Tag Archives: London.

Fresh From The SuperBowl Beyonce Announces World Tour

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Fresh from her fantastic SuperBowl performance, Beyonce Announces The Mrs.Carter Show World Tour. She entertained the masses last night at the SuperBowl half time, and even teamed up with her Destiny Child members. She put in an amazing performance and now will be touring the world in case you want to see her at a venue near you.

 

The Mrs. Carter Show World Tour Starring BEYONCÉ
 
2013 Tour kicks off in Europe April 15th
North American Tour Begins June 28th
The Mrs. Carter Show World Tour starring Beyoncé kicks off in Europe on April 15, 2013.  With stops in twenty European cities, including Dublin, Ireland; Berlin, Germany; Paris, France and a four-night stint at The 02 in London, UK, this is Beyoncé’s first multi-city tour in over three years.
Beyoncé’s North American Tour begins on June 28 in Los Angeles, California. The tour will travel to over twenty cities throughout North America this summer, including Brooklyn, New York at the Barclays Center, Atlanta, Georgia, at the Gwinnett Center, Houston, Texas at the Toyota Center, Toronto, Ontario at Air Canada Centre, and Boston, Massachusetts at TD Garden.
On June 28, Beyoncé returns to Los Angeles, California as part of the BET Experience At L.A. Live at the Staples Center.  She is set to headline the first of the three-night STAPLES Concert series.   And continuing her successful run at international music festivals, following a headlining night at Glastonbury in 2011, she is confirmed to headline at the world’s largest music festival, Rock in Rio, on its first night, September 13 at the “City of Rock” in Rio de Janeiro, Brazil.   Rock in Rio has set records for its massive crowds and its powerful media drive.
The Mrs. Carter Show World Tour promises to be the entertainer’s most ambitious undertaking to date.  It is expected to be bigger in scope than any of her previous shows. Slated to run for almost one year, the second wave of the tour is planned for Latin America, Australia and Asia.
Following her historic performance tonight at the Pepsi SuperBowl XLVII Halftime Show, in New Orleans, Louisiana, Beyoncé officially returns to a full-time touring schedule, her first since the I AM…WORLD TOUR in 2009, with a new, bolder state-of-the-art production.

Fans can join the Beyhive Blog for free at www.beyonce.com to access exclusive content, pre-sale tickets, VIP packages and more, including an exclusive MasterCard package to the Bey Stage.   A limited number of tickets to The Mrs. Carter Show World Tour will be available early for purchase in the US and Europe.
Beyoncé’s last tour, the critically acclaimed and incredibly successful, “I AM…WORLD TOUR was ranked #1 on Billboard’s Hot Tour chart.  The show thrilled more than 1.1 million fans at more than one hundred shows in 32 countries and six continents across the globe.
Beyoncé is one of the most widely recognized and highly respected women in pop culture.  A solo recording artist, actress, philanthropist and businesswoman, she has released four #1 solo albums and has sold over 75 million albums worldwide. Her work has earned her numerous awards and accolades, including 16 Grammy Awards.  Billboard named her the Top Female Artist and Top Radio Songs Artist of the 2000s decade. The Recording Industry Association of America also recognized Beyoncé as the Top Certified Artist of the 2000s.
The critics have consistently praised her energetic stage shows likening her to the best entertainers of the past with her own brand of sass and class that makes her the artist of the future.  “Beyoncé has a breathtaking need to entertain,” said Ben Ratliff of the New York Times and Chantal Eustace of the Vancouver Sun summed it up writing, ‘Beyoncé twisted all the theatrics into her musical performance flawlessly, demonstrating her many talents as an artist.”
On February 16, HBO will premiere Life Is But A Dream, an intimate feature-length documentary film directed and produced by Beyoncé for Parkwood Entertainment.  The film provides unprecedented access into the on and off-stage world of the entertainer.
The North American tour is promoted by Live Nation Global Touring and is produced by Parkwood Entertainment.

