I AM IN LOVE Release New Single

“Ethereal and beautiful”

Edith Bowman, BBC Radio 1

“A very talented band, really good”
Huw Stephens, BBC Radio 1

“A lot of love for this band”
Greg James, BBC Radio 1

NME: “the ’80s synthpop of Depeche Mode and the dark twang of The Cure”

Breaking More Waves: “With a dark, dirty urgency this is a gritty piece of ear sex’

Burning Ear: “Bust out your best songs of 2012 lists because it’s time to add another jam”

Palm is the third single from Leicester based shoe-gaze electro 4-piece I AM IN LOVE.

Having scored a spot on BBC Radio 1’s playlist with their debut single I Want You, Palm shows the band continuing their fine form, exploring further their unique brand of dark and emotive electro-indie.

Stunning vocals entwine with harmonious synths and spiky guitars, whilst pulsating beats and basses underpin the remarkable melodies. The chants of the chorus radiate an infectious energy.

In the live environment the band are formidable. This summer has seen the band embark upon a hectic run of summer dates across Europe, stopping off in Germany, Spain, France and culminating in a string of UK festivals. Their non-stop touring schedule continues across Europe this Autumn.

Release date: 22nd October 2012 on Velocity Sounds Records

http://www.facebook.com/iaminlovemusic

WORLD’S FIRST ‘TWEET’ SHOP OPENS IN LONDON

– Shoppers told to put money away and pay by social currency –

The world’s first high-street shop where customers pay by Tweet instead of money has opened in central London today.

The Tweet Shop is a standalone retail outlet from Special K and is being used to mark the famous cereal maker’s move into the savoury crisps market.

Customers are encouraged to put away their money and pay for a packet of new Special K Cracker Crisps by simply Tweeting a message about the low calorie snack range and sharing the news with the wider Twittersphere.

As well as the company’s first move into crisps, the shop is also Kellogg’s first venture into the retail arena with its very first dedicated physical space in the UK.

The shop is staffed by a number of iconic Special K girls in red dresses who will check each customer’s Tweet before handing over the crisps.

Kim Murray, 28 from London, was the first person to pay for the product with a Tweet.

Sarah Case from Special K comments: “The value of positive endorsements on social media sites is beyond compare so we’re excited to be the first company to literally use social currency instead of financial currency to launch this new product in our bespoke Special K shop.

“This is big news for Special K and we are hoping the brand’s move into crisps and the high street will create a major buzz on and offline.”

The Tweet Shop on Soho’s Meard Street, London is open from 9am to 5pm on Tuesday 25th September to Friday 28th September. It is lined with hundreds of packs of crisps, a ‘try before you buy’ snacking area and a ‘community noticeboard’ that captures social media reaction to the unique retail space.

Amy Childs Launches New Perfume | Beauty Review

I didn’t expect to like Amy Childs Perfume
but I do. It smells absolutely divine. It is one of those perfumes that also smell better the longer you wear it. It is quite fruity and a little bit sweet. Bizarrely, the smell reminded me of a holiday in Switzerland. It has a happy smell that makes me smile.

Encased in an adorable deep purple, multi-faceted bottle embellished with a heart shaped charm, Amy’s perfume is fabulous and feminine.

 

A fan of all things glamorous and girly, Amy is qualified beauty therapist with her own salon, beauty products and clothing range. She has always loved perfume and smelling lovely. In fact, when she was setting up her salon, Amy chose all the lotions and oils herself as she wanted to ensure that all the fragrances were just perfect.

 

  • Top Notes
  • Pomegranate seed, Fresh green leaves, Kum­quat
  • Middle Notes
  • Lotus, Cham­paca, Purple orchid
  • Base Notes
  • Purple violet, Amber, Skin musks, Soft woods, Vanilla

 

 

Julian Ruck The Bent Brief | Book Review

This legal thriller is full of unlikeable characters but I still enjoyed it. Like all good books it has brilliant observations on life and some good literary quotes. It’s author, Julian Ruck, has also worked as a lawyer so he knows what he is talking about. This book draws you in and also shows both sides of infidelity.

