LONDON PROMOTES: New Rights For Models

Victoria Keon-Cohen has spent the last ten years working as a fashion model and knows both the highs and lows of the job. “I hated modelling for a long time because of the isolation. I was constantly gritting my teeth to get through the day. The industry is a far cry from what it was in the 1980s; there is now an oversupply of labour, and models are seen as disposable.”

Victoria describes the difficulties of the profession: “I was working in Milan and felt like I was a dog in the gutter half the time. I spent four hours every night in the gym just from loneliness. I had never been so unhappy in my life. The final pushing point came when I had a serious conflict with my agency, so I left.” After quitting the profession she moved back to London to study. Whilst there she met with Dunja Knezevic, a fellow model and friend, and they talked about their dissatisfaction at the industry.

“We exchanged stories of frustration. We’d both had great experiences as well but the inconsistencies were intolerable. One day a girl was dancing in the park for money to get a motel because her agency refuses to advance [money for] their own flat, the next day she’s in a luxurious villa in Spain” said Victoria.

Their conversation led them to consult Equity, the union for performers in the entertainment industry, and ask them to allow models to join. Towards the end of 2007 they succeeded in their request and the Equity Models Committee was formed.

One of the Committee’s biggest successes occurred last year when Equity, working alongside the British Fashion Council (BFC) as part of the Model Programme, introduced the first ever catwalk contract for London Fashion Week, setting out minimum rates of pay, private changing areas, breaks and refreshments. It also included a clause stating that nudity or semi-nudity must be agreed in advance, helping younger and more vulnerable models avoid being pressured into agreeing work that makes them uncomfortable.

This year Victoria, Dunja and the rest of the committee are focusing on a campaign called London Promotes in association with the BFC and the Model Programme. The campaign will include a viral video due to be shown on fashion blogs, social networking sites and both the BFC and Equity websites. The name highlights the important aspects of the campaign:

Privacy: care and backstage code of conduct.

Rates: ensures payment at least equal to the Model Programme recommended minimums.

Opportunities: for models to obtain prestigious British and international campaigns.

Model Programme: an alliance of the AMA, BFC and the Greater London Authority (GLA) working together for models’ welfare.

Of Age: Only models over 16 walking on the London Fashion Week catwalks.

Terms: conditions of employment covered by the Model Programme’s minimum terms.

Equity: joining the Union for models offers the right to Union protection.

Sanctuary: The Models Sanctuary provides a safe haven for models working during London Fashion Week.

One of the key benefits of union representation for models is legal support in case of any dispute with an agency or client, as well as facial insurance in case of accident. Dunja gives this advice to models starting out in the industry: “Join the union before you have an issue at work because Equity cannot help with any problems you may have had before becoming a member.”

She goes to give a realistic view of the job: “It’s nothing like what you would expect so treat it as the serious business that it is. Forget the glamour and exorbitant cheques. But expect an incredible experience of travel and making connections that you never would have made otherwise.”

This latest campaign looks set to change the fashion industry for the better once again at London Fashion Week. As Victoria explains, “London Promotes is looking to the future for an industry built on respect and support, with opportunities and a strong network of collaboration between Equity, the Models Programme and the Mayor’s office [GLA]. It’s a massive turning point for an industry where no one is just out for themselves anymore; it acknowledges that we have to work together for a stronger workplace for us all.”

Alexa Brown is an actress and model and a member of the Equity Model’s Committee. www.alexabrown.co.uk

This article was previously published in the September issue of Style Capital magazine.

The Greatest Movie Ever Sold, New Frontiers in film financing.

The Greatest Movie Ever Sold directed by Morgan Spurlock.

Where and When: Thursday 29th September at BFI Southbank

On Thursday I saw Morgan Spurlock’s new documentary about branding, advertising and product placement, which is entirely funded by branding, advertising and product placement.

