Lauren Laverne, Jo Whiley, Claudia Winkleman, at Lauren's Oxfam Get Together

Lauren Laverne, Jo Whiley, Claudia Winkleman, Dee Koppang at Lauren’s Oxfam Get Together event for International Women’s Day,

Lauren Laverne gathered together a host of celebrity friends to support Oxfam’s Get Together campaign for International Women’s Day this week, raising funds for women around the world.

Guests at the Mad Hatter’s Tea Party included Jo Whiley, Claudia Winkleman, India Knight, Sali Hughes, Grace Dent, Gizzi Erskine, Mary-Kate Trevaskis, Dee Koppang, Hemmo, Polly Samson, Sophie Heawood, and Donna Grant.

Lauren who is an ambassador for Oxfam’s Get Together Campaign, joins over 3,000 women around the UK who have registered to hold their own events to mark International Women’s Day. At her tea party, she served guests multi coloured sandwiches, and praline ice cream lollipops which exploded with a single bite.

 

Lauren said: ‘Such a pleasure and a privilege to host a Get Together for IWD today. My friends are all busy mums and/or working women, but they were all so keen to make a donation and to take the time to come together on behalf of the campaign. It was inspiring and surprising and a lot of fun. We’re already making plans for something even bigger and better next year!’

Claudia Winkleman tweeted: tea with amazing women for #oxfamIWD Have a look at http://www.oxfam.org.uk/women’sday.

Zoe Ball will be celebrating International Women’s Day for Oxfam this evening with a Get Together frock swap with her friends – last year she hosted a tea party for International Women’s Day. Zoe tweeted: Shout for all dames hosting a #gettogether with girls for International Women’s Day

Other celebrity ladies holding Get Together events for Oxfam include Miquita Oliver, who held a women-themed quiz night. And a dazzling array of celebrities put on a glamorous Get Together jumble sale, with stalls organised by Dawn Porter, Gemma Cairney, Caroline Flack, Chris O’Dowd, Kate Nash, Sara Cox, Cherry Healey, Gizzi Erskine, Grace Woodward, Harry Potter actress Jessie Cave, singer Brigitte Aphrodite and TV presenter and stand-up comic Jeffrey Leach. The ‘Rumble in the Jumble’ raised £7,000 for Oxfam.

Oxfam’s Chief Executive Barbara Stocking said: ‘We are so grateful for the support of everyone who is holding an Oxfam Get Together event for International Women’s Day. There are 1.3 billion people living in poverty worldwide – and the great majority are women and girls. Oxfam is working hard to change this through all of our programme work.’

 

 

The Latest Greek Bailout – The Worst Decision Possible

It always happens with politicians, you get ‘compromise’. And it’s exactly what’s happened with the latest Greek bailout. Rather than the much needed bazooka to deal, with the problem we’ve ended up with the usual indecisive and ineffective compromise, which only results in a short term solution.

If politicians had just had the guts to commit a bit more support we might have had a real resolution. As it is Greece is left mired in uncertainty. It is extremely likely a further bailout and/or default will be needed.

Even under the optimistic baseline scenario of the current deal Greece will still be at a debt to GDP ratio of 129% by 2020. That’s 8 years away and still well above the 120% considered unsustainable.

And what reasons are there for thinking the baseline will come true. Greek growth was far worse than expected last year at -6.1%. Greece has never been able to successfully implement the required reforms in the past. If Greece misses its growth targets by just 1%, a scenario which seems highly possible given Greece is expected to grow by a rosy 2.3% in 2014 (despite severe austerity measures), all other factors being equal Greece will have a debt to GDP ratio of 159%. Virtually the same as it has now! And if Greece doesn’t return to growth the consequences don’t bare thinking about. One bad number in the next 8 years would knock everything of course.

This bailout will not offer any confidence for business. The Greek people are already furious. How will they be after another 8 years of severe austerity with no or little progress on debt? Even if they achieve the baseline and get back to 129% debt to GDP they are still left in a dire position.

Once again the policy makers have found the worst option. Short term thinking politicians are pandering to their electorates and only thinking of their upcoming elections.

