Ninetails Release New EP ‘Slept and Did Not Sleep’

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“A propulsive display of robust slickness” – 8/10 This is Fake DIY

 

“A satisfying, organised chaos” – VICE

 

“New cats Ninetails specialise in precision guitar-pop” – NME

 

After a spring which saw them tipped by Vice, NME, Clash and This is Fake DIY, Ninetails return with ‘Slept and Did Not Sleep’, the much anticipated follow up to their ‘Ghost Ride the Whip’ EP. Combining hyperrealistic pop with sleek maximalist production, the Liverpool four piece explore euphoria, lamentation and lucidity on this song cycle melodrama. Throughout, moody minimalism and loop-based composition provide an Eno-like back drop for vocals inspired by sunshine pop, r’n’b and dramatic choral harmony.

 

Earlier in the year Ninetails were included in NME’s scene report of their home city and a performance at Sound City in May prompted Clash Magazine to tag them as an “Up Coming Hype Band” whilst Vice highlighted them in their ‘Ones to Watch’ list. Prior to these accolades, they’d shared stages with Alt-J, Errors and Tall Ships. The band have also been included in Simon Raymonde’s list of favourites in 2012.

 

The band will release ‘Slept and Did Not Sleep’ through Superstar Destroyer Records on the 26th of November as a pay-what-you-feel download. A visually cohesive CD package and very limited number of ‘uniquely chopped and screwed’ cassette tapes of the EP will also be available. Two videos will accompany the release, as well as an EP launch in Liverpool and the band’s first London Show on the 29th of November at the Bull and Gate in Kentish Town.

 

Undoubtedly, this is an exciting time for Ninetails who have already made plans to release again early into the new year.

 

The Ghost of Relationships Past

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The old phrase ‘lesson learnt’ is never truer than after the end of a relationship. With each heart break we experience we take something different from it. But do we ever truly move on if we keep repeating the mistakes of our past relationships?

Relationship expert for online match maker eHarmony.co.uk, Dr Gian Gonzaga says “sometimes people lose faith in finding love because they seem to be continually attracted to the ‘wrong’ type of people”.  According to Gonzaga, at times it can seem as though no matter how hard we try we end up with the same problems but with different people, like magnets that attract the same situation over and over again.  It’s time we examine where we are going wrong and eradicate the real issue, to really be able to move on and find lasting love.

So excavate the past to create a different future for yourself:

The common denominator

Look at all your past relationships, write them down if it helps, and ask yourself these questions about each one. What attracted you to the person in the first place? What caused the relationship to end? Were there signs early on in the relationship that there were problems but you ignored them?

Old relationships are never wasted, they are a rich source of information which you can go back over to discover what you could do differently in the future. Be really honest with yourself and try to look at the relationship from an outsider’s point of view. What you are looking for is the similarities between them to see if there is a pattern.

Is the thing that attracts the thing that destroys?

Are you attracted to creative, emotionally unavailable men and then the relationship ends because you don’t get enough attention? Or are you drawn to bright, bubbly women but then fail to get very far because you feel threatened when she flirts with your mates?

Look at the people who have qualities that you find attractive – not just the ones you have had relationships with but also people in the media, friends etc. What is it in them that you find attractive? Then look at yourself and develop those qualities in yourself rather than waiting for someone else to come and make you feel that way.

Don’t fall for someone’s potential

This is the most common mistake that people make in relationships. They meet someone and they fall in love with what they ‘could be’ rather than what they ‘are’ today. They believe that if they love this person enough; give them lots of encouragement, support and everything they need in order to blossom that they will have a wonderful relationship together. Although this often comes from a loving place it is starting a relationship from the basis of wanting to change the other person rather than accepting and loving them as they are. It is a great feeling to be the hero or heroine in another person’s life but it is rarely going to lead to a healthy relationship because the basis of the relationship isn’t equal.

Look in the mirror

When a relationship ends it can be comforting to think it was all the other person’s fault but that attitude is depriving you of the opportunity of finding out what you could do differently next time. Look back through the story of your time together and look at your own behaviour. At what points could you have done something differently? Are you angry with all men/women because of things that have happened in your past? If so now might be the time to get some help if you really want things to change.

Change your mind

Just like any other area of life, relationship choices can become habitual and instinctive. We often dismiss potential matches simply because they don’t conform to an image we have in our head of ‘our type’. Open your mind and heart and start saying ‘yes’ to communication or dates with matches that you would normally dismiss out of hand, you may be pleasantly surprised.

Noone’s fate is fixed in stone, we can all change and grow and even if you have never had a healthy relationship in the past it is no reason that you never will in the future.

http://www.eharmony.co.uk/relationship-advice/start-with-you/2011/11/how-to-make-your-future-love-life-different-from-your-past

 

New app shows women how to man up in time for EU gender directive

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On 21st December the EU gender directive comes into force which means car insurance companies will no longer be able to differentiate between men and women. So does this mean the European Union now believes women are no different to men?

Now women can see for themselves what it would be like to live life as a man with the Manify Me smart phone app. Women’s car insurance specialist, Diamond has worked with Rantmedia to develop the app which takes a headshot of a woman and ‘manifies’ her into a man. So Katy Perry could become Keith, Cheryl Cole could become Charles and Holly Willoughby could become Harry.

