Tag Archives: ageing

Kristin Scott Thomas Retires From Film

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Kristin_Scott_ThomasAfter 20 years and nearly 80 credits Kristin Scott Thomas has announced she is done with making films and has decided to quit.

“I just suddenly thought, I cannot cope with another film, I realised I’ve done the things I know how to do so many times in different languages, and I just suddenly thought, I can’t do it any more. I’m bored by it. So I’m stopping.” She told The Guardian.

Scott Thomas has said it is partly due to be treated like an “aging actress.” She is sick of playing the “sad middle-aged woman”.

“[I’m] asked to do the same things over and over, because people know you can do that, so they want you to do that. But I just don’t want to pretend to be unhappy anymore — and it is mostly unhappy.”

“I’m often asked to do something because I’m going to be a sort of weight to their otherwise flimsy production. They need me for production purposes, basically. So they give me a little role in something where they know I’m going to be able to turn up, know what to do, cry in the right place. I shouldn’t bite the hand that feeds, but I keep doing these things for other people, and last year I just decided life’s too short. I don’t want to do it anymore.”

There might be a small surfeit of roles for elderly actresses like Maggie Smith and Judi Dench (who never seem to stop working, thank goodness), but the film industry has little need for women in their fifties, except to play moms. I’m sort of, as the French would say, ‘stuck between two chairs’, because I’m no longer 40 and sort of a seductress, and I’m not yet a granny.”

On studio films she says; “I can’t bear all the kind of rubbish that goes on on those big films. I just can’t stand sitting around for hours in a great big luxury trailer, waiting, bored out of my head. I used to do a lot of tapestry. Yes, I had a lot of cushions around.” On Confessions of a Shopaholic, she says, “I thought it would be quite good fun. But I spent my entire time waiting. I hated it, hated it, hated it, and I said that I wouldn’t do another one.”

She won’t be doing TV either; “I can’t do miniseries. Once you’ve got the characters, once you know who they are, they’re going to repeat themselves, aren’t they, for the next five years? It just goes on and on and on. I get terribly bored. Series bore me.”

However, you can still find her on stage; “When you are acting in a film, you’re giving the director the raw material to make the film,” she says. “But when you’re acting on stage, that’s it. And that’s when you discover that you can really do it. It’s this word ‘trust’ that keeps coming to me. It’s not a question of whether one person is conning you into thinking you can do it, saying, ‘Oh, it was beautiful.’ On stage, if it works, it works.”

 

Nip + Fab Glycolic Fix Exfoliating Facial Pads Review

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I have previously reviewed Nip + Fab Glycolic Fix Serum, which I loved and thought made a real difference to my skin. It was even our product of the year so I had high hopes for the Nip + Fab Glycolic Fix Exfoliating Facial Pads. The first thing I have to say about them is how convenient they are. Usually exfoliating requires massaging a scrub into your face and I always worry I am rubbing too much or not enough.

Nip + Fab Glycolic Fix Exfoliating Facial PadsreviewThese are just presoaked pads which smell of citrus (which is lovely and soft- not overpowering), and have bumps on one side. You wipe it over your face, neck and decolletage.The pads are small but do the entire area. It says use the pads once or twice a day. I do it almost every day.

I don’t have any wrinkles yet but the pads leave my skin brighter and exfoliated. I feel my overall skin texture and tone has improved. In fact an annoying patch of dryness that was so noticeable on my neck it actually looked a bit orange has now gone. The pads also have witch hazel and blue daisy in them to soothe and tone.

I love these pads. They are a mild chemical peel but are still gentle and they do not sting my sensitive skin. They leave a temporary tackiness just after they are applied but this does not linger. I highly recommend these pads and at £12.95 for 60 pads they are very cheap for what they are. A warning though: these are a mild chemical peel so after you have used them you must use an SPF if you go out.

Nip + Fab Glycolic Fix Exfoliating Facial Pads are available from Boots and Superdrug.

First-ever anti-ageing supplement range launches at Harrods

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  BOXHollywood comes to Harrods

First-ever anti-ageing supplement range launches at Harrods

California’s favourite supplement brand, Nature’s Plus, is launching a groundbreaking new range of anti-ageing supplements to help promote the youthful vitality of Harrods’ finest.

