Category Archives: Culture

Time For a Crime Wave? The Best Upcoming Crime Books

Posted on by

Ready for a crime wave? Here are Frost’s top three psychological thrillers.

Connections in Death by J.D Robb. The latest Eve Dallas thriller. Unadulterated entertainment. Out now.

When recovering drug addict Lyle Pickering is found dead of an overdose, it looks like a tragic accident. But his sister Rochelle knows better, and so does Lieutenant Eve Dallas. Lyle was murdered, and the evidence points directly to his old street gang.

As Eve and husband Roarke track the killer through the city’s dive bars, drug dens and strip joints, another body is discovered. With connections growing between the living and the dead, and the body count on the rise, Eve knows she needs to close this case fast, before the killer’s lust for power turns the city’s streets into a bloodbath.

Available here.

The Buried Girl by Richard Montanari. A terrifying read that will stay with you. Out on February 14th.

A haunting, nerve-jangling psychological thriller from Sunday Times bestselling author Richard Montanari set in a small town hiding a very dark secret.

When New York psychologist Will Hardy’s wife is killed, he and his teenage daughter Bernadette move into Godwin Hall, a dusty, shut-up mansion in the small town of Abbeville, Ohio.

Meanwhile, Abbeville Chief of Police Ivy Holgrave is investigating the death of a local girl, convinced this may only be the latest in a long line of murders dating back decades – including her own long-missing sister.

But what place does Will’s new home have in the story of the missing girls? And what links the killings to the diary of a young woman written over a century earlier?

Available here.

55 by James Delargy. Brilliantly done. Will keep you breathless until the last page. Out on 4th April. 

*** There were 54 victims before this. Who is number 55? ***
A thriller with a killer hook, and an ending that will make you gasp!

Wilbrook in Western Australia is a sleepy, remote town that sits on the edge of miles and miles of unexplored wilderness. It is home to Police Sergeant Chandler Jenkins, who is proud to run the town’s small police station, a place used to dealing with domestic disputes and noise complaints.

All that changes on a scorching day when an injured man stumbles into Chandler’s station. He’s covered in dried blood. His name is Gabriel. He tells Chandler what he remembers.

He was drugged and driven to a cabin in the mountains and tied up in iron chains. The man who took him was called Heath. Heath told Gabriel he was going to be number 55. His 55th victim.

Heath is a serial killer.

As a manhunt is launched, a man who says he is Heath walks into the same station. He tells Chandler he was taken by a man named Gabriel. Gabriel told Heath he was going to be victim 55.

Gabriel is the serial killer.

Two suspects. Two identical stories. Which one is the truth?

James Delargy has written one of the most exciting debuts of 2019. He masterfully paints the picture of a remote Western Australian town and its people, swallowed whole by the hunt for a serial killer. This novel has been sold in 19 countries so far and has just been optioned for film.

Available here.

INTRODUCING SISTER SCRIBES: SUSANNA BAVIN

Posted on by

Despite her concerns about sounding showy-offy that’s the last thing Susanna Bavin is. She may be the quietest of the Sister Scribes, the most softly spoken, but that does nothing to hide her keen intellect and enquiring mind. Most definitely her own woman.

There is something scary about being asked to introduce yourself on a magazine page. Will it sound showy-offy? But my fellow Sister Scribes have all introduced themselves, so now it’s my turn. Here goes.

I am living proof that dreams come true. There! How’s that for showy-offy? Not to mention being rather a grand claim. But it’s the simple truth. As a child, I dreamed of one day living in North Wales – Llandudno, to be precise – and six years ago, my husband and I found a beautiful house here, threw caution and jobs to the winds, and moved here. Best thing we ever did. One question we get asked by people who would love to live here (it seems that almost everybody who comes here on holiday dreams of living here) is, “Is it different when you live here? Less special?” and the answer to that is a resounding No. We love it just as much, if not more, and that feeling of “Wow! We really live here” has never gone away.

