Gravity Picks Up 6 Honours At The EE British Academy Film Awards 2014

British Film Gravity picked up six awards at the EE British Academy Film Awards and it also picked up four other awards for Best Visual Effects, Cinematography, Sound and Original Film Music while Gravity Director, Alfonso Cuarón, won the Director Award. 12 Years a Slave received the award for Film while Chiwetel Ejiofor won Leading Actor for his role in the film.  Other winners included Cate Blanchett who won Leading Actress for her role in Blue Jasmine, Jennifer Lawrence who was named Supporting Actress for her role in American Hustle, Captain Phillips star Barkhad Abdi won Supporting Actor and Philomena won Adapted Screenplay. Dame Helen Mirren was awarded the Academy Fellowship, BAFTA’s highest accolade, in recognition of her exceptional contribution to film.

BAFTAs 2014 BAFTAs 2014 BAFTAs 2014 BAFTAs 2014

Champagne Taittinger, official Champagne Partner to the British Academy for the 12th year running, once again added extra sparkle to the proceedings.   Special BAFTA labelled Magnums and 75cl bottles of Champagne Taittinger Brut Réserve were produced for the Awards. A bottle was also included in the gift bags, given to all nominees and presenters.  Taittinger is one of the few premium Champagne houses to remain owned and actively managed by the named family.  It is proud to support the work of BAFTA to acknowledge and encourage the highest achievements in film and television.

 

As New Zealand’s most awarded winery for more than 30 years, Villa Maria makes a very fitting Wine Partner to the Academy.  Guests at the glamorous Awards dinner enjoyed the delicious Villa Maria Private Bin Sauvignon Blanc 2013 which perfectly complimented the Smoked Loch Fyne Salmon and Dorset Crab starter and the Villa Maria Private Bin Merlot Cabernet Sauvignon 2012 which made a mouth-watering match with the main course of Fillet of Aberdeen Angus and Braised Short Ribs.

 

other winners included:

ORIGINAL SCREENPLAY                                              ANIMATED FILM

American Hustle                                                         Frozen

 

FILM NOT IN THE ENGLISH LANGUAGE                      PRODUCTION DESIGN                        

The Great Beauty                                                        The Great Gatsby

 

MAKE-UP AND HAIR                                                   EE RISING STAR

American Hustle                                                         Will Poulter

For the full list of winners visit: www.bafta.org

 

Samantha Barks Wears YOKO London to BAFTAs

Samantha Barks wears YOKO London to BAFTAs, Sunday 16th February 2014samanthabarks

Samantha Barks of Les Miserables wore a YOKO London 18k gold and natural coloured South Sea pearl necklace to attend the BAFTAs 2014.

Limited Edition BAFTA Timepiece | Fashion

Swiss watchmaker 88 RUE DU RHONE has launched its first limited edition BAFTA timepiece collection at retail in partnership with WatchShop.com, who will sell a limited number of pieces to celebrate the brand’s partnership with the British Academy of Film and Television Arts (BAFTA) where it holds the title of Official Watch & Timing Partner.

The limited edition BAFTA timepieces will be sold with two complimentary tickets to a private viewing of Andy Gotts MBE ‘BEHIND THE MASK’ exhibition at BAFTA’s headquarters 195 Piccadilly, London. Photographer Andy Gotts MBE will personally meet proud owners of the 88 RUE DU RHONE limited edition BAFTA timepieces at the exhibition. ‘BEHIND THE MASK’ is a stunning collection of more than 100 photographs of actors and actresses from around the globe that have been nominated for a BAFTA Film Award in the last 60 years.