The Nature’s Plus AgeLoss range is an entirely new approach to promoting good health, it works to counteract harmful free radicals that can lead to inflammation whilst also giving the body a healthy boost.

Step 1
With Vitamin D for healthy immune function1, antioxidant vitamins and minerals* and organic whole foods, Nature’s Plus AgeLoss First Day provides unparalleled nutritional activity.

Step 2
AgeLoss Women’s Multi features a vibrant offering of botanicals and amino acids to support a woman’s quality of life, it is the first-ever women’s multivitamin enhanced to promote youthful, restorative wellness in the female body’s organs and systems via specialised antioxidant nutrition.2

Step 3
Customise your quality-of-life programme by selecting the individual formulas in the AgeLoss range most appropriate for the bodily systems you wish to address. Each product employs specialised antioxidant blends, each designed to uniquely address the free radicals of specific tissues or systems.

·      Promote a healthy digestive system with Digestion Support†
·      Uplift your energy levels with Energy Support†
·      Take care of your eyesight with Eye Support†
·      Maintain your joint health with Joint Support†
·      Feel on top form with Immune Support†
·      Promote a radiant skin with Skin Support†

Maintaining good health is now just as easy as picking a new dress.

 

• Nature’s Plus AgeLoss range is available at Harrods
• AgeLoss Women’s Multi £28.45 (for 60 tablets)
• AgeLoss First Day £47.45 (for 90 tablets)

Spring Clean Your Body

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Christmas may be a mere memory now but some of us are still in need of a spring clean for our body. I know I certainly do. So with spring on the way I started to finally detox myself and get in the best shape of my life. Here are some of the things I kick-started the spring clean with.

Pukka Wheatgrass Juice Powder

Wheatgrass?! Yes, I know it is very LA, but not only did it make me feel energised and healthy, but I also liked the taste. Wheatgrass is one of the most nourishing foods in the world and you can tell when you are drinking it. It just makes you feel instantly better. It is health in a glass.

Wheat Grass Juice naturally supports the body’s ability to cleanse itself due to its high chlorophyll content. It is one of the most nourishing foods in the world containing an easy to digest broad spectrum of vitamins, minerals, amino acids, proteins and antioxidants, but daily juicing can be a real pain – who really has time to pick and juice fresh Wheat Grass every day!?

Why not try Pukka Herb’s easy-to-use Wheat Grass Juice Powder instead? Unlike many other wheat grass products available, to ensure optimum potency, we use only concentrated fresh cold dried organic wheat grass juice, and now, for the first time, it is even available in a hand handbag friendly sachet for juicing on the go!

Pukka Herbs’ Fibre Plus

The fibre plus, like the wheatgrass, is in a handy sachet. You just add it to 250ml to water and you are good to go. It doesn’t taste as good as the wheatgrass but still leaves you feeling cleansed. It is a brilliant idea and has a lot of goodness in a condensed form.

Overindulging rich foods and alcohol can often result in indigestion. Pukka’s powerful new Fibre Plus sachets can help alleviate your digestive dramas. Containing a powerful blend of soluble and insoluble organic fibre blended to support and maintain a healthy and regular digestive system, its high fibre content lubricates the bowels, heals inflammation, and replenishes gut flora.

Clean Greens

Drinking this just gave me energy. Instantly. It made me feel healthy. I am inspired to buy these in bulk along with the wheatgrass. You can read below to find out exactly what it does, but I swear by these now. They just leaves you feeling cleansed and healthy. I have been trying to find a natural way to get more energy and I really think I have found it. They get the Frost thumbs up.

Alkalises & Oxygenates: Helps carry oxygen to the blood.

Mineralises: Minerals in these super-green foods help reduce food cravings.

Detoxifies: Removes unwanted substances causing stagnation, congestion from the body channels, organs, tissues and cells.

Reduces inflammation: Reduces inflammation throughout the digestive tract and liver.

The chlorophyll rich ingredients in Clean Greens helps carry out all of these vital functions and acts as a potent food based antioxidant that is intended to reduce premature ageing and bring you lasting vitality.

Pukka Herbs are available from Amazon UK and health stores.

After looking after your insides it is time to give your skin some attention.

