Late For Work? No Worries

Wave goodbye to the nine-to-five worker

Being late is fine with the boss, thanks to smart technology

 

The majority of global bosses are happy for staff to turn up late for work, according to new research by the world’s most trusted online back-up service, Mozy®.  Mobile technology, including smartphone apps and cloud services, now means that bosses are surprisingly supportive of a flexible workforce – more than most employees realise.

 

The findings, which can be read in full at www.mozy.co.uk/9-5, emerged in a study of 1,000 British, German, French, US and Irish employees and employers, which found 73 per cent of bosses have a relaxed attitude to time keeping, as they trust their staff are working long before they actually get to the office.

 

Yet this will come as a shock to most workers as half of employees are under the impression that their bosses definitely will mind if they are late.

 

“This is brilliant news for workers everywhere,” comments Claire Galbois-Alcaix of online back-up specialist www.mozy.co.uk , which conducted the study. “Hard work isn’t going unnoticed and mobile working and technology is having more of an impact on employer attitudes than people think.”

 

Time-keeping

The average global boss would be willing to turn a blind eye to employees being up to 32 minutes late and let staff spend a quarter of the week working from home. However, British bosses are the strictest, wanting late-running workers at their desks no later than 24 minutes into the working day, whilst US employers take the most relaxed view, tolerating their staff turning up to 37 minutes late in the day.

 

Mobile tools

The death knell of the nine-to-five worker has been rung by mobile technology, with three quarters of employers giving employees tools to get their jobs done wherever they are.  However, just 11 per cent of British employers tool their workers up to be able to access everything on the move – which would allow people even more freedom.

 

Email in bed

The study confirms the long-held suspicion that the urge to check emails first thing in the morning is overwhelming for some: a third of all British employees has logged in by 6.30am, compared with just 13 per cent of French employees. On average, by 7.00am one in five employees worldwide has already checked their email.

 

Give and take

Whilst the majority of employers globally are happy for staff to start their days later, in return they’re looking for flexibility from their employees and when they wind down for the night.  The fluid approach to working hours means that many employers are now comfortable with calling after hours, with 80 per cent saying they think it’s acceptable to call staff in the evening.  The research shows that French bosses are the most considerate and stop calling the earliest; 43 per cent draw the line at calling after 7.00pm. 16 per cent of UK employers, on the other hand, think it is acceptable to call workers between 10.00pm and midnight!

 

The real nine-to-five

Global employers demonstrate further evidence that behaviours have changed beyond recognition by underestimating the amount of work that employers are doing away from their desks.  As a whole, they believe their employees spend an average of 55 minutes a day working away from the office, when in fact, the average global employee has already clocked up 46 minutes before they even arrive at the office.

 

What does the new nine-to-five look like? The global results show that the average person starts checking their work email at 7.42am, gets into the office at 8.18am, leaves the office at 5.48pm and stops working fully at 7.19pm, meaning employees are “in work mode” for nearly 12 hours a day.

 

“We can see from the research findings that we’ve come a long way towards work being ‘a thing that you do’, rather than ‘a place that you go’ but, with just 11 per cent of British employers saying their employees can access all of their work tools remotely, there’s still a long way to go”, continues  Claire Galbois-Alcaix from Mozy.  “Using internet-based solutions that allow workers to access their data as if they were in the office, wherever they are and whenever they want, will help everyone to continue seeing benefits.”

 

Taking a relaxed attitude

Bosses are taking a laid-back approach to more than just punctuality, as personal tasks creep into the office day. Across the surveyed nations, 37 per cent of global bosses are happy for employees to take longer lunches. Meanwhile, more than a third of British employers are OK with staff downing tools to enjoy office banter and regular tea breaks.

 

One in eight of global employers polled even claim they are fine with employees carrying out personal tasks like online banking, food shopping and paying bills while at their desks – with the American bosses being most relaxed (22 per cent) and the British being the most stringent.

 

Over half of British employees think nothing of leaving work early for a doctor’s appointment, with one in five leaving early to watch a child’s school performance, and around one in ten using Facebook or Twitter whilst at work.