Afterward, a panel of experts from film and advertising discussed how producers can create new synergies and forms of production finance without losing their artistic integrity. The panel included; Pippa Cross, Producer of Chalet Girl, Duncan Forrester, Head of Public Affairs, Volvo, Darryl Collis, Director of Seesaw Media, Pete Buckingham, Head of Distribution and Exhibition at the BFI

“Nothing like a cold call to let you know how little power you have.” Morgan Spurlock.

What I learned:

1) The Greatest Movie Ever Sold was the first film to be in profit before it hit theatres

2) Spurlock ‘didn’t negotiate for success’ so the brands didn’t have to pay him any more money when the movie became a runaway success.

3) In the first few months, The Greatest Movie Ever Sold had over 900 million media impressions.

4) Spurlock called over 100 ad agencies and 650 companies to contribute to the documentary, only 15 companies said yes. A success rate of only 2%.

5) Pom juice is 40% as effective as Viagra for helping a man sustain an erection.

6) Volvo did not pay to be in Twilight, the filmmakers stayed true to the fact that Edward drives a Volvo in the book. But they have people come in and buy the car Edward drives after seeing the movies, even though it’s a £35-50,000 investment.

7) A big champagne company turned down the opportunity to be in The King’s Speech because they ‘didn’t do period films’.

8) Morgan Spurlock could not legally disparage the entire country of Germany in or around the Mini that he was given for the film. Most of the contracts had a non-disparagement clause.

9) Spurlock said all of the brands asked for ROI (return on investment) but not of them got it.

10) Ditto for the final cut, Spurlock says: ‘Retain final cut or it’s not your film”. However, if your film costs more than $40-50 million, you will not get final cut.

11) Spurlock’s advice to filmmakers when negotiating with brands and advertisers is: Always know what you are willing to give up. Integrity is valuable.

12) Fed ex did not pay to be in Castaway.

13) The film uses all of the things it criticise in the beginning to sell the film to you later

14) Old Navy gave Spurlock a cheque for £200,000 after seeing the documentary at the Sundance Premiere.

15) The brands have bigger lawyer than you.

16) Pippa Cross had to spend 2K on CGI to get ride of a beer bottle on Shooting Dogs because the beer brand did not want to be associated with the genocide.

17) The Social Network has Mark Zuckerberg and the rest of the cast using Sony laptops, but, factually, the real people the film is based on would have been using Apple Macs.

18) Pippa Cross got Tesco vouchers for Chalet Girl, and the best Ski brands on board.

19) Morgan Spurlock made a deal with a tri-state pet discount store; you could get a goldfish and after the first one died, use a voucher to get another one. Like Spurlock does in the film.

20) Spurlock tried to get a gun company onboard, but they all said no.

21) The lawyer Morgan interviews in his documentary tells of of the term ‘Faction’. Where fact and fiction meet, and what advertisers use to confuse you and integrate their products into your favourite TV shows and Films.

The documentary is essential viewing for anyone interested in film, or raising finance.

Raindance announces Jury for Festival Awards

Raindance announces Jury for Festival Awards for 19th Raindance Film Festival

28 Sep – 9 Oct

Raindance is delighted to announce the jury for this year’s Festival Awards. The panel, which includes
actors, directors, presenters, journalists and members of the film and photograph industry, will judge
the films nominated in each of the eight categories, with the winners to be announced on Saturday 8th
October, 8pm at the Festival venue, the Apollo Cinema in Piccadilly Circus.

The eight categories are:

Best International Feature, Best UK Feature, Best Debut Feature, Best Documentary, Best Microbudget
Feature, Best UK Short, Best International Short and the Film of the Festival.

“Our jury represents the spectrum of the film industry – from actors to directors and critics to
programmers – they bring an in-depth knowledge of film to the judging panel and will have the
difficult job of choosing winners from the outstanding titles nominated this year,” said Elliot Grove,
Festival Director.

The jury is as follows:

Sally Bibawy
Sally Bibawy joined analogue photography company, Lomography, in 1995 and took over the art direction
and product development in 2000. She is a board member, together with Matthias Fiegl and Wolfgang
Stranzinger, since 2004 and is based in Vienna.

