Mischa Barton Licks Meat, Heather Morris Bruises Up & Tamara Ecclestone’s £1m Naked Cash Roll

Mischa Barton Licks Raw Meat

Tyler Shields, Mischa Barton, licking meat, picturew, photography

Glee Star Domestic Violence Poses

heather_morris.black eye

Tamara Ecclestone £1m Naked Cash Roll

tamara_ecclestone naked

Burning Birkins

Birkin burning

What do all of these pictures have in common? Answer: Tyler Shields.

“Young Hollywood’s Favourite Photographer” (Daily Mail) Tyler Shields is opening his vault to release a series of images that fan the fire of controversy surrounding his shoots which include Francesca Eastwood and the Burning Birkin, Mischa Barton licking her raw meat, Tamara Ecclestone rolling naked in a million pounds and Glee’s Heather Morris domestic violence poses.

Alongside new images from these shoots are even more controversial images of Zachary Quinto, Emma Roberts, Ashley Greene, Lydia Hearst, Alex Pettfer, Dianna Agron, Demi Lovato and many more glamorous Hollywood stars who get dirty like you’ve never seen them before.

The book is available for here: The Dirty Side of Glamour

Rome 2 Total War Review

At last, almost a decade after the original  Rome Total War – Rome 2 returns to your PC. The game is famous for combining both a turn based grand strategy on a campaign map and glorious real time tactical battles.

After using the useful Steam pre-load feature to install the game before release, I leap straight into the grand campaign as Macedon. The year is 272BC and Macedon is still trying to recover from the break up of Alexander the Greats empire. First impressions are good, the campaign map is beautifully detailed, looks fantastic and is absolutely huge. There are now hundreds of different smaller factions alongside the main ones. The first thing I do is expand a city and I watch in delight as my old wall is knocked down and new buildings leap up out of the ground. Cities expand randomly in any direction and it never gets dull watching it.

It takes a while to get used to the new user interface but eventually I did. Turns now last a whole year which is a bit disappointing since it was nice to see how the campaign map change in winter. I really liked the new diplomacy system. It’s quick and easy to see who’s allied and who’s at war. You can now see in detail why a faction doesn’t or does like you. The AI is a tough negotiator. As Macedon I start off at war with a small town to my east. A couple of turns in and the enemy AI offers me peace but demands money, a few turn later and with my army massing near his border I’m able to bully the AI and he accepts not only peace but he also now pays me a hefty sum. I set off to attack his neighbor instead. It can be a bit tricky to set up trade deals (the AI often demands huge payments) however if you work at it, for example by starting with a non-aggression pact first, you can get them done. As you go further into the game and become more powerful smaller nations will come to you begging for trade agreements and alliances.

Its a positive start but sadly the longer I play the game the more apparent Rome 2’s flaws become. Most of them are with the Rome 2 battle engine. Unfortunately Creative Assembly has completely dropped the ball with this and it feels like a real step backwards for the series. Battles are stupidly quick. Men die in seconds and armies of thousands are lost in a couple of minutes. There’s almost no time to properly position and manoeuvre your troops. It takes all the fun out of the game. Worse still units struggle to maintain any formation or cohesion. Most battles result in one big brawl. That’s fine if its a bunch of barbarians but when my Hoplites abandon there beautiful phalanx and sprint towards the enemy its very frustrating. It’s the total opposite to the joy of of a Hoplite phalanx battle in Rome 1.

There are other major issues with battles. Some bright spark has decided to place capture points on battle maps. It’s beyond stupid. Deploying your troops to defend is now pointless. In old games you could retreat to high ground or some woods to use the terrain to your advantage, not now.  If you lose the capture point you lose the battle. My entire Macedonian army of 2000 men is destroyed despite only losing 11 men in a battle because I didn’t realise there was a capture point.