So that’s one dream. The other, of course, is that I have finally become a published writer. I say ‘finally’ because, although I was a child-writer and have been writing all my life, for most of that time I didn’t submit anything to literary agents. As a matter of fact, I got rather hooked on getting feedback and worked with a writers’ advisory service for some years. Then I decided to aim for publication, so I joined the RNA (Romantic Novelists’ Association) with the intention of writing four books, so as to have a body of work to offer a literary agent.

In the event, after I had written three, I became aware of other new writers getting their books published, which made me feel left behind, so I decided that the size of my body of work was perfectly adequate at three books and started submitting to literary agents. I was lucky enough to be signed up by Laura Longrigg at MBA.

The books I write are sagas. To date, I have had three published – The Deserter’s Daughter, A Respectable Woman and The Sewing Room Girl. The fourth, The Poor Relation, follows in May. The books are set in the part of Manchester where my family has lived for several generations and where I grew up.

I was a saga writer before I knew what sagas were. As a teenager, I lapped up Victoria Holt’s novels and started writing gothic stories, but these naturally grew and became what I later found out were sagas. For me, this was just the natural development of my writing style. I was delighted when, as a reader, I found out that other people wrote this kind of story too!

What do I like about sagas? The historical setting, for starters. I love to see the characters having to tackle their problems within the social and legal context of the time. I also enjoy the glimpse of social history, which is a great interest of mine. Clothes, meals, furniture – I love all those domestic details especially costume. It’s no coincidence that my forthcoming book, The Sewing Room Girl, involves the making of lots of clothes!

Follow Susanna on Twitter @SusannaBavin

 

 

SISTER SCRIBES READING ROUND UP: JANUARY

Posted on by

 

Jane:

I’m the first to admit I’m not the greatest reader. It’s not that I don’t want to be – I love reading – but in recent years time has been my enemy. In 2019 that is set to change as I kick my other business commitments into touch to become a full time writer. Surely there will be time for reading as well?

Many of the books I read at the moment are either for research purposes or to help out other authors, mainly so I can give reviews. I used to laugh at my father for reading only books by people he knew, but now I understand.

First off the blocks was Sapere author Gail Lindenberg’s He Wrote Her Every Day. It’s the story of her GI father’s Second World War, told mainly through his letters, and I chose it partly for research, partly so I could review it and partly because I knew I would enjoy it.

It was a fascinating insight into the life of an American soldier, both training before traveling to Europe and in the final push across Belgium and Germany. Because it was based on Jim’s letters home there are no gory details, but it’s an accurate historical account of one soldier’s war as well as the love story of the early days of his marriage.

With broadening my horizons in mind I’ve joined a book club at my local pub. At my first meeting we spent most of the time chatting about life and books in general, rather than about Wolf Hall, which had been their book for November/December. Very few people had managed to finish it, not because of its quality, but because of its length. I think we were all rather relieved that January’s book was a slim volume, My Uncle Silas, by HE Bates. Although beautifully written I found it rather dated for modern tastes and I’ll be interested to hear what the others make of it.

 

Kitty:

I always have a huge pile of books on the go at the same time, so my flittergibbet butterfly mind always has something to keep it hooked. At the start of this month I promised myself that as well as reading copious amounts of romantic comedies, which are always a pleasure but also help me keep apace of the market, I would begin to revisit some of the books I loved as an adolescent and revel in the stories that helped shape my notions of romance.

I’m pleased I’m doing it and I’m loving it, although some of those epic sagas I used to devour very much reflect the time and attitudes of when they were published. I raced through Hardacre by C S Skelton and adored it as much as I ever did and am currently half way through Penmarric by Susan Howatch which is being remade for television as I type and is chock full of dark brooding Cornish heroes that probably deserve to be locked up!

I’ve just finished Margaret James’ new thriller, The Final Reckoning which had a twist I didn’t see coming at all and The Wedding Shop on Wexley Street which was my first by Rachel Dove but won’t be my last, made me roar with laughter and was exactly my kind of humour. I’ve also just finished Sophie Duffy’s Betsy and Lilibet which is a perfect example of her feelgood women’s fiction which always leave me warm and smooshy on the inside. And on a more serious note, I’ve started reading Empire of Cotton – A global history by Sven Beckert which is a non-fiction book all about, obviously, the cotton trade and appeals to my inner history geek. It’s been a busy old month.