 

As Jameela Jamil lands her dream job presenting the Radio One chart show, she also reveals the secret to her glowing skin and guess what?… It doesn’t cost a bomb!

Jameela credits the Dr Organic Manuka Honey Skincare range to her glowing skin and when asked what her top beauty tip is, she describes how “I throw on my Dr Organic Manuka Honey Rescue Cream, and go about my day”. She also loves the Dr Organic Manuka Honey Skin Lotion stating: “It smells so delicious I could eat my face!”

Dr Organic’s Manuka Honey Rescue Cream provides deep nourishment to skin leaving it feeling protected and intensely hydrated. Apply a small amount to the face, gently work into the skin and enjoy the gorgeous scent of Manuka Honey that will leave your skin silky and soft. Available from Holland & Barrett.

White Tea

Super healthy white tea is best brew for 2013 detox

Health-conscious shoppers have began searching for healthier alternatives to the morning caffeine hit or post-work pint.

This ‘detox January’ trend has driven brands like Tetley to launch green tea ranges, plugging the health benefits that the lower-caffeine and antioxidant-rich alternative to black tea is known to possess.

But east London tea entrepreneur Joe Kinch is backing a different, whiter horse – he knows that white tea is the perfect way to kick-start a healthy 2013.

Packed with antioxidants that boost the immune system, improve brain function, and can help prevent diseases like cancer and heart disease, and with very little caffeine, white tea is green tea’s healthier younger brother.

Both white and green teas come from the same tea plant, Camellia sinensis, but white tealeaves are harvested at a younger age than green tea leaves.

Because white and green teas are treated gently and not overly processed, they retain most of their beneficial antioxidants. White tea is the least processed of the two, as it isn’t fermented at all, but is simply steamed and dried. Since white tea is less processed, it retains a higher amount of antioxidants.

The antioxidants found in white tea have many health promoting properties from boosting cardiovascular health, helping to lower cholesterol, and enhancing weight loss.

In fact, a 2009 study by Kingston University and Neal’s Yard Remedies, found that white tea not only boosts health but can also combat age-associated wrinkles and other signs of ageing.

While green tea contains around 20g of caffeine, white has around 15g, making it perfect for people trying to avoid the less pleasant side effects of too much caffeinated stimulation.

White tea is considered rare and is usually more expensive than green, as it can only be hand picked during a few days of early spring and has to be handled with such care. But Joe’s Tea Co’s is set be the first tea company to make the health benefits of white tea available to the average Joe. Health-conscious shoppers can get a box of ‘Whiter than White’ online or in Harvey Nichols’ stores across the UK for less than a fiver.

Joe Kinch, owner of Joe’s Tea Co, said:

“I’ve been drinking white tea this January as I returned to work after a few days of over-indulgence – I hope people embrace it for its great flavour and super health benefits!”

Pharmacy-assured bespoke vitamins at the click of a mouse

A new way of taking vitamins has been launched which will change the way millions of people can access this important part of the health market, using innovative new daily vitamin pouches.

thrivevitamins.co.uk tailors the supply of vitamins to the user’s own lifestyle and brings pharmacy assured service to the online marketplace.

The service, established by retail expert Alan Beesley and pharmacist Brian Duggan, with support from Peter Batty, the chief executive of one of the North of England’s largest pharmacy groups, provides a personalised 28 day supply of vitamins unique to the customer’s own lifestyle and health and wellbeing needs.

The daily pouches instil a regimented approach to taking vitamins, which is both convenient and portable.

Using state of the art robotics, alongside the company’s professional experience in pharmacy and e-commerce, the vitamins are sealed in convenient teabag sized daily pouches, each printed with the customer’s name and the contents.

Brian Duggan said: “Prior to the launch of Thrive Vitamins, the marketplace could not cope with the requirements for individualised vitamin programmes, but we have developed a system which learns about the customer and recommends vitamin plans to suit their lifestyle.

“Rather than a bottle of one specific supplement, such as Zinc, the bespoke packs contain the mix of vitamins needed at regular intervals, meaning the service is efficient, removing the over-selling of products, which are in excess of the customer’s needs.”

Alan Beesley, who created the Thrive Vitamins brand, said: “We wanted to provide a more convenient, personalised service to compliment a customers lifestyle. So, we created an easy way to ensure customers receive the supplements they need, when they need them and in handy daily dose pouches.