Dexter Fletcher
Best known for his role in Lock, Stock and Two Smoking Barrels, Dexter Fletcher has grown up on screen,
beginning with his role as Baby Face in Bugsy Malone and on the British TV series Press Gang. His many
credits include The Elephant Man, Layer Cake and Kick Ass. Dexter also appeared in the 2009 Raindance Film Festival Trailer.

Gillies MacKinnon

Scottish Director Gillies MacKinnon has assembled one of the most impressive bodies of work in
recent British cinema with directing credits including Small Faces, Trojan Eddie starring Richard Harris
and Stephen Rea, A Simple Twist of Fate with Steve Martin, Regeneration starring Jonathan Pryce,
James Wilby and Jonny Lee Miller, Hideous Kinky with Kate Winslet, and the Golden Globe-winning
television Film, Last of the Blond Bombshells starring Judi Dench. His other work includes The Escapist,
Pure, historical drama Gunpowder Treason and Plot with Robert Carlyle, Tara Road , and The Snow
Goose starring Billy Connolly.

Céline Masset
Céline Masset is the co-founder and Artistic Director of the Brussels Short Film Festival, which will
celebrate its 15th anniversary next year. Her company, Un Soir Un Grain, also distributes and produces short films.

Helen McCrory

Helen McCrory is a multi award-winning actress on stage, television and the silver screen. She played
Cherie Blair in The Queen and The Special Relationship and played Narcissa Malfoy in the last three Harry
Potter movies. She will appear in Martin Scorsese’s soon-to-be-released film, Hugo and We’ll take
Manhattan for the BBC.

Wendy Mitchell

Wendy Mitchell is head of news at Screen International and ScreenDaily.com. Before moving to London,
she worked on staff in New York for Entertainment Weekly, indieWIRE, Rolling Stone and CMJ, as well as
freelancing for the New York Daily News, Playboy, Variety, Billboard, Time Out New York and The Wall
Street Journal. She is also the author of New York City’s Best Dive Bars (published in 2003).

Alex Zane
Alex began his career hosting the film review show Screenplay and fronting MTV’s flagship show, TRL.
A talented radio broadcaster, Alex began working at Xfm in 2002, and hosted the station’s Breakfast
Show for two years. His TV credits include Popworld, Balls of Steel, 8 out of 10 Cats and he hosted this
year’s Red Carpet Live for the Golden Globes and the Oscars. Alex currently hosts Channel 4’s Rude
Tube, Alex Zane’s Guest List and is the lead film reviewer for The Sun.

Festival Awards – nominated films

Best International Feature

Just Between Us / Rajko Grlic – Croatia
No Return / Miguel Cohan – Spain / Argentina
After Fall, Winter/ Eric Schaeffer – USA
Youth H2 “Come As You Are” / Kota Yoshida – Japan
War Games / Cosimo Alemà – Italy

Best UK
Acts Of Godfrey / Johnny Daukes – UK
A Thousand Kisses Deep / Dana Lustig – UK
Flutter / Giles Borg – UK
Hollow/ Michael Axelgaard – UK
Seamonsters / Julian Kerridge – UK
Stranger Things / Eleanor Burke – UK

Best Debut
Tilt / Viktor Chouchkov Jr. – Bulgaria
Synchronicity / Joe Tanaka – Japan
Exteriors / Marie Kristiansen – Norway
Restive/ Jeremiah Jones – USA

Best Microbudget Feature

MONK3YS / Drew Cullingham – UK
Julius Caesar / Adam Lee Hamilton & John Montegrande – UK
Uspomene 677 / Mirko Pincelli – Bosnia Herzegovina / UK
Meso Cafe / Ja’far ‘Abd al-Hamid – UK
Black Pond / Tom Kingsley – UK