There are other problems as well. Battles feel arcadey, many of the unit abilities feel manufactured and fire javelins and fire camel archers just seem over the top. What’s upsetting is that almost all these problems could have been avoided with even a small amount of testing or feedback. What’s clear throughout the game is that Creative Assembly’s decision making process is flawed. The battle AI is another weakness. The AI is especially poor during sieges although that has always been the case with Total War games.

Another example of poor decision making is the removal of faction family trees, so beloved by fans. It means you now don’t really care who’s head of your faction much less who might take it over. It’s not helped by some very poor character portraits.

You now choose to upgrade your generals in the way you want. This is not nearly as fun as in Rome 1 where the game would automatically attribute your generals and governors new abilities based on their performance and your actions. Win a load of defensive battles and your general would become a great defender and get a bonus defending, recruit lots of mercenaries for a long time and your general might get a discount in the future. Leave a governor to rot in a small province and he would become a corrupt drunk. Now I win a land battle and I can upgrade my generals naval abilities if I so choose. It makes your generals feel less like real people and it makes you less attached to the game.

Army traditions are great new feature. Armies now develop abilities over time with the more battles they win. Again though this would be a lot better if it was automatic rather than the player choosing the upgrades. The new unit cards have divided opinion but they have really grown on me. They look like units might have done on ancient pottery and they look absolutely beautiful. In some areas the game is overly complex such as with spies, emissaries and champions. The roles of these specialist units are still very unclear to me. Simpler defined roles would have been better.

I don’t want to come across as overly critical. The game is fun too play and there is a lot that’s good about it. It’s clear that CA has some very talented people and I feel for those in the team who’ve done their jobs extremely well. (Not least the marketing department who have done a fantastic job with trailers and rally point etc.) There’s some fantastic work in this game (The great animations, sound track, huge number of detailed units to name a few), and some good new ideas and features as well. The trouble is there are also some basic mistakes and the battles are just wrong at the moment. It’s more than just poor execution and polishing its about fundamental errors made at the decision stage and you get the strong impression that the game lacked any strong leadership from an overall designer who new what they were doing. It’s a real shame because there are clearly incredibly talented people at CA

You can’t help but think that if you could take the best bits of Rome 1 and Rome 2 you could have an incredible game. All hope is not lost. Creative Assembley are promising a patch on Friday and subsequent patches after that. There is tremendous potential here but you might want to hold off for the moment to see if things get fixed or until the modders start to fix what CA couldn’t.

Overall Score 7/10 (but could be 9/10 with good patching)

 

The Great

Epic Map
Unit Stances (force marches, building forts etc) adds a lot to campaigns
Huge number of Factions and Different Units
Expanding cities
Bringing in fleets – particularly to help with sieges is awesome

The Good

The tech trees and there diversity across different factions
Army Traditions – Great new feature
Diplomacy
Provinces and Edicts – I like the way cities are now broken down into different provinces. It takes some getting used to but it adds an interesting new dynamic.
Campaign AI – It’s early days but it seems to be doing a pretty good job so far

The Bad

Politics – has potential but lacks clarity and feels like your just trying to stop bad things from happening. Huge error to not include Faction Family Trees.
No seasons (1 year turn) – Should be at least every 6 months
Battle AI is weak especially during seiges

The Terrible

Battle Gameplay

Capture points in battles – No need to explain this

Crushing Blows Release Double A-Side Single on new Studio Label, Snug Recording Co

Out October 7th 2013

Unknown Animal | Dream On / Dream Off

London Show: 5th October Urban Bar, Whitechapel

Crushing Blows, Rainbows, music, music profile, music news.

Crushing Blows are a two-piece, noise pop band from Derbyshire who have previously drawn comparisons to Battles, Broken Social Scene and Arcade Fire.  The release of this new Double A-side single sees the electronic and experimental side of the band come to the forefront with drum machines and field recordings sitting alongside the bands dynamic and unusual pop songs.