EUROPE:

April 15       Belgrade, Serbi           Kombank Arena                        On Sale Mon. Feb 11

April 17       Zagreb, Croatia           Arena Zagreb                            On Sale Mon. Feb 11   

April 19       Bratislava, Slovakia    Slovnaft Arena                          On Sale Fri. Feb 8

April 22       Amsterdam, Holland   Ziggo Dome                              On Sale Fri. Feb 8

April 24       Paris, France                 Palais Omnisports de Paris-Bercy On Sale Mon. Feb 11

April 25       Paris, France                 Palais Omnisports de Paris-Bercy  On Sale Mon. Feb 11

April 26       Birmingham, UK          LG Arena                                    On Sale Sat. Feb 23

April 29       London, UK                 The O2                                         On Sale Sat. Feb 23

April 30       London, UK                 The O2                                         On Sale Sat. Feb 23

May 01        London, UK                 The O2                                         On Sale Sat. Feb 23

May 03        London, UK                 The O2                                         On Sale Sat. Feb 23

May 07        Manchester, UK                      Manchester Arena                        On Sale Sat. Feb 23

May 11        Dublin, Ireland              The O2                                        On Sale Mon. Feb 11

May 12        Dublin, Ireland               The O2                                       On Sale Mon. Feb 11

May 14        Antwerp, Belgium          Sportpaleis                                 On Sale Fri. Feb 8

May 17        Zurich, Switzerland        Hallenstadion                             On Sale Mon. Feb 11

May 18        Milan, Italy                   Mediolanum Forum                     On Sale Fri. Feb 8

May 20        Montpellier, France       Park & Suites Arena                  On Sale Mon. Feb 11

May 22        Munich, Germany          Olympiahalle                              On Sale Fri. Feb 15

May 24        Berlin, Germany                        O2 World                                   On Sale Fri. Feb 15

May 25        Warsaw, Poland             National Stadium—Orange Warsaw Festival

May 27        Copenhagen, Denmark   Forum                                       On Sale Mon. Feb 11

May 28        Oslo, Norway                 Telenor Arena                           On Sale Mon. Feb 11

May 29        Stockholm, Sweden          Ericsson Globe Arena              On Sale Mon. Feb 11

NORTH AMERICA:

June 28            Los Angeles                BET Experience/Staples Center          On Sale Mon. Feb. 11

Jun-29             Las Vegas, NV            MGM Grand Garden Arena               On Sale Mon. Feb. 11

Jul-2                San Jose, CA               HP Pavilion at San Jose                      On Sale Mon. Feb. 11

Jul-5                Oklahoma City, OK   Chesapeake Energy Arena                  On Sale Fri. Feb. 15

Jul-6                Dallas, TX                  American Airlines Center                   On Sale Mon. Feb. 11

Jul-9                Ft. Lauderdale, FL      BB&T Center                                     On Sale Mon. Feb. 11

Jul-10              Miami, FL                   American Airlines Arena                    On Sale Mon. Feb. 11

Jul-12              Atlanta, GA                Gwinnett Center                                 On Sale Sat. Feb. 16

Jul-13              Nashville, TN             Bridgestone Arena                              On Sale Fri. Feb. 15

Jul-15              Houston, TX              Toyota Center                                                On Sale Mon. Feb. 11

Jul-17              Chicago, IL                  United Center                                     On Sale Mon. Feb. 11

Jul-18              St. Paul, MN               Xcel Energy Center                             On Sale Fri. Feb. 15

Jul-20              Detroit, MI                 The Palace of Auburn Hills                On Sale Mon. Feb. 11

Jul-21              Toronto, ON               Air Canada Centre                              On Sale Mon. Feb. 11

Jul-22              Montreal, QC             Bell Centre                                          On Sale Sat. Feb. 9

Jul-23              Boston, MA               TD Garden                                          On Sale Mon. Feb. 11

Jul-25              Philadelphia, PA         Wells Fargo Center                             On Sale Fri. Feb. 15

Jul-26              Atlantic City, NJ        Boardwalk Hall                                   On Sale Fri. Feb. 15

Jul-27              Charlotte, NC             Time Warner Cable Arena                  On Sale Fri. Feb. 15

Jul-29              Washington, DC         Verizon Center                                    On Sale Mon. Feb. 11

Aug-2              Uncasville, CT            Mohegan Sun                                      On Sale Fri. Feb. 15

Aug-3              Brooklyn, NY             Barclays Center                                  On Sale Mon. Feb. 11

Diet Coke throws fashion party of the year for 30th Birthday

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– Sparkling celeb-studded bash celebrates iconic brand and new Diet Coke hunk –

Last night saw the fashion fabulous crowd of Diet Coke fans gather at London’s Sketch to celebrate the brand’s 30th birthday. Guests including Pixie and Peaches Geldof, Pearl Lowe and Danny Goffey, Sophie Ellis-Bextor, Laura Whitmore, Zoe Hardman, Jamelia, Ben Grimes, Jade Parfitt and the Made In Chelsea cast enjoyed a sparkling night that looked back at the brand’s dazzling 30-year history and also saw the unveiling of a new Diet Coke hunk.