Best Documentary

White Button / Igor Stoimenov – Serbia
The Echo Of Astro Boy’s Footsteps / Masanori Tominaga – Japan
Where My Heart Beats / Khazar Fatemi – Sweden
How to Start A Revolution / Ruaridh Arrow – UK
Heaven + Earth + Joe Davis / Peter Sasowsky – USA

Best International Short

The Lady Paranorma / Vincent Marcone – Canada
Martyr Friday / Abu Bakr Shawky – Egypt
Words / Sven Vinge – Denmark
Zoltan- The Hungarian Gangster of Love / Justin Reardon – USA
Hemingway’s Pen / Renzo Carbonera – Italy

Best UK Short

This Side of the Afterlife / Adam Horton – England
God View / Billy Lumby – UK
The Girl Is Mime / Tim Bunn – UK
Love At First Sight / Michael Davies – UK
Rough Skin / Cathy Brady – UK

About Raindance Film Festival

Raindance Film Festival will run from 28 Sept – 9 Oct at the Apollo Cinema in London’s Piccadilly Circus, with the
Opening Night premiere of Another Earth at Cineworld Haymarket on 28 Sept.
For press accreditation visit: www.raindance.co.uk
Tickets and passes to the festival will be on sale from 6th September on www.raindance.co.uk

Now in its 19th year, Raindance Film Festival is Europe’s leading Independent Film Festival showcasing feature films, shorts and docs from around the world and specialising in independent films and directorial debuts. The
festival has a strong legacy of showing alternative, edgy films. Since 1993 Raindance Film Festival has uncovered
the hottest new filmmakers to hit the cinematic scene. Raindance-premiered hits include Pulp Fiction, Memento,
the Blair Witch Project, Ghost World and Love Exposure.
Raindance – The Voice of Independent Film

Raindance is dedicated to fostering and promoting independent film in the UK and around the world. Based in the heart of London, Raindance combines Raindance Film Festival, Training Courses, the prestigious British Independent Film Awards and Raindance.tv

Frost will be covering the Raindance Film Festival.

IMDB: Using IMDB Resume and IMDB Starmeter To Boost Your Career.

IMDB is a great resource, not only does it have a page on every movie and every film industry professional you can think of, it is also an amazing tool for an actor to promote their career.

IMDB has a resume section that you can join for a reasonable price. When you have IMDB resume you can add pictures to your IMDB, and of course your resume. You can also link your blog and your twitter to your page.

When people google you, it is usually your IMDB link that comes up first, so it is a false economy not to have it. If you do not have a project on IMDB (and you need one! Work for free for an IMDB credit is my advice) then you can still be on it if you get IMDB Resume.

People do lie on their resume, but I don’t recommend this, and do not list extra work unless you were heavily featured or had a line.

Even more important than IMDB Resume is the IMDB Starmeter. This is IMDB explaining what the Starmeter is http://www.imdb.com/help/show_leaf?prowhatisstarmeter

The Starmeter is important for actors and here is why: if you get a good starmeter ranking that means you are bankable. If people are searching for you then you will be offered movies and auditions. My starmeter has been as high as 6,000 and is usually between that and 31,000 on a bad week. Which is very good news and has helped my career. So, if your IMDB rank is not very good what can you do? I previously wrote about this in my personal blog http://balavage.wordpress.com/2011/07/25/charting-imdb-becoming-obsessed-with-starmeter/ and I am going to go into more detail here.

Step 1) This site is very good. http://www.karmalicity.com/b/?r=218 I know people who have done barely anything who now have good rankings, the site gives you publicity for your IMDB, Facebook fan page, YouTube and Twitter. It Is free so join now. The premium version is cheap and very good too.

Step 2) Make sure you have your photo on IMDB. Very important. Also put film stills and on-set photos on and modeling shots as well. If you want a photo, you can click the following link and go to add photos only: http://resume.imdb.com/

Step 3) Use social networking. Post your IMDB link. Add it to your email signature, your website, Twitter, anywhere you can think of. Share the films you are in, not just your IMDB page, every time a movie your in goes up, so do you.