Dave Halliday, Diamond managing director, said, “Despite evidence to the contrary, the EU insists that men and women are the same, so we thought we’d take the idea one step further and allow women to see what they would look like if they were a man.

“Unfortunately for young women, the EU’s change to the law is likely to mean higher insurance premiums because from a risk point of view, women will have to be treated the same as men, and young men in particular have the worst driving record and are the highest risk.”

Diamond’s own statistics clearly show that young women have a safer driving record than young men. Men under 21 are four times more likely to have a dangerous driving conviction than women under 21. While on average accidents involving men under 21 cost 48% more than those involving women of the same age.

Despite the EU’s assertion that men and women are the same, most women clearly don’t feel the same. Diamond surveyed 1,000 women aged under 30 on the issue, 72% said they believe men and women drive differently, while a massive 83% believe men and women think differently.

The Manify Me app is available for Android phones and can be downloaded from Google Play.

 

Top tips to make kid’s bath time FUN without breaking the bank

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As research from Megaflo, the hot water expert has shown, more than 93% of parents believe that bath-time is one of the most important parts of a child’s day to help them relax, learn and have fun.  With the cold weather now upon us, bath time will be more important than ever.  We all remember there being nothing better than splashing about in the bath tub when we were little; so from bubbles to shampoo mohawks and bath crayons – here are a few top tips to bring the old favourites back and make your child’s bath time as fun and memorable as yours, without breaking the bank.

 

1.         Sail away!

Bath time just isn’t the same without a boat to play with.  Keep all of your clean, empty cartons and bottles as these make great play time accomplices for all of those budding pirates!  You can even create some pre-bath fun, by using use crayons and felt pens to help them make their dream vessel a masterpiece!  Remember – no holes… otherwise the boat will become a submarine! (Follow these instructions to make your creation. http://www.ehow.com/how_8161908_make-boats-out-plastic-bottles.html)

 

2.         Paint by bubbles!

A new era of children’s toys is upon us with bath crayons and bath paint pallets galore!  For the same effect and to save a few pounds, why not get a plastic egg carton and mix some shaving foam with food colouring… you have your very own clean-easy bath colour palette fit for any little artist.  Just be on hand to check that inquisitive little fingers don’t decide to try to swallow their creations..!

 

3.         Bath time Punk-Rockers!

One of the best ways to avoid the hair-washing tears is to get your little ones to design their own shampoo mohawk.  Create different soapy styles and faces – no doubt you’ll be creating one for yourself too!  Everyone’s a winner.  Remember to try and find a mild but soapy shampoo, for extra volume but minimal tears…

 

4.         Deep sea aquarium!

All children love aquariums and creatures of the deep sea.  Why not create your own right at home in your bath tub?  It will also make some good pre-bath entertainment.  Simply draw and decorate your fish, mermaids, crabs and other sea-side goodies, laminate them with sticky-back plastic and throw them in.  The kids will have hours of fun searching for them in amongst all the bubbles.  Why not create some treasure to go with your pirate ship as well?

 

5.         Trusty Rubber Duck never fails!

We all remember using a lovely rubber duck to play with in the tub and with the latest trend for bright and colourful Hippie, Pirate, Union Jack, Princess and Alien ducks, there is sure to be one to please every child!  What’s more – these ducks last a lifetime and look great as an ornament in your bathroom.  Why not build up a family of ducks and let their imaginations run wild!

 

Megaflo has teamed up with Pump Aid, the charity dedicated to providing clean water and good sanitation to sub-Saharan Africa, to support a phenomenal Malawi Schools project.  The £62k project, co-funded by Megaflo, will provide pupils and staff across 21 schools in the Mchinji District, Central Region of Malawi, with access to clean water and basic sanitation through the installation of 80 toilets and 10 pumps.

 

For more information, please visit www.megaflo.com.

58th London Evening Standard Theatre Awards, in association with Burberry

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Cate Blanchett, Anne-Marie Duff, Rupert Everett, Adrian Lester, Eddie Redmayne, Joely Richardson, Michael Sheen, Sheridan Smith and David Suchet are among the stage stars tipped

 

 

The London Evening Standard today unveils the longlist for its 2012 Theatre Awards, presented for the first time this year in association with Burberry.

 

·       In a remarkable year for Nicholas Hytner’s National Theatre, it leads the longlist with 22 entries; followed by the Royal Court with 13.

 

·       With four nods, the most longlistedplay this year is The Curious Incident of the Dog in the Night-time, Simon Stephens’ adaptation of Mark Haddon’s novel about a boy with Asperger’s.

 

·       Olympic Closing Ceremony set designer Es Devlin is longlisted in the Design category for The Master and the Margarita, at the Complicite at the Barbican.

 

·       Eddie Redmayne, Simon Paisley Day and Michael Sheen battle it out for Best Actor with their leading Shakespeare roles in Richard II, Taming of the Shrew and Hamlet.

 

·       It is a good year for women, with inaugural productions from new female artistic directors recognised and a host of stellar performances in strong female roles.

 

·       This year a new award has been announced with the Burberry Award for Emerging Director. The award celebrates a young director who is set to be a star of tomorrow’s London stage.

