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How To Be A Successful Actor: Become A Triple Threat

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Acting is a hard business. Don’t get me wrong, doing the actual job isn’t hard, it is a brilliant career, but the industry is a tough one and many actors remain out of work and in poverty. That is why I wrote my book, How To Be a Successful Actor: Becoming an Actorpreneur. It is possible to have a good career, get your name out there and tell the stories that you want: you just have to become one of the new triple threats.

Back in the day a triple threat was someone who could sing, dance and act. These skills will still help your career but not as much as being a new triple threat, and that is someone who acts, writes and directs. I have written a lot about this in my book and included tips and advice as I am one of the new triple threats myself and I love the freedom it gives my career. Why wait for someone else to hire you when you can write the stories you want? I have interviewed two of the most promising new triple threats in the UK today, Vanessa Bailey, a wonderful actress who’s film Three Days is going to be a corker, and Jason Croot who I have worked with many times. He is an outstandingly talented actor, writer and director. His IMDB speaks volumes about his amazing talent and I really cannot wait to see Le Fear, Le Sequel on the big screen and not just because I am in it. Read on and learn….

acting, acting advice, how to be an actor, how to be a successful actor, hollywood, castings, auditions, casting directors.

Vanessa Bailey

Tell us about your films

This is my first public foray into writing and my first stab at pulling together a short film. It’s not my film at all – it’s much more down to the talent of the other people involved that it’s as good as it is. The story concept was my idea, but the final script has been co-written by myself and Richard Perryman. It’s our script, not mine. In fact the whole film is very collaboprative – a lot of the comedy and the details in the dialogued teasers are from our director Darren and our DOP Huw. They took it by the scruff of the neck and stamped their personality on it. I love that.

So, Richard and I wrote it and I got the team together in partnership with our Executive
Producer Suzie. Suzie is responsible for encouraging me to make the film and has been part of the film from the very first moment the story popped into my head. But Gareth Gatrell our stills and behind-the-scenes guy found our Director for us! He recommended Darren after seeing the script and said he’d be perfect. He was right. One of the film’s strongest elements is the chemistry between the team. We’re like family when we work together.
You produce, write and act. What do you think of the new triple threats? Is it possible to just do one thing now?

Again, I feel very much under-qualified to comment as this is my first film and it’s not even finished yet! Acting is my first love – I come alive when I’m acting. It’s in my blood, I simply can’t imagine not doing it. I think my stories stem from the same emotional heartbeat. The production side – well, that’s pretty chaotic. Just ask any of the other Three Days team!
As far as being a triple threat – if this is the only story I ever tell that will be fine. I’d rather tell one well than a hundred badly. But I think as an actor it’s important to seek out opportunities and if you can’t find them then create them. This may well mean stepping outside of your perceived skillset and trying something new. This part was never going to come to me. I had to bring Sophie to life. No one else was writing her. And if they had I certainly wouldn’t have got to play her!

But know your limitations – surround yourself with people who are far more talented than you – people who have skills you don’t have. Use them, let them work their magic. Watch and learn from them. Having someone with amazing gifts bring them to your film is an incredible thing.

What kind of stories do you like telling?

The ones that gnaw at my heart. If they don’t stop me sleeping at night until they’re told then they’re not worth bothering with.

What made you get into the film industry?

It started with acting. I’m obsessed with acting. Completely obsessed. I have no training and was told I’d never make it. But it was chewing away at me and wouldn’t go away. So I just had to make it happen. The day I was directed by Sean Durkin on the set of Southcliffe in a dialogued scene with three named TV actors (one of whom I’d had a crush on as a teenager!) was a real moment of personal triumph. And now it’s the same with the film process generally. It beguiles me – it’s like a lover. It makes my heart skip a beat. If I’m not on set orfiddling with a script I spend my time pining to be with it again.

What do you think of the British Film industry?

Jury’s out ;) I need more time to make friends with it. I would love to see cinema rejuvenated and less films with unnecessarily massive budgets when there are filmmakers trying to get amazing projects off the ground with absolutely no funding. It’s hard. There’s a lot of untapped talent out there. And not just in the younger age bracket. Think beyond that – there are some of us who only find our feet after we’ve paddled around in the wrong puddle for a while.

Do you think it is more of a democracy now?

No, probably not.

