Is The Film Industry Sexist?

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Is the film industry sexist? It is a broad question, and unfair to label everyone with the same tag. I think the answer is; less so. I think, more specifically, some people in the industry are sexist.

I recently had lunch with a director that had cast a female friend in something. My female friend has three children. The director offered me her part, and all the future work he was going to give her as ‘she could not be totally committed to her work’ as she had children. I was appalled and turned him down. What if I have children soon? I couldn’t work with him after that. The irony is that the director has FIVE children. But no one ever asks a man how he juggles work and kids.

Most of the castings I see are for men, the rest are for women, usually between 18-35, size 8-12 and the part usually requires nudity. I don’t do nudity. The most depressing thing about the movies I see are the amount of naked females in them. Rarely any naked men. What kind of message is this? That women are sexual objects?

Some castings require you to wear a bikini or ask that actresses are a specific weight. Age discrimination is rife, so much so that an actress who was the same age as me when we started out is now four years younger. I won’t lie about my age although I have been told to. It’s a stance against idiocy. I am still young, but I am cast younger. This is a problem. They can cast someone who looks like a teenager, or an actual teenager.

I am making a film, Prose & Cons. I am buying equipment and have been asking for a lot of advice. The most annoying thing about making the film so far is how condescending some of the men are in their answers. If I ask a general question on where to buy a microphone I get a lecture on what a boom is. I have worked in the film industry for eleven years. I know what a boom is, thanks mate.

But this is what happens when a ‘girl’ makes a film, or wants to be taken seriously. When she gets sick of the girlfriend roles, which become the mother roles and go on to be the hag roles. And the constant requests for nudity.

She says I have had enough and I am not taking it anymore, then she goes off and makes her own films while finding other amazing people who make films she wants to be in.

A Passionate Woman DVD Review

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A Passionate Women comes from Kay Mellor, so I expected it to be good. I’m glad to say I wasn’t disappointed. It is a well written piece of drama and wonderful to see stories about women’s lives on TV. Something we don’t necessarily see enough off. It’s a sprawling, engaging piece of drama.

The series boasts a strong cast, with Billie Piper putting in another brilliant performance, Theo James also gives a great performance as ‘Craze’, the Polish womaniser who Pipers character has an affair with. James did this show before his star turn in Downton Abbey. He is a star in the making. A Passionate Women is a great piece of drama that gets you thinking. Set in the 50s and 80s, it has beautiful cultural reference points and a wonderful ending that pays off. Your mother will love it and I reckon you will too. I particularly liked the moral tail of the story, it opens up the debate on infidelity and it’s long-reaching consequences.
 
The mini-series charts two stories in two feature-length episodes – the first focusing on a mother’s affair in the 1950s while the second is set in the 1980s and looks at the consequences of that affair 30 years on.  Set in Leeds in the 1950s Cold War period, Billie Piper stars as Betty, a young wife and mother who reluctantly falls passionately and hopelessly in love with her charismatic Polish neighbour.  But little does Betty know that some 30 years later, in 1980s Britain, her affair will implode on her beloved son Mark’s wedding day…
Sue Johnston plays the older Betty in the 1980s, while Andrew Lee Potts, Frances Barber, Theo James, Rachel Lesokovac, Alun Armstrong and his real-life son, Joe Armstrong, also star.

Kay Mellor OBE, one of Britain’s leading TV writers, has penned numerous hit dramas including The Chase, Fat Friends, Playing The Field and the seminal Band Of Gold. A Passionate Woman is based on the real-life affair of the writer’s own mother, and is a very personal look at the changing role of women over the last 50 years, making it an ideal Mother’s Day gift.    
The DVD of A Passionate Woman will be released on 27 February 2012 by High Point Home Entertainment through HMV and other retailers and is soon to be available on Amazon and Play for Pre-ordering A Passionate Women 

Dicepeople: It Gets Darker

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‘It Gets Darker’ is the second album from London-based electronica artist Dicepeople. Frost loved their first album, ‘Time to Play’and this one is just as good. Dicepeople are stunningly original and wonderfully delicious. A great band who should break through into the mainstream in 2012.

The album will be released on 28 October 2011 on Sonic Serendipity, and it will be
available at music.dicepeople.org for free download and to purchase on CD.