5. Create an e-mail list. Only email when you have something to say. Do not spam people. Invite people to a screening, tell them of an award you won, an amazing job you just booked. Add your IMDB link into the email.

6) Get people to click on your IMDb profile (post the link on your Facebook or Twitter profiles, have it in your email signature, etc.)

7) Get interviewed and mentioned in TV guides and news articles.

This brilliant article has a run down of what the numbers mean and it says that a rank of 14,999 – 1,000: This is generally working actor territory and this about 999 – 1: You’re working. A lot. Good chance you’re repped by one of the big 5 agencies…or are about to be. Alternatively, you were recently on the cover of National Enquirer.

Give it a read.

I also recommend you get IMDBpro, and so does Harrison Ford, Blake Lively and Kevin Smith, if you are in the film industry, you need it.

To round up; IMDB is an amazing resource to help your career and I wish I had paid more attention to it earlier. Click on your friends links and put nice comments on their message boards. Keep coming back to Frost for more acting tips and career guidance. If you liked this article give my IMDB a click or post a message http://www.imdb.com/name/nm2952107/

Frost Interviews: Jason Croot.

1) How did you get into making films?

I guess it started 10 years ago I made a experimental short film then made a few more and then progressed into professional features

2) What is your background?
I started acting 10 years ago before that I have around 30 jobs I never could settle in one but I guess I use a lot of life experience in my films and acting

3) How did you get your first film off the ground?

Le Fear was a real world wind 3 weeks after coming up with the idea the film was in the can, it was a great experience and really made my love for film making grow much stronger, we were stuck in post production for a while then the film was picked up for distribution I’m awaiting the release date which will be great

4) You act, write and direct, which one is your favourite?
I really can’t pick between acting and directing, I would say acting is like my first love and will never end, film making was my bit on the side during the acting years but now has become my full time love affair

5) You will be making Le Fear, Le Sequel soon. What was the idea behind the film? I was walking to the supermarket one day and had this idea to make a film about a film, using my experiences as an actor I was on one film shoot and the sound guy was texting during a take, I put a lot of misfits together and it worked out well, Le Sequel is the follow up to the first film this time I’ve had longer to plan and develop the storyline

6) What are you up to at the moment?
I’m in the middle of co directing my fourth feature film Meeting Place the film is based in a restaurant and follows conversations of 80 different actors some of which play 2 characters it’s been a good shoot

7) Who are your favourite actors/directors?
I have so many but to narrow down some, Steve McQueen, Max Von Sydow, Peter Sellers, early De Niro,Pacino & Brando, Jean-Pierre Léaud, Gérard Depardieu and the wonderful Roberto Benigni, directors Olivier Assayas, Jim jarmusch, Ingmar Bergman, Martin Scorsese & Quentin Tarantino

8) What advice to you have to people who want to get into film?
I guess never give in no matter what and don’t rely on anyone but yourself

9) What is your favourite thing about the film industry?
Being on set as an actor or director and working it

10) And the least?
Recalls just bloody cast me ;]

Thank you for taking the time to read this find out more on me on IMDB http://www.imdb.com/name/nm2907429/

Prose & Cons Casting and Update

Prose & Cons update….

So, we are on IMDB! http://www.imdb.com/title/tt2014324/ We are really excited now. We are tweaking the script, casting actors, getting ready for a funding blitz. )If you would like to become a producer contact us at frostmagazine@gmail.com)

Lots of people have asked me about casting, and hundreds of people have already applied. I have put a few of the characters we are casting below, but there is more. Feel free to apply, and if you are a filmmaker or actor who has something worthy of being in our film section then email frostmagazine@gmail.com.

The film has no funding at the moment so it is completely a collaboration. No one is getting paid anything, however, if we get funding; you will be paid. I know its annoying but Richard and I are not rich so we can’t fund our own projects.

Thank you!

