the heights now.” And Ashley is just incredibly funny, and great to be around. She’s a lovely,. Funny, warm presence all the time. Mark Bonnar, you can’t take your eyes off him. I can’t wait for people to see it, just for the supporting cast.

In the past, you’ve done a couple of factual programmes for Channel 4. Is that something that you’d like to do more of in the future?

No. I really loved that they asked me to do it, and allowed me to make documentaries on whatever I wanted. I hooked up with my friend, Chloe Thomas, and we went out and talked about the stuff that we were interested in, and our own experience. And at the time, that was motherhood, and mid-life crises, and marriage, so those were the three films we made. But it’s not really something I want to pursue any further than that for now. I said what I had to say. And it’s hard work! It’s tough, because you’ve got no script, and a lot of it is built in the edit, and a lot of it is down to chance. These are real people that you’re dealing with, you have to tread carefully. I had a great experience, and I’m glad I got to do them, but I think I’d rather just watch that sort of thing from now on.

In your body of work, what are you most proud of? And where does Catastrophe sit within that?

I’m still very proud of Pulling. It was the first sitcom I ever made, and it was a situation where someone took a leap of faith, and let us have a go. So we ended up making something that we really liked, and had enormous fun doing, with the people that we wanted to do it with. And Catastrophe, for me, feels very similar. I felt with Pulling that I couldn’t have made it at any other time, and I think with Catastrophe, I couldn’t have made it even three or four years ago. It feels like the perfect thing for this moment, for the stories that I have to tell. It’s the same thing, just being given proper creative scope by Channel 4 to make the show that we wanted to make. I guess we’ll have to wait and see now what people think, but it was an enormous pleasure. I felt as emotional at the end of filming as I did at the end of Pulling, just the feeling that I’d really, really enjoyed it and I was very lucky.

Catastrophe starts on Monday 19th January at 10pm on Channel 4

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