 

A PUBLISHER’S YEAR: JANUARY – HIRING, GENRES, AMAZON

Posted on by

It is an exciting start to the year for Sapere Books. We have decided to hire our first full-time staff member. Up until now Sapere Books had been solely run by its three co-founders – myself as Editorial Director, Caoimhe O’Brien as Marketing Director and Richard Simpson as Operations Director. We were also using freelancers last year to help with cover design and proofreading, but we have decided we are at a stage where we need a full-time extra pair of hands as well! So, in a couple of months I’ll have a new Editorial Assistant to introduce to everybody. It is our first time hiring so we are currently brainstorming what tests to set candidates and exactly what we want to ask them at the interview stage. More news on that in a few weeks!

We have also put a call out for ‘nautical fiction’, as that is a genre which is underrepresented in the market and which we know readers love, and we’ll be looking for other niche genres to sign up throughout the year. We are having a lot of success with our first ‘timeslip’ novel – The Catherine Howard Conspiracy by Alexandra Walsh, which alternates between the Tudor court and the modern day, so that may be an area we’ll expand into more in the coming months. Other than that, my inbox is full to bursting with submissions, which is fantastic, but I always find it slightly heartbreaking when I have to turn authors down. We are getting such a fantastic quality of submissions coming through that I am turning down lots of novels which are certainly good enough to be published, but we can’t say yes to all of them because we don’t want to flood our list, and end up not being able to give our books the attention they deserve.

The publication schedule for this month focussed largely on historical fiction. At the start of the year I published the fourth book in Elizabeth Bailey’s brilliant Regency mystery series and M J Logue’s first romantic thriller featuring Major Thankful Russell and his wife Thomazine, set during the Restoration. They were followed by a Medieval novel; the first part of a saga trilogy set at the time of the American Civil War; a crime novel featuring Charles Dickens as the investigator; and the final book in the eight-part Victorian mystery series we launched last year, featuring a husband and wife detective partnership. Next month will be more crime and thriller focussed – with a bit of romance thrown in in time for Valentine’s Day!

We have just had a catch up meeting at Amazon HQ to let them know what we will be publishing this year. The Amazon team have given us lots of ‘Kindle Daily Deal’ and ‘Kindle Monthly Deal’ slots over the past few months in the UK, US, Australia, Canada and even India, which can really give books a boost, so we are keen to keep the team over there up-to-date with our plans and the books we are publishing. I am also sorting out the diary for London Book Fair, which promises to be a crazily intense three days as always, but a brilliant time to catch up with literary agents, meet with authors – and indulge in a drink or two!

Finally, I have some exciting news to share to do with the Romantic Novelists’ Association but I have to wait until the official press release goes out next month so you’ll have to wait until then to hear more!

Amy Durant

 

Catastrophe Series 4: Interview with Sharon Horgan

Posted on by

Sharon Horgan, interview, catastrophe, So, Catastrophe is back for a fourth series. When we left, Rob had just had a car accident while over the limit, so there are a few issues to get hold of in the new series, aren’t there?
Yes! We have set ourselves up with a bit of a puzzle to work out. When we started writing it we were like “Oh shit, why did we do that?” Because it was a massive thing to end on, and it exposed them a bit. It was a secret he’d been keeping for an entire series, and we’d just gotten to a point where she’s saying to him “We don’t work on our own – this is it. I don’t really work as a single unit anymore.” So a declaration of being together forever, and then the car crash, and so we were thinking: “We can’t have them break up, because where’s the show? We can’t have him in prison, because that would be ridiculous.” But obviously it had to impact on them. But they have a good relationship, despite all the bickering and fighting, so we just felt like they’d get through it. But it would have to have ramifications for the rest of the series. And Rob is looking for answers, looking to be a better person and fix himself. He’s on a different journey to her. And he’s also in a neck brace!

Yeah, whose idea was that?
[Laughs] I can’t remember. I think it was mine. But these things come out of conversations, and a lot of it comes out of our weird hive-brain. We wanted to have it on for a few episodes, so there is a physical reminder of the bad thing he’d done. But also, you could have some fun with it, and it’s hard to take someone seriously when they’re wearing a contraption like that.