The band’s two previous EP’s have received airplay from Huw Stephens, Steve Lamacq, Tom Robinson, Jen Long and Shell Zenner as well as last year’s double A-Side single Hiding Place / You Will Always be Lonely being awarded single of the year by Music Liberation. The single ‘The People You Will Never Meet’ was made single of the week by Simon Raymonde at Amazing Radio. 

After spending their formative years gigging extensively with appearances at T in the Park, Y Not Festival, Liverpool Sound City, SWN Festival and supporting Public Service Broadcasting, Cerebal Ballzy, Bo Ningen & METZ to name but a few, Crushing Blows are set to continue work on their debut LP into 2014 with a tour to coincide with the release.

Snug Recording Co is the new label run from the Derby based recording studio of the same name.  The aim of the label is to break away from traditional industry models by working with artists on a cooperative, collaborative basis to produce small releases without the pressures of money, market ability or contracts, with all releases agreed upon a handshake only. 

This, the first release on the label, exemplifies their core values with two unsettled, dark, yet intriguing pieces of dreamy, electric pop music.

 

Unknown Animal | Dream On / Dream off will be available from crushingblows.bandcamp.com and all major digital download stores on October 7th and will also feature on Crushing Blows’ debut LP, due for release in early 2014. 

Crushing Blows are Chris Jones and Andrew Foster.

http://www.crushingblows.co.uk/

Actors Who Make Their Own Work

actors who make their own work, lake bell, tina fey, kristen wiig, greta gerwig, lake bell, brit marling, vin diesel. The rumour that acting is the hardest and most brutal industry in the world is unfortunately true, I have been an actor now for over 10 years. Yikes. Along the way I have realised that the only way to have a brilliant career is to write and produce your own stuff. Which is what I did with Prose & Cons. It is currently being edited.

If you want to be inspired, here is our list of the Top Actors Who Make Their Own Work.

Brit Marling

This American producer, director, writer and actress caused a stir with Another Earth. She was only 27 at the time. Now 30 and with 13 films under her belt. She was even on the front cover of Vanity Fair’s prestigious Hollywood edition. She has written four films and directed one.

Check out these personal quotes from her IMDB page:

“I always started writing in order to act. I don’t know that I could have the discipline to sit down and write if I was going to give it away. That would be too hard. But I love to act in stories that are outside my imagination because I can only conceive of so many things from my point of view. The thing that’s intoxicating about being an actor is that you get to live in someone else’s world for a while and I hope to do more of that. But I think I’ll never stop writing now because I’m wondering why there aren’t more representatives of women that are like the women we know. Where’s the film with the women who are complicated and strong and beautiful and sexy and interesting and of all body types? You don’t get to see enough of them. So there’s something important in attempting to write them for myself and for the insanely talented women out there.”

“[on why she decided to become a screenwriter in relation to her being an actress] How terrifying to surrender your life to being chosen all the time. Having to be chosen and re-chosen. Writing so that I can act became a way of having not more control over my future but not having to wait for permission. You can choose yourself. Hmm, who should play this part? I nominate me!”

Mindy Kaling

Started out as a writer for The Office and even wrote a character for herself into the show. At the age of 34 Kaling has created her own show, The Mindy Project, and was named as one of Time Magazine’s 100 Most Influential People in the World in 2013.

Mindy knows she is different and makes fun of it: “I’m a minority chubby woman who has my own show on a network. I don’t know how long this is going to last!” She told Jon Stewart. She has 2.3million Twitter followers and refuses to diet.

Kaling wrote in her bestselling memoir Is Everybody Hanging Out Without Me?: “I fall into that nebulous, quote-unquote, normal American woman size that legions of fashion stylists detest. For the record, I’m a size 8 — this week, anyway. Many stylists hate that size because I think to them, it shows that I lack the discipline to be an ascetic; or the confident, sassy abandon to be a total fatty hedonist.”