“Our team includes pharmacists, retailers and even has a former member of the Royal Logistics Corps, whose organisation skills were utilised for 13 years ensuring the British Army had the equipment it needs. All together, we have developed an unique, professional and simple system which we believe will be popular with individuals and families alike.”

 

Vanessa Bailey & Richard Perryman on Three Days Film | Film interview

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When I interviewed Vanessa Bailey and Richard Perryman about their new film, Three Days, we had so much fun and laughed so hard. Vanessa has co-written and is starring in the age gap romance alongside Richard who is fresh out of drama school. Vanessa is beautiful and talented but doesn’t seem to know it, as is Richard. They are both also wonderful company and building quite a following for their film which will start shooting early next year. To find out more, read on….

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Tell us about your character.

Richard Perryman: ‘I am playing James, a recent graduate, a young guy who does odd jobs. He is flyering for a jazz club and has a care-free lifestyle. He is not really looking for love but just by chance it happens. We were talking about this earlier. It just happens and he is not looking for a long term thing. It just happens to him and he can’t really get away. [laughter]

Vanessa Bailey: [laughing] He can’t really get away! These two characters are not the two people you would expect to see in a relationship. Not just with the age gap, which does sometimes happen, but also with their personalities. She is no a cougar, she is not predatory. She hasn’t been walking around looking for impressionable young leafleters to drag back to her hotel room. He’s not a lad.

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Richard: It’s not a trophy for him.

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Vanessa: It is just a sexual connection between them.

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Richard: Well, not the main one.

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Vanessa: [laughing] No, not the main one. It is about two real people. It is about finding what that connection would be and how it would work out in real life. They are not caricatures. It is not about romantic cliches. If two people really did connect, how would that work. Can it work?

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Richard: Can that relationship last or is it just a fling?

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Vanessa: And we don’t know the answer yet.

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Richard: I think they are probably both going into it thinking it is just a fling. And not expecting to find that they actually fall in love.

Age gap relationships are popular in film at the moment. Why do you think they are popular and what is your favourite?

Vanessa: I really liked the ITV one, Leaving, although I kinda thought they had stolen our thunder because we had written the script before it came out. What appealed to me about that one, and about Three Days, is most of the other films, the age gape in The Graduate isn’t that big. There is only six-years between them because they are playing up and down. So what I really liked about the ITV one was that they had Helen McCrory who is really gorgeous. They were able to make the audience believe. It was a slightly different story and it was about self-improvement. That one would be my favourite because it was anchored in real life. You can recognise it in real life. Whereas with the other ones, they are lovely stories, but they are not real.

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Richard: I have only seen The Graduate. I think with that one he has that relationship thrust upon him. It is much darker. She is more of a cougar and she reels him in. This is more of a chance. It is a more filmic story.

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Vanessa: It is more of a romance. It is not dark in any way. Which is more challenging. There is no gender game. It is more, ‘why has this happened and what should we do with it?’.

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Why do you think there is still a stigma attached to the older women/younger man thing?

Richard: There has been a rise in those type of films. I think there is a stigma attached but it is becoming less and less. There is still that taboo and it is still fine with older men and younger women.

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Vanessa: Again, we were talking about that earlier. I think with the older man and younger women, largely they are a physical manifestation of his success and being sexually attractive to women. It is more of a trophy thing. It is interesting because, as you said, the storyline is really popular. We have 1,300 people following us on Twitter. We have no media, no trailer, nothing really about the film, but I think the story has lots of appeal. We have a lot of different people following us. Younger girls, 17 or 18 years old and older men.

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We had a guy who said when I was in my 20s I had a relationship with a women who was 20 years older than me because it is common. See I am 43.

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Richard: And I am 22.

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Vanessa: Oh my god it has gotten bigger! What is that gap?

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Richard: 21 years.

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Vanessa: Yes, 21 years. That is quite a big gap.

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Richard: It’s not that big.

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Vanessa: Oh, bless you. We can make it work. But I think people are really fascinated by that. I am not going to name names but I had a lot of people say I had this relationship with this women who was 20 years older than me. It is really interesting. It does actually happen but I don’t think film shows that as much as the older guy.