‘It Gets Darker’ is so named because it explores themes relating to the dark side of
humanity. It’s darker and heavier than the first Dicepeople album ‘Time to Play’, which
was released on 13 July 2009 and had significant radio play and great critical feedback:

‘A delicious mix of hard synth-driven electronica and melodic IDM … a 50 minute auditory
delight … bursting at the seams with talent.’ – Connexion Bizarre

‘A substantial release that reinvigorates the energy of the past while keeping a firm grip on the current pulse of electronics … definitely time to play this album from start to end.’ – Igloo Magazine

‘Delicious both to the ears and to the soul … I’m loving every moment on this album.’ –
DARKLIFE fanzine

Dicepeople is a musical project created by Matt Brock. Dicepeople was originally set up in
London, UK in the mid-90s as an electronic side project when Brock was more heavily involved
with industrial acts Noise Union and Replikator. In 2008, however, Brock transformed
Dicepeople into his primary musical project and aimed to take it beyond pure electronic music.

The tagline for Dicepeople is ‘dark electronica for the body and mind’ because Brock’s aim is to
create music that combines driving beats with evocative and emotionally engaging harmonies
and melodies. The music has an electronic foundation with industrial and EBM components,
and it mixes real instruments and voices with synthesisers to add cinematic depth and intensity.

Dicepeople influences cover a very broad range of artists including Art of Noise, Black
Sabbath, Can, Depeche Mode, The Doors, Front 242, The Future Sound of London, Hoodlum
Priest, John Barry, John Carpenter, KMFDM, My Life With The Thrill Kill Kult, Nine Inch Nails, The Prodigy, Siouxsie Sioux, Tangerine Dream and Underworld.

www.dicepeople.org

Puss in Boots IMAX 3D Review

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I have to be honest, I may be going into this review with a slight bias because I love Puss in Boots. Especially when he does that thing with his eyes.

I wouldn’t normal go to the cinema to see a cartoon, but I also saw Tintin in 3D earlier this year and that was brilliant, so off to Kingston I went.

This film is the prequel to the Shrek franchise. It is Puss in Boots story up until he meets Shrek. The film is good, the storyline is great. Fantastic for kids but grown up enough to keep the adults happy too. Antonio Banderas is good as Puss and Salma Hayek is perfect as Kitty SoftPaws. The story has a lot of fairytale characters in it so you feel like you already know the characters in the film. It’s a good cast and Zach Galifianakis is wonderful as Humpty Dumpty and has one of the best lines in the film: “Do you know what happens to eggs in jail? Well … it ain’t over easy!

Seeing the film at the IMAX and in 3D makes it more of an experience than just going to see a film. Things jump out at you and the visuals and sound are amazing.

I recommend this film no matter what your age. My only complaint is that, as I wear glasses to the cinema, wearing two pairs when you count the 3D pair hurt my nose!

Shame Review

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When talking about a film like Shame, I guess you have to address the controversy head on. This film has a lot of sex in it. And so it should. It’s a film about sex addicts – how else would you film it. To have the sex off screen would go against main intention of this film – to bring this addiction to the public. To stop it from being seen as shameful.

And so the film does. While the sex scenes are many and explicit, they are undercut by a sadness, which stops them ever feeling sexy or exploitative.

The film centre on Michael Fassebender’s sex addict, Brandon, who gets a surprise visit from his sister, Sissy (Carey Mulligan). Something has happened to the both of them in the past (there are suggestions of incest) that has sent them down very different, but equal damaged, paths.

Carey’s Sissy is also suffering, but she’s ‘regular crazy’ – crying on the phone to her boyfriend, self harming, needy, unreliable. She’s the kind of person who comes seeking help, because she has socially acceptable issues. And so she turns to big brother Brandon, hoping he’ll help, because, from the outside he seems like a dependable sort of guy. He’s well dressed, successful, charming and very likeable.

However, this is only the surface. Beneath lies someone in need of help as much as his sister. Yet, while his addiction is just as harmful to his life, almost costing him his job, damaging his relationships with women, and getting him a good beating, he cannot seek help because sex addiction is not something people can comfortably talk about.

In fact, I’m sure there’s many of you reading this now saying, ‘So what, he like’s sex – who doesn’t?’ But what Fassebender’s excellent portrayal shows is that he doesn’t like sex. He enjoys himself while in the act, but as soon as he’s finished, he’s thinking about the next, bigger, more exciting hit.

Shame is not necessarily a film many will want to watch again. It’s not harrowing in the way many drug dramas are, or hard hitting, but it is undeniably sad. Not miserable, more melancholy. It’s almost like Brandon agrees with the public – that his problem shouldn’t be an issue. That he should just deal with it.

But instead, he just hides it. While his boss cheats on his wife, sleeps with Brandon’s sister, and is in general a bit of a sleaze bag, Brandon, to all intents and purposes, is a good guy.