The biggest surprise of the night saw pulses race when Andrew Cooper, the new Diet Coke hunk entered the room to the famous Etta James “I Just Want To Make Love To You” soundtrack. Back, and sexier than ever, the new hunk ad is set to become one of the most talked about campaigns, and men of the year.

Event host, Hilary Alexander treated guests to a journey across Diet Coke’s 30 years, talking through the exciting campaigns and collaborations that have helped the brand become a cultural icon. She also officially opened a specially curated three decades themed exhibition, which allowed guests to view some of the most exciting moments from the brand including celeb-led campaigns ‘Just for the Elle of it’ (1987), Whitney Houston’s Diet Coke advertising campaign (1988), Paula Abdul’s ‘There’s just one’ (1992), the first hunk Lucky Vanous’ test shots (1994) and Heidi Klum’s Oscar dress from the Diet Coke Heart Truth campaign (2009).

Quirky designer and stylist Patricia Field was there and showcased her limited edition range of ‘Diet Coke City Collection’ bottles. These follow in the line of previous campaigns such as Moschino, Karl Largerfeld, Jean Paul Gaultier and Diane Von Furstenberg, firmly cementing the brand as the ultimate fashionista accessory.

Music for the night saw style superblogger Bip Ling hit the decks, combining the ultimate party track favourites from the past three decades in a mega mix specially created for Diet Coke. VIP’s including Lilah Parsons, Jack Derges, Phil Clifton and Wretch 32, also enjoyed three-decade themed cocktails entitled ‘80’s Just For The Taste Of It’, ‘90’s Diet Coke Break’ and ‘00’s Love It Light’ all made using Diet Coke as well as decadent canapés.

Bon Jovi Announced as First Headliner for Brand New Festival

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AEG Live & The Royal Parks reveal exciting new Summer event for Hyde Park, London:

Barclaycard British Summer Time

28th June – 7th July 2013

Bon Jovi Announced as First Headliner: Friday 5th July*

Frost Magazine will be the first in line for the new music event from AEG Live and The Royal Parks, the Barclaycard British Summer Time, a ground-breaking new event for 2013, to be held at the greatest outdoor venue in the world – Hyde Park.

Barclaycard British Summer Time, a totally unique and world class event for London, will give music fans throughout the capital the chance to see many of their favourite headlining and supporting music artists play over back to back weekends in ticketed events.

Bon Jovi are today named as the first headline music act for Barclaycard British Summer Time. More high profile acts will be announced in the coming weeks.

In what heralds a totally unique event offer for London, each live music-packed weekend will be linked by a midweek programme of diverse entertainment, accessible for all to enjoy. From Monday to Thursday, the entire Barclaycard British Summer Time site, saved for the main stage, will give visitors the chance to get involved with smaller, more intimate events offering film, music, literature, sport and a specific family day that will expand the Barclaycard British Summer Time experience to genuinely appeal to the whole family.

Jim King of AEG Live and Event Director said:

“After a great deal of planning and hard work, we are so proud to announce what will no doubt be an incredible event for London. Barclaycard British Summer Time takes everything we have learned indoors at our other venues – in creating the amazing experiences at The O2 – and shares it within the world’s greatest outdoor venue, Hyde Park. We literally started with a blank canvas and in Barclaycard British Summer Time, we have created what we believe to be the ultimate in Summer events – fantastic music, great food, drinks, farmers markets, theatre, film – and much more incredible entertainment across a full 10 days. The list is endless!”

Across Hyde Park, there will be four themed zones within the Barclaycard British Summer Time site, each with its own specially designed installations and entertainment, high quality restaurants, bespoke salons, pubs, cocktail bars, cafes, bistros and independent food stalls. AEG Live has made a multi-million pound investment and a five year commitment to ensure this is a truly unforgettable experience and the attention to detail in the design of these areas stops at nothing short of excellence. AEG is also committed to working with the natural surroundings of Hyde Park to ensure an environmentally-friendly footprint and has commissioned an internationally respected team of ecologists to advise on the planning and construction of Barclaycard British Summer Time.