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Another issue with younger men with older women is the fertility issue….

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Vanessa: Yes, I think that is true. It doesn’t work quite as well from a family point of view, biologically the other way around. Maybe some women are at the point when they don’t want to have kids.

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Richard: I think going into that relationship they won’t really think about it and then when they did the pressure would start adding on to it. Like, ‘what do we do?’

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Vanessa: I was talking to some friends about it and they were like, ‘lucky you’ and then I was thinking, no, because in reality when you are an older women it is hard. You have insecurities.

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Richard: Yeah, you were saying to me that when we go out people will be like, ‘Your son is waiting for you’ or ‘Is that your mum?’ or something. Which would be really tough.

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Vanessa: [laughing] There is always a 21-year-old girl around the corner and you are getting older, and you look older, and the point of this, of Three Days, is also when older women are portrayed in films they don’t look their age. They have had all of that plastic surgery and they don’t look their age. I do look my age [she doesn’t] so it is not like, yeah, she is a hot 43 but she looks 33. She is just 43. So there is that whole physical insecurity.

There is also this myth that is spread that men get better looking as they get older but women don’t. It places a lot of pressure on women and it also happens a lot in film. Then when you do get a part it is not a really good part. In this film it is a women in a really good role, which could actually have a lot of significance.

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Vanessa: And that is the great thing about indie film. You have raised a great point actually and that is the good thing about Three Days. There are not the parts out there that actresses my age necessarily want to play. You get typecast in commercials and then you have to wait until you are 75 to play a dowager in Downton Abbey. There is a massive gap in-between. You are just wandering around wondering what you are going to do. A few of us do have a natural look so you are not going to get the barmaid parts or the cougar parts. So I kind of wanted to come up with a part that a lot of women my age would want to play because it is interesting and it is fun. There is a massive gap for older actresses.

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How did you come on-board

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Richard: I didn’t really do anything.

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Vanessa: That is the joy of Twitter. I am going to write a book. Instead of the Joy of Sex I am going to write The Joy of Twitter, and [to Richard] you are probably too young to even know the book. It was out in the 1970s. [to me] You know the book? [Yes, I know the book] See, women know the book.

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So, Twitter, we were looking for someone. I was looking at showreels because I love watching showreels. I saw Richard’s headshot and someone tweeted a link to a short film he was in called Emmeline, which was gorgeous. So I stalked him. I asked him to be in a film with me.

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Richard: I got an email asking me if I wanted to be in the film. We met up for a coffee. Then I wanted to do it. She reeled me in. We were both on the same page in terms of character and what we wanted for the film.

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Vanessa: What clinched it was that halfway through we were talking about the dialogue and how we wanted it to be really natural, and be very real and he said it should be like ‘Before Sunrise’, which is my favourite film. At that point I was really hoping he wanted to be in the film.

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So it was the power of Twitter and short film. And the mocha that I bought him that I then drank.

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Richard: Yeah, I had a latte and she had my mocha.

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Vanessa: Start as you mean to go on.

Tell us about the process of the film so far.

Vanessa: It has been a long time actually, nearly a year. I wrote it. I wrote a really bad script originally. I sent if to Jon Rennie, our director, and basically what he did was he rewrote it from a cinematic point of view. Jon said he liked the story but this is how he thought the physical journey of the film would go. We have beautiful locations we are filming in. Then he gave it back to me to fill in the dialogue. We knew we had Huw onboard who is just phenomenally good.

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The film is quite like Notting Hill on acid. Huw Walters (Cinematographer) and Jon and myself all worked on Bubbles [an excellent short film. See it] Our composer had seen Bubbles and asked us if we had a composer. Then I looked at his credits and I was like, wow. He has worked with the BBC, with Tom Jones, with loads of people.

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Our hair designer, Jason Hall, also asked to come onboard and he had done London Fashion Week. He was also from twitter. He contacted us and asked us if we needed a hair stylist.

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The producer, Sam Smith-Higgins, was following the film since it started on Facebook and she said she would really like to collaborate and asked if we had a producer. She has an entire production company that she is bringing with her. The Executive Producer, Suzie Boudier, has been a constant source of inspiration.

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The great thing about this film is that everyone has come on-board because they really want to make this film rather than just a film. It has been a really long process. I am really excited.

