The Call of The Wild Art Exhibition by Wendy Breckon

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In search of the creative experience, my curiosity takes me away from the hustle and bustle of Broad Street in Lyme Regis and the sea down to the Town Mill. This feels like the artistic hub, an enclosed, pretty area with a restored 700 year old flour mill and two art galleries (the Malt House and Courtyard).  Here is a tranquil place, tucked away where one can write, sketch or sip tea as the world goes by.

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I love art exhibitions; who doesn’t.  I feel the magnetic pull of the Malt House Gallery.  A light filled, calming space with the apt title of ‘CALL OF THE WILD’.

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This is closing on 23rd November, but there is a new exhibition every three weeks so have a look at the work of these artists and see the essence of the gallery.  The opening hours are normally from 10.30 to 16.30 except in early January (www.townmillartsguild.com).

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By the entrance off to the right, are three adorable and quirky figures keeping watch on all who pass through. These ladies mean business. With umbrellas over their heads and animated expressions, they clutch their handbags very tightly! Owning one is not enough, I want them all PLEASE.

I have competition in Margaret Graham though, who wonders if she’ll need a mortgage to acquire them. She treats herself to a work of art every time one of her books is published, and Easterleigh Hall is just out. We’ll have to get our elbows going, and the best girl wins.

These are the wonderful creations of ceramicist Linda Bristow, soft muted colours that would look perfect in my sitting room.

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In Linda’s collection there are also unusual shaped pots with daisies on top.  A very popular ceramicist, her work is displayed beautifully. Linda Bristow was originally a nurse but when her children grew older she went to Bath Spa University as a mature student to do an art course.  Gaining a first class honours degree in 2007, her final design piece, an instillation of 200 porcelain and bronze flowers, was snapped up by one person. Sadly it wasn’t me.

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Linda has exhibited everywhere in the UK.  She loves being outdoors and is fascinated by nature.  It is easy to visualise her working in the garden studio taking in the wonderful views of Charmouth.

Elizabeth Wilson is another artist exhibiting in the gallery, who I was lucky enough to meet today.  Her visually beautiful oil paintings capture the light and movement in the skies and seas around Lyme Regis perfectly.  My favourite three are ‘The Cobb’, ‘Storm on The Cobb’ and ‘The Seagull’.  Will her oils she has captured the iconic scenes, that those of us who live here and those who visit enjoy so much.

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Liz lives in Lyme Regis.  She originally completed a botany degree and has always had a fascination for the ‘conversation between the landscape and nature’.  It was only seven years ago that she started painting in oils.  Liz has been both influenced and inspired by Constable the landscape painter and the modernist painter Martin Kaneer for whom she has a great admiration.  Liz has always preferred being outside and likes to revisit a scene many times to achieve her end result.

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So visit Lyme Regis.  Seek out the Town Mill.  Enjoy the fabulous art in both galleries.  Meet the artists, but please leave one of those fabulous ceramic females for me.

For other activities and courses at the Town Mill, check out www.townmill.org.uk and Philip Clayton the Curator of the Arts Guild (curatorartsguild@yahoo.co.uk)

 

 

Vote For Frost Magazine in The UK Blog Awards 2015

The public vote for the UK Blog Awards is now open and we are asking our amazing readers to Vote for Frost magazine in the UK Blog Awards 2015. 

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If you love Frost, or even just like us then please vote for us here. Every vote counts and is much appreciated.

Thank you.

 

 

Imitation Game Film Review

iimitationgameCast: Benedict Cumberbatch, Keira Knightley, Matthew Goode, Charles Dance, Mark Strong

I was very excited about seeing this film. The cracking of the enigma code is one of Britain’s greatest accomplishments, saving millions of lives and ending a war. Alan Turing is one of the most underrated and greatest Britons that ever lived. Played by Benedict Cumberbatch, Cumberbatch does an excellent job of portraying the man who essentially invented the computer. He could have just done another Sherlock-type performance but his performance is astounding, believable and as good as expected from an actor who is fast becoming one of our true greats. It is just subtle enough. The script is great, the entire film just works very well. Strong performances are given from the rest of the cast too and Keira Knightley’s performance gives Joan Clarke, a woman who did great work and contributed to history when too many were never given the chance, the credit she deserves.