Super Secrets of the Successful Jobseeker by Simon Gray

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 Keeping ahead of the competition in 2013 From ‘Super Secrets of the Successful Jobseeker’  Author

Getting yourself to market

“Knowledge is power” might be a cliché these days, but the stark fact of the matter is that it’s never been more of a truism. When you know more about the environment you’re about to enter, then the better you can market yourself, and adapt.

I have interviewed a number of people recently who have been in secure jobs but have been thrown into the hustle and bustle of the jobs market because of redundancy. To be frank, some of their expectations have been unrealistic. They often think that the jobs market is exactly the same as when they last looked for a position –  but times have changed.

I often equate this to a prisoner who has been newly released from prison after serving a 10-stretch. Their surroundings are unfamiliar, and time, people and technology has moved on. It’s no wonder they’re confused.

In my experience, jobseekers react to this in two different ways: they bury their head in the sand and try and pretend nothing has changed; or they take a more enlightened approach and try to gain more understanding of the modern job market and how best to place themselves within in it.

It’s no secret that there are now more people applying for the same job than ever before. With this comes a downward pressure on salaries, and, as far as employers are concerned, it’s most definitely a “buyer’s market”.

Employers are under the impression that they don’t have to try too hard to find great candidates with the skills they need because there appears to be so many out there looking for jobs. They’re also in no rush to make snap decisions when it comes to appointments – nor will they hire unless completely necessary because of the cost risk that taking someone on incurs. In short: employers believe they sit in the seat of power.

Jobseekers, meanwhile, are going into the jobs market believing it’s going to be tough to land a role. They’re thinking to themselves: “I’m going to have to work really hard to find a job and I’m not guaranteed to find one – is there any point?” They also believe they should be grateful for any job that’s offered to them at whatever salary. But the main thing they believe is that they have absolutely no power in the jobs market at all.

I think this is misguided. Why? Because you simply can’t control what is out of your reach. The mindset of employers is beyond a jobseekers capability to alter, and so trying to do so will only waste time and lead to a dead end. The jobseeker would be better spending their time and effort trying to understand what their future potential employer is thinking, and how you can tailor your skills and experience to meet their requirements. In doing this, you’ll be instantly rebalancing the relationship.

The first thing any jobseeker should do is remember who their competition is. Make sure you differentiate yourself from other jobseekers; instantly falling in-line with what the competition is doing will put you at a distinct advantage. Arm yourself with the weapons you need to make you stand out from the crowd.

This can seem like a daunting task, but it needn’t be. Research is vital, and this can be done at a local level rather than trying to ascertain what’s happening nationally.

The local press is a good place to start. Find out what’s happening in the regional economy, and basic steps such as measuring the thickness of the local jobs paper is a good place to start if you want to take stock of hiring activity in the market.

Recent figures show that as many as 20 per cent of people online at any time are looking for a job. Use this time to take a look at jobs boards and search for skills that employers are looking for.

Talk to the professionals – set up meetings with local recruitment businesses. Ask their advice on what’s happening, skills sought after and salary levels.

Do your homework on your local business scene; who are the larger businesses and who are the up and coming SMEs (small and medium sized enterprises)?

By undertaking these simple steps, you the jobseeker, will have a more realistic handle on the jobs market and a better of the times on the times your are living in.

With a clear picture of how things are, you are far better informed and more empowered to plan your attack and find your next position.

The Oyster Shed | Food Review

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 A little while ago, I was treated to oysters, ceviche, and sundry other fishy treats at the Oyster Shed. Thoroughly spoiled, I ran (staggered) home afterwards, tummy fat, fully intending to record my enthusings over the delightful evening at length immediately upon arrival.

Sadly, due in no small part to the soporific (and delicious) combination of scallops, pork belly and cauliflower puree on which I had gorged, I passed out en route to my laptop. By the time I awoke  Christmas was underway, and it hardly seemed fair to bury my appraisal of this establishment amidst the seasonal deluge of mince pies and boring charity singles.