This is the beauty of Fassbender’s performance. You believe the switch from nice guy on a date, to tortured addict during a threesome. But it’s no Jekyll and Hyde. These aren’t too sides to a personality, they are one man. Everything he does in his life is based around sex. Every look on the tube, every time he gets home to his flat, every toilet break at work.

While the subject matter might not be to everyone’s taste, this film should be seen. In a genius piece of marketing, the poster for Shame is a mirror. For we all have our secrets – and this film shows that we need to confront those demons, or have them take us over.

Surviving Christmas as a Single

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The Christmas period is a time of mixed emotions for single people; Christmas parties give us lots of opportunities for meeting new people and securing a kiss under the mistletoe, but the elated party mood can fade quickly when we’re back home with family and being relentlessly quizzed about our single status.

An eHarmony.co.uk study (2009) found that 47% of singles cited loneliness as the reason they feel a sense of trepidation about going home for Christmas. Additionally, the unmarried men we surveyed said they found Christmas a more stressful time than Valentine’s Day.

We‘re not saying it’s easy, but if you try to approach being single from a positive perspective, there are a lot of good points about being single at this time of year – from evenings out at German Christmas markets to office parties and mince pie gatherings, there are so many added opportunities to socialize and get into the Christmas spirit. Here are a few tips on tackling December with confidence.

Top tips to avoid feeling left out if you’re not coupled-up this festive season, from Dr Gian Gonzaga, Senior Director of Research at online match-making website eharmony.co.uk

Fill your time
If you’ve been single for a while, you’ll probably be a dab hand at planning and filling your time. And that’s no bad thing – how often do you hear coupled friends moaning they can’t go out because ‘Rachel has promised to cook me dinner this evening’?  Whereas, you have no one else’s calendar to worry about. Grab the festive season with both hands; attend parties, see old friends, visit Christmas markets and invite other single friends round for dinner.

Feel good about yourself
So, you’ve got some spare time on your hands. Why not volunteer for a charity such as Crisis, over Christmas. Amazingly, some charities get over subscribed for volunteers on Christmas Day and Boxing Day but there’ll always be someone in need at some point over the festive season.

Don’t wallow
This is the cardinal rule of being single at Christmas – and in fact the whole year round. If you wallow in your feelings of sadness, you’ll enter into a downward spiral. Misery breeds misery, and it pushes people away. How often have you walked into a party and thought, ‘Ooh, I’ll talk to that miserable person over there’? We’re guessing never.

We know that it’s often easier said than done to banish those feelings of sadness – especially if you find yourself remembering last Christmas when things were better for you – but do try. As soon as you feel your mind wandering, distract yourself. Volunteer to do some cooking, call up a friend:  just get your mind off that subject.

Gather round, one and all

The Christmas holidays are about all the relationships you have, and you have a lot! Revel in these relationships because you probably don’t get to see them that often. After all, what’s funnier than Aunt Margaret after a few too many sherries? If you really can’t face it, coerce a friend into going with you – but take care, if you think all your attention will be spent making sure they’re ok rather than socialising, it’s a pointless exercise.

Don’t be the only single person at the party
Whilst you should stay social, try to avoid being the only single person at a party if you think it will bother you. Take a friend, or arrange to do something else. Of course, if you’re happy to be around just couples then party away.

Come up with a good comeback for nosy relatives
If there’s one thing to guarantee you regressing to being a sulky child, it’s a nosy relative inquiring about your love life. Yes it’s petty, but the fact is that when your smug distant cousin and his new wife are bearing down on you at a family gathering you’ll do well to have some stock answers to their potentially prying questions. This can range from the genuine (I just haven’t found the right person yet) to the flippant (I didn’t fancy buying so many presents this year) – whatever you’re comfortable with, just be prepared. And remember your relationships come and go on your terms and no one else’s.

Look on the bright side
There are actually lots of bonuses to being single at Christmas – no agonizing over presents for your partner, no stress over whose house to eat Christmas dinner at, being able to go to any party you want…the list goes on. Still feeling miserable? Remember that Christmas puts huge pressure on couples too, with 1.8million considering divorce over the period, according to Family Mediation Helpline. Also remember that there is life after Christmas – after all, it is just a week and it’ll soon be January. (And if the prospect of a cold and grey January doesn’t persuade you to enjoy the moment, nothing will)

Get away from it all
And, if you honestly can’t face Christmas at home, take the chance to be completely selfish and have a winter break. Relish your lack of responsibilities and spend a week lying on a beach, not sparing a thought for overeating and enforced jollity.