Whilst I watched this film, myself and the rest of the audience were engaged and laughed many times. But the overwhelming feeling at the end was of injustice. The injustice of homosexuality ever being illegal, the injustice of one of our greatest, who helped stop a war and saved tens of millions of lives. is hard to take. Forced to take pills that chemically castrated him. Turing ended his life when he was only 41 after being forced to take these pills or face prison. His ‘crime’ was his sexuality and being caught with a young man. No one helped him or stopped the appalling behaviour. It wasn’t until 2013 that he was posthumously pardoned by Queen Elizabeth II. This film is a must watch. It tells an essential part of our history, but it also says far too much about the brutality of injustice and hate.

Based on the real life story of Alan Turing, who is credited with cracking the German Enigma code, the film portrays the nail-biting race against time by Turing and his brilliant team at Britain’s top-secret code-breaking centre, Bletchley Park, during the darkest days of World War II. Turing, whose contributions and genius significantly shortened the war, saving thousands of lives, was the eventual victim of an unenlightened British Establishment, but his work and legacy live on.

The Imitation Game is out now. 

 

The Miss Polly Rae Show

The stunning Burlesque star Miss Polly Rae dazzles, sparkles and lights up the Soho Burlesque Club. She intimately invites you into her very own little Boudoir for a highly entertaining laugh out loud saucy evening filled with tantalising and funny performances.

This truly brilliant cabaret act had us in stitches from the very start. We give you Miss Polly Rae the only way we know best…..Pictures.

Its too good to spoil telling you too much about what happens. Just be safe in the knowledge you will leave with a big grin on your face, a belly that hurts from laughing so much and be in awe at the beautiful dancers. Provocative, yes…But done in such a truly stylish way it will impress you beyond belief.

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The sensational act is supported by Kitty Bang Bang, Betsy Rose, Reuben Kaye and the very agile acrobat from the Boom bang circus. Miss Polly Rae  low res-11 Miss Polly Rae  low res-12 Miss Polly Rae  low res-13 Miss Polly Rae  low res-14 Miss Polly Rae  low res-15 Miss Polly Rae  low res-16 Miss Polly Rae  low res-17 Miss Polly Rae  low res-18 Miss Polly Rae  low res-19 Miss Polly Rae  low res-20 Miss Polly Rae  low res-21 Miss Polly Rae  low res-22 Miss Polly Rae  low res-23

The show is held every week at 8pm for those of you that don’t want to see too much flesh! Then again at 11pm for the little more risqué version. Tickets from are from £15. Burlesque star Miss Polly Rae delights the Matcham Room Theatre every week with the amazing team of entertainers and we totally loved every drop of this cabaret. Book your tickets here.

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We where totally mesmerised and we are totally coming back to see the Boon bang circus very soon and you just might get to see that in pictures too!

Check out their website for show times and other amazing evenings to be had at the Hippodrome Casino London.

Sarah Parish on Acting: It Can Turn You Into a Monster

Sarah Parish has given a rather excellent interview to the Radio Times. Here are some of my favourite quotes from it.

On starting acting: “I had no confidence. I think because I started so low. I had quite low expectations. I felt one step behind, and it’s always been, ‘I can’t believe they actually chose me’. I went for small parts because I thought that was probably the only thing I would get. I never auditioned for leads. I just assumed I wouldn’t get them.” That is said with so much self-parody that I feel like I’m allowed to ask: “Do you think you missed out because of that?” Huge eyebrows: “Well… ya think? But you live the life you’ve lived, don’t you? I didn’t have that God-given confidence you get from going to a public school and going to Rada. I went to a comprehensive and felt lucky if I got a job in the chorus. But the upside is I was never disappointed.”

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If the industry has gotten better for women in the past 20 years: “I did hear something alarming the other day, I bumped into a friend at an audition, another girl my age. I asked if she was still doing this show – I can’t tell you what it is – and she said, ‘No, it was cancelled. The reason they gave was that they already had a female-driven programme.’ Wow. Because you can’t have two female-led dramas on telly. How awful would that be! So we’re still not there. I don’t know if we’ll ever be equal. We’ve still got an old-fashioned way of receiving female characters. They’ve got to be the wife, or they’ve got to be nuts.”

On the charity she and her husband, James Murray, set up; the Murray Parish Trust“It’s in memory of Ella-Jayne, our first daughter.” [She died of congenital heart failure at eight months old] “It’s a terrifying and traumatic time [when your child is ill], you just want to be there all the time. They really, really need this hospital. The accommodation they’ve got for parents at the moment is so sad. £70 million it’s going to cost. Our charity is the little Jack Russell that goes down the hole and scoops everybody out. The big money willcome in afterwards.”