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How did you approach funding.

Vanessa: We will be crowd funding in February. Consolidating everything in March and then we are shooting in April. We are looking at different crowd funding options at the moment.

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Tell us about you.

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Richard: I just graduated from E15 from a contemporary theatre course. I set up my own theatre company with a couple of friends called Antler. We took two shows up to Edinburgh.

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Vanessa: Who have got some amazing reviews. Should I quote some of them? Richard excels in dry humour. That is what it said.

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Richard: We got some lovely reviews. Since then I have done a short film with the same company. I was lucky to be a part of that. And from that I got this. Which is great and exciting.

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Vanessa: I am completely different. No training. I am a teacher. A music specialist whatever that means. I came out of it after I had my children and decided I wanted to be an actress. So I did a lot of background work just to get into the scene and I was lucky to break that rule that you never become an actor after being an extra. I managed to get there. I have managed to blag my way to some good jobs so far.

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You are so self deprecating

Vanessa: Yes I am. But I have no reason to be here. Once I got Spotlight and a DVD I sent it out and Sam [Samantha from Simon & How, out mutual agent] was the first person to give me an audition. I absolutely love it.

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Do you think the age of the actor is dead and you have to be an actorpreneur and do your own projects.

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Richard: I have only ever done my own projects. So I think, yes, you can’t really trust anyone else to do anything for you. You have to do it yourself. If you are lucky enough you will be handed lots of jobs. It is the luck of the draw. If not you have to go out and do it yourself. [to Vanessa] Like you are doing.

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Vanessa: All actors know that it is a really small pool that people fish from. Especially in television. It is hard and it is not going to talent unfortunately. You see people who work regularly who are not good and lots of people who are very talented who don’t get any work. So, yes, I do think you have to be an actorpreneur.

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Richard: I am very bad at selling myself because I am not on Twitter.

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I often lose roles to people who are more famous or someone’s girlfriend.

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Vanessa: Yes, that is frustrating. I can see the other side of that. We all work with people we know because it is better the devil you know.

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Richard: Then that creates those little cliques who work with the same people and you can’t break into it.

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That is why I left Scotland. I had to commute from Glasgow to London because there was the group of Scottish actors who always got work and I could not break into the industry.

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Vanessa: There are a couple of casting directors who fight it. A casting director said to me that he was sick of seeing the same faces in television over and over again.

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And you do. You see the same faces over and over again. We need pioneers who are bringing new faces in and trying to get people seen.

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Richard: But we are a little family. [We all have the same agent. Samantha at Simon & How]

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That’s right.

So is the process to make a short and then a feature film.

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Vanessa: I would love to. I would love to make a feature. Are you playing footsie with me Richard?

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Richard: Yes, I am getting into character.

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Vanessa: Two things with the short film. Firstly, I would like it to get into festivals. But also it is like a calling card. Hopefully people will see this. When we had one of our first meetings with Jon and Huw you could very much see the potential of the film and the ensemble cast. I would love to make a feature film.

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Richard: It has the potential to be a great British film.

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Vanessa: I am such a champion of British film so I would love to make it into a feature.

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What are you shooting on?

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Vanessa: I’m not sure. I have left that to Jon. Not film. Because it is too expensive. We want to do a few different takes on this film and we don’t want to worry about how expensive it would be. I know Jon was talking about filming on mono. So a combination I think.

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What’s next?

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Richard: I just graduated. I am not sure what is next. I am just putting myself out there.

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Vanessa: You are developing….

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Richard: Oh yeah, with my company, Antler, we are constantly developing work. Putting things together and trying out new ideas.

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Vanessa: Everything at the moment is Three Days. Then hopefully after that it will be the festivals. [Vanessa also has a lot of acting work coming up. Including a part in Southcliffe and some short films]

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Thanks Vanessa and Richard.