From Hollywood A-listers to Britain’s most celebrated playwrights, the longlist for the 2012 London Evening Standard Theatre Awards, in association with Burberry, puts an array of big names – and rising stars – in the running for a statuette. All are recognised for contributing to a stellar year in the capital’s theatres.

This year’s winners will be revealed at an evening dinner and Awards ceremony, presented by One Man, Two Guvnors star James Corden at the Savoy Hotel on Sunday 25th November 2012.

The event is co-hosted by London Evening Standard Owner Evgeny Lebedev, Burberry Chief Creative Officer Christopher Bailey and American Vogue Editor-in-Chief Anna Wintour.

 

The longlist reflects a heavy-weight year for women, with the Natasha Richardson Award for Best Actress category featuring some of the biggest female roles for the stage. Three Ibsen plays provided meaty roles for: Sheridan Smith, thrilling as the capricious Hedda in Hedda Gabler; Hattie Morahan, moving as the trapped housewife Nora in A Doll’s House; and Joely Richardson, luminous as Ellida in Lady from the Sea. In this role, Richardson follows her mother Vanessa Redgrave’s 1979 portrayal and the 2009 performance of her late sister, Natasha, in whose memory this award is given.

 

Cate Blanchett’s sellout performance as Lotte in the translation of German play Big and Small is also recognised, along with Imelda Staunton’s Mrs Lovett in the hit West End production of Sweeney Todd.

 

It is a good year for women behind the scenes too, with two new artistic directors hitting the mark with their inaugural productions. New Donmar chief Josie Rourke is up for Best Director for her exciting staging of The Recruiting Officer. At the Tricycle, Indhu Rubasingham’s opening production, new play Red Velvet, wins a longlist place for its first-time author, Lolita Chakrabarti, in The Charles Wintour Award for Most Promising Playwright category. Red Velvet also offers Adrian Lesterthe chance to pick up the award for Best Actor, as real-life 19th century black actor Ira Aldridge, who was hounded off the London stage.

 

Also featuring on the longlist is Es Devlin, the Olympic Closing Ceremony set designer whose work for Master and the Margarita puts her in the Best Design category.

 

Battling it out with Lester and others for Best Actor are Eddie Redmayne, Simon Paisley Day and Michael Sheen – all for their leading roles in Shakespeare productions, with Redmayne playing Richard II at the Donmar Warehouse, Paisley Day playing Petruchio in Taming of the Shrew and Sheen in the Young Vic’s production of Hamlet.

 

The most longlisted play this year is The Curious Incident of the Dog in the Night-time, Simon Stephens’ adaptation of Mark Haddon’s novel about a boy with Asperger’s. The National Theatre production, in the Cottesloe space, is mentioned in four categories:  Best Director, Best Play, Best Actor and Best Design.

 

Two musical productions that originated at the Chichester Theatre and transferred to the West End are rivals for the Ned Sherrin Award for Best Musical: Sweeney Todd and Singin’ in the Rain. The consistently strong fringe venue Southwark Playhouse also fields two shows in this category: Floyd Collins (directed by Derek Bond) and Mack & Mabel (directed by Thom Southerland).  Swallows and Amazons, which features the music and lyrics from Divine Comedy’s Neil Hannon, is also in the running.

 

The National Theatre leads the longlist, with 22 entries across its three stages. Next, the Royal Court, home of new writing, has 13.

 

This year’s awards has eight categories: with Best Play, Best Director, Best Actor, Best Design, Natasha Richardson Award for Best Actress, Ned Sherrin Award for Best Musical, Milton Shulman Award for Outstanding Newcomer and Charles Wintour Award for Most PromisingPlaywright – an award named in memory of the former Editor of the Evening Standard and Anna Wintour’s father.

 

In addition to eight longlisted awards, which are decided by a panel of theatre critics and London Evening Standard’s editor, Sarah Sands, five other special awards will be presented on the night. These are the Burberry Award for Emerging Director (new for this year), the Lebedev Special Award, the Editor’s Award, Beyond Theatre and the Moscow Art Theatre’s Golden Seagull.

 

The shortlist will be announced in the London Evening Standard on 12 November.

 

The London Evening Standard Theatre Awards 2012 in association with Burberry.

 

BEST PLAY

 

Choir Boy  by Tarell Alvin McCraney,  (Royal Court Upstairs)

 

Constellations by Nick Payne (Royal Court Upstairs)

 

The Curious Incident of the Dog in the Night-Time by Simon Stephens (National’s Cottesloe)

 

Jumpy by April De Angelis (Royal Court Downstairs)

 

The Last of the Duchess by Nicholas Wright (Hampstead)

 

Love and Information by Caryl Churchill  (Royal Court Downstairs)

 

Love Love Love by Mike Bartlett (Royal Court Downstairs)

 

Reasons to Be Pretty by Neil LaBute (Almeida)

 

South Downs by David Hare (Chichester Minerva)

 

This House by James Graham (National’s Cottesloe)

 

The Witness  by Vivienne Franzmann (Royal Court Upstairs)

 

 

BEST DIRECTOR

 

Benedict Andrews for Three Sisters (Young Vic)

 