How do people make a living in the industry?

People make a living?! I have absolutely no idea. As an actor I earn my money doing commercials and fairly undemanding stuff. The good stuff, the stuff that grows me. That all costs money – it never pays. This is a contentious issue for many very, very good reasons. Personally, I’d rather work unpaid on one fabulous project which grows me as an actor and brings joy than work for £20 a day on some awful film that means nothing and doesn’t develop me in any way. But then I do need the commercials to pay the bills!

How do people make it in the industry?

It depends how you define “make it”. We all know there are lots of people out there working regularly and you just throw your hands up and say “Why?!”

If you want to keep going, to survive, to be able to continue to chase your dream it has to come from restless passion. The need to create, the need to be with other people who create. To produce work of integrity it can’t be for the pursuit of fame (hideous) or the love of money (fat chance). And it’s too painful a process for it to be something you could actually walk away from. If you feel you can walk away from the film industry I would recommend you do. You have to be addicted to it. Or at least, that’s how it seems to me.

Favourite film

Before Sunrise

Favourite actors/directors

Tilda Swinton. Anthony Perkins (huge crush since seeing Psycho). Kate Winslet. Emma Thompson.

I’m rubbish with directors – I’ll be like “Oh I remember – I REALLY like them” later on!
What and who inspires you?

People who are unselfish to work with. People who draw you in and draw you out and help you produce your best work. People who laugh and cry and are honest. People with passion.
I absolutely love the Three Days team because I see those qualities in all the people involved. I love that our director Darren stepped out of his comfort zone to direct his first romantic film. He does it brilliantly. I love that Richard was so open to co-writing with me. Taking risks coupled with passion – now that’s a journey waiting to happen!

What’s next?

Fundraising to be able to complete the Three Days shoot. We have an ongoing crowdfund on our website. This is really key! Then the shoot, then festival entry.

And then, well – there’s more story developing in my head, but I think I need to get the short finished first! I certainly hope it won’t be the last time we all work together. Let’s just put it like that.

And probably a commercial.

 

Jason Croot

Tell us about your films.

I have made 5 feature films, all improvised, only one has been released: Le Fear, a horror comedy film which I made a sequel to named Le Fear 2: Le Sequel. This film has become my main focus because I believe it is my strongest film yet, It has a lot going for it comedy, horror, sci- fi, spoof and a very good cast. My other 3 films are all joint productions and I will tackle then one at a time then hopefully move on to my new stuff.

You direct, write and act. What do you think of the new triple threats? Is it possible to just do one thing now?

There are many talented people out there. A lot of undiscovered actors, but lets face it; as an actor having small parts on TV and feature films or lead roles on low budget feature films won’t make you an household name, only constant big roles in big budgets will do that, the same is said with writing and directing but it’s a long journey. As long as you are creating something you never know.

I believe where people fail is by not continuing to create. If you are a good actor then find some work even if it’s not a lead role in Hollywood, then you are still doing, with writing you can always do this generally with solitude and directing you can always create stuff whilst waiting for your next gig. If you believe you’ve got talent use, it don’t waste it. In a nutshell: some well known actors can carve out a career in one field and the same is said with writing and directing. Some do all plus more like Vincent Gallo, a very talented dude and there are many more like him really doing it such as Larry David and hats off to the elite 1% for the 99% the rest of us we must keep on batting and creating in the hope that one day it all clicks. If it doesn’t, so what? What would you prefer to do? Work in an office or act, write and direct? You know where I’ll be!

What kind of stories do you like telling?

I’m not really a great screen writer but believe my strengths lay in creating plots and scenes without words since all my films are improvised but that’s not the only reason I love improv, I don’t believe you can create the same magic from the script that you can from improvisation, I like to tell stories about filmmaking and the film industry like my films Le Fear 1,2 and Roberto. I know this is not the best genre to get known but I love doing it and some people like it so it’s not a lost cause

What made you get into the film industry?

My love of acting I guess, filmmaking came many years afterwards
What do you think of the British Film industry?

There is some very talented folk out there but very few can make a good living in Britain. It’s really tough but it’s not the toughest place in the world and there are a lot of people supporting others and that’s really cool. Why not? We are all trying to climb that mountain but won’t get there alone, I don’t want to get into politics but no government will really spend money in the film industry nor will they support young people trying to break into it, so it is down to people with experience to give these new guys support and guidance

Do you think it is more of a democracy now?