It has very good twists, some that I really did not see coming. My only complaint is that the main character, Edwin Hillyard is quite crude. Something that I don’t like. He is not a likable chap either, and is quite sexist, but the story still works. He is amusing even if you don’t like him.

Edwin Hillyard, a disillusioned Suffolk-based lawyer, spends his life dealing with inadequate clients who are constantly moaning about their self-esteem, or his even more inadequate ex-air stewardess wife, Claire, who believes life is all about make-up, mobile phones, trips to the shops – and of course Coronation Street. Feeling frustrated and abused, Hillyard finds diversion in the pursuit of a beautiful Sikh doctor, Jaspreet, whom he meets when called to the scene of a suicide in the London Underground. It is an inauspicious start to the relationship. But Hillyard is not the only one seeking a diversion; his wife Claire has fallen hopelessly in love with an old friend from her flying days, Jessica Howard, an ambitious sexual predator. As their affairs entwine and jealousy and resentment build on both sides, the ensuing hell starts to blow Hillyard’s life to pieces. When Claire is found dead in their bedroom, Hillyard finds himself on trial for murder. Was Jessica involved? Will Jaspreet stand by him? Did he kill her? It’s down to the defence and prosecution barristers to battle it out in court and readers will be on the edge of their seats until the very end to find out the truth.


Worth a read. Especially if you like legal dramas. The Bent Brief is very well-written.

Top SEO Apps for Businesses

Let me take you back to 20 years ago; there was no such thing as the Internet, no one had even thought about search engines, and smartphones were a distant fantasy.

Today, these technologies have become a vital part of society. Aside from transforming our personal day-to-day lives, the invention of digital technology has also had a profound impact on the world of business.

Operating a business was previously about forming relationships through basic human face-to-face contact. Now, you can operate a business without ever meeting any of your clients, and you can even run a business from the palm of your hand.

Digital has become big business. And you can’t mention digital business without the matter of SEO.

So, if you’re looking to boost your business’ digital presence with the help of your smartphone or tablet, here are a selection of top SEO apps that’ll help you to do so.

WordPress

If you have a website or blog page that uses the WordPress theme, this app will be right up your street.

Available on a variety of platforms, including Apple and Android, the app allows you to manage the content side of your SEO right from your fingertips.

You can edit existing articles, change existing links or add new articles with anchor texts and hyperlinks without even having to think about writing in HTML. You can also effortlessly add photos, check your spelling and even change existing keywords in an instant should the competition drop for a particular trending keyword.

If you’re also keen to see how an article has gone down with your readers, with the ability to edit, modify and reply to your comments, staying in touch with your readers couldn’t be simpler.

Google Analytics

The Google Analytics app is the perfect SEO reporting platform; it allows you to measure your sales and conversion, as well as gives you a good overview of how users have found your site, how they’ve utilized it, as well as how you can keep them returning to it.

Aside from analyzing your reports, Google Analytics also holds the power to analyse your social media programs and your content – so every aspect of your SEO is completely covered.

SEM Calculator

Available from the App Store, the SEM Calculator app helps you to analyse every aspect of your Search Engine Marketing, through the use of the app’s multiple calculators.

A useful tool for businesses that use affiliate marketing, Adsense or online buying of banners, the app assists you in working out your cost per impression for many of your marketing campaigns. By doing so, the app provides an effective overview on which of your campaigns are working well, and those that aren’t – so you can decide where your marketing budget would be best spent, or where it’s most needed.

HootSuite

No one can argue the influence of social media on today’s world; most have it, most use it, and most follow it in one way or another. It’s for these reasons that social media has become such a prominent part of SEO and why so many companies now implement it.

As Vroom SEO in Dublin believe, ‘it’s the varied and distinct nature of groups in social media which allows companies to target a specific demographic in a way they previously could not.’

