Ridge Racer Unbounded Review

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Namco should be slapped on their botties for letting what could have been a tremendous title go to waste and with good reason sent to their room for the rest of the month.

One question deserves to be continually asked: Why oh why would you give away a game with so much history and so much of a following and allow it to be utterly ruined? It is the equivalent of having a million pound winning lottery ticket and giving it away to an alcoholic.

Imagine this: you have an incredible franchise that you develop over the years. Sure, it may not be realistic enough to warrant the title ‘A Driving Simulator’ but hey, it is a fun arcade racer, the graphics are top notch, the speed and the flavour of racing is such that you build a world-wide following of fans that stay with you over three generations of consoles. At the last hurdle, maybe time is the issue or resources either way you allow another developer to step in and as such they drop the ball, next thing you know it is 3 nill to your opponents…

I really wanted this game to be good, I really did. So much so that when I read some of the other reviews on the game I refused to believe them. When one of my friends pointed out that the key to the game is about learning how to use the ‘Drift Button’ effectively. Inside I jumped for joy; maybe it was a whole misunderstanding for the other reviewers but now, two whole days later, I realised he was under the same deluded self deception as me. You see, gamers like us who grew up on the whole Ridge Racer series just don’t want to believe their beloved franchise is in the pan. But trust me, for this game it is; it is in the pan with a little bit of extra virgin oil and under a high heat.

I’ve always said that I would put the boot in when it came to crap titles but the only thing that is worse in this world than a crap game is an expensive crap game. Oh and this game is crap with more crappy pieces than a crappy bits lunch box meal made by a crappy deep fried chicken chop shop that is crap. You see I wouldn’t enjoy this game if it came as a PSN cheap download – the fact that it costs £40 is plain pathetic and a waste of money. I actually owe it to gamers to stop them going out there and buying this tosh.

Where do I start? Ridge Racer Unbounded tries to bring in core elements of Split/Second and Burnout series to the franchise of old. By itself this should not be a nail in the coffin. Like Split/Second you can open up shortcuts around the track by filling a power meter which generates by sliding and tailing other racers you can use this power in one of four ways; to provide a quick boost, open up shortcuts, smash into your opponents or create explosions. Unlike Split/Second however, you don’t trigger the explosions or shortcuts remotely: you smash into them to explode them or open them up. The problem here is in the execution. Question: When is a shortcut not a shortcut? When you take it and more often than not it puts you behind the competitors…duh… It’s an idea that sounds pants on paper and in reality is pants to see. Practically all shortcuts I have seen besides looking good, offer very little else. The explosions are nothing to write home about and have none of that ‘Ream-ability’ factor seen in Split/Second.

Secondly is control. Ridge Racer has always been renowned for its pick up and play capability. It is an arcade racer; mistime your brake and you don’t always screw up or end up in a wall. Unbounded follows this legacy; in fact most of the walls are destructible, which to its credit is a nice touch, but rather than keeping with the common traits of the genre i.e. gas, brake, boost, what we have here is an addition in the form of a ‘slide button’ that is supposed to allow you powerslide round corners. You see, if you hit the brake, handbrake, or hit a wall you lose a lot of speed but if you power-slide you lose just a little bit of speed but go into a wide angle slide in which you will hit the wall anyway. Makes sense doesn’t it? I thought so. Adding to this is that your opponents never make mistakes – the AI difficulty is incredible and there are no options to change it – this all means you will be sitting there for a long time playing the same tracks again and again just to qualify one race. Now some of you might be forgiven for thinking ‘I bet you he is just having a moan because he is not good at racing games’ but the reality is I have played and completed most of this game’s competitors and it is their qualities that make this game pale in comparison.

Graphics is average. Split/Second (a game that is almost a year and a half old) and Motorstorm Apocalypse easily outdoes this title in terms of quality and execution and even with Unbounded’s exploding walls or vehicles it brings nothing that hasn’t been seen or done better elsewhere. And what happened to the 3D? Is this yet another title that had dropped the notion of 3D gaming?

Music is poor. A classic element of Ridge Racer was the banging tracks and cheesy voice over. Thankfully the voice over is gone but where are the tracks? A host of Japanese unknowns and a couple of drum and bass tracks are all you get for your money. My gosh, that is such a wasted opportunity; Namco could have done remixes from the whole of the franchise, even SSX had tracks you knew or could dance to. This is just a really appalling effort.