I believe in the past 15 years there are many more actors, writers and directors out there and everyone can make a career out of what they are doing but this won’t happen over night and there is no guarantee it will happen at all, but I believe there is less snobbery now and with the indie films becoming evermore closer to the big budget ones filmmakers can make a greater impact i.e getting there films on the same platforms, for example: Netflix, Amazon and iTunes etc. So yes, I would say it is much more democratic these days.

How do people make a living in the industry?

In England as an actor, unless you’re a regular on a soap, you may struggle but it’s possible generally people have daytime jobs and go to castings and hopefully land a few roles. The casting directors I meet are all really nice folk and want you to do well but it is difficult. You have to zone in on yourself and spend 5 hours or more a day 365 days trying to find work and have a agent batting for you as well.

How to people make it in the industry?

A lot of hard work, time, effort and energy. There are still no guarantees, but I guess it’s an individuals take on making it that can be anything, if you’d have asked me 10 years ago that I’d have acted and directed in over 100 productions I’d have said from were I was with one acting diploma and one VHS copy of a short film and not knowing anyone in London at the time: I’ve made it, but the next 10 years have to be greater so I guess, keep pushing ,never give in and keep smiling through thick and thin. Most importantly, respect rejection. the minute you make it your enemy is the minute you fail.

Favourite film

Too many to list but if I was to pick one it would be the classic French Film within a film Day For Night
Favourite actors/directors

I have a few but really rate Larry Charles and Jim Jarmusch

What and who inspires you?

Watching a great film inspires me. alongside stories I read of actors who struggled like De Niro, Pacino and Nicholson. Three of the greatest film actors all really battled to get there.

What’s next?

I’ve been under the weather for a while but hopefully on the mend now, so on the filmmaking sides of things, once my films are out of post production I have 3 more films I want to make: Le Fear 3 is one and the other 2 are top secret for now, I’m always open to direct other peoples films too, on the acting front I have 3 films by Lorenzo Raveggi filming on location in Italy, I’m looking forward to acting in and I have a few other films in the pipeline but nothing set in stone. Once again, I’m always open to offers so I’ll keep batting away and hopefully create some good cinema this year.

What do you think?

 

How To Be a Successful Actor: Becoming an Actorpreneur is out now.

Follow Catherine Balavage on Twitter: www.twitter.com/Balavage

 

 

Zoe Saldana: I Am ‘Expired’ at 36 Because of ‘Ageist’ Hollywood

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Guardians of The Galaxy star Zoe Saldana has called Hollywood out on its ageism, saying that the same ageist standards are not applied to men.

Zoe said it is “f**king ridiculous” that she is considered “expired” at the age of 36. She told The Sunday Telegraph’s Stella Magazine that she was offered the role as a love interest of an actor who was 30-years older than her. “I said ‘Eurgh, no f**king way’, they said ‘But Zoe, he’s the hottest actor’. I don’t give a  f*** how hot he is, I’m not going to endorse that — not until the day I see more romantic movies with Diane Keaton, Sandra Bullock, Meryl Streep with young hot actors working as their sidekicks. Only then will I say yes.”

Go Zoe!

Zoe_Saldana_at_82nd_Academy_Awards_(cropped)

 

If you want to be an actor, check out our editors book on How To Be a Successful Actor here.

 

 

Five Mistakes Actors Make That Stop Them Getting Work

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Getting work as an actor is hard. With long periods of unemployment and vast competition. This was the main reason I wrote my book How To Be a Successful Actor: Becoming An Actorpreneur. The odds are not good but you can tip them in your favour. You can make your own work, work on your skills, get your name out there. They say success is opportunity meets preparation. So here are my top five tips to make sure you are prepared and stop making the mistakes that stop you having the best career you can. Here are five mistakes actors make in their career that stop them being successful.

 

howtobeasuccessful_actor_book become How To Be a Successful Actor: Becoming an Actorpreneur

Arrogance

Far too many actors are arrogant. Especially just after they have left drama school. Thinking you are the best actor that ever walked the earth is not going to convince anyone else to hire you. No one likes arrogance. Always under-promise and over-deliver. Be humble and modest. The traits that make a good human being also make a good actor.