 

Top personal tasks creeping onto the office to-do list

1.       Leaving work early for the doctor or dentist

2.       Personal phone calls

3.       Regular tea and coffee breaks

4.       Chatting to colleagues

5.       Sending personal emails

6.       Taking a long lunch to get a few things done

7.       Online banking

8.       Leaving work early for a child’s performance at school

9.       Paying a few bills

10.   Having breakfast at work

11.   Reading newspapers and magazines

12.   Using Facebook and Twitter

13.   Calling customer complaints

14.   Researching things to buy online

15.   Brushing teeth

16.   Researching holidays

17.   Online shopping

18.   Showering after cycling / running /gym

19.   Looking up recipes for dinner

20.   Playing the lottery

21.   Online food shop

22.   Reading gossip online

 

Caggie Dunlop On Spencer, Music and The Kardashians.

Caggie Dunlop and Catherine Balavage

I met Caggie Dunlop at the W Hotel for a VIP screening of the short film she is starring in for Impulse’s new fragrance ‘Loving Words’, which smells amazing and you can read about here. I had a brilliant, fun chat with Caggie. She is the kind of girl who you feel would make a brilliant friend: lovely, smart and talented. After the interview has finished Caggie says that our interview was the best of the evening. Shucks: thanks Caggie.

Catherine Balavage: You must be very proud of the film.

Caggie Dunlop: Yeah, I am really proud of it. I actually only saw it for the first time this evening just before everyone arrived so I was a bit nervous, but I really loved it. I thought it was great. I think it is a lovely story

Quite French

Very French. Well that’s the theme and my styling is very Brigitte Bardot. I think that really lends well to it.

What is your favourite film?

True Romance.

What are you wearing? You look Stunning.

Virgos Lounge. They are an online store which is kind of vintage inspired. They do really pretty little dresses. And this is from my clothing line. [points to necklace].

You are really branching out into different areas: you have a sex column for the Evening Standard, you have the clothing line, and the acting.

And music.

Yes, that is how we first saw you wasn’t it?

Yeah, I have a lot going on, but I am not doing the Evening Standard anymore. It was very fun doing it but I am not doing it anymore.

It was very Carrie Bradshaw

Yeah, and it was great and it was fun playing that role but I really think music is where I want to go.

What would you choose between singing and acting?

Everyone asks me this. It is like saying ‘choose between your mum and your dad’, but in terms of career I don’t know, but if you said to me: ‘you could never sing again’ I would have to choose that over acting because I love singing. It just makes me happy to sing on my own. It came about quite randomly. When I sang on the show that was the first time I had ever sang in public. I have had to decide what I really want to do.

How was the acting experience?

I went to drama school and I studied acting so for me it was kind of what I wanted to do, and then when Made in Chelsea came along I got side-tracked from the acting because that was what was available to me at that point in time. The acting world is quite a tricky one. You really have to work it out. I had a great opportunity on Made in Chelsea. The acting is definitely something I want to go back to.

What does your Tattoo mean?

Sanatana Jiva. It means the never-ending and the never beginning spirit, and this [points to tattoo, specifically to the ‘J’ bit] this was for a boy who I’m not seeing anymore! [No!] It’s fine, I’m not bothered. It’s a nice tattoo.

Are you seeing anyone now?

No. I am very very spinster single

Aw, you are too young to be a spinster.

I’m happy being single.

You have so much going on with your career….

Yeah, it’s kind of like I need to focus on that at the moment and I don’t have time to focus on a relationship unless I find someone who has a complete understanding about what I am doing.

What is your clothing line called?
ISWAI. [Spells it out] I.S.W.A.I.

How did you come up with the name?

It’s an acronym for ‘It Started With an Idea’. The idea of it is about starting something new and organic with new talent, so young designers who are at school or university are designing the clothes. They get involved and hen they design an idea that I give them.

It that your motto in life?

I think so, yeah. It’s a very good one. It’s a more business thing. Though maybe not in an ethical situation.

You were the first one to leave Made in Chelsea

Yes I was

You were the biggest star and the main focus. Do you think it was a good idea to leave?