The 88 RUE DU RHONE Limited Edition BAFTA timepiece features a unique engraving of the EE British Academy of Film and Television Awards logo on the watch’s case back. The limited edition BAFTA timepiece collection will be presented to winners, citation readers and attendees over the BAFTA weekend.

watch

The gent’s timepiece features a sleek, stylish 45mm black PVD case, with black dial, date display and chronograph functions framed by silver sub dials. This watch is based upon a classic style that incorporates contemporary signatures such as silver trim indexes and a unique 88 RUE DU RHONE engraving on the side of the watchcase. The timepiece is finished with a black padded calf-leather alligator grain strap with ardillon buckle. The price of the gent’s BAFTA Limited Edition is £495.

bafta watch

The ladies chronograph has been designed using a 35mm black PVD case that houses a black patterned dial featuring 6 diamonds integrated within the rose gold Roman numerals. The hands, crown and buttons are finished with rose gold that provides an elegant contrast to the black PVD case and gloss black padded calf leather strap with alligator grain. The price of the ladies’ BAFTA Limited Edition is £550. Both available from WatchShop.com,

“We are delighted to be partnering with the Watchshop to launch the BAFTA limited editions at retail. This will be the first time that we have retailed a limited edition collection for 88 RUE DU RHONE and we are looking forward to seeing the results.“ – Says Craig Leach, UK Brand Director – 88 RUE DU RHONE.

The EE British Academy Film Awards take place on Sunday 16 February 2014 at The Royal Opera House, Covent Garden, London and will be hosted by Stephen Fry. The ceremony will broadcast live on BBC One.

Win A Taste Of BAFTA

The EE British Academy Film Awards ceremony will be taking place on Sunday 16th February and to celebrate, Champagne Taittinger and Villa Maria invite you to sip like the stars! As the official Champagne and Wine and Partners to BAFTA, Champagne Taittinger and Villa Maria wines from New Zealand are delighted to offer the chance to win a special BAFTA branded bottle of Taittinger Brut Réserve NV, a bottle of Villa Maria Private Bin Sauvignon Blanc 2013 and Villa Maria Private Bin Merlot Cabernet Sauvignon 2012, as served to the glittering guests at the Awards.

winatasteofbafta

To win follow @Frostmag on Twitter and Tweet, ‘I want to win a taste of BAFTA with @Frostmag’ or like us on Facebook.  Alternatively, sign up to our newsletter. Or subscribe to Frost Magazine TV on YouTube here: http://t.co/9etf8j0kkz.

Adding extra sparkle to the awards, Taittinger is the only leading Champagne house to remain owned and actively managed by the family named on the label. Taittinger is widely available. www.taittinger.com.

Villa Maria has been New Zealand’s most awarded winery for over 30 years and remains proudly family-owned. Villa Maria wines are widely available in all good retailers. Visit www.villamaria.co.nz

Terms & Conditions: Entrants must be 18 or over. Entrants must provide a mainland
UK address and telephone number for delivery. Visit www.bafta.org for more information.

Competition closes at the end of the month.

 

Win a new igbloo; music’s latest innovation which has been picked up by BAFTA.

THIS COMPETITION HAS CLOSED. Please click on the ‘competition’ tag for other competitions you can enter. Thank you.

 

Frost are bringing you the opportunity to be one of the first to receive an all NEW igbloo; music’s latest innovation which has been picked up by BAFTA.

BAFTA have backed the latest gadget to the market, igbloo, by inviting them to become an official gift partner to the EE British Academy Film Awards in 2014win a igbloo. Banishing tinny tunes and dodgy docks for good, igbloo from Stage One Technology – the innovators behind the all NEW Bluetooth music receiver – will bring music to the ears of Hollywood’s A-List, such as Kate Winslet, Sandra Bullock and George Clooney.

 

Having only launched last week on kickstarter.com, the response from the public and media alike has been overwhelming, with people pre-ordering to secure their place at the front of the queue on igbloo’s launch day.

To have the chance to be the first of TEN lucky winners who will receive this latest gadget before anyone else , all you have to do is tweet the below to enter – the more you tweet the more chances you get!

“The BAFTAs are backing @igbloo, are you? http://www.kickstarter.com/projects/stage1tec/igbloo-no-more-tinny-tunes-no-more-dodgy-docks

IAN WATSON. THIS WEEKS REALITY

The Voice ReviewIt’s getting to that time isn’t it? Our reality TV avalanche is thundering along merrily, wiping all before it away like a spitty hankie on an ice cream covered toddler.
The problem is… like that toddler, we were enjoying that ice cream and having it replaced with parental gob whether we want it or not can be a bit distressing.