To set a date for default, take ownership of the problem and leave the Euro would have been a better option for the long term for both Greece and the Euro.

Even better a bigger bailout designed to knock Greek debt to GDP ratio back below 100% would have inspired confidence. Businesses would not be so afraid to invest. Greece might have even been able to sell some of its assets to the private sector for a reasonable price. This was an affordable solution. Unfortunately the German tax payer and others refuse to pay.

At some point either the Germans or the Greeks are going to say enough is enough. NO MORE BAILOUTS. It is likely that Greece will default again and leave the Euro anyway. But instead of doing it now and beginning the recovery we must drag on with the worries of Greece weighing on growth and confidence throughout the whole of Europe.

That’s Grouse: The British Show

Australian pop artist Linton Meagher reimagines
shell casings, lipsticks and
scalpels in first UK solo show
That’s Grouse
COMODAA, London
Exhibition Dates: 22nd – 29th May, 2012

Adding an evocative twist to the ‘Pop Art’ Genre, Linton Meagher taps the visual potential of
mass-produced objects in his first UK solo exhibition.

“That’s Grouse”.The British Show surveys the cross-media work of Linton Meagher. Showcasing works with
international appeal, “That’s Grouse” The British Show playfully considers the construction of identity, touching upon
motifs in contemporary pop culture.
“That’s Grouse” is an Australian colloquialism referring to something excellent or fantastic: this tongue-in-cheek
exhibition is a mischievous exploration of cultural iconography that’s equally relevant in both Australia and the UK.
Through a painstakingly repetitive artistic practice, Meagher moves familiar, functional objects into the realm of fine
art, encouraging and challenging viewers to question their meaning for contemporary society.
Constructed from hundreds of shotgun cartridges, bullet casings, imitation lipsticks and surgical scalpels,

The marriage of disparate meanings and objects is a theme throughout Meagher’s work and is particularly evident as
repellent objects such as bullets or surgical scalpels are transformed to portray beauty.
Taking inspiration from Jeff Koons’ and Arman’s irreverent approach to art-making materials, Meagher’s practice
often examines a symbolically loaded object, such as a shotgun cartridge (referencing both gun control issues in
Australia and hunting heritage in the UK), and utilises its aesthetic appeal to encourage the viewer to reflect on the
world around them.
“On the surface, these works are just fun, sensual and instantly engaging: with the shotgun cartridge works,
the viewer is initially seduced by the beauty of the piece.
However, it is hard to look past the death implied by all the empty cartridges. They force the viewer to ponder
the economics of the endless pursuit of thrills and beauty. These works are also an extension of the artistic
tradition of exploring mass consumerism and the use of ready-made objects in art.”
Linton Meagher

Exhibition Details:

Dates: 22nd – 29thth May 2012 Private View 6.30pm Tuesday 22nd May 2012
Address: COMODAA
28 Chepstow Place
Notting Hill
London
W2 4XE
Transport:
Bayswater (Circle Line, District Line)
Queensway (Central Line)
Free
Opening Hours:
Mon – Sat, 12noon – 9pm
Closed Sun
http://www.comodaa.com

+44 7900 616303
info@comodaa.com Continue reading

London Fashion Week in Pictures

I had a ball at London Fashion Week, which you can read about in my Huffington Post blog. I still had some pictures so I have decided to share them even though fashion week is over. The first one is from the opening of Christopher Shannon, the second of TV presenter Jameela Jamil, and the rest of Jasper Conran and Holly Fulton from London Fashion Weekend. I was sitting front row with Keshini and the clothes were amazing. I have always been a fan of Jasper Conran. I would like to thank my amazing fashion writers Keshini, Paloma and Kate. They were amazing during fashion week and wrote some great posts. See you in September.

To see a bigger version of the pictures, click on them.

Christopher Shannon

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


 

 

Street Fighter X Tekken – The Game Review

The mother of all fighting games is finally here, featuring what has to be the most incredible of two very different fighting worlds and styles into mixing them up into one astonishing fighting game. But does more always equal more or does two of the best equal one of the worst? Here is my video game review.

