This particular movie was built on the marketing that you had to see this movie (or read the book) to understand why you had to go see it yourself. The trailers were reminiscent to when Alfred Hitchcock gave away little to nothing about the plot, only snippets here and there. Our curiosity only grew and grew from movie posters designed as ‘Missing Person’ posters and word of mouth. David Fincher had our curiosity and now has our attention. That is the power Fincher has used to full use and the film itself doesn’t disappoint.

The movie is based on the best-selling novel of the same name by Gillian Flynn (who also wrote the screenplay). The story revolves around Nick Dunne (Ben Affleck), who one morning on his wedding anniversary finds his wife Amy Dunne (Rosamund Pike) missing. The police investigate the crime scene, finding no evidence to suspect a kidnapping. Eventually, everyone starts pointing fingers at

Nick, from police, neighbours and even talk show hosts. Though as the story progresses, we cut back to diary entries from Amy herself. Giving two completely different perspectives and asking ourselves; who is telling the truth?

This movie is the definition of edge-on-your-seat. Fincher is the master of mystery/thriller filmmaking (as evidenced in Se7en, The Game and Zodiac). His eye to detail is so immaculate, with the production design to the bleak but beautiful cinematography by Jeff Cronenweth. Every clue is never left unnoticed. The score by Trent Reznor and Atticus Ross is discomforting but also hypnotic (as Fincher said when giving direction for the score “Think about the really terrible music you hear in massage parlors. The way that it artificially tries to make you feel like everything’s OK. And then imagine that sound starting to curdle and unravel.“). That direction to the music is certainly what is felt through-out the entire duration of the movie. The more we find out Nick and Amy’s marriage, the more we realise it is not what we perceived from the start. This movie satarises the media, forcing us to rethink how we look at the stories that are laid in front of us. Even when answers are not met or answered, we’re so eager to accuse anyone to have some sort of resolution (just like Robert Graysmith in Zodiac). Even when one talk show host (played by Missi Pyle) flat out accuses Nick to not only be Amy’s killer but also accuses him to have a incestuous relationship with his sister.

Ben Affleck is continuing to mature as an actor. Fincher cast him the part as Nick Dunne because Affleck himself has been through hell in the eyes of the media and public. You can certainly see the weight that has been brought down on his shoulders. The supporting cast members were equally terrific, especially the surprise performance from Tyler Perry (probably given the most hilarious line in the entire movie, and one that summarises the Dunne’s; “You two are the most fucked up people I’ve ever met and I deal with fucked up people for a living.“) Though the stand-out performance has to be Rosamund Pike as Amy Dunne. She is unbelievably outstanding and one I would vote to get a Best Actress nomination. As mentioned earlier, talking more about her role would reveal a lot of the twists. Suffice to say, it is a performance everyone will be talking about the rest of the year (especially the ending may make couples feel uncomfortable or at least awkward).

Overall; David Fincher delivers an intense, no holds barred thriller. It is expertly crafted from everyone in the production. Stellar performances and award-worthy performance from Rosamund Pike. Easily one of the best movies of this year and highly recommended.

4 out of 5