I don’t watch TOWIE, or MIC or GS because, well, I just can’t. It’s a physical reaction like when my sphincter tries to run up inside my body and hide behind my kidneys when I watch Embarrassing Bodies. My reaction to watching the semi-real but still nut-crushingly mundane lives of ‘some people’ gets me so angry I nearly ate my own chin when a BAFTA- that’s right a f*****G BAFTA! Was handed out to these vacant lots in the name of entertainment.

I can’t live with that level of anger in my life. That’s how wars start.

I can watch EB, albeit lying like an ironing board and peering through the fingers of one hand, because it’s incredibly educational, gripping and necessary. A frank program about medical taboos is long overdue and I applaud the makers and those brave enough to get their hair and make-up done and wave at the kids down the lens just before it pulls focus on their knotted labia. I can just imagine the conversation when they return to an angry child who believed a close-up of their mothers cervix was a once-in-a-lifetime deal.

I can of course, watch talent shows.

Presently we have, BGT, The Voice and The Apprentice. I’m putting the latter in the list of ‘talent’ because it stopped being anything to do with serious business about eight seconds after the first candidate spoke at the start of series two. Now it’s all about who can be the biggest moron and prove, beyond any doubt at all, that the ability to proclaim yourself almost god-like is so easy even a halfwit who can’t do basic sums can do it as long as they’re wearing a suit.
They talk ‘Branson’, they walk ‘Branston’ (thick, made almost entirely of vegetable matter and, in Luisa’s case, goes down well after a little pork).

So that leaves us with BGT and The Voice- what a choice (poetry comes as standard).

We’re about to head into the live finals of both. Jessie’s hair is about to disappear like the promises of stardom she doles out to everyone and Uncle Tom is, perhaps, finally going to stand up, point at Will and shout, “What is he saying?”
For a while it looked like some musical theatre bods were actually going to get the chance to be voted for by real people but a quiet word on Will’s ear had him yanking the handbrake and sending the clearly better Liam home and illustrating that the only keys he understands are on the keyboard of his ‘autotune-o-gram’ [dope edition].

Over on BGT, or Simon’s private fluffer auditions as it’s veered dangerously towards becoming, we witnessed a scene that took me back to my days of working at a Blackpool nightclub in the 80s. Loads of badly dressed under-aged hopefuls waiting hours just to be sent home… and a couple of drag queens.

So all in all, the search for actual talent seems pretty hopeless. Getting through on BGT is easier than beating Mr. Chips off ‘Catchphrase’ at poker… “Hmmm, he seems to be sitting on a toilet and wearing a crown… I think I’ll fold!” And getting through to the finals of The Voice is easy as long as you sound like you smoke thirty a day and desperately want to be Ed Sheeran or Adelle and have never even hummed the melody to “I Dreamed a Dream.”

BGT live finals start tonight and run every night till it’s all over and Sico Productions can buy another country but we’ll have to endure another 7 shows spread over several weeks before we get to see who will be crowned winner of The Voice and guaranteed anonymity forever more. Could you pick Leanne Mitchel out of a crowd? Nope, me neither.

Oh well, if it all ends up being one big vacuous cloud of hype in the name of ratings at least they’ll be able to walk into any lead role in the West End, aint that right Jessie?

Innovative Films Raising Funds: Three Days

Three Days is a film that is close to my heart. Not just because I share an acting agent with the two leads and have worked with Vanessa, but also because in a world where older women are so often overlooked, this film is about a 40 something women and a younger man. It is a love story with a heart.

The Hollywood Reporter recently had a female executive guest post for them. This is what she said:

I have sat through development meetings in which actresses over the age of 34 are cast aside as “too old”, those who have had babies or families come with “baggage,” and whether or not they are willing to get nude on film plays into their chances of getting an offer, when these same traits are not deal-breakers in their male counterparts, or even mentioned for that matter.