Lucy Bailey for Uncle Vanya (The Print Room)

 

Tom Cairns for Scenes from an Execution (National’s Lyttelton)

 

Carrie Cracknell for A Doll’s House (Young Vic)

 

Marianne Elliott for The Curious Incident of the Dog in the Night-time (National’s Cottesloe)

 

Polly Findlay for Antigone (National’s Lyttelton)

 

Sean Foley for The Ladykillers (Gielgud)

 

Jeremy Herrin for This House (National’s Cottesloe)

 

Nicholas Hytner for Timon of Athens (National’s Olivier)

 

Jonathan Kent for Sweeney Todd (Chichester Festival and Adelphi)

 

James Macdonald for Love and Information (Royal Court Downstairs)

 

Roger Michell for Farewell to the Theatre (Hampstead)

 

Lindsay Posner for Noises Off  (Old Vic)

 

Ian Rickson for Hamlet (Young Vic)

 

Josie Rourke for The Recruiting Officer (DonmarWarehouse)

 

Lyndsey Turner for Philadelphia, Here I Come! (Donmar Warehouse)

 

 

BEST ACTOR

 

Simon Russell Beale, Collaborators (National’s Cottesloe)

 

Charles Edwards, The King’s Speech (Wyndham’s) and This House  (National’s Cottesloe)

 

Rupert Everett, The Judas Kiss (Hampstead)

 

Laurence Fox, Our Boys (Duchess)

 

David Haig, The Madness of George III (Theatre Royal Bath and Apollo)

 

Douglas Hodge, Inadmissible Evidence (Donmar Warehouse)

 

Alex Jennings, Collaborators (National’s Cottesloe)

 

Rory Kinnear, The Last of the Haussmans (National’s Lyttelton)

 

Adrian Lester, Red Velvet (Tricycle Theatre)

 

Simon Paisley Day,  The Taming of  the Shrew (Shakespeare’s Globe)

 

Eddie Redmayne, Richard II (Donmar Warehouse)

 

Adrian Scarborough, Hedda Gabler (Old Vic)

 

Michael Sheen, Hamlet (Young Vic)

 

Scott Shepherd, Gatz (Elevator Repair Service at Noel Coward)

 

David Suchet, Long Day’s Journey Into Night (Apollo)

 

Luke Treadaway, The Curious Incident of the Dog in the Night-time, (National Theatre’s Cottesloe)

 

 

NATASHA RICHARDSON AWARD FOR BEST ACTRESS

 

Eileen Atkins, All That Fall (Jermyn Street)

 

Pippa Bennett Warner, The Witness (Royal Court Upstairs)

 

Eve Best, The Duchess of Malfi (Old Vic)

 

Cate Blanchett, Big and Small (Sydney Theatre Company for Barbican)

 

Anna Chancellor, The Last of the Duchess (Hampstead)

 

Anne-Marie Duff, Berenice (Donmar Warehouse)

 

Mariah Gale, Three Sisters (Young Vic)

 

Tamsin Greig, Jumpy (Royal Court Downstairs andDuke of York’s)

 

Sally Hawkins, Constellations (Royal Court Upstairs)

 

Martina Laird, Moon on a Rainbow Shawl (National’sCottesloe)

 

Helen McCrory, The Last of the Haussmans (National’s Lyttelton)

 

Laurie Metcalf, Long Day’s Journey Into Night (Apollo)

 

Hattie Morahan, A Doll’s House (Young Vic)

 

Joely Richardson, The Lady from the Sea (Kingston’s Rose Theatre)

 

Sheridan Smith, Hedda Gabler (Old Vic)

 

Imelda Staunton, Sweeney Todd (Chichester and Adelphi)

 


NED SHERRIN AWARD FOR BEST MUSICAL

 

Floyd Collins (Southwark Playhouse)

Directed by Derek Bond

 

Mack & Mabel (Southwark Playhouse)

Directed by Thom Southerland

 

Singin’ In the Rain (Chichester Festival and Palace Theatre)

Directed by Jonathan Church

 

Swallows and Amazons (presented by the National Theatre in association with The Children’s Touring Partnership at the Vaudeville Theatre)

Music and lyrics by Neil Hannon

Script by Helen Edmundson

Directed by Tom Morris

 

Sweeney Todd (Chichester Festival and Adelphi)

Directed by Jonathan Kent

 

Top Hat (Aldwych)

Directed by Matthew White

Adaptation for Stage: Howard Jacques and Matthew White

 

 

BEST DESIGN

 

Hildegard Bechtler, Top Hat ( Aldwych)

 

Miriam Buether, Wild Swans (A Young Vic/American Repertory Theatre/Actors Touring Company co-production)

 

Bunny Christie, The Curious Incident of the Dog in the Night-time (National’s Cottesloe)

 

Kevin Depinet, Detroit (National’s Cottesloe)

 

Es Devlin, The Master and Margarita (Complicite at Barbican)

 

Soutra Gilmour, Inadmissible Evidence (Donmar Warehouse ) and Antigone (National’s Olivier)

 

Richard Kent, Richard II (Donmar Warehouse)

 

Ian MacNeil, A Doll’s House (Young Vic)

 

Peter McKintosh, Noises Off (Old Vic)

 