Until Resident Evil came along Capcom was always best known for its long-established fighting game mechanics. It did not matter what game you were playing Capcom games always came out on top. Even in the very basic of game’s mechanics such as the sideways beat-em ups you could always tell if it was a Capcom game. The Street Fighter series has earned itself a place in history because it both created and helped evolve a  genre quite simply because it has been so good. Don’t believe me – just look at how many times the game has been cloned over the years. One of the ways that Capcom has managed to keep the game exciting has been by introducing new characters and worlds for their characters to battle against. We have seen it in Marvel Vs Capcom and X Men Vs Street Fighter.

Street Fighter games thrive on skill; make no mistake, you need to know what you are doing. You need to know the moves and then be proficient at them enough to pull them off quickly. The game rewards you for doing so and punishes you with defeat if you don’t – simple as.

Tekken games on the other hand come from the equally mighty Namco. Developers of the mighty Ridge Racer and you know what that means – shocking detail, kick ass technology and replay value. Whilst not having Street Fighter’s 25 year old legacy it still has 18 solid years. Historically Tekken games rely more on technique, moves are easier to pull off and the level of detail and storyline is one to be envied even by the Ryu wannabes of this world.

Graphically the two games could not be sat further apart; Street Fighter (except in it’s EX series) has always remained 2D, matches go at an ADHD pace and look like a fireworks display. Tekken on the other hand has always been 3D with lush landscapes and the ability to avoid projectiles by moving into and out of the screen. Matches in Tekken land have long pauses whilst each player looks for weaknesses and when the impacts come, they are quick and short lived. Hence to bring together such a game like this was either going to work or fall flat and very miserably at the first hurdle.

So what was the cause of this mash-up? A magical box from the space called Pandora’s box crash lands on…Earth I assume and naturally both the good and bad guys want it for the own ends. To the victor go the spoils.

So how does it play? Well to say that it is incredible just does not give it justice. Street fighter X Tekken is so deliciously extraordinary it captivates and rejuvenates what for many could be described as a tired genre. Just when you think you have had enough of Marvel Vs Capcom along comes this. Here Street Fighter is the dominant partner (while Tekken will take the lead in Namco’s version of the game, whenever it chooses to surface) and the foundations of the game are built from Street Fighter 4’s building blocks and aesthetics i.e. combos, special moves and power bars.

Therefore if you have been used to the Street Fighter game and know the likes of Ryu, Ken, or Chun-Li you will feel right at home here. Many of the trademark moves have stayed the same, the inputs for the most part remaining the same, even if the speed and magnitude of what you see on screen are different from their previous incarnations the characters still look good and solid. The game moves forward at a rapid pace; gameplay thankfully slower than the hyperactive sugar rush of Marvel Vs Capcom but still faster than Super Street fighter 4. The complexity of pulling off super combos has been reduced to make it more accessible to newcomers, as has the introduction of a ‘gem system’ which can make certain inputs easier once activated for your character.

The first time you fire the game up Street Fighter’s cool but utterly useless character Dan beckons you into a tutorial about the game mechanics and I highly recommend that you don’t skip them. The introductory sessions last about 20 minutes as you are guided through mechanic after mechanic for high-level play. You have a Cross Gauge, a special meter divided into three sections that fills as you execute attacks. You have gems and you have charge attacks.

The tag team element is the main part of this game and there are so many ways in which you partner character can be called into play for example you can use the Cross Rush – by hitting any attack buttons in ascending order of strength – this will send your character into a bone crushing combo that ends with a launcher move which tagging in your second character to continue the attack.

The special meter has a number of uses, built up during the course of the match either when you hit your opponent or block or counter their blows. The gauge is principal to special attacks. One section of the gauge can be spent in a variety of ways, unleashing EX versions of your standard special moves that have stronger properties, a la Street Fighter IV. A section can also be spent on a Cross Cancel, which allows you to counter from a block with a launcher, sending your opponent high into the air, or a Switch Chance, which allows you to tag in your partner mid-combo for a spot of Tekken-style juggling.

Spending two sections of the gauge will allow you to execute a Super Art, the game’s version of Street Fighter 4’s Ultras, while if you have a full gauge you can spend it all on a Cross Art, which will have both members of your team perform a combo Super Art for incredible damage. Alternatively, the entire gauge can be splurged on a Cross Assault, a spectacular two-man attack that brings your partner onto screen to join in the attacking for a few seconds under AI control.