Company: Run Pictures Film Company

Production Name: Prose and Cons

Production Type: Film (Feature)

Location: London

Salary: Pay depends on whether we get funding!

Production Details: We are doing a feature film, http://www.imdb.com/title/tt2014324/ It will be entered into festivals. We are trying to get funding but if we don’t we will be making it for no money, no one will be paid, we have cameras and location, etc, all for free.

We understand if this is not for you, but please realise that if we don get funding, it is not just the actors not getting paid.

Paula: female, artistic, good at writing poetry, agoraphobic, anti-social, melancholic, slightly unstable, has to be okay with not showering everyday and looking a bit dishevelled. We are flexible on age. Gender; female Min Age 29 Max Age 40

Spud: Sarah’s best friend: Description25-35, must be able to drive a car. No exceptions.

Spud (not her real name, she loves potatoes) is a screenwriter about to make it big and go to Hollywood. She is best friends with Sarah. Spud has an on/off thing with Jamie.

Jamie: Male, 25-39, eccentric, slightly dim but warm and loving. Terminally unemployed. Loves Spud.

Two Dog Walker: We need two dog walkers with good comedy reactions for one day filming. Any gender.

Sarah’s Publisher; any gender. 35-45. Literary agent. A little heartless.

George White; Male, 45-55, TV presenter, think Philip Scofield but arrogant. Or any American TV anchor.

Anna Whiteman ; 25-35, Female. TV Anchor/presenter. Presents own TV show with Matt. 25-35.

We have more roles to cast but that’s it for now.

This Month's Magazines; Jennifer Lopez Believes in Love, 9/11 Anniversary.

Note: Magazines come out a month in advance. September’s magazines are Augusts.

The September issue of Vogue is out and the advertisers have made the issue heavy enough to use as a dumbbell. No complaints from me.

It is the International Collections special and there are lots of clothes to fawn over, Labels and trends to be urban cool, and accessories that make a difference in Vogue’s Big Fashion Issue.

There is a brilliant article on the history of Gucci, Paloma Picasso revisits Venice and talks about her journey to becoming a jewellery designer, Dries Van Noten gives a guide to his Antwerp, up-coming actress, producer and writer Brit Marling is interviewed (Frost loves her), Rifat Ozbek is doing Robin Birley’s new club, Ruperts; Good two page article.

Olivia Wilde talks Haiti and Childhood, there are a lot of autumn clothes that all look too hot, it’s 30c in London at the moment!, Miss V has her excellent social diary, there is a 9 page spread on the turbulent life of John Galliano, Tom Ford on his new cosmetic line and an article on the new David Bailey film. I noticed afterward that in the shops you get a free fashion DVD. However, I did not get this as a subscriber. Bad form.

Emily Mortimer is on the cover of this month’s Tatler and there is an interview inside.

There is a free gift but not for subscribers, grr.

There is a moving tribute to Tatler senior editor John Graham, Princess Tatiana of Greece and Denmark, A guide to nightclubs, An article on what it is like to stay on Abramovich’s yacht and the Royal Family residences, who sits where at White’s, Secret Cinema, Kate Middleton joins Competitive Princessing, Sir Michael Sorrell, What to wear: looking posh on less dosh, Legendary Lotharios, Rich Kids, a good 6 page spread on Tina Brown.

Guy Pelly, Astrid Harbord and Jake Warren have a new club, 37 year old Sam Leith goes back to school, Diana Von Furstenberg tells all about what she loves.

There is also lots of Travel and the Bystander (the social diary). Kate Middleton makes an appearance at the Derby with William, as does Elton John’s annual White Tie & Tiara Ball.

Frost has been complain that Marie Claire has not been giving its subscribers free gifts because of ‘cost’, and this month’s issue came with a free gift. It would seem someone listened but, alas, no. In the shops you get a free nail polish and a conditioner. I just got a conditioner.