Does it get easier to write, because you know the characters so well now, or is it more difficult, because you’ve got to find new stories, and you’ve got to stay true to their back stories?
It gets more difficult, if I’m honest. You definitely know the characters better, so you’re definitely drawing less on your own life, and more on what has gone before for those characters. There’s more texture there, there’s loads of things that make it feel like they’re fully drawn characters – not just Rob and Sharon but those characters around them. In a lot of ways it’s more satisfying, because you know them so well, and you’ve got all those back stories you’ve drawn and the history of all the characters, but at the same time thinking up new stories, even for the other characters that surround us, like keeping Fran and Chris fresh, and wanting to introduce new characters but knowing they really have to count, they can’t be using up screen time and not justifying it – it was really hard. It was the hardest one yet. And also we’re aware that people really like the show, and it means a lot to us to keep it so that people continue to give a shit about it. We want to talk about stuff that might have an impact, and then we want to make it funny on top of that. It’s a slog.

You said you use less stuff from your own life now, but do you mine the experiences of your friends for material? When someone’s telling a story from their own life, does part of you wonder if you can fit it in?
Yeah. It’s actually more what I observe than people telling me stories. Occasionally, yeah. Everyone’s got their own shit going on, so here and there that happens. And I think people are aware that I do that as well, so if they are going through something, or they’re telling me something that is quite a vibrant story, they’ll assume that I might have a little bit of it on the show.

They’ll see it played out in technicolour in the next series…
Well, they’ll see it playing across my face first, as I’m listening!

Apparently this is the last series. Do you get emotionally involved with the material, and is it quite difficult to say goodbye to the characters at the end of it?
Yeah, it really is and was. And not just Rob and that relationship. We spent the best past of five years sitting in a room together, writing this stuff – forget about the filming aspects. So yes, it’s really hard. It’s hard to say goodbye to all of them. I love Fergal and Chris and Fran and Dave, and that they won’t exist anymore is a bit of a weird thing. But guessthey will exist, because the show’s still there. And I think I’d be sadder, if we did keep going and ran out of ideas for those characters. I’d feel worse seeing them onscreen not being at their tip-top best. But it was emotional filming the last scene, and all of those characters, when they had their last scene, as it was being ticked off I found myself getting a bit maudlin. But at the same time, I don’t think it’s going to hit me until I’m half as year down the road and I suddenly realise there’s a really big thing missing from my life that made me really happy.

So you’ll suddenly be found weeping in the frozen food aisle at Tesco.
I think I’ll be lying down, I’ll collapse between feminine hygiene and dairy.

There’s a tendency for TV shows to either paint life as glorious and sexy and wonderful or hellish and agonising – is Catastrophe self-consciously trying to find the reality?
Yeah. That was a big part of it. I would say one of the very first conversations with Rob was about showing a real marriage. The real truth of a marriage, and how it effects the romance of it, and when kids come along, and when family interferes, and when your own hang-ups and addictions and illnesses intrude –just the shit that everybody has to deal with. It was a big manifesto that we had for the series. Also I think that’s just how we write. I find it harder to write something that is a bit more heightened, that wouldn’t be my natural skill area. Not that I don’t like watching comedy like that, I just find it harder to do.

Both Catastrophe and Motherland show that being a parent isn’t all baking cakes and tucking in sleeping children. Do you think it’s important that people understand it’s okay to be frazzled by it all, and not love every moment?
Oh completely. If I get stopped, or if someone wants to say they like the show, that’s a huge big part of it. People say “That show came into my life when this particular thing had happened” or “I’d just had my second baby, and I wasn’t coping.” Stuff like that. I think when people see that kind of thing onscreen they feel less isolated, and less like they’re a shitty parent. That’s a big part of it for me. When we’re writing it, it’s something that we have in our mind a lot, both for Catastrophe and Motherland. I love showing Julia or Sharon at their wits’ end, not being able to cope, but I also like showing them coming out the other side, getting through it. I think that’s also important – people watching need to see that. It can’t be nihilistic. I don’t want people to dread watching it, I want them to feel that everything will be okay.