Whether you’ve decided to implement Twitter, Facebook, or Google+ as backlinks for your website or blog, HootSuite allows you to stay ahead of your social media management by managing all of your social networks on one single dashboard.

By doing so, this allows businesses to improve SEO influence by efficiently tracking conversations and brand mentions, as well effectively building backlinks and social media traffic for your site.

 

This article was written by Ella Mason, an experienced freelance writer. Ella specialises in providing informative and engaging technology advice to businesses.

 

 

Killing Them Softly | Film Review

Five years have passed since Australian filmmaker Andrew Dominik and Brad Pitt united for the magnificent Western drama The Assassination Of Jesse James By The Coward Robert Ford; a lyrical, revisionist take on what by all accounts had become an American legend. It was gorgeous, poetic and fell flat on it’s on its face at the box-office. The studio simply had no idea how to go about pitching it and it was left to die, the genius gone unsung. Now Dominik has picked himself up, teamed up with Mr Pitt once again and returned to a far more recent moment of American history; the economic downturn viewed through the prism of organised crime. Whilst not hitting the heights of their previous collaboration they have crafted a stark, powerful take on a genre that we think we know inside out and give it an astonishingly contemporary sheen.

It’s 2008. The economy is crumbling, Obama and McCain are gathering their supporters and two clueless street hoods (Scoot McNairy and Ben Mendelsohn) are roped into a raid on a mob protected card game. It’s run by Markie Trattman (Ray Liotta) who has already escaped punishment from criminal overlords for organising a heist on his own games. The plan is for Markie to take the fall for the raid second time round but due to the duo’s own incompetence they are soon pursued by Jackie Cogan (Pitt), a hitman sent to exact justice and restore order.  He has a very specific work ethic; he likes to keep his distance from his targets in order to avoid emotions getting in the way. He refers to this as ‘killing them softly.’ He decides to hire old colleague Mickey Finn (James Gandolfini) to help him adhere to this method, yet this proves to prove more challenging than he can imagine.

Dominik is working from a 1974 novel entitled Cogan’s Trade penned by George V. Higgins. The film retains a stark, minimalist visual tone that recalls the high watermark crime films of the seventies such as The French Connection and Scorpio. It’s a story that takes place in vacant lots, motel rooms and car parks bathed in grey, cold light. It is an environment that feels left behind by the modern world and that we don’t often see in mainstream American cinema. In certain shots, the desolate wasteland resembles something out of a sci-fi apocalyptic vision. Dominik keeps his directorial flourishes to a minimum favouring stationary camera angles and carefully choreographed tracking shots to balletic displays of violence though he does concede to one hauntingly beautiful shootout in the rainfall. Not that any of it is pretty; this is a film where death and violence is an ugly, horrific spectacle. Dominik contrasts such moments perfectly with an uncanny feel for the timing and pitch of each individual scene. His prowess as a writer is the primary one on display though. The action is driven by lengthy, dialogue heavy scenes where in the characters confront the unpleasantness and banal mundanity of their profession. The major factor of the adaptation is the running references to the economic meltdown of the time and the then optimistic promises of the Obama administration. Speeches and news broadcasts that have barely had time to pass into history seep through radio and television broadcasts in the background of crucial scenes.  This does come close to becoming repetitive and forceful yet it instils the narrative with a moral backbone that many of its characters lack and forms a crucial part of what elevates the film from being a run of the mill gangster drama to a scathing critique of capitalist greed. The will of the powerful is broken, and it is left for the people on street level to pick up the pieces and clear up the mess.