Emma Thompson

She wanted better roles so she wrote the screenplay for Sense and Sensibility, an adaptation of Jane Austen’s novel. The film got Thompson the Oscar for Best Adapted Screenplay and a nomination for leading actress. She hasn’t looked back since. The 54-year-old has 60 films as an actor under her belt and another 12 as a writer.

Nia Vardalos

She kept losing out on roles so she wrote My Big Fat Greek Wedding. The film was a roaring success. Vardalos says: ‘I run into other actresses and we talk about the lack of parts for woman. At least I can write myself a part, which is an amazing skill to possess.”

Barbra Streisand

Streisand was the first woman to win a Golden Globe for directing after co-writing, directing and starring in Yentl. She was 41 and had already broken down a lot of barriers for woman. She started off as a nightclub singer and is now one of the most famous actress, singer, producer, director, actor and writers. Has never been afraid to send herself up. She has inspired generations of woman.

In her own words: “I arrived in Hollywood without having my nose fixed, my teeth capped, or my name changed. That is very gratifying to me.”

“To have ego means to believe in your own strength. And to also be open to other people’s views. It is to be open, not closed. So, yes, my ego is big, but it’s also very small in some areas. My ego is responsible for my doing what I do – bad or good.”

Lake Bell

The 34-year-old is making waves with her film, In A World. She has 35 credits to her name but made her own film this year. After being an actor for 11 years she sat down to write a script and won the prestigious Waldo Salt Screenwriting Award at the Sundance Film Festival. She told Glamour Magazine: “When I first started auditioning in LA, I realised it was a clique; this guy’s got the monopoly on epics, this woman’s got the monopoly on tampon adverts. It was the perfect environment for a modern comedy.” “I wanted to make a movie’, she went on, “so I wrote a part for myself.”

“Being willing to outsource all of your creative decisions, especially to a first-timer like me, is very ballsy. I had no other choice than to make it the way I made it. And I felt very supported in that. When you write and direct your own film you basically know exactly what you want. Or you hope to. For the studio, it actually can make life a little easier, because if you have a bunch of questions they only need to call one person.”

Kristen Wiig

While Kristen had been in many films and was a regular on Saturday Night Live, she never really broke out until Bridesmaids. Kristen co-wrote and starred in Bridesmaids which was one of the biggest hits of 2011, taking $300 million at the box office and was credited for turning the tide for women in film. She has an amazing 60 credits to her name and we get the feeling the that she is just getting started.

In her own words: “If you’re creating anything at all, it’s really dangerous to care about what people think”. She also states that woman are asked their age more than men.

Ben Affleck and Matt Damon

They wrote Good Will Hunting and won an Oscar. They rest is movie star history.

Vin Diesel.

He couldn’t get the roles he wanted so he wrote a short film called Multi-Facials about being bi-racial. Steven Spielberg saw it and cast him in Saving Private Ryan. He is now a movie star and has a few franchises under his belt.

Lena Dunham

She made her first film in her parents New York apartment with a Canon 7D. Tiny Furniture was critically acclaimed and lead to the huge hit and cultural game-shifter, Girls. Still only 27-years-old but was 23 when she wrote, directed and starred in Tiny Furniture.

In her own words: “I was constantly preparing for auditions in a way that was crazy… and then I’d literally get cast as, like, a bouncing ball or a fat man or a security guard.”

Tina Fey

Made her name in Saturday Night Live and also is the creator, producer, star and writer of 30 Rock. She wrote a book called Bossy Pants and had two children. She returned to work not long after giving birth saying, “NBC has me under contract; the baby and I only have a verbal agreement’. Is their no end to her talents?

Greta Gerwig

Became known thanks to her association with the mumblecore film movement. The 30-year-old is the indie IT queen of the moment. Was brilliant in Lola Versus and stars in film-of-the-moment, Frances Ha, which she co-wrote with director boyfriend Noah Baumbach. Plays strong female characters.

 

What do you think?