 

 

January's Magazines: Lady Gaga and Gwen Stefani Cover Stars.

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Lady Gaga takes the cover of Vanity Fair. She tells Vanity Fair: ‘I can’t commit to being an adult- I’m not ready.’

One of the main reasons I subscribe to Vanity Fair is the intelligent articles. I get my monthly dose of politics and economics. This month is no exception, there are brilliant articles to help you understand the economical crisis and a brilliant article on George F. Kennedy.

I really enjoyed Henry Aldord’s article on manners. It’s a sample from his book, Would it kill you to stop doing that?

  • Vanity Fair take Celine Dion out to lunch and she tells them she has over 3000 pair of shoes.
  • There is a brilliant article on Rick Perry, can he comeback?
  • Salman Rushdie on Lewis Carroll’s struggle to write his second book. ‘Follow that syndrome’ and how it helped him. Great piece.
  • The Japanese workers cleaning up Fukushima Daiichi nuclear power plant.
  • Rebecca Eaton, who has put her stamp on Downton Abbey and Upstairs Downstairs amongst others.
  • Michael Ovitz and his (alleged) failed takeover of IMG from the late Teddy Forstmann.
  • The wonderful Christopher Hitchens debates whether the phrase ‘what doesn’t kill you makes you stronger’ has merit.
  • The Queen and Prince Phillip in love. 16 pages on the blossoming of their love.
  • And P.D. James answers the Proust Questionnaire.

Marie Claire has Kelly Rowland on the cover. She talks Beyonce, men, music and admits she has cellulite.

There is a lot of clothes and shoes that will help you plan your wardrobe for next year, and lots of sparkly stuff for Christmas.

There is also a 2011 in review. Most magazines do this in December, watch out for Frosts.

  • Why famous men cheat, and does it sound like your man? Good article, and Lizzie Cundy tells Marie Claire how it felt when her husband cheated on her. Forgive and forget?
  • Four style savvy women share the party prepping secrets.
  • Janine di Giovanni goes in search of the truth about Aisha Gaddafi.
  • Should you tell your boss if your pregnant?
  • Matt Smith interview.
  • Who finds you the perfect date?
  • Jean Shrimpton’s Life story.
  • Amy Manson on the things she loves.
  • Future proof your looks.
  • Dakota Fanning’s beauty rules.
  • There is a very informative article on hormone problems, their symptoms and treatments.

Florence Welch take the cover of British Vogue and is interviewed inside. She tells Vogue: ‘I don’t think I’ll ever be polished. I’m integrally slightly scruffy. You know, you meet those women who are so cool? I’m striving for that so much!”.

  • In Vogue’s scrapbook there is a guide to flowers and their seasons and lots of floral dresses.
  • Sarah Lund from The Killing is interviews and asked about THAT jumper.
  • Women under siege, stories from women in Libya.
  • The new generation of female drummers.
  • Designing Duos.
  • Michael Kors
  • The Frieze Art; pictures and interviews from the art world’s fashion week.
  • Nomi Rapace interview.
  • Steven Spielberg and the cast for Warhorse.
  • Vogue’s great escapes. A brief history of Vogue shoots in foreign countries.
  • Three beauty hotshots show you how to par-down your make up bag.
  • Fast track your workout.

 

Glamour has X Factor’s Tulisa on the cover. She says ‘I don’t think I am anything like Cheryl, except we can both put a bit of volume in our hair’. She also says that she likes to ‘stick up for other women’. Which makes Frost like her. A lot.

  • Dermont O’Leary interview.
  • Don’t fear your fashion ghosts.
  • Get your dream job in 2012.
  • How to get blogged about.
  • The truth about food intolerance.
  • 3 Health problems you can fix yourself.
  • Can dating pro Matthew Hussey find you a man?
  • Tamara and Petra Ecclestone.
  • There is a good article on the rise of those awful pay day loan companies, beware of them at all costs!
  • Hollywood female stereotypes, a funny article by Mindy Kaling, writer of the US Office.
  • The truth about Hollywood stars selling their bodies when times get tough.
  • Give your closet a January detox with Danni Minogue.
  • Nicki Minaj interview and photo shoot.
  • How to get your s**t together. Sort out your wardrobe, make up bag, and everything else in your life.
  • Josh Duhamel interview.
  • The stars of 2012.
  • Your everything guide to skin.
  • Nicole Scherzinger on health and beauty.
  • The Devil in your diet: The low-down on sugar. Did you know that sugar has 4kcal per gram? There is also no difference between brown and white sugar.
  • 12 dinners for £50.