However bad things get, Rob and Sharon have the capacity to make each other laugh. Do you think that’s one of the keys to navigating life’s more problematic moments?
Yeah, oh my God, completely. So many terrible moments and awful arguments or real tragic events are cut through with two people just laughing together. I think it’s everything.

Ultimately, do you think that Rob and Sharon are happy?
Yeah, I do. I think they’re different characters than they were at the start. They’ve both been boxed about by life a bit, and there’s less idealism there from Rob, and more resignation from Sharon. And certainly over the course of this series, shit does happen to them. But I really hope that by the time people get to episode six – which is one of the worst ones in terms of what we do to them – I really hope that when we see them at the end, that’s the big take away – that they love each other, that they came through it all and still love each other

 

Excellent interview with the amazing Sharon Horgan thanks to Channel 4. Pictures courtesy of Channel 4.

INTRODUCING SISTER SCRIBES: KITTY WILSON

Posted on by

Sister Scribe number three is Kitty Wilson. You know with every group of friends there’s always one who’s outrageously funny. Well that’s Kitty. Funny and clever and warm. It’s little wonder she writes romcoms – and that they’re hilarious.

 

Hello! It’s so exciting to be able to collaborate with some of my best writing friends as Sister Scribes and keep you updated with all our news and views, so a big thank you to Frost Magazine for hosting us.

I’m Kitty Wilson and I write contemporary romantic comedies; my current series is set in the fictional village of Penmenna and is based around the school there. I used to be a primary school teacher myself and absolutely loved being part of such a strong community.

Having been both parent and teacher, I know what goes on both sides of the school door and really wanted to use a school as a setting and then fill it with some larger-than-life characters. I feel very lucky to be able to do this and often find myself giggling away as I invent some of the more outlandish antics of Penmenna’s PTA.

When my parents first suggested moving to Cornwall I was furious, and vowed I would never set foot in the place. I failed to win that battle so would wander around the lanes, sulky look on my face and a book tucked in my pocket, desperately waiting for a romantic hero to come and rescue me. These days I’m glad I wasn’t bundled into a car by a passer-by but it felt as if my heart would break with disappointment back then.

I lived there for twenty-five years, only moving away a few months ago to have a taste of life in the city. However, the sea is in my soul and I do head back to Cornwall regularly to get some beach time. Cornwall provided me with so much inspiration it made sense to set my books in the county and writing about it now makes me feel as if I’m still there.

Nine years ago, I was devastated when prolonged ill-health meant I had to give it teaching.  After a couple of years, I decided that I would chase my dreams instead until I could return to the classroom. I started to write.

When I had finished the first novel, I began the second, having heard you needed to write a fair few to learn all the things that make a book work. When I put that through the NWS which is a scheme run by the Romantic Novelists Association (the most supportive professional association in the world and one that actively encourages new writers and helps them build a career. It’s also responsible for me meeting my Sister Scribes) I was encouraged to submit the book to agents and publishers. I did this and couldn’t believe it when I had an offer. When I ran to tell one of my closest friends, laptop in hand and tears streaming down my face unable to get any words out, he made me hot sweet tea and sat me down, assuming all the emotion meant a close family member had died!

I used that publication offer to secure myself an agent who then immediately found me an alternative deal to consider. I never had dreamt I would be in the position of choosing a publisher, to this day I can’t quite believe that happened. I am loving writing them and there will be five Cornish School books in total, I have just finished the third and will be starting number four next week.

I am so looking forward to keeping everyone up to date with its progress through Frost magazine and introducing you to some of the women within the writing industry whom I admire. We’re going to have a blast!

Follow Kitty on Twitter @KittyWilson23

INTRODUCING SISTER SCRIBES: KIRSTEN HESKETH

Posted on by

The second Sister Scribe I have pleasure in introducing is Kirsten Hesketh. Actually, she’s done a fab job of introducing herself… except she’s failed to mention that she’s kind, generous, funny and super-bright… and two glasses of sherry and a limoncello generally put her under the table.

 

Hello!