Lastly, you have the Pandora move – a controversial sort of kamikaze gamble – which can be triggered if your on-screen character has 25 per cent health or less, a move which will kill the character you are currently using whilst imbuing your remaining partner with a gigantic boost of power. However, this only lasts for ten seconds and, if you fail to win the match within that time, you lose regardless.

As you can see – whilst the gameplay in general has been somewhat simplified all of these different options and methods at your disposal still adds to the complexity and depth of the game.

Equally noteworthy is the game’s different customisation options. You can now choose the different colours for each part of your characters dress, skin tone and hair colour so you can have that full individualised look. Wanna see Ken with grey hair? I did. How about having green top and white bottoms and change that head band to blue Ryu? Not a problem. As you can see fashion just might not be my thing, but having those options is a nice touch.

Other real gems exist in the voice over’s – for example you can have the characters talking in their native language and have subtitles. So Ryu talks Japanese, Ken speaks American etc which I think is really good given that the characters are supposed to be from around the world.

The backgrounds are really nice too – embodying the Street Fighter / Capcom world with stages such as Dino Crisis having multi levels with which to fight on.

So how does this title fair in terms of multi-player? Well – Capcom has brought in a number of multiplayer innovations that make Street Fighter x Tekken perhaps one the most exciting co-operative fighting games made to date.

Online, you can now pair up with another fighter to take on other two-man teams, each player controlling one character in a normal tag match. An online Briefing Room actually allows players to train together remotely and one can’t help but to get excited about the possibilities for future tournaments will shape.

There is also a Scramble mode which has four players all fighting on screen at once, either online or off. It’s a mish-mash of punches and kicks and special moves which is incredible to watch. Equally, the usual array of SF4: Arcade Edition lobbies and match videos make an appearance, providing the game with a framework for community-building from day one.

Significant work however needs to be done on the netcode playing this game last night I was appalled to see that there were still problems playing online. Sound effects jittered online players dropped out of the game at will – and not just because I was winning. This was quite sad as it just mudded the online experience for me.

My Verdict

Street Fighter X Tekken is an astounding piece of work and a worthy purchase to have on your shelf if fighting games are your thing. Extraordinary to watch and intense and captivating to play it rejuvenates what for many could be described as a tired genre. Incredible just doesn’t do the game justice; yes it has its minor gripes but as a solid fighting title Street Fighter X Tekken is accessible, enjoyable and fun to play whilst having enough depth to keep existing players of the franchise more than happy. It simply hits the mark.

9.3/10

Desperate Housewives Spoiler: Who Dies?

Spoiler Alert. Anyone who doesn’t want to know what happens in Desperate Housewives should not read further.

News of the series regular who is to die in an upcoming episode of Desperate Housewives has been revealed after it was let slip in a court hearing between the show creator Marc Cherry and Nicolette Sheridan.

 

 

James Denton’s character Mike Delfino will die. Denton has been a series regular since the show started in 2004 and he plays Teri Hatcher’s husband on the show.

Denton told Entertainment Weekly: “I was really surprised. Any other year, I would have been disappointed, but at this point I figured, well, we made it… As an actor, you just hope people care.”

“I remember lying in the threshold [while filming the scene] with the blood pouring out of me looking up at the top of the porch. I’ve been there for over eight years, and I’ve done so many scenes on that porch… It was a little creepy… It was sort of fitting.”

There will be another six episodes of Desperate Housewives after Denton’s onscreen death in the episode ‘You Take for Granted’.

This season is to the last season of Desperate Housewives.