Tatler has Florence Brudenell-Bruce is on the cover. The girl that got away, Prince Harry’s ex tells Tatler that ‘one day everything will drop and I won’t be able to earn a living in my bikini’.

 

  • Free travel guide.
  • Rigby and Peller give Tatler their Mood Board.
  • What the recent overhaul of the royal succession means for the aristocracy.
  • Santa Sebag Montefiore launches a new skiing clothes line.
  • The Posh Commune.
  • Ella Hughes goes to an orgy.

  • Charles Gilkes and Duncan Stirling launch yet another party venue.
  • Quentin Letts sketchbook: Yvette Cooper.
  • Russian Billionaires at the High Court. Abramovich and Berezovsky go head to head.
  • Emma Freud reviews toasters.
  • Dafydd Jones on 30 years of chronicling the art crowd.
  • Writers on manners.
  • Joanne Lumley on her beauty routine.
  • Jo Malone on what she loves.

Gwen Stefani is on the cover of Instyle and is interviewed. Did you know she is friends with Angelina Jolie?

  • Where style starts: statement earrings.
  • Josephine de la Baume on her style.
  • Actors at the Toronto Film Festival.
  • Fashion insiders reveal what they cannot live without.
  • Tom Ford and Kate Bosworth. Tom has just launched a new make up range and Kate models
  • Instyle Shopping rules; jeans, vintage, lingerie, jewellery.
  • Instyle meets Jenna Lyons from J Crew.
  • Beyonce’s body rules.
  • Christmas Prep.
  • Megan Fox Up Close. Her beauty secrets.
  • Gizzi Erskine is In Style’s new columnist.

A Laboratory of Theatre; There's a New Venue in Town.

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It doesn’t look like much from the outside but Manchester’s newest theatre space, the 3MT Venue, might just be one of the most important small venues in the country, writes Tim Austin.

Built in the gutted remnants of an abandoned shop, the 3MT is a self-styled laboratory of theatre. It’s a melting pot of new talent where musicians share the same stage as burlesque dancers; a place where first-time writers can test their material and aspiring actors can cut their teeth.

But it didn’t start out life this way. In fact, it didn’t start out life as a theatre project at all.

The two people behind the project are long-time theatre practitioners and teachers Gina Topliff-Frost and her husband John. Earlier in the year they opened a costume shop on the third floor of the city’s famous Afflecks, intending to sell off some of their old wardrobe stock.

In an attempt to attract and entertain new customers, they began inviting local actors and writers to produce Three minute long sketches within the shop. Afflecks liked the idea and soon offered them the opportunity to rent a larger shop on the ground floor and the Three Minute Theatre was born.

Now re-named the 3MT Venue, the theatre space is probably one of the most striking and unique venues I’ve ever visited. The auditorium is made up of 70 re-claimed and re-covered chairs, mainly from a Baptist church in Huddersfield. The walls are covered in an eclectic collection of artwork, photographs, theatre programmes and even, I noticed with keen interest, a unicycle. In many ways it bore a closer resemblance to a student flat-share than a theatre venue – but a theatre venue it is; and very a serious one at that.

“This is bums on seats theatre, not box ticking theatre” John tells me as he gives me a tour backstage. Everything you would find in a large theatre space, you’ll find backstage at the 3MT, however the venue currently receives no external grant funding and works on a profit-share basis; if no-one comes to see their shows, they make no money.

But far from being a hindrance, their business model has encouraged the team at the 3MT to be creative in their programming. It has also seen a focus on developing new talent.

“We are a cooperative in mind because we know that, in the long run, the business will benefit from the people we’ve been supporting” explains Gina.

They now have a core team of four in-house actors who produce a regular show based on the Three minute format. They actively encourage new and developing artists to rehearse and perform in the space, balancing a mix of straight theatre, music and variety acts.

Their creative policy encourages emerging performers to try out new work before taking it to the mainstream. Not only does this make it an exciting and refreshing venue to visit but, with funding fears leading to mainstream houses relying more and more on “name” faces to attract audiences, spaces like this are essential for the future of the industry.

Will it make John and Gina rich? Probably not but, then again, I doubt they care; this is a labour of love and their passion and dedication are infectious. And their love for the space is beginning to pay off, with audience numbers rising and more companies taking an interest in the space.

3MT is one to watch.

You can find out more about 3MT by visiting their website at http://www.threeminutetheatre.co.uk

Tim Austin is an Actor and Writer based in the UK. You can find out more about his work by visiting http://www.tim-austin.co.uk