Second daughter Nell gets in the way of her career: “My agent will say, Darling, you’ve got to do a play’. I don’t want to do a play. Why do I have to do a play? You have to go off and do your time in a play to remind a certain genre of people that you’re still an actor. It’s a ball ache. I don’t want to have to leave my daughter and go to London every night.”

On pilot season: “If there was a little room you could go in beforehand where you checked in your dignity, your soul and your pride, that would be fine. But unfortunately you have to go into pilot season as a whole person. Every day you drive around with your clothes in the back of the car, you sit in rooms full of people as sad and as desperate as you are, with so much make-up on they could sink the Titanic, tiny little thin people. Sometimes casting directors might look at you, sometimes they might be on the phone, sometimes they’ll talk over you. And more often than not, you’ll hear nothing. I have got jobs out of it before, but it’s just not worth it. We tape all our [audition] stuff in our garden shed, now. Having a shed in our back garden has made us a lot of money, me and Jim.”

On the pressure on men: “You have to have a six pack, you have to have a pair of glutes, you have to wax your chest. You have to sign a contract saying you will show your bum. You see these poor guys right before a scene, doing press-ups, when they should be thinking about their character. That’s what we’ve come to expect from men on screen now. It’ll be from up there [she gestures to some nameless authority]. Hot, young people with perfect bodies. That’s what people want to see. And of course it actually isn’t what people want to see. I want to see interesting faces. I want to see different bodies. I want to see people I can relate to. There’s nothing attractive about knowing a man has been flexing in front of a mirror five minutes before a scene. When did that become sexy? And I don’t want to see a woman looking starved to death. When did that become sexy? These are first world problems, It’s very easy as an actor to live in a bubble and think that life is about acting, and of course it’s not. It can turn you into a bit of a monster.”

Isn’t she awesome? I think so.

If you are an actor then check out my book How To Be a Successful Actor: Becoming an Actorpreneur. It is available in print and in all eBook formats on both Smashwords and Amazon.

Quintessentially Foundation Charity Poker Night

Last night saw stars including Tom Parker Bowles, Jamie Laing, Ben Elliot & Zac Goldsmith support the Quintessentially Foundation’s annual poker evening held in the beautifully restored Lancaster Ballroom at The Savoy Hotel in association with PokerStars. The aim of the evening was to raise much needed funds for three worthy causes: Greenhouse, Place2be and RightToPlay. We are delighted to announce that over £195,000 was raised from last night’s event, adding to the £4 million which has already been raised by the Foundation since 2008.

Ben Elliot & Zac Goldsmith 1 at Quintessentially Foundation Charity Poker 2014

Ben Elliot & Zac Goldsmith at Quintessentially Foundation Charity Poker 2014

Camilla Rutherford & Domnic Burns attend Quintessentially Foundation Charity Poker 2014

Ben Elliot at Quintessentially Foundation Charity Poker 2014

Zac Goldsmith & Alice Rothschild at Quintessentially Foundation Charity Poker 2014

Zac Goldsmith & Alice Rothschild attend Quintessentially Foundation Charity Poker 2014

Following a lavish champagne reception, the evening saw glamorous VIPs, movers & shakers and business luminaries take their seats alongside poker professionals and enthusiasts in a ‘Texas Hold’em’ poker tournament. At stake were 10 amazing prizes including a trip to the PokerStars and Monte-Carlo Casino (R) European Poker Tour event and a Box for Arsenal vs Newcastle United in addition to a Pre-release Private Screening of a Working Title Film for 35 people.

Highlights of the evening included Jamie Laing repeatedly beating the poker pro at his table and winning all her chips forcing her to buy-in again to stay in the game!

The eclectic mix of characters clearly enjoyed themselves and the poker evening continued long into the night, with guests knocked out of the competition making the most of the cocktails & canapés on offer throughout the evening.

 

VIP Attendees: Ben Elliot, Tom Parker Bowles, Zac Goldsmith, Alice Rothschild, Jamie Laing, Sophie Michell, Camilla Rutherford, Alistair Guy

 

Team PokerStars Professionals

Bertrand ‘Elky’ Grospellier

Jake Cody

Leo Margets

Fatima Moreira de Melo

Matthias De Meulder

Christophe De Meulder

 

What they drank: Dalmore Whiskey, Bellerose beer and Harry Brompton Ice tea

 

What they ate: canapés and bowl food including beef burger, braised lamb shank and sautéed potato gnocchi

 

 

Cheltenham Festival Announces Preview Evening

Cheltenham Festival announces preview evening

Horse racing fans are set to gather in their droves next year to attend a special preview evening in honour of the upcoming Cheltenham Festival.The event will take place at the Elland Road Football Stadium in Leeds on 4th March 2015, six days before the festivities begin at Cheltenham Racecourse.