VEUVE CLICQUOT BUSINESS WOMAN AWARD 2012 FINALISTS ANNOUNCED

Veuve Clicquot announces the shortlist for its Veuve Clicquot Business Woman Award at the WIE (Women: Inspiration & Enterprise) 50 Power Breakfast at The London Stock Exchange chaired by Deputy Prime Minister, Nick Clegg, bringing together shining examples of female entrepreneurship and business success across sectors ranging from fund management to fashion and hospitality. The finalists are, in alphabetical order:

· Anya Hindmarch: Founder, Anya Hindmarch

· Helena Morrissey: CEO, Newton Investment Management

· Ruth Rogers: Chef & Owner, The River Café

Regarded as the ‘Oscars’ of female entrepreneurs and business leaders, the Veuve Clicquot Business Woman Award, now in its 40th year, celebrates entrepreneurial women who have made a significant contribution to business life in the UK. The Veuve Clicquot Business Woman Award nomination criteria are those ideals epitomised by Madame Clicquot: Entrepreneurship, financial success, Corporate Social Responsibility and acting as a role model.

All Finalists selected by the Veuve Clicquot Business Woman Award judging panel demonstrated the strongest evidence of all nomination criteria. Notable achievements included Helena Morrissey’s groundbreaking 30% Club, which helps champion the issue of women on boards, Anya Hindmarch’s entrepreneurial story and global pioneering of her ‘I am not a plastic bag’ initiative which raised the issue of plastic bag usage amongst the public’s consciousness as well as the government’s agenda, and Ruth Rogers’ steady growing business, changing how we perceive, as well as cook, Italian cuisine.

Carolyn McCall, previous winner of the Veuve Clicquot Business Woman Award and current Panel member, noted: “The nominees for this year’s award are all great role models and have all the attributes that Veuve Clicquot looks for in its Business Woman Award. This award has played a vital role in recognising and celebrating women in business.”

Sian Westerman, MD of Rothschild and member of the Veuve Clicquot Business Woman Award Panel commented: “This strong shortlist, drawn from an excellent long list, exemplifies what women can achieve in business: strong entrepreneurship and leadership, combined with a desire and ability to deliver real change in society. Spanning areas key to the UK economy of fashion, finance and hospitality, they are great role models for all who aspire to succeed in business.”

The winner of the Veuve Clicquot Business Woman Award will be announced at a high-profile Champagne reception at The Ballroom at Claridge’s, London on the 18th of April 2012 at 6.30pm.

The Award’s 20-strong judging panel is comprised of business leaders, including Carolyn McCall, Chief Executive, easyJet, Jasmine Whitbread, CEO Save the Children, Duncan Bannatyne, Entrepreneur and Dragon, Caroline Michel, CEO, Peters, Frasers and Dunlop as well as Sian Westerman, MD, Rothschild and other key industry experts.

Christina Jesaitis, Senior Brand Manager, Veuve Clicquot said: “As we reach our 40th year of the award, social and environmental responsibility are still a key focus for our judges and this year’s finalists all represent business women that have embedded these important attributes into their organisations. The award also looks for those women that are able to act as more than just an example of a successful business woman, but rather an inspiration and mentor for future female entrepreneurs; we believe that all of our three finalists have demonstrated this quality.”

Created in 1972 as a tribute to Madame Clicquot and now operating in 27 countries, the annual Veuve Clicquot Business Woman Award champions the success of business women worldwide who share the same qualities as Madame Clicquot; her enterprising spirit, her courage and the determination necessary to accomplish her aims.

Reel Syria Film Festival 2012

REEL SYRIA 2012
London
March 15-18

 

Following the successful REEL FESTIVALS 2011: SYRIA, LEBANON, SCOTLAND – a trilateral exchange of contemporary music, film and literature from Syria, Lebanon and Scotland, Reel Festivals returns for its fifth year with Reel Syria 2012, in association with Mosaic Initiative for Syria, supporting Syrian artists and showcasing Syrian culture to a UK audience.

At a time when Syria is engulfed in violent conflict, the festival will present a nuanced portrait of the country and its people. On the anniversary of the uprising, Mosaic Initiative for Syria will also raise funds for Syrians displaced and affected by the current violent crackdown.

Highlights of the festival include a performance of Score 328: SURROUND by ‘The 17’ an international public performance project conceived by artist/author/musician Bill Drummond (KLF). A Syrian film programme by DoxBox including a screening of ‘A Flood in Ba’ath Country’ directed by the late, celebrated Syrian documentary maker Omar Amiralay, an evening panel discussion on creative resistance with guests, including Asian Dub Foundation’s Steve Chandra Savale, Syrian novelists Manhal Alsarraj and Mamdouh Azzam, and other participants TBC. There will also be a fundraising Syrian-style bazaar at Kensington Town Hall.