Vicki Mortimer, The Last of the Haussmans (National’s Lyttelton)

 

Lucy Osborne, The Recruiting Officer (Donmar Warehouse)

 

Michael Taylor, The Ladykillers (Gielgud)

 

Jamie Vartan, Misterman (National’s Lyttelton)

 

 

 

CHARLES WINTOUR AWARD FOR MOST PROMISING PLAYWRIGHT

 

Stephen Beresford, The Last of the Haussmans (National’s Lyttelton)

 

Lolita Chakrabarti, Red Velvet (Tricycle)

 

Ishy Din, Snookered (Bush)

 

Vickie Donoghue, Mudlarks (Bush)

 

Nancy Harris, Our New Girl (Bush)

 

John Hodge, Collaborators (National’s Cottesloe)

 

Luke Norris, Goodbye to All That (Royal Court Upstairs)

 

Nicholas Pierpan, You Can Still Make a Killing (Southwark Playhouse)

 

Tim Price, Salt, Root and Roe (Trafalgar Studios)

 

Hayley Squires, Vera Vera Vera (Royal Court Upstairs andTheatre Local Peckham)

 

Tom Wells, The Kitchen Sink (Bush)

 

 

THE MILTON SHULMAN AWARD FOR OUTSTANDING NEWCOMER

 

Jonathan Bailey, South Downs (Chichester Minerva and Harold Pinter)

 

Denise Gough, Our New Girl (Bush) and Desire Under the Elms (Lyric Hammersmith)

 

David Fynn, She Stoops to Conquer (National’s Olivier)

 

Cush Jumbo, She Stoops to Conquer (National’s Olivier)

 

Abby Rakic-Platt, Vera Vera Vera (Royal Court Upstairs and Theatre Local Peckham)

 

Matthew Tennyson, Making Noise Quietly (Donmar Warehouse)

 

Joshua Williams, Shivered (Southwark Playhouse)and  Love and Information (Royal Court Upstairs)

 

Emi Wokoma, Soul Sister (Hackney Empire and Savoy)

 

First Québec Cinema Showcase for London

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Following the international success of Québécois films including Monsieur Lazhar (Philippe Falardeau), Incendies (Denis Villeneuve) and Café de Flore (Jean-Marc Vallée), a showcase of new cinema from Québec will take place for the first time in London at the Institut Français, South Kensington (2-4 November).

Québec Cinema Showcase is part of the 50th anniversary celebrations marking the opening of the Québec Government Office in London. The programme of five feature-length films and four shorts will present some of Québec’s finest and most recent cinematic offerings, including the latest work from award-winning director, 23-year-old Xavier Dolan, Laurence Anyways.

Québec Cinema Showcase will open with the UK premiere of Ken Scott’s massive box office hit comedy Starbuck (2 November).  Veteran comedy actor Patrick Huard plays David Wozniak, a 40-something delivery man whose life is out of control. But things are worse than he thinks. In his twenties, David was a prolific sperm donor to help pay the bills but the past comes back to haunt him when nearly 150 of his more than 500 offspring, now young adults, collectively take court action for their right to know the identity of their father. The film has been so successful – Canada’s biggest domestic hit in 2011 taking $3.5 million at the box office – that Scott has been asked to direct the US remake starring Vince Vaughn for Steven Spielberg’s DreamWorks Studios. Starbuck is on general release in the UK from November 23.

Laurence Anyways (3 November) is the latest offering from Cannes award-winning director Xavier Dolan, (I Killed My Mother, Heartbeats). Dolan’s success continued in 2012 at the Cannes Film Festival when Laurence Anyways’ female lead, Suzanne Clément, won best actress in the festival’s “Un certain regard” category and the film was awarded the Queer Palm. Laurence Anyways also won the award for Best Canadian Feature Film at Toronto International Film Festival 2012. Dolan made his Cannes debut with I Killed My Mother, a film he made in his teens, resulting in an eight-minute standing ovation and three awards in the Directors’ Fortnight section in 2009. Spanning a decade, Laurence Anyways tells the story of a couple who are passionately in love. But when Laurence (Melvil Poupard) announces to girlfriend Fred (Suzanne Clément) on his 30th birthday that he wants to live as a woman, the consequences are tumultuous – and unexpected.  Laurence Anyways screened at the BFI London Film Festival on 11 and 12 October and is on general release in UK cinemas from 30 November.

“The Québec Government Office in London takes pride in witnessing Québec cinema’s current popularity worldwide. We are delighted to welcome the first edition of the Québec Cinema Showcase as part of our 50-year anniversary celebrations marking the opening of our London office,” says Pierre Boulanger, Agent-General of the Québec office in London.

Other films in the programme include Karakara from Claude Gagnon (3 November), a Canadian/Japanese co-production which follows Pierre (Gabriel Arcand), a retired professor in his early sixties who goes on a short, unsettling trip around Okinawa in Japan with Junko (Youki Kudoh), a 40-year-old runaway wife. Bestiary (Bestiaire) from Denis Côté (4 November) is an intriguing documentary which reflects on human fascination with animals.  Behind Closed Doors (Catimini) from Nathalie Saint-Pierre (4 November), the final film in the Québec Cinema Showcase, is a touching story about a reunion between four girls living under the care of the child protection services.