Leaving? A lot of people would argue that ‘why would you leave something when you were the central character and it was at its height of popularity and you just walk away from it with no explanation’. For me I stopped believing in what the show was about. It was a very good opportunity but I always wanted to do different things. I am very grateful for what it gave me and what I gained from it. Now I can go and become my own person.

It really has an effect on your own life and that’s not necessarily a good thing.

A lot of people are leaving now. Hugo’s leaving.

Yeah, Hugo’s leaving. I don’t know how much longer it will last but I wasn’t enjoying it and my heart wasn’t in it anymore and if something doesn’t feel right you have to go with your gut.

Would you do anymore reality TV like Spencer is doing with The Bachelor?

I would never do anything like that show. I’m not saying there is anything wrong with Spencer doing it. We are very different people, but I actually value my privacy. That could be considered a ridiculous thing to say coming from a reality TV show. I would never close any doors but it’s not in my plan. If it was something more documentary, like my music, something like that.

Who is your favourite film director and if you could work with any director who would it be?

Woody Allen or Tarantino. I think that would be a pretty crazy experience.

Did you enjoy making the film?

Yeah, I enjoyed making the film. We had to do it in a day, and it was a full on day. It was raining really badly but morale was up.

Do you have any plans to go the Hollywood Route?

I haven’t been to LA yet. So I can’t really say whether I would end up there. Watch this space. Maybe in a few years time.

Do you think doing Made in Chelsea helped you learn how to be in front of a camera?

Yes, I mean I studied method acting so it was all about being private in public. With Made in Chelsea you are having very private moments with five cameras on you. It is more staggered than people imagine. If you know anything about filming you know that you can’t create those scenes just by us walking into a bar and following us. It is all quite organised. In that sense it was helpful but then reality TV doesn’t really help in acting. It’s probably more acceptable in America.

Do you watch any reality TV like Keeping Up With The Kardashians?

I do, I love the Kardashians. I am so excited. Has the new season started now?

I think so. I saw a poster.

I do love that and I like the American ones. I don’t really like the English ones.

What do you think of Kim dating Kanye West? Are they a good couple?

I think they are. It’s nice that they were friends for ages. They are the ultimate power couple.

They are.

I’m surprised but they seem really into each other.

What’s next for you?

I am realising an EP hopefully in September. So I am developing that at the moment, which is really exciting, because for once I am in the public eye for something that I am putting out. The music is taking centre stage at the moment, but I would love to do some short films on the side and slowly developing that on the side.

Grabbing it with both hands.

Exactly, you only have one life.

What are your musical influences?

Ah, I listen to a lot of Matt Corby, who is this Australian singer who is very singer/songwriter: guitar and vocals, but also there is something quite challenging about his music, it’s really quite beautiful. I also love Jessie Ware. I have been listening to her a lot.

Do you still spend a lot of time in Chelsea?

Yeah. I was in Sloane Square today. I do spend a lot of time there, but because of what I am doing I am kind of all over. If I am gigging [ I could be in] Manchester or Shoreditch. I do love Chelsea.

Who is your favourite actor and actress?

Michael Fassbender in terms of actual ability. I think he is amazing. In terms of who I fancy: Ryan Gosling, but he is also a very good actor. He is a bit more mainstream. An actress…who was the girl who was in The Girl With The Dragon Tattoo.

Noomi Rapace

Yeah, her. I watched that for the first time the other day and I was blown away by it.
She’s brilliant.

She is fantastic. She was in Prometheus too.

No! She’s not! I was watching an interview with her and she was talking about how Ridley Scott picked her, and she said something about the Girl with the Dragon Tattoo. I was thinking ‘why has he picked this random women? ‘

She’s brilliant.

Yeah, She’s fantastic.

Are you going to do anymore writing?

Not in that nature. I would like to write a poetry book which is half poetry, half what is was like growing up. I’ve written poetry since I could write so I have volumes of poetry. Poetry is such an under-rated thing.

How do you keep fit?

I am quite bad. I go through phases of being hard-core. There is a place on the Fulham Road that I have joined called Lomax. I go there and they kick your ass, but in a good way.

What beauty products do you like.
Loving Word by Impulse, Elizabeth Arden Eight Hour Cream.