A major fundraising music concert is scheduled, but at time of going to press, details are still being confirmed. More information will follow shortly

They have a blog that can be read here.

EVENT DETAILS

Thursday 15th March

7:00 pm – Reel Syria in association with Frontline, screening of Syrian documentary film, ‘A Flood in Ba’ath Country’ by Omar Amiralay as part of DoxBox Global Day. Q+A with Syrian Director Reem Ali £10/£8 (Frontline Club, 13 Norfolk Place, W2 1QJ)

Friday 16th March

5:00-7:00 pm – Literary panel discussion and readings – Culture Under Fire: Creative resistance in Syria. Join some of Syria’s best known authors, artists and poets for a discussion of cultural repression and resistance. Featuring: novelist, Manhal Alsarraj, novelist, Mamdouh Azzam, musician Steve Chandra Savale, academic, Donatella Della Ratta + more tbc (Free Word Centre)
8.30-10pm – Screening of Syrian film(s) + Q&A
Free Entry (Free Word Centre, 60 Farringdon Road, EC1R 3GA)

Saturday 17th March

4:00 pm – Mosaic Initiative for Syria Fundraising Syrian Bazaar (Kensington Town Hall)
7:00 pm – Art of the Revolution, Mosaic Initiative fundraising concert featuring top Syrian musicians – further programming and price info TBC (Kensington Town Hall, Hornton Street, London, W8 7NX)

Sunday 18th March:

1:00 pm – Bill Drummond – ‘SURROUND in Damascus’, a piece of work created for Syria in 2011 by legendary artist and musician Bill Drummond, will now take place in exile in London. 100 volunteers are needed; all will become members of The17, Bill Drummond’s international choir.
To take part, please email surround@reelfestivals.org

DoxBox is Syria’s only independent documentary film festival and has hosted guests such as D.A. Pennebaker, Kim Longinotto, Mark Isaacs and many more. In 2012 it will take place in exile, with a programme of Syrian documentary film. The film aspect of Reel Syria will come from DoxBox.
Reem Ali is one of Syria’s best known contemporary actresses. She is the director of ‘Zabad’, a 2006 searing critique of the Assad regime, subsequently banned in Syria; it premiered at Reel Festivals 2011.

Manhal Alsarraj is an award winning Syrian author. She has published a number of books including Overcoming The Bridge (1997) and As Should Be For The River (2000), which was banned from publication in Syria due to its political connotations. Her most recent novel On My Chest (2007) was published by Cadmus books in Damascus in 2007.

Mamdouh Azzam, is a Syrian novelist, whose works are a damning portrait of life under a dictatorship, as well as being beautiful works of literature. His novel Rain Palace was banned by the Ministry of Culture for religious/political reasons and his latest novel, Women of the Imagination, is a story of a book-obsessed teacher living under the Baathist regime

Steve Chandra Savale, also known by his stage names Chandrasonic and best known for his punk rave aesthetic as the guitarist for the ground-breaking British band Asian Dub Foundation. In 2009, He presented a series of documentaries for Al-Jazeera English called Music of Resistance.

Donatella Della Ratta is an academic specializing in the study of Syrian cultural production at the University of Copenhagen. Author of several articles for leading scholarly journals, she focuses on culture of resistance in Syria and its implications.

Bill Drummond has been the bestselling musician in the world, burnt £1,000,000 as a work of performance art and written a manual on how to have a number one record. His energies are now focused on a choir called The17 and he will be presenting a piece made to take place in Syria during the festival. http://www.the17.org/scores/328,
http://www.penkilnburn.com/events/events.php

 

Reel Festivals was made possible by the generous support of the British Council .

Reel Festivals is a Firefly International project. Firefly is a charity which breaks down barriers through shared creative and cultural dialogue.

Twitter: reelfestivals / Facebook: reelfestivals

Info about Reel Festivals:
http://www.reelfestivals.org/reel-syria/