Well, Vanessa is over 34, is married and has children. She is also making a kick ass movie. Proving all of this wrong. They are raising money as we speak so to contribute go here. It is a movie that should be made.

Three Days is a short film, to be shot in London and Cardiff, UK.

In turns poignant, sensual, warm and funny Three Days is a short film about the decision to surrender. Or not. It stars Vanessa Bailey & Richard Perryman. We asked them some questions about the film. Answers are below.

Richard.9qx2gI4pZtL6abf9fkW0cAbky8W4gUUByQGjRxuzss8,AEV6LM6dehd0GI8jmX_fIVXgx7WcDyhla41VkUDWF5M

What have you enjoyed about the process so far?

Seeing how everything has developed from when I first came on board has
been very exciting. Also it’s been great being able to work with an
incredibly talented and passionate group of people.

What do you think will appeal to people about the film?

There’s a whole lot to fall in love with. Great characters which the
audience can really invest in, an original love story and a brilliant crew
to make it all happen!

What is it like working with Vanessa?

It’s great working with Vanessa. She’s incredibly passionate about Three
Days and has invested a huge amount of time and effort to push the film
as much as she can. Our only problem is we’re both terrible at keeping a
straight face whenever we need to be serious.

What are you most looking forward to on the shoot – favourite scene?

I just can’t wait to get on set and start shooting the whole thing.

What would you say to people thinking about donating to the crowdfund?

That we really cannot make the film without the help of everyone else out
there! Any contribution helps and it’s a great chance to get involved in a
new and exciting film.

3Days final poster imageVanessa.

What have you enjoyed about the process so far?

I’ve been genuinely amazed at the people who’ve been happy to come on board
with the film. And seeing how the team have been putting their heart and
soul into getting this crowdfund up and running. Everyone has really gone
the extra mile with it, even Jason’s PR Alistair was working his socks off
on the poster shoot! The poster shoot was a small taste of what will be
like to work with the whole team on the shoot. We were all freezing cold,
but the buzz was palpable.

What do you think will appeal to people about the film?

Well, with the talent we have working on the project the film promises to
be visually gorgeous, with a beautiful, original score. We’ve got team with
Batfa Cymru’s and Emmy’s to their names. The characters are, hopefully,
appealing and people will want to travel on their journey with them and
root for them! It’s got humour and passion and warmth and struggle – we
wrote what rings our own bell, basically! Hopefully it will connect with
others, too.

What is it like working with Richard?

Richard has been brilliant, he’s really got stuck in and invested his
time and talent in lots of ways. Like he says, we’re not great at keeping
straight faces! But that makes it fun.

What are you most looking forward to on the shoot – favourite scene?

I just want to see how the whole thing fits together. The scenes have
quite a range of dynamics from light-hearted through to passionate and I’m
looking forward to shooting all of them. We’re really excited to be doing
scenes with Lynn Hunter, I think they’re going to be a highlight!

What would you say to people thinking about donating to the crowdfund?

Please come on board! It’s a great film to get involved with and we’re
incredibly grateful for support. Check out our perks and see if anything
appeals – we’ve got everything from a corporate product placement perk
(product/premises placed in the film plus logo on all our visible material
and in the credits and more!)to getting your hair done by Jason and then on
to the screening to being an extra in the film! Let’s get this story off
the page and onto the screen!

Thank you Vanessa.

Special mention to Red Boutique in Beckenham for supplying accessories and clothes.

Betting on The BAFTAs or Grammys? Here’s The Latest Odds.

If you are having a flutter on the BAFTAs or Grammys read the latest odds from Frost and Paddy Power first.