Jane Frisby On ‘The Fighter’s Ballad’ | Film Interviews

Jane Frisby is without a doubt one of the nicest people in the film industry. I met up with her to discuss a superb film she had just produced –  ‘The Fighter’s Ballad‘. We had a brilliant chat and anyone who wants to work in film can learn something by listening to her advice.

Frost: What made you want to go into producing?

JF: ‘I was getting a lot of low-to-micro Budget Film scripts, wanting the same commercial
actors attached, either urban hoodie ‘gangsta’ films or Horror / Zombie type scripts,
usually not very original or amazing.

“I met Peter Cadwell putting ‘The Fighter’s Ballad’ on as a play. It received the ‘Best of 5 Theatre Plays’ in the Independent Award, and the Play’s Writing by Peter Cadwell and his acting got fantastic reviews, so the writing had already been much appreciated by Critics and the Public. Peter had already done the play to great success at the ‘Actor’s Church’ with great Actor Jack Shepherd playing the Priest, but to a limited Audience, it needed to go bigger, it had been done as a ‘theatre piece already, and I put my producers hat on. It just happened like that. It wasn’t a conscious decision.”

What was the hardest thing about making the film?

“Getting the money… I started with wealthy friends that I knew, public funding, private investors and it just wasn’t happening. Then luckily our Director Tony Ukpo’s father, had investor contacts in Nigeria. That is where the money came from. We were very lucky.”

Did you cast it?

“Peter Cadwell was cast as he had written it, and is also a WONDERFUL actor, but I cast Clive [Russell] and all of the rest.”

What drew you to the script?

“It had so much to say. It was very relevant of life these days. The youth – what have they got now? Education isn’t up to scratch, lack of work, mental health, people on the streets, violence, drugs. Where do they channel that energy? The fact that this guy ends up in a church and has this confrontation with the Priest. It’s controversial and asks questions of the Audience and it challenges Religion and the Church – there were so many issues I felt were very thought-provoking”.

What was the initial first step?

First Step: there were actors who really loved the script, but were unavailable, Clive’s Agent called me and said he wanted to meet as he was interested, we all met him a few days later and he came on board the project, Which was amazing news, this is how the project started.

How are you going to get it out there?

“The easy part was shooting it actually! Then obviously the post-production, the colour grade, the sound, the music. Getting it out there has been very difficult. We went through the usual channels of trying to get into festivals, we did a BAFTA screening, which was fantastic – a good friend of mine managed to get BAFTA for half price. We invested in that and invited a lot of people. We also did a screening at Soho house and invited people to come.

“The public response has been amazing. We put it up online and in the past few weeks we have had 600 people come to the website from all over the world. I am now looking at doing charity screenings – there are a lot of deserving charities out there – and religious screenings, going down that route. I want to do more screenings, as when the public sees it, it creates a lot of buzz. We are doing that as well as going down the normal route of sales agents.”

Do you have any advice for people who want to make their own films?

“Do it. Just do it. If you have a project and you feel like it should be made and you are passionate about it, then somehow you will get it done. Somehow, you will find a location you will get for nothing or cheap. Just get a group of people surrounding you who are as passionate as you are about it.”

How hard was it to juggle doing the film and working as a casting director?

“It has been very tough actually. There have been times when I have been pulling my hair out trying to get people to screenings. I didn’t realise how hard it would be. Trying to work and do my job while casting a corporate or a commercial at the same time, whilst also looking after my daughter who is 15 – It has been a massive amount of balls being juggled – but sometimes you work well under pressure.”

Would you ever want to direct?

“Never. I love casting and I would love to do even more producing. I like working with actors that I rate and having control of the project from script stage to final edit”.

What made you choose the actors?

“When I read the script I had a vision of someone like Liam Neeson. I also thought of the priest as being a big man. I had a vision of this man being a mountain of a man, and he would be quite weathered because of his past. I have always remembered Clive from the RSC. He is a very subtle actor and also 6′ 4” and big.

“I think with him being Scottish as well, there is that sort of Celtic lilt to his voice. Talking to a fellow Scot. [CB: I’m a Scottish actor] Well, I’m not Scottish but I love Scottish actors, Irish actors – I have an apartment in Dublin – and the Welsh. The Scottish are great actors. There is something about Celts. The way the speak is just lyrical.”

