Prose & Cons: A Melancholic Comedy

After the success of Bridesmaids, a new wave of films with strong female characters are hitting cinema screens. Prose & Cons is a black, melancholic comedy set in the world of artistic frustration and writers block.

Sarah [Played by Catherine Balavage] is one of the new waves of poets. Her book sold millions of copies, but now she hasn’t written anything for over 160 days, and her publisher is getting restless. After an ultimatum from her publisher, and a horrendous poetry reading that went viral on twitter and YouTube, Sarah becomes increasingly desperate for new material. Her actions have far-reaching consequences that will change the lives of all of those around her.

Directed by Richard Wright and produced and written by Richard and Catherine; Prose & Cons is a film about writer’s block, consequences, friends and the resilience of typewriters.

Follow the film on Twitter here: @undersadtears

Here is the directors production diary: http://undersadtears.wordpress.com/

You can keep up to date on Prose & Cons IMDB Page

And more info on Catherine here: http://www.imdb.com/name/nm2952107/

Released 28th November 2011.

This Month's Magazines; Jennifer Lopez Believes in Love, 9/11 Anniversary.

Note: Magazines come out a month in advance. September’s magazines are Augusts.

The September issue of Vogue is out and the advertisers have made the issue heavy enough to use as a dumbbell. No complaints from me.

It is the International Collections special and there are lots of clothes to fawn over, Labels and trends to be urban cool, and accessories that make a difference in Vogue’s Big Fashion Issue.

There is a brilliant article on the history of Gucci, Paloma Picasso revisits Venice and talks about her journey to becoming a jewellery designer, Dries Van Noten gives a guide to his Antwerp, up-coming actress, producer and writer Brit Marling is interviewed (Frost loves her), Rifat Ozbek is doing Robin Birley’s new club, Ruperts; Good two page article.

Olivia Wilde talks Haiti and Childhood, there are a lot of autumn clothes that all look too hot, it’s 30c in London at the moment!, Miss V has her excellent social diary, there is a 9 page spread on the turbulent life of John Galliano, Tom Ford on his new cosmetic line and an article on the new David Bailey film. I noticed afterward that in the shops you get a free fashion DVD. However, I did not get this as a subscriber. Bad form.

Emily Mortimer is on the cover of this month’s Tatler and there is an interview inside.

There is a free gift but not for subscribers, grr.

There is a moving tribute to Tatler senior editor John Graham, Princess Tatiana of Greece and Denmark, A guide to nightclubs, An article on what it is like to stay on Abramovich’s yacht and the Royal Family residences, who sits where at White’s, Secret Cinema, Kate Middleton joins Competitive Princessing, Sir Michael Sorrell, What to wear: looking posh on less dosh, Legendary Lotharios, Rich Kids, a good 6 page spread on Tina Brown.

Guy Pelly, Astrid Harbord and Jake Warren have a new club, 37 year old Sam Leith goes back to school, Diana Von Furstenberg tells all about what she loves.

There is also lots of Travel and the Bystander (the social diary). Kate Middleton makes an appearance at the Derby with William, as does Elton John’s annual White Tie & Tiara Ball.

Frost has been complain that Marie Claire has not been giving its subscribers free gifts because of ‘cost’, and this month’s issue came with a free gift. It would seem someone listened but, alas, no. In the shops you get a free nail polish and a conditioner. I just got a conditioner.

Anne Hathaway is on the cover and interviewed inside. There is a good article on what to wear to fashion week (which I will be listening to!), an interview with Mulberry bag designer Emma Hill, an interview with Katie Holmes, how to get French style, what the New York fashion pack wear, China’s fashion, what men won’t tell you until the third date, Should you move abroad?, 9/11 Anniversary, A good three page article on Stella McCartney, The X Factor, Beyonce, Oh Land, a One Day Special; article on the book and interviews with cast and lots & lots of fashion and beauty.

Vanity Fair has Jennifer Lopez on the cover and her first interview since her divorce inside. She says she is “an eternal optimist about love…it’s still my biggest dream.”

L’Wren Scott gives us the low-down on her stuff, in Fairground there is a lot of lovely picture of the Duke and Duchess of Cambridge in Hollywood attending the BAFTA party.

Also articles on Michael Buble, Private Eye’s 50th anniversary, Agnes B, how the US failed to stop 9/11, Hackers, The 2011 Best Dressed List; Tilda Swinton, The Duchess of Cambridge, Carla Bruni-Sarkozy, Andrea Dellal, Johnny Depp, Vanessa Paradis and Arpad Busson all feature, There is a celebrity portraits of Angelina Jolie amongst others, Michael Lewis investigates German attitudes towards money, the actors who play the Duke and Duchess of Windsor are photographed and interviewed for Madonna’s new film W.E, Designers and their muse, John Currin.