 

Last year’s event was the first of its kind for the 155-year-old festival, but went down a huge success with more than 700 in attendance. The evening was attended by a panel of horse racing pundits including world class jockey Jason Maguire, Sky Sports news expert Alex Hammond and Racing UK’s Mark Howard, Donn McClean and Niall Hannity.

 

“The preview evening this March was a huge success and all parties were very keen to get the date in the diary again,” said Sky Bet Racing PR Manager Michael Shinners. “We’ll be confirming the panel in the build-up but it will be another great night for any racing fan, or someone who likes a bet at the Cheltenham Festival.”

 

Indeed, the betting element of the evening will be one of its biggest attractions – with more than £250 million expected to be spent at this year’s Cheltenham Festival. Added to that, the evening will also feature an extensive preview of each day of racing at the three-day festival, as well as video interviews with racing trainers and a buffet supper.

 

Having taken place since 1860, the Cheltenham Festival brings together some of the most prestigious racers from around the world, culminating in the famed Cheltenham Gold Cup race, which takes place next year on 13th March. Friday 13th may be unlucky for some, but for the winning jockey, there is a huge £550,000 prize at stake.

 

One jockey who will be gunning for the prize is Ruby Walsh, who has had outstanding success at the events in previous years. This famed star has won the coveted ‘top jockey’ prize – one which is awarded to the jockey with the most wins over the course of the festival – eight times in the last century.

 

Other exciting moments that spectators will be keen to keep an eye out for will be the performance of Balthazar King, as trained by PJ Hobbs. The 10-year-old Bay Gelding is already hitting headlines with his upcoming performance at the Cheltenham Open, and given his experience at the course in Prestbury Park, should impress once again in March.

 

The Cheltenham Festival may be five months away, but with a preview evening to get fans even more excited, the 155th anniversary could just be the best festival yet.

 

 

 

PlayStation 4 One Year On – The Good, The Bad and The Downright Ugly

Happy Birthday Desktop BackgroundYes indeed, the PlayStation 4 celebrates its first year’s birthday this week. But one year on has it managed to live up to the hype or has it even earned the title of a ‘next generation’ console? I, along with many other gamers are not truly convinced. I am going to attempt to give a rundown of this much anticipated games machine with my overview of the past year.

The Good:

The Sales – Few can argue with the PS4’s sales. We might as well say that it was a two horsed race; the Nintendo Wii U was never going to stand a chance to begin with so the only other ‘real’ challenger was going to be Microsoft’s Xbox One console, which despite having what some would say were better release day titles thanks to some momentous delays from the Sony camp and the fact the PS4 machine was released some 8 weeks later than the Xbox One, the sales of the Playstation 4 still kicked ass month after month in terms of the numbers of the machine which were ‘reportedly’ flying off the shelves. Now before the Xbox fan boys start blowing up my phone, I’d like to say of course we all know statistics can and are often fiddled but one year on and one thing is evident, the accountants of Sony are very happy as sales of the PS4 continue to trump the opposition from all corners.

The Graphics – Now I’m going to say the graphics of the PS4 aren’t as earth shattering as the original expo’s made out, (see theBad’ section below) and there appears to be less of a ‘step up’ in terms of graphics between the last and this generation, but one thing is for sure, PS4 runs faster and smoother for practically every game than its counterparts and that includes all but the most powered up PCs.

PS Plus – One of the finest things about the PS4 which many owners have reported is that it encourages them to take advantage of the PSN and PS Plus network. With the PS3 this deemed largely ‘non-essential’ but with the PS4 it is a no-brainer. Why? Well, being a PS Plus member provides numerous benefits particularly if you own more than one Sony Machine for example the PS3, PS Vita or both. If you are a member every month you can download ‘for free’ 3 titles for each machine on your ID. Far from being the crap games no one wants to play some of the games have been pretty huge. For example, over the past year titles offered have included Crysis 3, Bio-Hazard Inifinte and even Uncharted 3. With the early release of the machines you had a free one month’s subscription so you could try it out and I have to admit, I even thought about purchasing the PS Vita as I would have had a complete games collection by now. The PS Plus PS4 freebie games have not been that great if I am honest, but if the servers had not gone down last month PS Plus members would have had a cut down version of Drive-Club.  No, I’m not kidding you.