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Director: Jon Rennie @jon_rennie
Writers: Vanessa Bailey, Jon Rennie @vbaileyactor @jon_rennie
Producer: Sam Smith-Higgins http://www.redbeetlefilms.co.uk/ @SamSmith-Higgins
Executive Producer: Suzie Boudier @Superboooo
Cinematographer: Huw Walters http://vimeo.com/user4428776 @huwcamera
Composer: William Goodchild http://www.williamgoodchild.com/ @WGoodchildMusic
PR: FireflyPR http://www.firefly-pr.com/ @FireflyPR

Hair Design: Jason Hall http://www.jasonhallhairdressing.co.uk/ @Jhhair

The First Horseman by Clem Chambers | Book Review

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Clem Chambers book touches on news-worthy and relevant subjects as ageing, the possibility of living forever and the financial markets. A riveting and thrilling read, I got through this book quite fast. The way the book has been written flows beautifully. The First Horseman is fresh and interesting.

This book touches on the subject of what people would do to live forever. This is the fourth book in the Jim Evans series but you can still know what is happening and not get lost.

Jim Evans is a brilliant character and so is his butler, Stafford. Together they make a great team. Professor Christopher Cardini is a good character too. He has a sick and twisted mind, but is obviously a genius. Like all good books, The First Horseman has wonderful observations. I found myself turning the corners of the page to go back to certain parts.

I thought The First Horseman was great and I will now be catching up on the rest of the series, and the rest of Clem Chambers books. Clem Chambers is the CEO of ADVFN, so goodness knows when he finds the time to write books, but I for one am glad that he does.

The First Horseman by Clem Chambers

Some would give everything just to live one more year. To live another
hundred, some would destroy everything.

Jim Evans, retired super-rich trader, only wants to do good. He wants to
fund research that will save lives.

Professor Christopher Cardini has developed medical technology he says
will change the world. Through cell therapy, he can even rejuvenate the
dying.

Yet there’s something Jim will find even all his money can’t buy:
protection from a brilliant, but twisted, mind.

The First Horseman is the fourth book in the acclaimed ‘Jim Evans’
thriller series, by Clem Chambers. It focuses on what might happen if we
had the ability to turn the human body clock back?

If we were able to repair telomeres, the tiny proteins found at the end
of every strand of human DNA – we could live much longer, perhaps even
become immortal, like Hydra.

Yet when such a medicine would result in many more billions of people
fighting to live amongst ruins of an ecologically exhausted planet, what
would be the point?

Professor Cardini sees no point. He plans to deal with seething humanity
in a way that will both shock and horrify. Will he succeed in releasing
his tiny, but deadly ‘First Horseman’ and wreak bloody havoc on the world?

Not if Jim Evans can help it.

The Truth About Looking Young

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You may have seen Dr. Rozina Ali’s excellent BBC Horizon programme entitled ‘The Truth About Looking Young’, if not see it here, in which she talked about L’Oreal’s progress in the field of glycobiology and how it is the next big thing in the cosmetics industry. (you can read her article here)

There is a whole new exciting science called glycobiology which looks at lipids and sugars and their role in our bodies. It promises to shed light on the differences between young skin and ageing skin, in particular the role of glycans in repairing damaged skin. This pairs really interesting with our recent skin care report, where together with Mintel l’Oreal found that:

Eye creams and gels

  • Nearly half of all women (46%) use anti-wrinkle eye creams. Eye cream usage is mostly used around the 24 to 54 age groups, for more than half of these women.
  • One in four (26%) 15-24 year olds state that their skincare routine also includes the use of an anti-wrinkle eye cream.

Moisturisers

  • Moisturisers are used by over two-thirds (68%) of women
  • Only 35% use them every day
  • The most popular and highest-volume usage is with young women, with 43% of under 25s using them.

Anti-ageing serums

  • 39% of all British women use anti-ageing serums.
  • As women grow older, 46% of 55-64s using anti-ageing serums as part of their skincare routine.
    L’Oreal have announced a nationally representative UK clinicial trial of YSL Forever Youth Liberator to be published in a journal, which will provide further solid evidence of the anti-ageing effects of glycobiology.

L’Oréal, the leading beauty company will strengthen its understanding of the clinical benefits between the emerging science of glycobiology and skin ageing by commissioning an independent UK-based clinical trial of the Yves Saint Laurent Forever Youth Liberator skincare range.

Forever Youth Liberator is the first range of products available that are based on research into glycobiology, an area of science that is already the subject of intense research activity. L’Oréal has already conducted numerous clinical studies, with validated objective assessments of outcome, for each of the products in this range before their launch. The company is confident that a new independent UK-based clinical trial, to be published in a peer reviewed journal, will provide further evidence of the skin ageing effectiveness of the Yves Saint Laurent Forever Youth Liberator products.  These include a new eye serum and night cream which will be launched in the coming months.