Across the weekend there will be director Q&As: Claude Gagnon, on Saturday, 3 November after the screening of Karakara and Nathalie Saint-Pierre on Sunday, 4 November after Behind Closed Doors.

Cinema from Québec is currently enjoying the international spotlight with two films – Incendies and Monsieur Lazhar – shortlisted for best foreign language Oscars in the past two years, as well as a BAFTA nomination for Incendies. Québécois director, Jean-Marc Vallée’s Café de Flore starring Vanessa Paradis, has also garnered critical acclaim. Earlier this month (October) at the Raindance Film Festival – Europe’s leading independent film festival – a number of films were screened in a special Québec Strand and Laurentie by directors Mathieu Denis and Simon Lavoie scooped Best International Feature.

François Macerola, President and CEO of SODEC, Québec’s development agency for cultural enterprises added: “For many years, the international market’s interest in Québec cinema and its filmmakers has grown considerably.  New audiences and new possibilities have allowed films from Québec, and our filmmakers’ vision to cross borders, thanks to events such as the Québec Cinema Showcase in London.”

 

Tickets for Québec Cinema Showcase are £10 (conc £8) and are available from the Institut Français website (https://www.institut-francais.org.uk/book)

Québec Cinema Showcase is an extension of the marketplace event Cinema du Québec a Paris which is celebrating its 16th year (6-11 November). Québec Cinema Showcase is also part of the 20th French Film Festival UK, which will present a selection of the best shorts from Québec in Glasgow and Edinburgh . (http://frenchfilmfestival.org.uk/FFF2012/wp/)

 

Québec Cinema Showcase has been organised by the Québec Government Office in London, with the support of SODEC and the Ministry of Culture and Communications, in collaboration with the Institut Français in London and the French Film Festival UK.

The Québec Government Office in London’s cultural services implements market development initiatives for artists and cultural industries from Québec.

For more information:
www.quebec.org.uk
www.sodec.gouv.qc.ca
www.mcc.gouv.qc.ca
www.institut-francais.org.uk
www.frenchfilmfestival.org.uk

 

Starbuck 
Dir: Ken Scott 2011 – 109 mins
Friday 2 November, 8.15pm

The biggest Canadian box office hit in 2011, Ken Scott’s comedy Starbuck follows a likeable middle-aged loser as he wrestles with regret and responsibility. Hapless deliveryman David Wozniak (Patrick Huard) gets parking tickets at every stop along his route, has thugs on his tail for massive overdue loans, and his girlfriend tells him she’s pregnant just before dumping him. These are the least of David’s concerns, however, when he returns home to find a lawyer in his kitchen. The past comes back to haunt him in the form of a class-action lawsuit launched by 142 of the 533 children who resulted from sperm donations he deposited over 20 years ago.

Starbuck will be preceded by Demoni, a short directed by Theodore Ushev.

 

Karakara  
Dir: Claude Gagnon 2012 – 101 mins
Saturday 3 November, 5pm

Gabriel Arcand plays Pierre, a retired professor in his early sixties who has decided to renounce sex and achieve spiritual peace until Junko (Youki Kudoh), a  40-year-old Japanese housewife arrives on his doorstep seeking refuge from her abusive husband. They end up making a short, unsettling trip around Okinawa, Japan, together. Though the confused intellectual would rather not get involved with this unlikely and unexpected lover, he decides to follow his destiny, wherever it may take him.

Karakara will be preceded by Anata O Korosu, a short directed by Phillipe David Gagné and Jean-Marc E. Roy

Laurence Anyways 
Dir: Xavier Dolan 2012 – 159 mins
Saturday 3 November, 7.30pm

The third Cannes award-winning film by 23-year-old writer-director Xavier Dolan (Heartbeats, I Killed My Mother), Laurence Anyways follows the story of Laurence and Fred, his girlfriend – a couple passionately in love who attempt to sustain their relationship and fight the prejudices of their family, friends and society when Laurence turns 30 and can no longer deny his desire to be a woman.  Winning two awards at Cannes including Best Actress in the festival’s “Un certain regard” category for Suzanne Clément and the Queer Palm and, as well as the award for Best Canadian Feature Film at Toronto International Film Festival 2012.he film had its UK premiere at this year’s BFI London Film Festival on 11 and 12 October.

Bestiaire ( Bestiary)

Dir: Denis Côté 2012 – 72 mins
Sunday 4 November, 4.15pm

The documentary explores the fascination humans have for animals, combining footage from a drawing class, a taxidermist’s workshop and a Québec safari park. The poet, essayist and naturalist Diane Ackerman has reflected on animal parks as venues for the discovery of interspecies shared identity, but also as places where humans focus “on the lives of other creatures to dispel the usual mind theatres that plague us.” Those notions are challenged as often as they are reinforced in Denis Côté’s soberly beautiful Bestiaire, but exact conclusions are left for the viewer to form.

Bestiaire will be preceded by Tout va Mieux (Everything is alright) a short directed by Robin Aubert.