To be fair to Bugbear, they have tried to introduce variety into the game and franchise but I don’t think they really spoke to the fans, or truly had a grasp of what made the original games so much fun. The only thing I could say I liked was the game’s much-hyped track editor. After all who wouldn’t want to build a Ridge Racer track from scratch? I found it flexible and easy to use, putting together a decent course in a very short space of time which was great, obviously, but the underlying problems that affect the racing on the ‘actual’ tracks still applied. Ho-Hum…

My Verdict

Ridge Racer Unbounded is nothing but a shame and a waste of money. I simply cannot recommend a game when I know there are superior, cheaper alternatives out there. Even if you find it out on your travels as a cheapie, avoid like the plague. You have been warned.

2 out of 10

Hollywood Storyteller hosts Raindance Masterclass

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Raindance is a Frost favourite. I have taken their 99 minute film school, and a couple of their other courses. We also cover their amazing film festival. Now they have one of Hollywood’s top story consultant doing a masterclass.

Raindance has announced that Christopher Vogler – one of Hollywood’s most celebrated story consultants – will host a weekend masterclass in London on 27-28 April.

Renowned as a leading expert in storytelling, Vogler is the guiding hand behind such films as The Wrestler, Black Swan, The Lion King, Fight Club and The Thin Red Line. Having worked for Disney, Warner Bros, Paramount and Fox, Vogler is in a unique position to share his insights into how powerful stories are made.

“We’re thrilled Christopher Vogler will be hosting this special Raindance masterclass in a rare appearance here in London,” says Elliot Grove, Director of Raindance. “He really is the stuff of screenwriting legend so this is a must for writers, directors, actors and producers interested in the entire story process from idea to script to screen,” he added.

Vogler’s best-seller, The Writer’s Journey, has been read by over 250,000 screenwriting students, establishing itself as one of the cornerstones of modern screenwriting theory and influencing a new generation of storytellers. Based on a memo he wrote while working at the Disney studios, the book has been translated into eight languages and its ideas were promptly put to use by a whole generation of screenwriters and novelists. Black Swan director Darren Aronofsky cites it as “the first book that everyone’s got to read”, while the LA Times describes the original memo as “the stuff of Hollywood legend… (Vogler’s) idea of a ‘mythic structure’ has been quickly accepted by Hollywood, and Vogler’s book graces the bookshelves of many studio heads”.

Ocado Opens UK’s first web ‘Livestock-Shop’ this weekend

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ONLINE SUPERMARKET, Ocado, opens the . Proving that fresh really is best, the new delivery service, in partnership with Daylesford organic farm, will provide customers with a number of live farm animals to produce their own milk and eggs. All available to order from Sunday, 1st April.

The modern day ‘Tom and Barbara’, seeking out The Good Life, will be impressed with Ocado’s offering of livestock from Daylesford’s organic farm in Gloucestershire. Ranging from a single chicken, to a flock of rare hens, and even cows, the online grocer’s fifteenth ‘shop in shop’ caters to those looking to have the freshest produce delivered straight to their door.

To ensure that all animals go to the right ‘farmer’, potential buyers will have their property inspected by the new Ocado farm team, headed by Daylesford’s Senior Farm Manager, Richard Smith. Once homes have been found fit, the in-house team will provide buyers with invaluable urban farm knowledge – from building chicken coops, to milking a cow.

The newly developed Ocado farm van provides a spacious environment for the livestock travelling from the heart of Gloucestershire. Fitted with fresh grass from the West Country and incorporating a state-of-the-art shower spritz and drying system, the farm animals will be truly fresh when they arrive at their new grazing ground.

Following the success of their first online farmshop, launched on Ocado.com in September 2011, Daylesford CEO, Jamie Mitchell, said: “There is a growing market of allotment owners who want to produce more than boring runner beans and cabbages. At Daylesford, we are lucky enough to farm 2,000 acres in the Cotswolds, and wish to give Ocado shoppers the opportunity to farm their own animals, giving them the freshest milk and eggs.”

Ocado co-founder, Jason Gissing commented: “Ocado is dedicated to making life easier for its customers and, on our mission to becoming a food emporium, we strive to provide our shoppers with more of what they want.