 

Marketing Yourself Wrong

Yes, you are an artist but you are also a product. You have to brand yourself correctly so people know what you are ‘selling’. If you are Irish and want to market yourself as an Irish actor you must be prepared for only getting Irish roles. People will try to put you into a box but you can do yourself a favour by making yourself versatile. If you don’t want to be known as a certain type of actor, (like Australian, Irish, etc) don’t market yourself that way. Play up to your strengths and downplay what will limit you getting mainstream work.

You must also update your head shots, CV and showreel at least yearly. Don’t forget to update the various online acting sites you may be on every time you get a job.

 

Not Continuously Working On Your Skills

Actors can go months, and even years without working. If you do not work on your skills when unemployed not only will you be rusty when it comes to audition and getting work, but you will also not be as confident. Your CV will also be lacking. You are a business, invest in yourself. Even if it is getting a camera and making some short films with friends.

 

Thinking The World Owes You a Living

You are not special. You do not deserve to be a super-successful world famous actor. The world does not owe you anything. A sense of entitlement is not going to do you any favours. This was the main piece of advice American casting director Daryl Eisenberg gave me for my book on becoming a successful actor. Don’t think you are better than anyone else.

 

Being a Jerk

No one wants to work with horrible people. The film industry is tiny, as is the theatre and TV industry. If you are rude, horrible and difficult to work with then you will have a pretty short career. Be nice. Manners cost nothing.

 

Catherine Balavage is an actor and writer with over ten years of experience in the industry. Her book, How To Be a Successful Actor: Becoming an Actorpreneur, came out in June this year. She also co-directed and wrote her own feature-length film, Prose & Cons, which will be out later this year.

 

 

Frost’s Editor Catherine Balavage Writes How To Be A Successful Actor Book

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Frost’s Editor, Catherine Balavage, has written a book on How To Be A Successful Actor. It is called How To Be a Successful Actor: Becoming an Actorpreneur. It has gotten as high as number 5 on the Kindle charts under Stage & Theatre. It will also be released on paperback and Smashwords soon. Handpicked Future did a great piece on it and Catherine was on the front page of the Entertainment section in The Huffington Post with her Actors Who Make Their Own Work article. You can also read an article by Catherine written on her own blog.

howtobeasuccessful_actor_book_cover The book is available here for UK readers and here for US readers. It is also available worldwide.

Cover art by Steve McAleavy

 

 

Czech Actress Petra Bryant Interview

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Czech, beauty, actress, Petra BryantHow did you get into acting?

Acting is something I did since I was a teenager but I didn’t start seriously until I moved to London. I took many screen acting courses and did workshops with casting directors in order to be sure that is what I wanted to do with my life. I also did a stand-up comedy course but realized it wasn’t my thing at all! Getting parts in short films has been a great experience and I would recommend that every actor tries that route. Not only you learn how real productions work but you will get a demo reel material.

Did you always know you wanted to be an actor?

When I was a child I wanted to be a doctor, designer, writer, model and an actor. I have realized I could be all those if I became an actor. Bingo! But deep down I always knew that it was what I wanted to do. It took many years to get where I am today and I still have a long way to go.

What was your big break?

I think landing a role of Empress Faustina in Fallen Eagle has been the biggest break so far. But since the film is in pre-production status, I will say that it is ‘The Last Scout’. ‘The Last Scout’ is a British sci-fi. Playing the ship captain ‘Melissa’ feels like a real acting role at last!

How do you get into character?

It really depends on what kind of character I am playing and whether I can identify with it. I usually like to watch similar movies to the one I am about to make. It helps me get in the mood and I get inspired by other actors. I also think of all the little details from the character’s life and make them my own, slowly building on the character. Eventually I start thinking like the character and merging with them. I also have to get physically into shape for each role.

What is your favourite film that you worked on?

I am sure my answer will be different by the end of 2014 but for now I choose ‘The Disappearance of Lenka Wood’. This is my first film as the female lead. I almost feel like we did two separate films as part of the story is set in New York and another in Turkey. I liked that my character Lenka is very different from me and that I had lots of freedom in creating the character. At times it was also a pretty physical role to play and I had to push my own boundaries. I am scared of heights and water and it took some convincing to get me jump into the swimming pool for a scene! But I am so glad I did it.