Glamour has Mila Kunis on the cover and she is interviewed inside.

How to be a Cavalli Girl, Feminism, Fall in love with your job again, How to eat well if you have £15 until pay day, 9/11 Anniversary article, Career rules rewritten, What sex feels like, Jim Sturgess interview, Are you Destroying your own love life?, Comedian Jack Whitehall, Why do women want to be WAGs?, Fashion’s Hot 100, How to have a great hair month, How to get more energy.

Phew!

Red has Laura Bailey on the cover and has a free bodywash. Laura is interviewed inside. There is a good article on no kids and no regrets, the original supermodels and what they are doing now, an article on people’s on/off duty wardrobes,

My City, My shopping guide, The looks that sum up a city. Anjum Anand show Red around her life, 8 Lessons in love and loss, four women reveal the moment they found their dream property, Dominic Cooper, Adele, Tom Ellis, Will Young, Colin Farrell, Fiona Neill, Jo Whiley’s Festival Guide, 4 ways to update your face, How to get radiance, there are a lot of good recipes, cooking with in season vegetables , paella, home made curry, global shopping guide, find your health/life balance, what is causing your breast pain and Audrey Tautou tells all about the best things in life.

[This page will get updates as more magazines come out. Thank you.]

Beatlemania Heads To The West End

The Fab 5 live on as Backbeat, the stage version of the award winning 1994 film about the early years of The Beatles, will have its West End premiere in the autumn. The play was written by Iain Softley, the film’s creator, and is directed by David Leveaux. It will open on 10 October 2011 (Previews will be in September) at London’s Duke of York Theatre, it will run until 24 March 2012. Tickets are already on sale.

The film starred Stephen Dorff as Stuart Sutcliffe, Ian Hart and Sheryl Lee. The film was co-written and directed by Softley. The stage play has its world premiere at the Glasgow Citizens Theatre in February 2010. It is set during the ‘Hamburg Tears’ in the early 1960s before the band become, as Lennon put it, ‘more famous than God’. It focuses on the relationship between Stuart Sutcliffe, who left the Beatles just before the became famous, after falling in love with Astrid Kirchherr, a German photographer, Sutcliffe handed his guitar over to Paul McCartney and died of a brain hemorrhage in Hamburg aged just 22. His portrait features on the album cover for Sgt Pepper’s Lonely Hearts Club Band.

Casting got the West End show has yet to be announced.

Backbeat will includ some Beatle songs including ‘Twist & Shout’, ‘Rock & Roll Music’, ‘Long Tall Sally’ ‘Please Mr Postman’ and ‘Money’.

Producer Karl Sydow commented today: “Backbeat at the Duke of York’s Theatre will allow people the experience of being at the birth of the Beatles. It tells a story that many music fans may not know, set to a musical backdrop that absolutely defined the early Sixties. Next year will mark 50 years since the Beatles released their first single, and I am proud to be bringing their early days to life in the West End.”

Angelina Jolie and Brad Pitt To Quit Acting: “We Had a Good Run”

Angelina Jolie has revealed that she “doesn’t love” acting as much as she used to.

Jolie was in tears when she was honoured for her controversial war movie, The Land Of Blood And Honey, at the Sarajevo Film Festival. She was praised for her directing debut, which is about a Muslim woman and a Serbian man during the Bosnian war in the 1990s. However, Jolie also said that she and Brad plan to quit acting soon.

“As Brad and I get older, we’re going to do fewer films,” she said. “I’ve been working for a long time, he’s been working for a long time. We’ve had a nice run and don’t want to be doing this our whole lives.”

Jolie added: “I’ve never not been grateful to be an actor. But I think when I was younger, I needed [acting] more. I was trying to question things in life, so you find these characters that help you find things and grow. I’m older and I know who I am, and I’m less interested in the character helping me answer something than in being able to answer it for myself, as a woman, as an adult, with my family.”

Jolie was Forbes highest paid actress in 2009 and 2011, and she and boyfriend Brad Pitt are parents to six children, Maddox, 9, Pax, 7, Zahara, 6, Shiloh, 5 and twins Vivienne and Knox, 3.

She said: “Home is wherever we are. I’m very bad at staying in one place. I’m also bad at sitting still. There’s so much to explore in the world, so I love travel. If you can travel I think it’s the best way to raise kids.”