BAFTA:

Best Film

Argo is still the film to catch and is a massive 1/4 odds on to scoop best film at Sunday’s BAFTAs. Paddy Power is also offering 1/2 that it does the double and wins Best Picture at the Oscars as well. As for the others:

Lincoln – 9/2

– Les Miserables – 6/1

– Life Of Pi – 25/1

– Zero Dark Thirty – 40/1


Leading Actress

Leading Actress category is dominated by three main contenders – 8/11 Jennifer Lawrence, 9/4 Jessica Chastain and 11/4 Emmanuella Riva. The also rans include 33/1 Marion Cotillard and 40/1 Dame Helen Mirren

Leading Actor

And the winner goes to ‘Daniel Day-Lewis’ – never before have the bookmakers been so sure about the outcome of best actor setting unbackable odds of 1/40 – meaning for every £40 staked, you will win £1. For what it’s worth, Hugh Jackman is 10/1, Joaquin Phoenix 25/1 Bradley Cooper 50/1 and Ben Affleck 50/1

Best Director

Another category that’s all but said and done – Ben Affleck is miles ahead in the betting at 1/7, while second favourite Kathryn Bigelow is 7/1 and Ang Lee 15/2.

*GRAMMY:

Bring on the bling, but no buttocks of boobs please. Grammy performers have been warned to avoid ‘see through’ clothes and ensure all wobbly bits are ‘adequately’ covered. Yeah right.

Paddy Power is offering 4/1 for at least one pair of female nipples to be visible during the ceremony and have installed Rihanna at 13/8 as the most likely culprit to ‘to have missed the memo’.

Meanwhile ‘Somebody That I Used to Know by Gotye featuring Kimbra is the even money favourite to win record of the year, ahead of 3/1 We Are Young by Fun, featuring Janelle Monae.

Mumford & Sons are the odds on favourites to scoop album of the year for Babel, while Jack Antonoff, Jeff Bhasker, Andrew Dost & Nate Ruess look to have one hand each on the song of the year category for We Are Young.

Last but not least, The Black Keys are tipped to land Rock Album of the year:

Record of the Year

11/10 Somebody That I Used to Know – Gotye Featuring Kimbra

3/1 We Are Young – Fun. featuring Janelle Monáe

4/1 Lonely Boy – The Black Keys

8/1 Stronger (What Doesn’t Kill You) – Kelly Clarkson

15/1 We Are Never Ever Getting Back Together – Taylor Swift

20/1 Thinkin Bout You – Frank Ocean

Album of the Year

4/9 Babel – Mumford & Sons

3/1 El Camino – The Black Keys

5/1 Channel Orange – Frank Ocean

10/1 Some Nights – Fun

12/1 Blunderbuss – Jack White

Song of the Year

8/15 We Are Young – Jack Antonoff, Jeff Bhasker, Andrew Dost & Nate Ruess, songwriters (Fun. featuring Janelle Monáe)

5/2 Call Me Maybe – Tavish Crowe, Carly Rae Jepsen & Josh Ramsay, songwriters (Carly Rae Jepsen)

5/1 Stronger (What Doesn’t Kill You) – Jörgen Elofsson, David Gamson, Greg Kurstin & Ali Tamposi, songwriters (Kelly Clarkson)

10/1 The A Team – Ed Sheeran, songwriter (Ed Sheeran)

12/1 Adorn – Miguel Pimentel, songwriter (Miguel)

Best New Artist

6/4 FuN

13/8 Frank Ocean

11/4 Hunter Hayes

8/1 The Lumineers

18/1 Alabama Shakes

Best Rock Album

1/2 El Camino – The Black Keys

3/1 Blunderbuss – Jack White

5/1 Wrecking Ball – Bruce Springsteen

8/1 Mylo Xyloto – Coldplay

12/1 The 2nd Law – Muse

CBS Wardrobe ‘Obscenity’ Specials

4/1 Any onstage performer or award winner to wear see-through clothing that could possibly expose female breast nipples

6/1 Any onstage performer or award winner to have an organized cause visibly spelled out his T-Shirt

12/1 Any Foreign language to appear on performer or award winners outfits

First to Break the CBS Wardrobe Advise onstage

13/8 Rihanna

2/1 Beyonce

4/1 Katy Perry

5/1 Taylor Swift

10/1 Jennifer Lopez

15/1 Alicia Keys

33/1 Kelly Clarkson