Check out my new book, How To Be a Successful Actor: Becoming an Actorpreneur, out now.  It tells you all about how to become a successful actor.

 

 

Three Copies Of Shameless Boxset To Giveaway | Competition

We have three copies of Shameless Series Eleven on DVD Boxset to giveaway. To win follow @Frostmag on Twitter and Tweet, ‘I want to win Shameless Boxset with @Frostmag’ or like us on Facebook.  Alternatively, sign up to our newsletter.

win, competition, giveaway, dvd, television, shameless, boxsetOut now.

Welcome back to Manchester’s most notorious estate for the last ever epic 14-part series, out now.

celebratory, defiant and unapologetic as ever. With the hilarious energy of the stalwarts thriving in

the double dip recession – always a law unto themselves, always with family at their core, living in

their robust micro climate.

 

The final series goes out with a bang when Jamie Maguire (Aaron McCusker) discovers he isn’t a

pure blood Maguire and introduces the estate to his Muslim half-brother Kassi (Jalaal Hartley – The

Borgias) and his Jewish cooking mad wife Esther (Isy Suttie – Peep Show) as they disembark on the

estate with their three feral children in tow.

 

The comings and goings on the Chatsworth Estate, and the exploits of feckless Frank Gallagher, his

errant brood of children, and the other colourful characters living on the estate have provided plenty

of entertainment over the past 10 years. Channel 4’s longest running series has been key to the

careers of many British screen stars including James McAvoy, Anne-Marie Duff and Maxine Peake,

not to mention the team of high profile writers and directors.

 

Series 11 is a suitably shameless ending for the final chapter of the multi-award winning

iconic drama series. Or why not relive the ten year masterpiece from the very beginning

with the 1-11 boxset? Out now.

 

Are you a Shameless fan?

Unknown pleasures

Unknown Festival site

Croatia didn’t have the best of it in the 20th century. Occupied by pretty much everyone with a standing army and a superiority complex (Austro-Hungary, then Germany and Italy, a bit more by Hungary and finally by Yugoslav communists) its post-communism civil war only ended in 1995. Since then it’s managed rather better, becoming the world’s 18th most popular tourist destination, the 28th member of the European union, and (if my acquaintance is anything to go by), the number one destination for unstoppable lads looking to get tanked up and forget they work in finance.

But more important than all that: it is now the country the brains behind Field Day and Hideout have chosen to bless with the inaugural extravaganza of sun, sea and pumping dance music that will be new festival Unknown.

The biggest luminaries of the genre will be there, from disclosure, to Julio Bashmore, to SBTRKT, to the horrors, to my own personal favourites Clean Bandit.

The picturesque town of Rovinj, an unsuspecting coastal jewel of less than 15,000 people is set to be overrun by European party types from the 10th to the 14th of September.

Now, festival previews invariably tend to refer to those pitching up as “revellers”, something which I for some reason find rather irritating. So… attendees will have the choice of either camping out under the stars, in what is expected to be 25 degree weather or they may, like me, stay in an air conditioned apartment complete with bathroom, kitchen, terrace and beautiful people.

The music will be split across 4 stages: the main; the pool; the forest; and mad ferret’s mirror world (think lasers, vortexes and illuminated trees). Given the line-up these should all be pretty spectacular, but what I’m really looking forward to are the 18 or so boat parties. these will feature some of the world’s biggest djs playing intimate sets to 200 lucky… people present in blazing sunshine on the Adriatic Sea. Gonna be a shit time. Most of these are sold out now, but if you’re willing to try your luck there are usually a few struggling souls (for whom the idea of 3 hours on water has become about as appealing as a gooseberry and acid smoothie) who are looking to sell their tickets.

If all the sea, sun and sand gets a bit much, the forest stage, open from 4pm till 6am, promises an ethereal, sun-filtering backdrop to some delightfully deep house. Think Cyril Hahn, Jamie xx and Henrik Schwarz.