Catimini (Behind Closed Doors)  
Dir: Nathalie Saint-Pierre 2012 – 112 mins
Sunday 4 November, 6.30pm

Four girls are living under the care of child protection services: Cathy, six-years-old, arrives in a new foster family, the Bilodeaus; 12-year-old Keyla is transferred into a group home for teenage girls; Mégane, a rebellious 16-year-old, ends up in a detention centre in late winter; on her 18th birthday, Manu leaves her youth centre and moves into her first apartment. In the hope of reconnecting with the few people that have meant something to her, Manu attends a reception honouring the Bilodeaus, one of her former foster families. She bumps into Keyla and Cathy, and ends up hanging out with Mégane. It proves to be a reunion that no-one will forget anytime soon. Behind Closed Doors won the Valois d’or prize at the fifth festival of francophone cinema in Angoulême.

Behind Closed Doors will be preceded by Ina Litovski, a short directed by Anaïs Barbeau-Lavalette and Andre Turpin.

 

A Tale of two Cities

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Good Vibrations and Spike Island at the London Film Festival

I had great plans for the London film festival, with many press screenings marked out on my diary.  Unfortunately timing was against me, as it turned out to be a very busy period in my other two jobs (acting and teaching), and apart from “A Liar’s Autobiography,” which got cancelled (read the article here), I actually only ended up at two screenings.  But they were good ones.

Good Vibrations

My regular readers (if there are such people) will be aware that I enjoy a bit of music from the 1980s, so I was in a positive frame of mind when I turned up to see Good Vibrations – The Story of Terri Hooley.

For every Richard Branson, there are probably hundreds of Terri Hooleys.  Known as the Godfather of Ulster Punk, Terri was the owner of Good Vibrations record shop and label, was responsible for discovering the Undertones, and encouraged punk and alternative music to flourish during a dark time in Northern Ireland’s history.  I imagine that there were people like him in towns and cities all over the UK and Ireland during the 70s and 80s; running record shops, managing and/or playing in bands organising events.  Do these people ever make a profit in the long run or do their charming mix of naivety and idealism work against them in the end?  Good Vibrations never released a top 40 record, and Terri sold the rights to “Teenage Kicks” for £500 and a signed photo of The Shangri Las (which he never got.)  But that isn’t the point, as this film shows: Terri Hooley made a lot of people very happy, which was in itself no mean feat in Belfast at the height of the troubles.

This was a highly enjoyable film from start to finish.  Richard Dormer made an excellent Terri, and I particularly enjoyed Jodie Whittaker’s performance as his wife.  It’s hard to pick out anyone else as cast lists are not given out at press screening, but everyone performed very well.  It would have been nice to have a few more female characters – maybe some girls who hung around the record shop for instance – but apart from that I completely loved it.  One particularly memorable scene is when an RUC officer is hassling a girl in a bar for suspected underage drinking and Terri comes over and tells him he’d like to report a civil war.  Scenes like these show the bravery of the character as well as the naivety and idealism.

Of course, being a film about music, the soundtrack is a major part of the experience.  Set in a fertile time for Northern Irish music, the tracks chosen add to the energy and exuberance of the story, as obviously does the setting with its air of menace just under the surface.

Go and see this if you’re interested in music, Belfast, or just plain enjoy a good film.

Spike Island

Good Vibrations is a true story about a real man, with a real record shop/label, and the punk scene in Belfast, whereas Spike Island, my second choice of film, is a coming of age drama set in Manchester in the 1990s with the music of the Stone Roses providing more of a secondary theme.  As such it worked well, and the soundtrack (a mix of the Roses and the characters own band, Shadow Caster) added greatly to the ambience and power of the film.  The characters did seem to blend into each other a bit at points, and some of what could have been more potent moments could have been better explained (I was never sure why one boy joined the army for instance).  Having more female characters would have added more variety, and this film does not have the excuse of being a true story as a reason for not doing so.  Teenagers since the 1960s or 1970s onwards generally tend to hang around in groups of both sexes (I did) and the whole male bonding theme seemed to me a little old-fashioned.

That said, the music really lifts everything up, and the festival atmosphere of Spike Island and young love is captured perfectly (leaving aside the dubious morality of deserting your father on his deathbed to go to a Stone Roses concert that you don’t even have tickets for!)

Once again, I am hampered by a lack of a cast list, however everyone concerned gave a very competent performance, with Emilia Clarke standing out in particular.

Go and see this film if you enjoy a good coming of age drama with an excellent soundtrack, or want to recapture your youth!

 

BUNAKEN – WHERE WATER IS AIR by JONATHAN BROWN

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In Bunaken, water is air – literally and metaphorically. Literally, as the word for water in Indonesian is
Air. Metaphorically, because this is one of the world’s greatest diving sites. They live and breath water.
It is their life – their food source, play ground, and office. In the warm waters in this protected Marine
Park, there are more species of fish than in the entire Caribbean sea.

So, what was I doing there? I’m scared of deep water.

The sea deep. Very deep. Teenage-Emo-kid deep. You know how high mountains are? Well, the sea is
deeper. When people say they are scared of heights, that’s fine, understandable. You could trip and fall
after all. But deep water – that’s kid’s stuff. You grow out of it like you grow out of socialism. You realise
that Jaws was just a film.