Nice Hardware Touches – If you look at the PS4, there are some really nice innovative touches which show that the architects truly thought about what they were doing. If you put the PS3 and PS4 controllers side by side for example you can’t help but notice so much has just been chopped off the latest iteration, yet it still feels natural in your hand. The touchpad strikes you as a bit of a weird concept at first but in use increases immersion in the games as does the miniature speaker in the centre of the controller; as you play the game shots ring out, radio crackles or ghostly voices echo in the palm of your hand. Different but very nice indeed.

Share Play, Remote Play and Playstation TV – This is yet to truly surface but if Sony pull these off (and internet speeds continue to rise) what we will have will be incredible. I tried out the Share Play option a few weeks ago. You need a PSN account to do it but it means you can ‘share your game’ with people who don’t even have the title. By pressing a button you can ‘hand over’ your joypad and your friend can take over, thus helping you get through a tricky part of the game. Coupled with Voice chat this can be incredibly fun and with the time levelled at two hours before you have to start the whole process of ‘linking’ again, this could be the key to making games more social. This sounds great and it is, in practice though, my friend’s internet speed wasn’t as good as mine so although I could share with him, he could not share with me which was a shame. Remote Play too borrows a similar principle and allows the player to switch to another TV as long as their PS4 is on and they have has purchased the PlayStation TV box (around £80). Again in theory this is really exciting although it owes a great deal to internet speeds to whether there is noticeable or unplayable lag between the time you press the button and the time the character does their action. Racing games are when this really creates problems. The chances of most players having a fully LANed up house with high speeds in all rooms are probably quite small. A normal/high video quality option has been added, but come on who really wants to play a game in low resolution, those of you with ‘buffer faces’ may just switch the console off and wait until the guests have left.

The Bad

The Leap into this Generation – Now, I realise this is going to make me sound rather old but I remember the ‘birth’ of the last generation and that of the one before. I remember big releases such as Wipeout and Ridge Racer, games that really wowed the crowd in terms of graphics and sound revolutions. When the Wii was released and the Wii U they both had a modicum of ‘lets bring something new to the table’ type attitude. Now this is going to sound harsh, but this generation has been, well, rubbish in comparison. What do we have? A variation on the PlayStation Eye, is that all? What happened to the 3D games? What happened to Project Morpheus? The big release by Sony promised a big change to the way games were played – well that is yet to happen

The Quality of the Games – Despite the promise of what next generation hardware should ‘bring’ with it in terms of games, what we have had over the course of a year has largely been re-hashes of old titles brought up to date with new skins, better visuals and little else. Take some of the games releases of late such as Watch Dogs, Need for Speed Rivals and Wolfenstein and run them on the PS3 and PS4 and you will not see giant leaps of difference in terms of actual graphical quality. It has taken until Destiny and The Shadow of Mordor; games released nearly a year in to take advantage of even the basics of this generation’s hardware and both too were released on the PS3 – Shadow of Mordor in a few weeks’ time. There is just not a feeling of quality.

The Downright Ugly

Console Parity – One of the things to have surfaced of late within the gaming industry is console parity. It is purposefully underutilizing the available technology and power in a superior console so that a game looks and plays the same on inferior competing consoles.

When was the first time I became aware of this? When Watch Dogs was being hyped the night of the PS4 release and then it later emerged that it was running on a suped up PC, a version which never actually made it to the market. Why would developers do this? Well, to maintain a balance between versions; a balance by the way, that has never been actually requested by gamers or console makers.

It’s ugly because it really is an insult to gamers who invested cash on their console or PC, buying the machine hoping it would give you the best quality of games out there. In terms of the PS4 everyone knows it is a more powerful machine than the Xbox; developers have even bragged about it, yet the common practice seems to be to use the powers of the limited competing console, namely the Xbox One and base that as the ‘standard’.  Now, some are saying that there have been ‘financial incentives’ for the developers to dumb down the PS4 and PC versions of games, others are saying that the developers are lazy, others have gone further by saying that if developers don’t do this then Microsoft have threatened to remove a games licence all together. For me this is just ugly, it’s monopolising the market as it means we are not truly in a next generation of gaming unless either Sony or Microsoft develops a title ‘in house’ where they can effectively ‘take the brakes off’.  Overall it is very, very worrying and it makes you wonder what else do we not know about.