Julie McManus, Scientific Director for L’Oréal UK and Ireland said:

“L’Oréal has devoted over 20 years’ research into understanding the role of glycobiology in skin and the changes that occur with age. We have succeeded in developing highly effective products based on glycobiology, protecting the important role that glycans play in healthy skin. We are totally committed to proving the scientific results of our skincare products, which is why we are carrying out a UK-based clinical trial on the Forever Youth Liberator range.”

Forever Youth Liberator serum, cream, nutri cream, cleansing foam and lotion are now available from major department stores and Boots Beauty counters as well as www.yslbeauty.co.uk.

 

Following the success of the face serum, the best-selling product of the range, Yves Saint Laurent will be introducing on the 5th September an eye serum, specifically designed for the area of the face where skin is at its thinnest.

 

How to Avoid Sun Damage.

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We all know that sun damage is the biggest cause of premature ageing…

… So why is it that even celebrities like Simon Cowell and Kim Kardashian are being caught short..?

And it’s not just celebrities who are affected. In a recent survey by sensitive skin experts Eau Thermale Avène, 55% of us in the UK admit to suffering with sun damaged skin, with 54% agreeing that this has an impact on their psychological well-being and 30% recognising that pigmentation makes us look older or less attractive.

To prevent premature ageing and pigmentation Cosmetic dermatologist, Dr. Sam Bunting, says “Sun avoidance is crucial; a diet rich in antioxidants may also be beneficial, as is applying topical antioxidants.”

Very High Protection SPF 50+ Emulsion (£15.00, 50ml Boots)

Ideal for those looking for high protection, this non-greasy formula is suitable for face and body application. This light and readily absorbed formula contains oil regulating Cucurbita pepo extract to give normal to combination skin a matte finish.

Hydrance UV Light

Paraben-free, hypoallergenic and non-comedogenic, the Eau Thermale Avène Hydrance Optimale UV SPF20 moisturisers (£14.50, 40ml Boots) are perfect for dealing with the aggressions of everyday life. They offer SPF 20 protection against damaging UV rays (without leaving chalky white marks on the skin) and Pre-tocopheryl which lends an anti-radical action and shields skin from the environment’s harmful effects, e.g. pollution, cold and stress.

Trilogy’s Daily Defence Moisturiser with SPF15 (£28.50 Boots)

Easy to apply and with 100% pure plant oils for long lasting hydration, this lightweight botanical moisturiser includes a new generation SPF15 for effective UVA/UVB protection. By absorbing, reflecting and scattering UV rays, this new generation SPF coats the entire surface of the skin, not just the higher ridges, for maximum protection. It has clinically proven natural actives to help you achieve your best complexion from the first signs of ageing and as your skin matures.

To help reduce future sun damage and erase age spots try Avène’s new D-Pigment (£35, 30ml Boots). Using a trio of skin lightening actives D-Pigment slows down melanin production, lightens the skin, helps to renew cells and provides a protective antioxidant to help prevent new spots and patches appearing. In clinical trials, D-Pigment was found to reduce lentigo hyperpigmentation, by an average of 81%, significantly higher than the placebo after three months.[2] Use D-Pigment as part of your night time regime to leave you with a glowing and even complexion.

To further avoid getting caught out, Bao-Tam Phan, pharmacist and skincare expert at Eau Thermale Avène offers these top tips to keep skin sun-safe:

· Reapply sunscreen frequently, especially after swimming, sports or during prolonged periods of exposure

· Never remain in the sun for long periods – even if using a high SPF product

· Avoid sun exposure between noon and 4pm

· Beware of reflected sun – you can burn even wearing a hat or staying under an umbrella

· Avoid exposing young children (under 3 years) to the sun – protect them with a hat and T-shirt as well as Eau Thermale Avène SPF50+ Very High Protection Mineral Cream even on cloudy days.

· Use the correct amount of sunscreen to get the maximum protection (as a general rule, apply ‘one finger’ of product to the face, and ‘two fingers’ for each other part of the body)