“Just like our customers, we strongly believe that fresh is the best, hence why our fresh fruit and vegetables are already handled less than they would be at a traditional supermarket – fresh produce is touched only once or twice before being delivered. It’s also why we guarantee that we’ll never sell products right up to their ‘use by’ date. Ocado’s Daylesford Livestock-Shop is the next step in providing our shoppers with the freshest produce available.”

Prices are as follows:

· Daylesford Legbar Hen – £25

· Heritage Gloucestershire Cow – £1000 to £1500

· British Friesian Cow – £1000 to £2000

How to Have a Successful Date

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What Makes A Successful Date?

eHarmony.co.uk reveals the Great Date Indicators (GDI) that switch us “on” and “off” to a potential mate

Based on communication habits of thousands of British singles, relationship site eHarmony releases six key indicators that can increase your dating potential.

Laughing at certain jokes, having a passion for vegetarian food or playing the guitar may sound harmless enough but according to analysis of millions of connections on relationship site eHarmony®, certain hobbies and habits definitely affect a single’s potential with the opposite sex.

Whilst studying how compatible singles connect and communicate on eHarmony.co.uk, computational scientists have found a series of indicators that impact attraction and connection online. Although two people can be incredibly compatible, the Great Date Indicators (GDI), as eHarmony scientists call them, provide an additional layer to determine whether two people will click when they meet in person. They reveal that:


1. We don’t like people with the same sense of humour

Far from seeking out someone with the same sense of humour as ourselves, the GDI show that online, we will often choose to connect with people who have a very different sense of humour to our own. For example, men with dark or political humour are often attracted to women with slapstick, wisecracking humour.

2. Traditional gender types have a big part to play in our attraction to a partner

Even though we live in an open and liberated society, men and women who conform to gender stereotypes receive more interest online. For example, fewer women communicate with men who enjoy feminine pursuits (like shopping) whilst fewer men communicate with women who seem to be in a position of authority. Also, men care less about the income potential of a woman only if she earns less than they do.

3. Spending habits influence the dating potential for women online

How much a woman spends or saves may impact her dating potential online. Women who spend freely view many profiles but do not communicate often. eHarmony scientists term this the “window shopping effect”. More men will talk to a woman who saves, whilst fewer men will talk to a woman who says she spends freely. The exception is that men who spend freely will talk to women who spend freely – surely a recipe for an empty joint bank account.

4. The universal appeal of yoga

Stretching and bending is THE most popular form of exercise in terms of appeal to the opposite sex whether you’re a man or a woman. Regardless of gender, men and women who mention yoga in their profiles receive significantly more communication than those who don’t.


5. We all want active partners – even if we’re a couch potato

Most people search out and connect with people who have active lifestyles. It is very appealing to the opposite sex. Be warned if you sit in front of the TV. Couch potatoes are universally unappealing, even to other couch potatoes.


6. A varied palate is appealing to the opposite sex

A varied diet and openness to try new foods is appealing to the opposite sex but a McDonalds habit could seriously damage your dating potential. Enjoying fast food is a big turn off to other singles, even if they’re fast food eaters themselves. And being a vegetarian is definitely a big attraction for other vegetarians online.

As part of the patented scientific match making process, eHarmony members complete a relationship questionnaire where they are asked to record their passions, interests, likes and dislikes. Since its launch in the UK, eHarmony has been building a comprehensive picture of the personalities and habits of the two million singles who have completed the questionnaire. Then using Compatibility Matching System® quantitative analysis models, eHarmony’s computational science team search for trends in how members decipher the profiles of matches and connect with them online.

Joseph Essas, Chief Technology Officer at eHarmony says:

Meeting singles you’re going to have chemistry with is what makes dating exciting, and even more importantly, worth investing time and energy in. In any given day there are millions of communications taking place on eHarmony. By analysing all of these interactions we’re able to learn what behaviours and hobbies can make sparks fly between our singles and provide them with matches that are even more tailored for them.