What changes have you noticed in the film industry?

“The biggest change is the digital cameras. They have been absolutely massive and you can buy them for £1,000. We shot on the Canon 5D. It’s a stills camera, but the quality is good for film. That has opened up a lot of people being able to make films. I think that is a good thing because it enables a lot of people with not a lot of money to make good quality films. The independent filmmaking scene should be really buzzing now. The one thing I worry about is people trying to make indie films with little money, but trying to make them commercial as well.”

What advice do you have for actors?

“Learn as much as you can. Read screenplays, do workshops, go to masterclasses, go to the theatre, go to the cinema, There are loads of social networking events you can go to. Watch other people’s short films, especially if you really like the director. You never know where they are going to end up. That happened with me on a film that I did and I loved it.

“A short film I cast got into the North London Film Festival and I got in touch with the director/writer of this lovely short I saw there. Two years later, he got in touch and asked me to cast his short. It is social networking, keeping in touch with what’s going on.

“The first person to give me a commercial casting was Mel Smith. My dad had been around Soho handing out plastic frisbees with ‘Jane Frisby Casting’ on them. I got a phone call one evening and this guy said it was Mel Smith. He said., ‘I am doing a commercial and I want you to cast it. I loved the Frisbee’. So I started working with Mel. It’s things like that.

“It’s hard. There is a lot of work there for very little pay, but I think that is across the board – acting, casting, everything. I am casting this short with a wonderful Director Jack Price who I have worked with many times in the past in Bristol. There is lots of talent there. I did that just for my train fare. It’s not all about making money. If you are passionate and you want to work, you just have to keep doing it.”

Like ‘The Fighter’s Ballad’ on Facebook.

The Fighter’s Ballad OFFICIAL TRAILER from Tony Stark on Vimeo.

http://www.thefightersballad.com/

Something Happening For Kids | Theatre

When: 21 July 2012. 10.00am – 5.00pm

Where; The Place

Robin Howard Dance Theatre

The Place presents Something Happening For Kids, a full day of dance performances and activities specially curated for children (aged 11 and under).

Choreographer Darren Ellis is restaging extracts of his latest work Long Walk Home, which portrays a series of four women, each at a different stage of their lives, as they analyse their hopes and their dreams, accompanied by atmospheric live music by the folk band Askew Sisters. Alongside them, The Place’s First Moves, the youngest dancers (aged 5-8) from the Children and Youth Dance programme, will show two new pieces in the round and up-close.

Darren Ellis is also performing in After Effects, a powerful solo piece in which the human body is at the core of an interactive sound and light performance with a modified acoustic drum kit.

Circus dance artist Ilona Jantti will premier the fantastically imaginative HUHU, commissioned by The Place, in which a web of ropes and architectural devices will create the backdrop for an urban chase, combining circus, contemporary dance, animation and the idea of the city’s space.

Author Michael Rosen will recite his much-loved We’re Going on a Bear Hunt in a series of participatory readings, in which the magical story will be brought to life by dance artist Joanne Moven.

Shuffle, The Place’s new junior dance company, will complete the programme with Lookout, a dreamy and suggestive site-specific piece, originally created for a window overlooking the river Thames.

A series of workshops, ranging from percussion and dance, and movement and play will also be available, allowing the young participants to explore rhythms and create movement to live musical accompaniment.

Ilona Jäntti, HUHU

12pm – 12.30pm / 3.15pm – 3.45pm

Robin Howard Dance Theatre
Suitable for all ages

Darren Ellis Dance, LONG WALK HOME + First Moves 1+2

10.45am – 11am / 11.30am – 11.55am

Studios 1 and 2
Suitable for all ages;

Darren Ellis Dance, AFTER EFFECTS
11.30am – 11.50am / 1pm – 1.20pm / 2.30pm – 2.50pm / 3.45pm – 4.05pm.