Gangsters and hitmen tend to be the sort of characters that are romanticized in the majority of crime cinema that we are exposed to so it’s tremendously fresh to see them presented as repellent, incompetent bringers of their own fates. Pitt is a performer who seems to be getting better and better with age and here Dominik has coaxed another career best from him.  His Jackie Cogan may appear more suave and charming than his counterparts; he strolls onto screen with slicked back hair, a leather jacket and shades to die for and to the sounds of Johnny Cash yet he is thoroughly amoral and brutal.  Scenes where he quietly threatens a local hood at a bar whilst contemplating the hypocrisy of America’s founding fathers positively throb with underlying menace.  He is simply an electrifying presence. McNairy and Mendelsohn excel at making two seemingly irredeemable screw-ups sympathetic for the majority of the running time. If there’s one performance that steals the film however, it’s Gandolfini. Shuffling onto screen with a hangdog expression, immovable sunglasses and the weight of the world on his shoulders, the onetime Tony Soprano gives a tour de force presenting a onetime respected New York mobster as a shambling, train wreck of a man drowning in a sea of alcohol and prostitutes. Scenes where he rails against the younger generation whilst exhibiting the excess and degradation that a life of crime has inflicted upon him echo with grim, comic tragedy that relish in the destruction of typically macho, masculine persona. As with past films of Dominik’s there are virtually no female characters to speak of and when they are spoken of it’s in the most deplorable ways imaginable. I don’t think it’s a fault on his part but rather an apt reflection of a thuggishly brutal world were desperate men struggle to climb over one another to stay afloat.

Killing Them Softly may come on quite strong at moments but it ultimately emerges as refreshingly cynical, relevant thriller that sticks to its guns right through to its brutally honest final line. Hopefully on the basis of this, we will not have to wait so long for Dominik’s next effort.

 

Interview with Homeland Actor David Harewood

David Harewood is the British actor who plays David Estes, the director of the CIA’s Counterterrorist Centre, the the brilliant Channel 4 drama Homeland. A graduate of the Royal Academy of Dramatic Arts, Harewood has been a fixture on the London stage for many years, earning praise for his work in such plays as Sam Mendes’ Othello at the National Theatre, which later went to Broadway.

Harewood appeared in Separate Lies, written and directed by Julian Fellowes; the 2004 screen version of Shakespeare’s The Merchant of Venice, starring Al Pacino and Jeremy Irons; and Blood Diamond, alongside Leonardo DiCaprio and Jennifer Connelly.

On British television, Harewood was a regular on such series as The Vice, Robin Hood and Babyfather. He was also seen as Mandela in the television movie Mrs. Mandela. Harewood also guest stars in a number of series including Doctor Who, Strikeback and Criminal Justice.

 

A surprising number of fans of Homeland don’t realise that you’re a Brit. Explain where you’re from…

I’m from Small Heath in Birmingham. It’s hilarious to me. I’ve been acting for 26 years, in everything from Casualty to The Bill to The Vice, I’ve played Othello at The National Theatre – it’s taken me 26 years to be an overnight success, as the old gag goes, and it’s hilarious that all these Brits think that I’m American. And here in America, whenever I turn up on the red carpet, they’re all stunned to find out that I’m British.

 

That’s particularly impressive that the Americans themselves are stunned. That clearly shows that you’re doing something right.

Well, yeah. It’s always something I try to do. I’ve always tried to put character ahead of personality. I’m really glad that, even today, people kind of recognise me, they kind of know where I’m from, but no-one’s able to place me. I think that’s because I’ve done so much stuff, and hopefully it’s a testament to my ability to act.

 

Growing up in Birmingham, you were a very useful goalkeeper, weren’t you?

Very useful – The Cat, I was once known as. [Laughs] I used to play a lot as a kid, and I had trials as an All England Schoolboy. But I was never going to do it too seriously. Whenever it rained, on a wet, windy Saturday morning, I’d stand there thinking “What on earth am I doing here?” My heart was never really in it. But I played with some fantastic footballers, and it was a huge part of my life.

 

You went to RADA at the age of 18. Did that open up a whole new world for you?

Completely! I’d never really paid much attention at school – I was always a bit of a clown, really – that’s why I started acting. I wasn’t particularly attractive, and I wasn’t particularly academic, so the only way I could really get any attention was to mess about and be a bit of an idiot. At the time it was fantastic, but I suppose it was to the detriment of my education. Then I turned up at RADA, and went in on my first day, and they’re all talking about Brecht and Moliere and Dostoyevsky, and I’m thinking “Who the hell are they?” It was a real eye-opener. I really started to appreciate literature, and it was a wonderful journey. I was very lucky, I had a wonderful few years there.