So, belatedly, to the Shed. I’d infiltrated a small group of foodies who were privy to an evening spent inside the Captain’s Table- a hidden dining room which like the main bar and restaurant, overlooks the Thames. Reflected lights sparkled in the inky water a stone’s throw from our window.

The Shed’s head chef, Mark, was on hand to give us freeloading hacks a thorough and informative demonstration of the correct way to fillet sea bass, among other necessary life skills (no sarcasm). Handy tip: Flat fish loses 50% of its body during preparation, and round fish 60%. Use this ‘waste’ for stock. Mark deftly parted said bass from its spine as we watched, mouths full of rich, silky, smoked salmon and trout which was laid out on platters to sustain us. Also important- serve fillets skin side up. It’s prettier.

We munched on translucent haddock and cod ceviche while Mark explained that scallop shells must be closed, or close when tapped, if you are to eat them without fear of stomach upset. He also reassured us that all the fish eaten at the Shed comes from reliably sustainable sources.

Then to the serious business of oyster shucking. While his audience (myself probably included, I can’t remember) muttered ‘hilarious’ witticisms along the lines of ‘shucking good evening’/’they look shucking delicious’/’nothing like a good shucking’, Mark freed one slippery, salty crustacean after another. He remarked as he did so that he had 15 scars on his hands, all from shucking. We nodded seriously, and by now rather tipsy on free champagne and wine, some of us had a go at shucking ourselves. I delivered mine messily, fingers briny as I tipped it back into my mouth. It tasted reasonable- certainly fresh, at least. I had another, then turned my attention to a table behind us now groaning with other ‘nibbles’. Mini fish and chips and burgers were both standard ‘fun’ party fare, but satisfying enough. Pork belly and scallops were accompanied by cauliflower puree, which was delightful. After that my memory becomes hazy. Freelancer turned freeloader, and I stuffed myself until I could stuff no more.

I’m reassured that Oyster Shed menu is seasonal- ‘specials are special’. However I’m pretty confident that staples such as oysters, ceviche and scallops will still be in evidence if you should find yourself there in the near future. Which wouldn’t be a bad idea at all.

Dinner- £40-ish (quite expensive, all considered)
Service– Hard to say, since I ate at a specially-for-hacks event
Head Chef– Charming
Oysters– Fresh, salty
Food in general: Good enough
Cauliflower puree- A revelation
View– Lovely

 

5 Angel Lane  London EC4R 3AB, 020 7256 3240

Karaoke Box Smithfield Review

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Having been asked to review the recently re-launched Karaoke Box Smithfield for Frost Magazine, I duly rounded up a posse and proceeded to check it out on Friday night. After a couple of last-minute cancellations, our group consisted of three musical theatre professionals, two old hands at karaoke, and one “virgin” who had no intention of singing.

The first thing that struck me on arrival was the staff who were friendly, welcoming and helpful, particularly bar manager Paolo Espinosa, who set everything up in the room and showed me how it all works, and Lois Roberts on reception. The second was the venue itself: the bar area was airy and very tastefully decorated, as were the booths which also had interesting lighting systems. On a more prosaic note, the toilets were lovely and clean.

All of our troupe enjoyed the privacy of the booth setting, feeling “quite relaxed as opposed to standing up and singing in a bar,” and our non-singer had lost her virginity within 20 minutes (to Suzi Quatro’s “Can the Can”), saying “as a virgin singer I felt very safe to sing (there).” Another guest loved that the booths allowed separate parties to enjoy themselves without risk of intrusion and the ability to talk and be heard.

The playlist also came in for praise: with over 9,000 songs, everybody found something they knew. The background videos caused some hilarity in our party, with the suicidal goat being the highlight of one person’s night!

The only complaints were about the system itself: a few of the songs were quite badly out of sync; and there seemed to be quite a long wait between songs, even when they were queued up. A key change facility would also be nice, as I believe people who take their karaoke seriously often look for this facility. However, the mikes worked very well; it was very easy to adjust the mix between backing and vocals; and the screen was a very good size.

We were in Room 3, which according to the website is a 14 person room, although I think that would be rather crowded and I wouldn’t personally recommend more than 10 people for comfort. This room costs £70 per hour before 9pm and £98 per hour afterwards. While this seems quite expensive, it doesn’t actually work out to much more per head than people pay for children’s birthday parties or a visit to the cinema.

The bar at Karaoke Box is well stocked, and cocktails and pizzas are both on sale (although we didn’t sample either).