We Face Forward: Art from West Africa Today

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We Face Forward: Art from West Africa Today

Manchester celebrates London 2012 Festival

2 June to 16 September 2012

· City-wide exhibition of leading contemporary artists from West Africa

· Major new installations commissioned for galleries and parks

· Concerts with many world-renowned musicians, including AfroCubism

· Further exhibitions of fashion, photography, football and storytelling

· African art bus to tour creative activities around Greater Manchester

We Face Forward is a season of contemporary art and music from West Africa, celebrated across Manchester’s galleries, museums, music venues and public spaces, from 2 June to 16 September as part of London 2012 Festival.

The exhibitions, concerts, events and community activities recognise both the historic and contemporary links between Manchester and the various countries that make up West Africa. They will explore ideas of economic and cultural exchange, environment and sustainability, and the place of tradition in contemporary culture.

The core of the season is a city-wide exhibition of contemporary art from the region, the first major collaboration between Manchester Art Gallery, Whitworth Art Gallery and Gallery of Costume, Platt Hall. It will feature painting, photography, textiles, sculpture, video and sound work from a wide range of internationally acclaimed artists, including Georges Adéagbo, Meschac Gaba, Romuald Hazoumè and George Osodi. The exhibition will also be the first major display in the UK of work by emerging artists such as Lucy Azubuike, Emeka Ogboh, Charles Okereke, Nyani Quarmyne and Victoria Udondian.

New, large-scale installations have been commissioned from Barthélémy Toguo at Manchester Art Gallery, and from Pascale Marthine Tayou at Whitworth Art Gallery.

The Gallery of Costume will show work by three esteemed Malian photographers, Malick Sidibé, Abderramane Sakaly and Soungalo Malé, whose archives are being preserved by the National Museum of Mali. Their extraordinary studio and social portraits will be shown alongside West African dress from the gallery collection, photographs by Hamidou Maiga and contemporary fashion pieces from British-Nigerian designer Duro Oluwu.

A music programme, curated by Band on the Wall and The Manchester Museum, will feature world-renowned acts including: AfroCubism (the new international supergroup formed by Eliades Ochoa of Buena Vista Social Club and Toumani Diabaté); a multi-media concert by Niger supergroup The Endless Journey (Mamane Barka and Etran Finatawa); Angelique Kidjo; Jaliba Kuyateh; Kanda Bongo Man and many more to be confirmed. Taking place in music venues and galleries across the city, the season will open with AfroCubism at Bridgewater Hall on Sunday 3 June.

Exhibitions and events will also take place at The Manchester Museum and the National Football Museum. The city is hosting nine football matches during the 2012 Olympics and the National Football Museum will present African artists for whom football gives a means to explore protest, politics and social engagement.

The Manchester Museum is working with the African Caribbean Carers Group to present a re-interpretation of the Anansi spider stories using the Museum’s natural history and anthropology collections. The programme will be launched with Big Saturday: Manchester Anansi Spider on Saturday 2 June where the story will be performed by the Men’s Room community group, working in partnership with the Royal Exchange Theatre Company.

A summer-long creative programme will engage with a range of people right across Greater Manchester. Modelled on the highly decorated taxi-buses that ferry people across Dakar, Accra and Bamako, an art bus will take creative activities out beyond the participating galleries and parks to other locations across the city.

To draw the different locations together, artist Meschac Gaba has been commissioned to design an artwork which incorporates the flags of all the West African nations. This colourful motif will be on display at participating galleries and venues.

The title for the season is taken from a speech by Ghana’s first president, Kwame Nkrumah, made in 1960. Stating his resistance to Cold War super powers, Nkrumah’s full quote is “We face neither East nor West: we face forward.” The festival takes its direction from Nkrumah’s statement of independence, deriving inspiration from his sense of West African cultural dynamism.

Dr Maria Balshaw, Director of Whitworth Art Gallery and Manchester City Galleries, said: “Manchester’s connections to West Africa are part of its industrial and trading history. This exhibition brings the dynamism of West African art today to Manchester, as the world comes to the UK for the Olympics.”

Ruth Mackenzie, Director, London 2012 Festival, said: “I am particularly delighted that this exceptional exhibition of art from West Africa will be part of the London 2012 Festival programme bringing once in a lifetime opportunities to experience culture to people across the north west.”

www.wefaceforward.org

Londoners! Bring our beach back!

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Some things you just do without thinking about it and taking a pebble from a beach is one of those things. So when the following reached my inbox I had an ‘ah’ moment. If everyone who ever went somewhere took something from it, of course it would have less and less. So, people, stop taking pebbles from Brighton beach!, and even bring some next time you visit.