New Film 'Bubbles' Paves Way For Women In Film

Following on from Bridesmaids, a new film written and directed by women, lead role is a women and a high proportion of women on the crew. The shape of things to come? Let’s hope.

Here is all you need to know about Bubbles.

The Director

Leyla Pope comes from a professional background in communications working for Medecins Sans Frontiers, but her passion for filmmaking led her to the decision to make a career shift and follow her dream to work as a writer/director. Her short film Bubbles is a huge milestone for a female (also juggling the roles of wife and mother) in an industry which is still very much a male-dominated work environment.

The Film

The film’s central character, Lily, is a strong, intelligent woman struggling with suppressed desires and tense family dynamics. Following the death of her mother, Lily steels herself to organise her father’s move out of the family home. She has little support from her husband who is deeply absorbed in his latest composition and unable to relate to Lily’s tense presence. In the midst of this turmoil, a former lover appears and Lily finds her ordered life thrown out of balance. Buried feelings emerge and Lily begins to question her life’s choices. Will she live life as her mother did, putting expectation above desire? Or will she confront her feelings at the risk of unravelling the life she has built for herself? As Lily’s inner turmoil surfaces her young teenage daughter begins her own journey of sexual awakening.

Bubbles is an intelligent and evocative drama. Just as the novels of Jane Austen dissected and explored the choices for women in marriage and love, so Bubbles throws light on how these same choices are played out within a contemporary, upper class family. With a visually rich, Merchant-Ivory feel, Bubbles is a potent blend of classic storytelling and contemporary British drama.

The locations

From the outset it was clear that no ordinary location would do justice to the themes of Bubbles, so we secured the use of the stunning, rambling Grade II listed manor house “Plas Dinam” in Mid Wales as the setting for the majority of the shoot. This afforded not only the authentic interior of an historic family home, but also panoramic external shots.

The crew

The crew needed to be extremely skilled and experienced. Key to the final result were Bafta-winning cinematographer Huw Walters and top industry professional John Richards (Little Black Book, Girls’ Night, Band of Brothers) as Executive Producer.

The cast

With castings taking place individually in both Wales and London, it is testament to Leyla’s instinct and her rigorous casting process that she brought together a talented and balanced cast, including Welsh acting legend Howell Evans, to bring reality and depth to the characters in the script. Across the cast there is a vast amount of experience in TV and film.

The music

Music is not just a finishing touch for Bubbles, it is an integral part in the story. In the early stages of the film we see the building tension within Lily’s relationship to her husband Robin, a once-successful classical composer. Robin is no longer able to connect with Lily. His mounting frustrations with his wife’s attitude towards him are reflected in his struggles to express himself through his compositions.

Bubbles needed an original score that would help the audience to feel the changing emotional dynamics of each character, particularly in the final montage section of the film which has no dialogue.

Composer Jack Westmore was the perfect choice for this crucial element of the film. He possesses an incredible sensitivity to story dynamic and emotion. Jack wrote a score integrating solo cello into themes which are haunting and lyrical and perfectly express the contained but shifting restlessness of the film.

Soloist Rosie Biss is lead cellist with The Welsh National Opera. We were absolutely delighted when she agreed to play the solo cello parts. Her masterful interpretation of Jack’s score fully brings to life the complex emotions which are written into the music.

The continuing journey

Bubbles has finished post production but is only just beginning the journey to reach a national and international audience. We are now actively pursuing development of the short into a full-length feature or episodic TV series, including the American market.
There is an upcoming private London screening in late September for anyone interested in investing in or sponsoring the future development of Bubbles.

With a combination of visual beauty and strong plot and an emphasis on celebrating “Britishness” we see Bubbles very much as a showcase for the very best in British creativity. Opportunities to collaborate with British fashion designers, songwriters and musicians, perfumiers, luxury car brands, interior design etc abound. We see Bubbles as a canvas on which to paint a highly marketable picture of the best of British creativity on many levels.

For more information on investing in, supporting or sponsoring Bubbles, or for any other information you may require about the film or Bottlegreen Productions please email FAO Sophie Walcott at: bottlegreenproductions@gmail.com

Website: www.shortfilmbubbles.com

Facebook: www.facebook.com/pages/Bubbles-Short-Film/173451646048497

Twitter: @bubblesfilm
Tumblr: http://bubblesshortfilm.tumblr?.com/

July Cultural Highlights: Amanda Eliasch has it As She Like It.