I would recommend Karaoke Box to anyone who seriously enjoys karaoke, as it is much more pleasant that waiting for hours in a crowded bar just to get to sing once or twice. It’s also ideal for birthdays, hen parties, office parties or for anyone who enjoys an activity-based night out. Rooms vary in capacity from 2 to 30 people, and in price from £20 to £210 (for the VIP room) per hour. For more information, visit http://karaokebox.co.uk/smithfield/ or telephone their friendly staff on 020 7329 9991.

A Woman of No Importance… Or Somewhat Little Importance Anyhow | Theatre Listing

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A new play by Katherine Rodden

Directed by Cat Robey

Unrestricted View

Hen & Chickens Theatre
109 St. Pauls Road
London
N1 2NA

5th – 23rd February 2013
Tues-Sat 7.00pm, Sat 3pm

A Comedy of Manners – Noel Coward Style!
A farcical, witty comedy that observes just how insane families really are behind closed doors – even ones that love each other to bits!

The Show
Lauren, an emotionally unstable actress in her late twenties is having a career crisis, a mental breakdown, an unhealthy relationship with alcohol and an even less healthy relationship with her parents! When her mother turns up at her door Lauren is forced to play middleman in her parents’ relationship. As an unlikely day of events unfold we see Lauren reach her breaking point.
The show is written by and stars Paradigm Artistic Associate Katherine Rodden, who most recently toured Europe and Japan playing Bianca in ‘The Taming of the Shrew’. Press for Rodden’s work includes:
“Katherine Rodden showed great talent playing both the roles of Bianca and Grumio. Bianca was delightful and had the audience in laughter and the tough Grumio was urecognisable as the same actress.” (www.lokalkompass.de, ‘The Taming of the Shrew’, 2012)
“Leventon was of course excellent and Rodden had no trouble whatsoever in standing up to the challenge of shining opposite such an established pro.” (***** RemoteGoat, Paradigm Benefit Show, 2012)
The director, Cat Robey, is Paradigm’s Resident Director and has been working freelance since graduating from Goldsmith’s university eighteen months ago. Nominated Best Director by the Off West End Awards for ‘Ondine’ in early 2012, she most recently directed “Freedom, Books, Flowers, and the Moon” with Paradigm at the Waterloo East Theatre. Press for Robey’s work includes:
“Cat Robey’s direction really flourishes here. The relationships and the connections were magnificent to watch.”(***** RemoteGoat, ‘Freedom, Books, Flowers, and the Moon’, 2012)
“What was explored was done so with excellent wit and insight and director Cat Robey manoeuvred the cast of actors through this complex maze of emotions with a beautiful subtlety.” (Suite 101, ‘The Inappropriateness of Love’, 2012)

“A play is only as good as its director, and Cat Robey must take a large amount of credit for this magical piece of theatre.” (Frost Magazine, ‘Ondine’, 2012)

“Cat Robey’s direction encouraged high stakes, and a gradual build towards a thoroughly gripping climax.” (Frost Magazine, ‘As Fate Would Have It…’ 2011)

Cast & Crew

The cast includes Paradigm Artistic Associate Katherine Rodden. From outside of Paradigm, the cast includes Alan Booty, Rachel Dobell, Matt Houlihan, Patrick Neyman, and Keith Wallis.

The production team includes Paradigm Artistic Associates Adam Foley (Lighting, Sound & Projection), Hollie Perniskie (Costume Design), and Paradigm’s Artistic Director Sarah E. Pitard (Set Design). Resident Director Cat Robey directs.