 

Did you struggle to find work after you left?

I was very lucky, I came straight out and got a job. I played Romeo for Temba Theatre Company, which was the biggest black theatre company at the time. I’ve always been really, really busy, I’ve been very lucky. I think I spent the first five or six years just not stopping. I didn’t have any difficulty – the difficulty came much later on, when I got older and started to play roles with more authority on stage, that there were fewer and fewer roles for me on screen to do. That’s when I started to struggle, because of the frustration of playing really authoritative, strong roles at The National, but really struggling to match that on screen. I’ve been really, really fortunate to fall into this role [in Homeland].

 

Landing the role must have been a great thrill – acting opposite actors of the calibre of Claire Danes, Damian Lewis and Mandy Patinkin.

I hadn’t worked for a year when I got the gig – partly for personal reasons, and partly because I just couldn’t get a gig, and then suddenly to find that I was sharing a screen with them was just extraordinary. I’ve just had a wonderful year. I suppose it’s like football – you play with better footballers, you get better. I’ve really found that just by watching them and working closely with them, seeing how they prepare and how they execute, has been a real joy, and I can only hope that there are more roles for me of this calibre, working with this calibre of actor. It’s been an absolute pleasure, it really has.

 

When you’re filming something like Homeland, do you get a real sense that you’re making something that’s going to be really, really good, or can you never tell?

A bit of both. I think everybody was very surprised by the immediacy of the success of the show – we were still filming the show when it became a massive hit in America. It’s kind of a goldfish bowl filming here in Charlotte, North Carolina – I think people do watch it here, but I was really surprised when I went to New York how many people were coming up to me and saying they enjoyed the show. I think in LA it’s such a huge show – it’s on posters and billboards everywhere, and this isn’t that kind of town, where there are billboards for TV shows.

 

David Estes is a fairly ambitious character, intent on climbing the greasy pole. What are your feelings towards him?

To be honest with you, I really struggled with him during the first season – I just didn’t know who he was. I told that to the writers at the end of the season, and they’ve done a fantastic job of really filling him out this year and giving him much more of a personality. Last year he was just the authority figure in the background who was always anti-Carrie. That was difficult, because I didn’t know why he had such antagonism towards her, and I didn’t know who he was. I only really discovered that when I played a scene right at the end of the season, when I played a scene with Mandy Patinkin, when you realise that actually he is implicated, and inextricably linked to this whole bomb attack on Abu Nazir, and how much he’d buried all of that information, and how much he was linked to the Vice President. I didn’t know any of that until the very last couple of episodes. It was a huge revelation to me that the reason why I’d been so antagonistic about Carrie finding out about Abu Nazir was because I’d been responsible for this drone strike. It was a huge piece of the jigsaw for me, when I read those scenes, and it’s been like taking a cork out of a bottle. This season has been fantastic for me, because now I know who he is, I understand him, I like him. Yes, okay, he may have sold his soul to a certain extent to get where he wants to, but who wouldn’t? A lot of us, to get where we want to be, would do what we can. It’s fascinating being out here in the world of American politics during an election. You see the real dirty side of politics, with the ads they’re running. If you want to get where you want to get to, you might have to do things that are seemingly unpalatable.

 

Why do you think they went for two Brits in key roles in the series?

That’s the million dollar question, isn’t it? It’s what everybody’s been asking. And we’ve got a third Brit – we’ve got Rupert Friend joining in this series. The director just says that they were the most interesting tapes that he saw.

 

When you’re on set, between scenes, or when you break for lunch, do you keep talking in an American accent, or do you revert back?