Incidentally, if you fancy getting a bit closer to nature (that is, stripping to your wristwatch and going for a hazardous walk in the woods) then you might be interested to know that there’s nowhere better than Croatia – it is world famous for its naturist resorts and about apparently about 15% of the country’s 10 million visitors pack little more than sun cream and a suspicious looking raincoat (n.b. unknown is not a naturist festival).

Otherwise, we recommend short shorts, blinding neon vests and patent leather jazz shoes. Or flip flops.

We hope to see you there. If you see someone wearing patent leather jazz shoes it will probably be me. Come say hi.

You can buy tickets for unknown at http://www.unknowncroatia.com/#tickets17

This Is Where I Am by Karen Campbell | Book Review

ThisiswhereIambookreviewI seem to be on a bit of a winning streak when it comes to reviewing books. The last three have all been fantastic pieces of literature. This Is Where I Am is a stunning book. Definitely in my Top 10 of all time now. This story about a Somalian refugee and his daughter fleeing war and immigrating to Glasgow, and their mentor who helps them integrate into society is a book of life, reality, grief, death and hope. This makes it sound like a sad book, in many ways it is, but, like life itself, it is intertwined with happiness and the beauty of life itself, of human connection.

This book by Scottish writer Karen Campbell also made me rather homesick. Although I grew up in the Scottish Borders and have now lived in London for over seven years, it made me miss Glasgow as I lived there for a good few years. The book is also written partly in Glaswegian. You don’t have need a dictionary to read it and I quite like the poetry of it. It adds to the atmosphere of the book. Each Section is a different month and tourist place in Glasgow, with a little bit of historical facts at the beginning. To get you started on some Glaswegian here is a quick guide:

 

Heid – Head
Flair – Floor
Greet – Cry
Messages – Food shopping
Wee – Little
Juice – Cold drinks, not tea
Canny – can’t
Bahookie – Bottom
Tae – to

The brilliance of the book is that you see Glasgow fresh through the eyes of Abdi, the refugee, and Deborah, the Scottish woman mourning her dead husband who mentors Abdi.

The story is brilliant and the difference between white British Middle Class life and that of refugees in Somalia gives an accurate glimpse of the unfairness of life. How circumstance is all the difference between a good life and a terrible one. On the day I finished reading this book there were stories in the papers of displaced women in Somalia, proving that the travesties of war have long-term consequences.

This book is 467 pages long. It is so good I read it in a few days. This Is Where I Am can take its place as a great Scottish book, but also as a great story about human rights. A must read.

This Is Where I Am

‘The Celebrity Protection Agency’ To Provide A-listers Anonymity Thanks To Morphsuits

Are you a celebrity? Can’t go out to check how many papers you are in because of the paparazzi? Is it all just a bit much? Well here at Frost we think we have found the solution. The innovative people at Morphsuits has an idea. Just buy one of their suits. It could be you, or it could just be a random person who loves skin-tight red morphsuits. THEY WILL NEVER KNOW.

morphsuit, celebrity hiding, anominity

Morphsuits has publicly unveiled its team of vigilantes that provide free suits for A-listers in need of anonymity, dubbed ‘The Celebrity Protection Agency’ (TCPA)

  • Morphsuits, the all-in-one spandex bodysuit, has enlisted a group of ‘masked vigilantes’ to guard popular A-lister hotspots and hand out free Morphsuits to any celebrity with the desire to remain anonymous when leaving a bar or club.
  • The team, which remains completely anonymous, has been assisting celebrities for over a year but has now decided to go public with the service due to the latest VMA debacle, commenting: “It’s time these poor people had some anonymity. Why can’t you just let them twerk in peace?”
  • The service is now available for hire by celebrities via Twitter, they just need to tweet @Morphsuits with #ProtectMeMorphsuits, and the team will arrange the time and place via direct message so not to reveal the star’s destination.