Tell us about your upcoming films. 

Both ‘The Disappearance of Lenka Wood’ and ‘The Last Scout’ are in post-production but 2014 will be a busy year for me. I start with the film ‘White Collar Hooligan 3’ and a little short film. The next up is a sci-fi ‘Abduct’ where I get to play a Russian UFO Specialist. I am really excited to be a part of another sci-fi! My spring and summer will be spent in Malta and Los Angeles filming ‘Fallen Eagle’ and a rom-com ‘Looking for George Clooney’. There are other projects on the horizon but I can’t talk about them just yet. I am so happy that I am working, doing something I love.

Does being Czech help or hinder your career?

I would say it helps for sure. My accent is not typically Czech so that means I can play other Europeans. At the same time I would love to be able to perfect British or American accent to broaden my role spectrum. But for now I am more than happy to use being Czech into my advantage. I love playing the’ token European’!!

What is your ideal role?

I am a huge comedy fan and playing a goofy clumsy superhero would be amazing. I think I might have to write my own part one day.

What’s next?

Well apart from all the films I have lined up this year, I am also writing my first book. It has taken me a long time already. I have actually ripped the first draft apart and now I am rewriting the story in a different style. I am driving myself crazy with it! Once this is done and dusted, I want to self-publish and turn it into a script. I love writing and would love to produce TV series with my finished product.
I hope people will like my films and I continue to be a working actor! I love making movies but I am very attracted to TV as there are some brilliantly written shows out there!

 

Tweaking The Dream By Clea Myers | Book Review

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cleamyersMany people have landed in the city of dreams with high hopes of making it big, and in return Los Angeles has chewed them up and spit them out. There are over 100,000 actors in LA and not everyone gets to live their dream. This book by Clea Myers is a cautionary tale. One that should be read by every wannabe. Clea is from a good background, went to Brown University and landed a job with a top producer. Then everything went wrong and she became addicted to crystal meth.

First of all I will point out that Clea is a friend. She is a very lovely person and incredibly talented. She now lives in London and is a writer and casting associate. She even gave an amazing performance in my film Prose & Cons. As I read the book I found it hard not to only to picture this drug addicted young woman with the Clea I know, but I also found it hard to read about her suffering. It is quite a story, and a testament to how strong Clea is, and how far she has come. Clea is heartbreakingly honest and holds nothing back. Her nightmare descent is told in vivid glory. It is a story that was brave to tell and she should be commended for it.

The book is well written. Clea is obviously a writer of note. The tale of her descent into crystal meth addiction should be read by everyone from drug addicts to school children. It is the most anti-drug book I have ever read. In fact, the most anti-drug thing I have every come across. For this reason it should be widely read. If it stops just one person from becoming addicted to drugs then it will have served it’s purpose.

Tweaking The Dream is an excellent read. Even if, like me, you don’t know anything about drugs. The story is partly an epic struggle of survival and another side of Hollywood. An excellent book.

Tweaking the Dream: A Crystal Meth True Story

Frost Interviews: Italian Actor Claudia Gerini

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_Claudia Gerini by Cristina GhergoFrost interviewed the beautiful and talented Claudia Gerini. Prolific and mufti-lingual, Claudia can be seen in Labyrinth, broadcast on Friday 29 and Sunday 31st March on Channel 4.

You got your first role when you were only 14. Do you think starting so young was a good thing?

Well, I think that there are advantages and disadvantages in all of

one’s decisions. Perhaps the positive side of this was that I started to work

immediately and was able to throw myself into the career that I had always

known I wanted to follow. The negative side could be that I started to work

straight away and so I wasn’t able to develop other interests or perhaps lost

out on other things but, at the end of the day I think that say it was a more

positive than negative outcome.

What is your favourite role you have played?

Well, I suppose it was the part that I had I’m Crazy about Iris Blond. I

played the part of a waitress ― Iris Blond ― who then becomes a singer and

given that singing is my passion and the role required me to sing a lot, I really

enjoyed that part.

You have over 53 credits on IMDB, how do you think you managed to have such a long and prolific career?

I suppose taking decisions and making the right choices. I don’t really

know. I follow a trajectory in which I try to follow a set of principles and be

faithful to my ideas and plans. Part of this is probably my love of challenge

and so I try not to repeat myself too much and I am always on the look out for

new genres and different roles.