Brighton Tourism Alliance Urges Visitors to Bring a Pebble Back to Brighton

Well known for its famous pebbly beach, visitors to Brighton have often taken a pebble or two away with them as a souvenir of their trip.

Now visitors to the city are being urged to help preserve its coast line by bringing a pebble with them when they visit – and leaving it on the beach.

The ‘Bring a Pebble Back to Brighton’ initiative is spearheaded by the Brighton Tourism Alliance, a group of like-minded businesses, passionate about the City, who work in partnership to improve the quality of the Brighton & Hove visitor experience.

Commenting on the scheme, spokesman Claire Ottewell said: “We say NO to sand and want to ensure Brighton’s iconic pebbly beach is around for people to enjoy for many years to come.

“We are urging all those Londoners who will be visiting Brighton over the summer to bring back a pebble and just leave it on the beach – and hopefully we will be able to replace the many thousands that have been taken away over the years.”

And Londoners are the worst of all, says Claire.

She continues: “We have no problem with the Welsh or the brummies. But it is the Londoners who always to want to take a little bit of Brighton away with them. Maybe it is because Brighton is known as London by the sea.”

Since its formation the TA has been successful in directly influencing council policy on road traffic management in the city. Representatives sit on various forums such as the Wind Farm Consultation Group and the Station Gateway Consultation Group and are involved with the Seafront Strategy for the city and the Events Strategy for the city.

Portas review gets government approval

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The Government has accepted recommendations from Mary Portas that are aimed at reviving the high street.

Under the recommendations, dedicated ‘town teams’ will manage high streets, a £10 million high street innovation fund will bring life back to empty shops and a National Markets Day will be created.

Natasha-Rachel Smith, spokesperson for TopCashBack, said, “It’s extremely important that the UK’s high streets are productive as a competitive environment in today’s retail sector. Although the most attractive deals and savings will almost always be found online, consumers will always need the requirement to access goods on their doorstep. This is particularly true for essential products and services in situations where the items aren’t available online as immediately as shoppers need them.

“Consumers will always be lured by online bargains but they will continue to need the high street to be the background canvass of their communities.”

Hatcham Social – About Girls | Music Review

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I like About Girls. It’s a record that reminds me of the time when I first got into music, in the late 1990’s, and went to shows. It was a time when Britpop was dying and the last of the scene was coming through. The likes of the Warm Jets and Gay Dad. It’s a time that most people look back on with regret and perhaps a little bit of a snigger. Nobody’s going to describe being there in the same way they do as San Francisco in the 60’s or New York in 1977 but, d’you know what – it’s my Hacienda and I rather like it.

About Girls captures the post-Britpop sound brilliantly. It’s a better effort than their debut,You Dig The Tunnel, I’ll Hide The Soil, released in 2009 which tried to hard and had too much going on. About Girls is a less complicated and straightforward album. Less try-hard. Nobody likes a try-hard. The album works best when played as a complete album in the order it was intended. I’ve listened to this album a dozen or so times and it sounds best when you turn shuffle off on your mp3 player and play it from 1-13 with each song telling the next chapter of the story.

It begins with NY Girl, the archetypal tale of lost love, which could be Olympian-era Gene and with its driving bassline it begins with a confidence and swagger, which dissipates as the song goes on and it becomes clear this won’t end well. Nicola Tells Me is a slice of Shed Seven-esque jangly pop, Lois Lane is built entirely around a beautiful swooning bass. Little Savage appears to have borrowed heavily from the Johnny Borrell songbook but setting that aside is two and a half minutes of nice catchy hooky pop. Escape From London is that moment, committed to tape, where once in a while you need to escape the business of living in the big city and run to the hills.

About Girls isn’t just a record that’s borrowed heavily from the dying days of Britpop, it’s a record that’s the soundtrack to your emotions. Every emotion. It’s about growing up, something the band have clearly done on this record. It’s about life. It’s about love. It’s about loss. It’s about whatever emotion you want it to be, it’s got everything on here. Buy it and enjoy it and whatever you do don’t put it on shuffle!

 

About Girls is released on 2nd April 2012 by Fierce Panda Records