My name is Kirsten Hesketh and I am a novelist living in beautiful Henley-on-Thames. I am absolutely delighted to be part of Sister Scribes and I’m very excited to see how the project unfolds over the next weeks and months.

In fact, between you and me, I’m also feeling a twinge of Imposter Syndrome as I am the only one amongst our number who has yet to be published. Shhh … maybe they haven’t realised! Seriously, though, I hope my dispatches from the querying trenches will be interesting and entertaining: after all, isn’t it as much about the journey as the destination?

Anyway, a little about me.

My debut novel, Another Us, is the – hopefully! – poignant and funny story of a marriage at breaking point. Emma and Daniel’s son Jack has been diagnosed with Asperger Syndrome and Emma is horrified to discover that 80% of such marriages fall apart. I am neuro-typical – if there is such a thing! – but one of my children was diagnosed with mild Asperger Syndrome when he was ten. My book starts pretty close to where we were as a family at that time (with an extra child added in for good measure) but quickly moves into ‘what if?’ territory – exploring the impact of the diagnosis on the family and the marriage.

I wrote the book in fits and starts, slotting it around my day job as a marketing consultant. I made every writing mistake possible – trying to get it right before getting it written (painstakingly polishing passages that didn’t even make the final cut) and sending it out to agents as soon as I’d finished the first draft. I don’t think it really had a plot. Let alone a narrative arc!

About this time, I joined Twitter and started to discover that fellow writers really are the most generous and lovely bunch. Twitter led me to the Romantic Novelists’ Association (RNA) New Writers’ Scheme, which in turn led me to the RNA conference.  The RNA conference led me to delightfully raucous kitchen parties, sore head … and the other Sister Scribes. And along the way, I have met some truly inspirational women writers and poets and I am very excited to be introducing some of them to you in due course …

Once I had worked out what Another Us was really about. I redrafted and polished it and I started pitching to agents again. That was nerve-wracking, but once I’d received the first couple of rejections, I started to enjoy the process. I was lucky enough to have a little flurry of interest and I chose to sign with Felicity Trew from the Caroline Sheldon Literary Agency who, interestingly, I had heard speak at the RNA conference. Felicity is advocate, enabler, co-conspirator and therapist all in one and I can’t wait to find out what happens next.

I’m now working on my second novel – affectionately titled Muddy Milly – which is set on an archaeological dig and is about a woman facing up to traumas in her past. My hubbie and I are heavily involved in a Roman dig near where we live in the Chilterns and I absolutely love it – the excitement, the camaraderie, the gentle exercise, the beautiful woodland. I’m really looking forward to March when the season starts again …

I’m a proud member of Reading Writers and am currently their treasurer and I’m still a member of the RNS New Writers’ Scheme. I am very much looking forward to the conference in the summer (although my liver is not).

I’m very much looking forward to meeting you all over the coming weeks and months.

Kirsten xx

 

Follow Kirsten on Twitter @Kirsten_Hesketh

Recommended Reads: This Child of Ours By Sadie Pearse

Posted on by

this child of ours sadie pearse

A timely book that is both thoughtful and beautiful. 

 

If you’ve been watching and enjoying Butterfly on ITV then this book is perfect for you.
———————
You know what’s best for your child.
Don’t you?

Riley Pieterson is an adventurous girl with lots of questions. There’s plenty she doesn’t know yet; what a human brain looks like. All the constellations in the night sky. Why others can’t see her the way she sees herself.

When Riley confides in her parents – Sally and Theo – that she feels uncomfortable in her own skin, a chain of events begins that changes their lives forever. Sally wants to support her daughter by helping her be who she dreams of being. Theo resists; he thinks Riley is a seven-year-old child pushing boundaries. Both believe theirs is the only way to protect Riley and keep her safe.

With the wellbeing of their child at stake, Sally and Theo’s relationship is pushed to breaking point. To save their family, each of them must look deeply at who they really are.

A story of a marriage in crisis and a child caught in the middle, this is a beautiful novel of parents and their children, and how far we’re prepared to go in the name of love.
Perfect for fans of Jodi Picoult, Laurie Frankel, Kate Hewitt and Jill Childs.

 

Available here.