The Company
Paradigm Theatre Company, created in January 2012, is the only fringe repertory company in London. Besides producing 4 shows per season, Paradigm pulls from the same body of actors, directors and writers (Artistic Associates) in order to produce each piece. Paradigm also holds yearly season auditions where we bring in cast members from outside of the company. The ethos behind this is that none of us in the company will ever go more than a year without any artistic work, something that has become quite common for artists in the current economy, whilst also providing a platform for other emerging talent.
Paradigm recently produced a benefit show, staring Sylvia Syms, Annabel Leventon, and Dudley Sutton:
“A brilliant evening of entertainment with acting, directing and writing that displayed absolute class. The honourable ethos of offering a creative platform is simply not ambitious enough. This isn’t just a platform, it is a new and exciting theatre company that offers an opportunity for audiences to be thoroughly entertained.” (***** Remote Goat, 2012)
Paradigm was founded by Artistic Director and Resident Playwright Sarah E. Pitard, who most recently wrote ‘The Inappropriateness of Love’ and ‘Freedom, Books, Flowers, and the Moon’ for Paradigm. Press for Pitard’s work includes:
“Pitard’s dialogue has a remarkable ear for Wilde’s nuances… it is difficult to distinguish between repurposed text from the stories and Pitard’s work. It’s elegant, subtle and perfectly suited to the stories.” (Views From the Gods, ‘Freedom, Books, Flowers, and the Moon’, 2012)
“Sarah E Pitard’s specialty is in her dialogue, which is heightened (as it ought to be in comedy) without sacrificing much in realism.” (The Londonist, ‘The Inappropriateness of Love’, 2012)
The company produces 4 shows a year: 1 classical and 3 new writing pieces (one of which is an adaptation). ‘A Woman of No Importance… Or Somewhat Little Importance Anyhow’ is the 3rd show of the current season. The theme of this season is ‘The Many Faces of Love’ exploring all different types of love, whether it’s love and attraction or love in its purest, most unconditional form. Each play will bring to the audience a glimpse of what it means to live for love, be deceived by love, be disgusted by love, and love with so mighty a heart that even death can’t destroy it.
The 1st production of the season, ‘The Inappropriateness of Love’ by Sarah E. Pitard, ran at the Hen & Chickens Theatre for the month of September 2012 and enjoyed rave reviews:
“The Inappropriateness of Love exposes the vulnerability of the heart through thoroughly convincing acting and scenes… It’s well worth seeing” (Frost Magazine)
“This theatre company could soon surprise and indeed come to occupy the stage of London’s Royal Court.”(PlaysToSee)
‘Freedom, Books, Flowers, and the Moon’, our 2nd show of the season by Sarah E. Pitard, played at the Waterloo East Theatre in November 2012, also to rave reviews:
“The performances were exceptional, Cat Robey’s direction once again excelled itself and Pitard’s writing never ceases to enthrall … deeply moving, very real and incredibly enjoyable.” (***** RemoteGoat)
“We are faced with the awful and disturbing question – how does one measure love – and are forced to question ourselves and our selfless gestures in this world.” (***** Last Minute Theatre Tickets)
 The Theatre 
The Hen & Chickens Theatre is a beautiful intimate venue with 54 individual raked seats in a black box end on space. It is upstairs in the cosy Victorian pub the Hen & Chickens Theatre Bar on Highbury corner.

This wonderful venue has been established for over 30 years and has an excellent reputation for new writing and comedy. Unrestricted View, the resident Production Company has been producing shows and programming visiting companies for the last thirteen years. Unrestricted View is run by actors for actors, to provide a supportive artistic environment to explore and create.

Royal Advert For a Royal Baby.

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Are the Duke and Duchess already looking for childcare? Frost found this royal advert interesting.

Leading childcare search site Findababysitter.com attracts over 200k monthly visits, 2,100 daily log-ins, and over 10k childcare professionals’ profiles are viewed daily. But one recent advert that was posted has caused a right royal stir.

 

The advert was posted by a user registered as Kate C. – an alias the Duchess of Cambridge is said to use – it reads:

Soon-to-be first-time parents searching for the perfect nanny to extend the love and normality of an everyday family home.

The right nanny will be fluent in several languages of the British Commonwealth, confident in the public eye, and willing to travel regularly.

He or she must have excellent posture, grace, poise and perfect diction. A driving licence is not necessary, as a chauffeur will be provided. A love of dogs is beneficial, and exquisite taste in baby clothes is ideal to ensure the new arrival is as stylish as mummy.

The ideal candidate will also possess a classical education, including Greek and Latin, competency in two instruments, be passionate about croquet, polo, and be interested in art history and antiques. Experience dealing with spoilt first children would be helpful. Confidentiality is essential. Only candidates of the highest calibre will be considered.

 

Findababysitter.com has also experience an influx of carers coming online to optimise their profiles, making them fit for the royal job. During the 24 hours after the royal announcement went public, the childcare search site has experienced hundreds of childcare professionals updating their profiles and they expect to see an influx of updated profiles over the coming weeks.