But let me paint you a picture. Imagine you’re on, say, the edge of a tall building – the world’s tallest.
Like Tom Cruise in Mission: Impossible. Perched precariously, the wind and sense of vertigo let you know
that you’re high. You can see the edge of the building dropping straight down.

Now imagine that 30metres below are clouds. And the clouds are all around you. A 30m zone where
you can see. Add to this picture flocks of birds, flying around. But they’re not scared of you – they come
close, explore, nibble. Then, you see something else, just in the clouds – flying snakes, flying spiders,
and, maybe, why not, an 18ft flying tiger. All swirling around you, above your head, almost out of view –
ominous shadows. Everywhere. For miles around you. Species in the sky that have yet to be discovered.
Aliens, essentially.

This is how I feel about deep water. Floating in space surrounded by nothing – emptiness filled with
dangerous animals.

So why then am I on a plane heading to this small island? Because my girlfriend suggested it? Yes, a bit.
To overcome my fears? Maybe. Because I haven’t really thought this through? More than likely.

Snorkeling

To warm up we decide that some light snorkeling would be a good idea. How this is different from diving
I do not know. I was, literally, in deep water. Some of my fears are allayed by the dive masters. Bunaken,
he boldly claims, is perfect for snorkeling. The reef, and thus fish, is just five metres below the surface.
And visibility is remarkably high. Perfect.

So, after two hours hunting for dolphins (two spotted though I’m informed there are hundreds of them
around the islands), we picked a spot and readied ourselves for some serious snorkeling action.

Now, another reasons that Bunaken is so good for diving and snorkeling is that, although the reef is
shallow and close to the coast, it has a ‘wall’. Not a barrier stopping me being swept out to sea as I
hoped but a sheer drop to, in some parts, 1,500metres. This is the kind of drop Wile E Coyote would

hover over comically for a few seconds,feet still running, before dropping to his death (what,he survives
– but how?)

I’m told that the currents of cold water from the deep, and warm water on the surface, are perfect for
fishes. We cautiously (well, I was cautious, the rest of the boat were excited – and a bit disappointed
by the lack of dolphins) approached our drop off point. I looked down over the edge of the boat. It was
dark – the kind that swallows you up.

The boat slowed to one engine -still we hovered over the dark abyss. I turned back to the boat – brave
face only skin deep. This was it – there was no going back. Not in a boat full of people who’d brought
their own snorkeling gear. So, I turned back to see my final resting place, and there it was – a Huge
Shark! Not really- it was the reef, just there below the surface.

It looked mere feet away -touching distance and in sparkling HD. I could see everything and, combined
with the unbearable heat in the boat, this stunning view seemed to draw me in. My legs were over the
edge of the boat and I was getting prepared to leap in. I’d be first in as well. Well, maybe but not quite.
My bravado failed me for a moment allowing my girlfriend to overtake me and jump in. But I followed
soon after.

And, moments later my head was below the surface. It was like swimming with an aquarium strapped to
my face. Every colour, shape, size and species of fish was there. But snorkeling was just a small step. The
Frito Misto starter to my Tuna Steak main.

The Dive

Organizsd by the Bunaken Beach Resort , I was to go on a Discovering Scuba dive, which teaches you the
basics (clearing your mask, how to go up and down, a few hand signals), and has a dive master drag you
around the reefs. There was no secret tricks on how to beat a shark in hand to fin combat but, after my
snorkeling success, I felt confident.

But, this wasn’t snorkeling. I wouldn’t be floating happily on the surface, boat in sight. We were going
over the top, off the cliff and into the abyss.

The funny thing is, it didn’t scare me and I can’t explain why (sorry for anyone looking for answers).
Just as I found it hard to explain why I was (and still am) scared of deep water (see rambling opening
paragraphs), it’s just as hard to explain why I didn’t panic. Even stranger is that, if I think about deep
chasms of water now, I’ll still get that tightness and panic in my chest. I think it’s like a big old house in
the middle of nowhere. When you imagine it dark, creaky and full of ghosts it’s scary. But when you see
it during the day, you can’t remember why you were scared.

And so, I was able to enjoy my first ever dive. More than enjoy, I feel Bunaken has spoiled me for future
dives, as it was one of the most beautiful sights that not only I, but they aforementioned experienced
divers, had seen. Thousands of fish seemed to fall from above like multi-coloured snowflakes. Huge sea
turtles floated along without a care for my awe and, fortunately not seen by me, a white tipped reef
shark did not suddenly turn and devour the divers, but ignored than, probably realising that we weren’t
worth the hastle.

But it wasn’t just fish – there were coral, anemones, sea slugs, sea cucumbers, sea scorpions, lion fish,
parrot fish (people need to come up with some better ways of naming aquatic life forms other than
the ‘land animal plus sea/fish technique). The Marine Park has around seven times more genera of coral
than Hawaii, and has more than 70% of all the known fish species of the Indo-Western Pacific. That’s a
lot of fish.

Bunaken opened a whole new world for me, and while I’ve not been back diving yet (for reasons of cost
and the fact the snorkeling in Bunaken is as good as diving), I can now go into any trendy East London
pub and join in with chats about ‘diving with sea turtles off the coast of Indonesia.’ I’m now one of those
people. And for that, I apologise.

By JONATHAN BROWN