It’s quite extraordinary – all three of the British actors have almost an unspoken rule that nobody’s ever mentioned – we nearly always stay in our American accents when we’re at work. Damian’ll come to work and I’ll be like [puts on American accent] “Hey, man, how’s it goin’?” And he doesn’t look at me and say “What the f*** are you talking like that for?” It’s just unspoken. Every now and again one might drop out of accent and talk about the Olympics, or about something political that happens in the country, like the riots last year, when you have to get out of the accent. But most of the time you just forget, it becomes second nature.

 

You’ve mentioned that it’s election year in America. I hear that Homeland is Barack Obama’s favourite show. Is that a great thrill?

Oh it is. He’s metnioned it several times in interviews – it’s a fantastic thrill. It’s unfortunate that we were on hiatus when he was here for the Democratic convention. I’m sure he knows that we film the show here in Charlotte. Apparently, because his big speech was moved from the stadium to indoors because of the weather, he might be coming back to the state just to do something for the volunteers. Wouldn’t it be amazing to get a visit from the President?

 

Dare I say that it probably wouldn’t be as much of a thrill to have Mitt Romney visit?

Not really! I am astonished it’s so close, to be honest with you. It’s just beyond me that people are even considering him. But there are a lot of people who aren’t convinced by Obama. A lot of people are saying they’re not even going to bother voting this time. That’s bad, that people feel that politics doesn’t mean anything to them. That’s the scary part, that he’s going to lose because the people who voted for him last time just can’t be bothered this time.

 

Season 2 is about to Premiere in the US. Are you excited?

I’m really genuinely excited. From a personal point of view, it’s great because Estes has been given a lot more to do in this series. But it’s just such a fantastic show, I think people are going to be really, really excited to see it. I’ve read so many tweets and blogs where people have said it’s just a one season show which they can’t take any further, but these writers are fantastic. They’ve managed not only to recreate the same amount if tension, but to ratchet it up again. I think fans of the show are going to be very, very pleased.

 

Are you allowed to give us any hints about what we can expect from the series?

I can tell you that the second season begins in Israel. And I can tell you that Carrie will be back in the CIA in some capacity, and that, from what I hear, though I still don’t know, the mole will be revealed. You’re all going to be very surprised.

 

You were awarded an MBE at the beginning of the year. How did that feel?

Absolutely tremendous. It remains, and always will be, one of the proudest days of my life. To have gone there and got that pinned on, and had my daughter and mum be at the palace watching me get that award, it’s one of the proudest things that ever happened to me. I’m really, really chuffed about it.

 

Series 2 of Homeland will be on Channel 4 in October.

Mateus Rosé Original | Drink Review

Forget Diamond – Platinum & Pink are a girl’s best friend

this year with Mateus Rosé Original

 

I am a fan of rosé in general. When I received this wine I loved the design of the bottle. It is a beautiful colour too. The wine itself is delicious, refreshing, a good colour and not too sweet. In fact I think this is one of the best rosé I have ever tasted, and it is inexpensive too. The newly redesigned Mateus is excellent as aperitifs or with food, such as fish, seafood, Chinese and Asian cuisine and light meals

 

Reigning for longer than Her Royal Highness, Mateus celebrates its Platinum Jubilee this year toasting 70 years as the Queen of rosé wines. With the redesign of its iconic bottle, Mateus is refreshed and ready to be the taste of summer 2012.

 

To mark this impressive milestone, Mateus want to know what the nation is celebrating this summer and in return people will receive a free bottle of Mateus Rosé Original to help their special occasion go with a bang. All they have to do is visit mateusrose.net/win and fill in the blank “This Summer, I’m celebrating…”.

 

While this world famous rosé in its distinctively shaped bottled has been revitalised with a new contemporary pink-hued label and easy screw cap, Mateus keeps its same great taste. With its refreshing Mediterranean flavours, from picnics to evening parties, Mateus Rosé Original is the perfect drinking partner during this summer of celebration.

Raise your glass to the celebration of true greats this summer and join in the fun with Mateus at mateusrose.net/win. Mateus Rosé Original is available from all good stores and off licences at RRP £5.49.

 

The Mateus Rosé Original bottle giveaway/competition is for over 18s only