Frost’s favourite theatre production in July was Amanda Eliasch’s semi-autobiographical play As I Like it. Amanda wrote the play and Nicky Haslam did the set, a dream combination if ever there was one. It was directed by Lyall Watson, who Amanda knew from RADA. The set was opulent and glamorous, much like the play itself. Amanda is a socialite, photographer, fashion editor, blogger and poet. You can read the review in my theatre column here:
http://www.lastminutetheatretickets.com/blog/index.php/5908/as-i-like-it-review/

Frost enjoyed the Kanaloa & Gallo Summer Red Party.

As did Jo Wood, Henry Holland (who was also DJ), Pixie Lott, Jo Wood, Alice Dellal, Henry Holland, Francesca Hull, Gabriella Ellis, Natt Weller, Leah Weller and Diana Vickers and her boyfriend George Craig

Summer, wine, interesting people, what more could you want?

Christopher Eccleston: I've Been Hacked, I'm Suing Murdoch & Why I Left Dr Who

FROST EXCLUSIVE

Christopher Eccleston said today (Wednesday) that he found out he was hacked yesterday and plans to sue Rupert Murdoch. Eccleston added he was looking forward to sticking the boot into Murdoch.

The actor also disclosed that he didn’t work for three years after he left drama school in 1986 and that he left Dr Who because of politics, saying that he didn’t like the culture.

He said:

“I left Doctor Who because I could not get along with the senior people. I left because of politics. I did not see eye-to-eye with them. I didn’t agree with the way things were being run. I didn’t like the culture that had grown up, around the series. So I left, I felt, over a principle.

“I thought to remain, which would have made me a lot of money and given me huge visibility, the price I would have had to pay was to eat a lot of shit. I’m not being funny about that. I didn’t want to do that and it comes to the art of it, in a way. I feel that if you run your career and– we are vulnerable as actors and we are constantly humiliating ourselves auditioning. But if you allow that to go on, on a grand scale you will lose whatever it is about you and it will be present in your work.

“If you allow your desire to be successful and visible and financially secure – if you allow that to make you throw shades on your parents, on your upbringing, then you’re knackered. You’ve got to keep something back, for yourself, because it’ll be present in your work. A purity or an idealism is essential or you’ll become– you’ve got to have standards, no matter how hard work that is. So it makes it a hard road, really.

“You know, it’s easy to find a job when you’ve got no morals, you’ve got nothing to be compromised, you can go, ‘Yeah, yeah. That doesn’t matter. That director can bully that prop man and I won’t say anything about it’. But then when that director comes to you and says ‘I think you should play it like this’ you’ve surely got to go ‘How can I respect you, when you behave like that?’

“So, that’s why I left. My face didn’t fit and I’m sure they were glad to see the back of me. The important thing is that I succeeded. It was a great part. I loved playing him. I loved connecting with that audience. Because I’ve always acted for adults and then suddenly you’re acting for children, who are far more tasteful; they will not be bullshitted. It’s either good, or it’s bad. They don’t schmooze at after-show parties, with cocktails.”

Eccleston also revealed that he should have resisted making Gone in 60 Seconds and that he would have made more money on British TV, He also called GI Joe a “terrible movie.” The star added that he only makes bad movies in Hollywood for the money and would never “shit on his own doorstep.”

He also said that he didn’t want to be remembered, but if he was, it would be for Hamlet.

Kim Cattrall; Hollywood Prejudice Against Older Actresses

Kim Cattrall feels she is “marginalised” as an actress.
The ‘Sex and the City’ star finds it hard winning roles now she is 54,
as casting directors are keen to get her to play characters who are
like man eater Samantha Jones, who she plays in the hugely successful
TV show.
She said: “Nobody wants to hire me unless I’m playing Samantha Jones.
Do you know what it’s like to be 54 and marginalised? It doesn’t get
any easier as you get older.”
Samantha admits prejudice in Hollywood is nothing new to her and she
has found it hard to break away from “sexualised” roles ever since she
started getting her first jobs – usually as sexy girls – in films such
as ‘Mannequin’ and ‘Porky’s’ in the 1980s.
She added to Reveal magazine: “I’ve been sexualised since I was a
young actress. If you want to get work as an actress – and not as a
waitress – you get sexualised. I think that can be part of your
journey, going through the Hollywood mill.
“Then you’re no longer as cute as the next crop coming up. It is
something I’ve been experiencing in one way or another in my entire
career.”
Kim – who is half English – said she has found a better attitude in
Europe, where she has received wide praise for her role in London play
‘Private Lives’ and in 2010 European shot thriller ‘The Ghost’.
She said: “One of the reasons I’ve come to Europe is because they tend
to think a little bit differently about getting older than people in
North America do.”