Founder’s Studio

Michael Rosen, THE BEAR HUNT , with Joanne Moven
1pm-1.15pm / 1.45pm – 2pm / 2.45pm – 3pm / 4.15pm – 4.30pm
Studios 1 and 2

Suitable for all ages; A selection of Michael Rosen’s books will also be available to purchase on the day.

Shuffle Dance Company, LOOKOUT
STUDIOS 9 & 10;

10.30am – 10.40am / 11am – 11.10am /11.30am – 11.40am

WORKSHOPS

Percussion/Dance Workshops with Helen Clarke & Mark Ball
Using dance, musical instruments and body percussion, young dancers will have lots of fun exploring rhythms and creating movement to live musical accompaniment. Please wear loose comfortable clothing.
10am – 10.30am (3-5 yrs)
11am – 11.30am (5-7 yrs)
12.45pm – 1.15pm (8+ yrs)
2pm – 2.30pm (5-7 yrs)

Movement Play & Free Play with Louise Klarnett

These classes are for babies from 3 months with a parent or carer. Classes provide babies with a movement, sensory and rhythmic experience in a playful environment supported by their parent or carer.
Please wear loose comfortable clothing.
10am – 10.45am (parents and babies/toddlers: 3 months-3 yrs)
11am – 11.45am (3-5 yrs)
1.30pm – 4pm Movement free play

Dance Workshop with Laura Aldridge
Fun dance workshops with a circus theme. Please wear loose comfortable clothing.
10am – 10.30am (5-7 yrs)
11am – 11.30am (3-5 yrs)
1.30pm – 2pm (8+ yrs)
2.15pm – 2.45pm (5-7 yrs)

PLUS…

Social Dance silent disco; Arts Activities; An all day Weirdy Beardies hair salon; Soft play
Outdoor picnic area; Free buggy park; Baby changing facilities; Special children’s menu.

Tickets and information: 020 7121 1100

The Place, Robin Howard Dance Theatre, 17 Duke’s road, London WC1H 9PY

Price: £6 single ticket and a group of four £16

A child’s ticket includes access to one workshop. Please book online or call the ticket office. These are subject to availability

www.theplace.org.uk

ENERGIE START AW 12 ‘MAKE NOISE’ CAMPAIGN WITH UK ROCKERS ‘RUBBER KISS GOODBYE’

ENERGIE KICK START THEIR AW 12 ‘MAKE NOISE’ CAMPAIGN WITH UK INDIE ROCK BAND ‘RUBBER KISS GOODBYE’
For their AW12 collection, Italian menswear brand Energie has captured the urban feel of the brand with a new campaign titled “Make Noise” fronted by UK band Rubber Kiss Goodbye.

The Energie ”Make Noise” campaign previews in the brands anticipated AW12 collection, presenting
a new means of expression through dress that is fully reflective of Energie’s identity to stand out from the crowd. The “Make Noise” collection presents a mix of black and white urban-style graphic t-shirts that are not for the faint hearted and a denim collection synonymous with the cutting
edge British indie scene.

Rubber Kiss Goodbye are proving to be one of the UK’s hottest new bands around, consisting of Tara Ferry, son of English singer, musician and songwriter Bryan Ferry along with other band members Oliver and Peter. Energie also appointed the Swedish photographer Alex Lindhal to follow the band in their natural environment where they live and work, capturing their every move. In turn resulting in a range of retro black and white campaign shots reminiscent of backstage scenes of indie-rock groups on tour, identifying and exalting the spirit of Energie’s “Make Noise” collection, for an independent and unmistakable style that goes beyond mere seasonal trends.

Made To Measure Suits at a Reasonable Price

Frost has come across tailoring company A Suit That Fits. They individually hand-tailor bespoke garments for men and women at affordable prices – starting from £259 for the bespoke suit. Which seems very reasonable to us.

They have over 30 locations nationwide whereby customers can visit a Style Advisor to have their measurements taken to design their perfect bespoke suit.

www.aSuitThatFits.com

Milk: The Carbon Footprint Culprit

Milk poured down kitchen sinks every year creates a carbon footprint equivalent to thousands of car exhaust emissions, according to a new study.

Scientists say 360,000 tonnes of milk are wasted in the UK each year, creating greenhouse gas emissions amounting to 100,000 tonnes of carbon dioxide.