Favourite film?

I have no doubts about that one. Moulin Rouge by Baz Luhrmann. I

don’t know how many times I’ve seen it over the years.

Favourite genre to work in?

I think I’d have to say comedy, a more romantic or ironic comedy but

then again, given that I like changing genres and roles and I am always on

the look out for a challenging role, I like dramatic roles as well.


You have worked in many different languages. Do you find learning

other languages hard? What is your favourite language to work in?

I find it quite easy to learn new languages, probably because I have a

good ear and so I tend to pick up the sounds quickly. I learned Spanish,

French and English this way and if I have to work in another language then

probably I prefer working in Spanish or English.

What would you be if you were not an actress?

If I could stay in the entertainment sector then I’d love to be a singer. If

I had to change sector then I think I’d love to work with children, young

children; perhaps as a pedagogue or even a primary school teacher.

How do you stay in shape?

I keep in shape by going to Taekwondo classes 3 times a week. Its so

energetic that you don’t really need to do anything else; there is a lot of cardio

and stretching and so its an all-round sporting activity. Recently I’ve

discovered pole dancing which is a lot of fun so I suppose just keeping myself

in movement. You know, being a full-time working mother, I have very little

time to sit and relax and another thing is that I’m slowly moving towards a

more vegetarian diet as well even though I still eat meat occasionally.

What’s next for you?

At the moment I am working on some projects that will be staring this

summer and so I’ll be back on set shooting in July. Tulpa is also being

released in Italy on the 30th of May and so I’ll be a bit busy with that as well

and so, in general, I’m getting ready to start filming again this summer.

Knock Yourself Out Theatre Review

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KYO posterTom Holloway’s Knock Yourself Out gives the audience a glimpse of modern university life, portraying the highs and the lows of two post-grads and a heroine junky enrolled on an MA course.

 

Throughout the semesters, we see the three amigos leading young and carefree days but the play edges the characters toward responsibility and their ultimate journey into the real world.

 

With the days and nights of partying set against life’s challenges, this kidult production depicts the struggle between reality and expectation.

 

Roger, played by the production-writer himself, expresses his desires and feelings through poetry.

 

At first, Roger appears to be an old soul trapped in modern life; a romantic seeking his happy ever after.

 

Yet, when a chance encounter leads to potential romance, he’s completely ignorant of Nicola’s affection and the gentleman we see in the opening scene is arrogant and brash toward her.

 

Likeable, naïve Jono, is dating Carrie and he confesses to the boys how in love he is and how much he misses her when they’re apart.

 

But his infatuation and hope of being together forever is misjudged when Carrie tells him she wants to see and sleep with other people.

 

And gay Scottish Billy, the only one of the trio who is actually studying, displays the persona of a lethario but secretly wants to commit to one man, Sam.

 

However, his only gratifying relationship is with heroine as he shoots up to experience euphoria.

 

For the boys, the final year in student accommodation is a time to explore

drugs, sex and the boundaries of their friendship.

 

Roger kisses Jono’s girl and a fight breaks out between the two, adding to the dark undercurrent within the play.

 

Tom Holloway’s show is based on real experience and it’s a moving insight into the opportunities perceived while at University verses the actual financial hardship, unemployment and management of friendships.

 

While the stage is set to the front-room of the house only, there was clever directing with scenes played out as if the fast-forward button had been pressed.

knock yourself out-2 

Knock Yourself Out boasts an impressive cast from the likes of Danielle Watson (Ginny) who’s starred in Wire In The Blood & This Is England ’86 to Jenni Herzberg (Carrie) who’s featured in Spooks and Doctors.

 

And for the launch night on Thursday 7 March 2013, there was an equally impressive audience with the likes of Olly from Made In Chelsea, Holby City actress Jing Luis and Eastenders actress Bunmi Mojekwu.

 

Knock Yourself Out runs at The Courtyard Theatre until 24 March, excluding Mondays www.thecourtyard.org.uk/whatson/295/knock-yourself-out

There are 2 for 1 tickets all weekend using codes:  ‘Mouse Trap’ or £5 tickets on 12th March with code: ‘iambic’ for £8 Tickets until the 14th March.

Photo credit: Kit Oates.