Anne Hathaway is on the cover and interviewed inside. There is a good article on what to wear to fashion week (which I will be listening to!), an interview with Mulberry bag designer Emma Hill, an interview with Katie Holmes, how to get French style, what the New York fashion pack wear, China’s fashion, what men won’t tell you until the third date, Should you move abroad?, 9/11 Anniversary, A good three page article on Stella McCartney, The X Factor, Beyonce, Oh Land, a One Day Special; article on the book and interviews with cast and lots & lots of fashion and beauty.

Vanity Fair has Jennifer Lopez on the cover and her first interview since her divorce inside. She says she is “an eternal optimist about love…it’s still my biggest dream.”

L’Wren Scott gives us the low-down on her stuff, in Fairground there is a lot of lovely picture of the Duke and Duchess of Cambridge in Hollywood attending the BAFTA party.

Also articles on Michael Buble, Private Eye’s 50th anniversary, Agnes B, how the US failed to stop 9/11, Hackers, The 2011 Best Dressed List; Tilda Swinton, The Duchess of Cambridge, Carla Bruni-Sarkozy, Andrea Dellal, Johnny Depp, Vanessa Paradis and Arpad Busson all feature, There is a celebrity portraits of Angelina Jolie amongst others, Michael Lewis investigates German attitudes towards money, the actors who play the Duke and Duchess of Windsor are photographed and interviewed for Madonna’s new film W.E, Designers and their muse, John Currin.

Glamour has Mila Kunis on the cover and she is interviewed inside.

How to be a Cavalli Girl, Feminism, Fall in love with your job again, How to eat well if you have £15 until pay day, 9/11 Anniversary article, Career rules rewritten, What sex feels like, Jim Sturgess interview, Are you Destroying your own love life?, Comedian Jack Whitehall, Why do women want to be WAGs?, Fashion’s Hot 100, How to have a great hair month, How to get more energy.

Phew!

Red has Laura Bailey on the cover and has a free bodywash. Laura is interviewed inside. There is a good article on no kids and no regrets, the original supermodels and what they are doing now, an article on people’s on/off duty wardrobes,

My City, My shopping guide, The looks that sum up a city. Anjum Anand show Red around her life, 8 Lessons in love and loss, four women reveal the moment they found their dream property, Dominic Cooper, Adele, Tom Ellis, Will Young, Colin Farrell, Fiona Neill, Jo Whiley’s Festival Guide, 4 ways to update your face, How to get radiance, there are a lot of good recipes, cooking with in season vegetables , paella, home made curry, global shopping guide, find your health/life balance, what is causing your breast pain and Audrey Tautou tells all about the best things in life.

[This page will get updates as more magazines come out. Thank you.]

Angelina Jolie and Brad Pitt To Quit Acting: “We Had a Good Run”

Angelina Jolie has revealed that she “doesn’t love” acting as much as she used to.

Jolie was in tears when she was honoured for her controversial war movie, The Land Of Blood And Honey, at the Sarajevo Film Festival. She was praised for her directing debut, which is about a Muslim woman and a Serbian man during the Bosnian war in the 1990s. However, Jolie also said that she and Brad plan to quit acting soon.

“As Brad and I get older, we’re going to do fewer films,” she said. “I’ve been working for a long time, he’s been working for a long time. We’ve had a nice run and don’t want to be doing this our whole lives.”

Jolie added: “I’ve never not been grateful to be an actor. But I think when I was younger, I needed [acting] more. I was trying to question things in life, so you find these characters that help you find things and grow. I’m older and I know who I am, and I’m less interested in the character helping me answer something than in being able to answer it for myself, as a woman, as an adult, with my family.”

Jolie was Forbes highest paid actress in 2009 and 2011, and she and boyfriend Brad Pitt are parents to six children, Maddox, 9, Pax, 7, Zahara, 6, Shiloh, 5 and twins Vivienne and Knox, 3.

She said: “Home is wherever we are. I’m very bad at staying in one place. I’m also bad at sitting still. There’s so much to explore in the world, so I love travel. If you can travel I think it’s the best way to raise kids.”