The University of Edinburgh study said this is the same number emitted by about 20,000 cars annually.

Researchers looking into the environmental impact of food production said eating less meat and cutting down on food waste would save significant greenhouse gas emissions. They also suggest the food industry could reduce emissions by seeking more efficient ways to use fertilisers.

Dr David Reay, of the university’s School of GeoSciences, who led the study, said: “Eating less meat and wasting less food can play a big part in helping to keep a lid on greenhouse gas emissions as the world’s population increases.”

Researchers also said halving the amount of chicken consumed in the UK and other developed countries to levels eaten in Japan could cut greenhouse gas emissions equivalent to taking 10 million cars off the road.

The research team said figures show if average chicken consumption in developed countries fell from the current level of 26kg each every year to the Japanese average of about 12kg each by 2020, global emissions from poultry would fall below current levels, despite increased output from the developing world.

This would cut the predicted global output of nitrous oxide, a key greenhouse gas, from this source by almost 20%, based on current growth rates, they said.

The study, carried out in collaboration with the University of Aberdeen and partners in Europe and America, was published in Nature Climate Change.

The team arrived at their findings by examining data for global agricultural production of greenhouse gases together with consumption of food in various regions of the world.

 

World’s Top Wildlife Spectacle in Sri Lanka.

EXPERIENCE ONE OF THE WORLD’S TOP WILDLIFE SPECTACLES IN SRI LANKA WITH CHAAYA HOTELS & RESORTS

‘The Gathering’ elephant phenomenon in Minneriya National Park

With close to five thousand wild Asian elephants in Sri Lanka, ‘The Gathering’ offers an incredible opportunity to witness the 6th greatest wildlife spectacular in the world, as recognised in 2011 by the internationally acclaimed travel guide, Lonely Planet.

Taking place in the north central province of Sri Lanka during the dry season, the mega wildlife phenomenon ‘The Gathering’ begins to unfold late July as scattered herds from various forests begin to assemble around the great Minneriya National Park reservoir as the drought takes full effect. During the height of the drought in August and September, every evening the breath-taking setting of the Minneriya plains, receding water line and fresh grass sprouting, draws an awe-inspiring sight with up to 300 elephants gathering to drink water and graze the grasses growing on the tank bed.

Staying at Chaaya Village Habarana offers guests the opportunity to easily visit Minneriya to witness ’The Gathering’. Located just 15 minutes from the hotel, guests are accompanied by Chaaya’s in-house team of expert naturalists – the ‘Nature Trails’ team – who will share their specialist knowledge whilst experiencing the phenomenon first-hand.

Located in the heart of Sri Lanka’s cultural triangle in the Anuradhapura district, Chaaya Village Habarana is situated across 27 acres of lush forestland bordering the Habarana Tank and a vast and tranquil lake. With 108 rooms set among thousands of towering trees the property is a must for nature-lovers. Guests will enjoy cosy Sri Lankan village-style cottages with impressive views of the natural world. Its first class facilities include an Ayurvedic spa, open-air restaurant, bar and coffee shop and a choice of once in a lifetime excursions.

Responsible tourism and conservation is at the heart of the John Keells owned Chaaya Hotels & Resorts group. Its ‘Nature Trails’ programme drives critical education and conservation projects for Sri Lanka to educate both its visitors and its local people to understand and respect its precious wildlife and to develop and teach new skills and careers around its conservation, whilst also supporting livelihoods and bettering opportunities for local families.

Each Chaaya Hotels property has an in-house naturalist to educate both visitors and local people whilst also protecting and nurturing its environment. The Nature Trails naturalists were honoured to be chosen as to support an Austin Stevens Animal Planet production on ‘The Gathering’ which was aired worldwide.


Kuoni
is offering seven nights at Chaaya Village Habarana in August or September with prices starting from £1055 per person based on two sharing and subject to availability. Prices include accommodation on a half-board basis in a standard room, return economy Sri Lankan Airlines flights from London Heathrow and return airport transfers.

For more information on Chaaya Village Habarana and Chaaya Hotels & Resorts visit www.chaayahotels.com